Welcome to My World

adult learning, architecture, art, Creativity, Habits, Imagination, Painting, shadows, vision

The Physician

I’m currently reading Noah Gordon’s The Physician, the story of a Christian masquerading as a Jew so he can study in the ancient medical school in Persia during the Middle Ages. Authors have to describe their characters and the world they inhabit in order for the reader to imagine a realistic place, even if the location could only exist in the imagination. I find this book a great escape from the histrionics of the recent news cycles.

An artist who wants to render a three dimensional scene on a two dimensional surface has the extra challenge of learning a new visual language to describe the scene. Drawing in perspective is a brand new way of seeing and rendering a multidimensional world on a flat surface so the appearance of depth and solidity is realized. In some paintings, the artist’s style of painting depicts objects with photographically realistic detail. These works can “fool the eye” of the viewer.

The realism of Gerrit Dou’s “The Doctor” allows us to see the portrait of the physician through a window niche. The bas relief sculptural rendering on the wall is partly covered by a luxurious rug, on which a burnished copper dish rests. The window behind the Doctor adds a back light, but he uses the primary light from the niche opening to observe the liquid in the specimen container. His assistant is in the dimmer light of the background. We are looking through this window and watching him pursue his calling.

In other art works, the “realism” isn’t so much concerned with photographic accuracy, but with the emotional experience of the space rendered. The Scream, painted in 1893 by Edvard Munch, uses classical one point perspective to introduce the sensation of depth with the bridge. The two people walking away balance the one facing forward, who screams from the gut. The colors and shapes of the landscape are emotional reflections of the interior, psychic experiences of the screamer.

The Scream

In art class last year, we had several lessons on perspective. Most students, no matter what their age, dislike these basic lessons. They want to jump right in and learn to paint a still life, figure, landscape, or a building. Unfortunately, if they jump over these basic instructions in drawing, they struggle to set a form in space or have difficulty getting the proportions of the objects correct in relation to eschew other. Art school students usually have have an entire semester class devoted to the multiple forms of perspective. I remember drawing the overhead pipes, book shelves, the corners of rooms, and anything else that had a vanishing point.

Black and White Sketch of Geometric Figures

Perspective teaches us how to see by eliminating the extraneous and unnecessary information and concentrating instead on only the simplest and essential forms and lines. We can hold our paint brush handle up to the objects to measure them. This helps us know if the cone is twice the height of the cube, or 2.5 times. When we lay in our first sketch in a pale yellow wash, we don’t worry if it isn’t exact, we can adjust it with the paint. Why don’t we draw it in pencil? This tool tends to confine our creativity, since we’re used to small movements for writing and filling in correct answers from our school days. It has an eraser, so we struggle to get it “right.” Then we don’t paint with our hearts, but mechanically fill in the lines of a paint by number design.

Last week I was sick, and when I came back from the dead, others were down for the count, working the polls, or working in the salt mines. Gail and I were the only ones in attendance. She’d had the benefit of doing this lesson before, so I suggested we take the setup as a springboard for our imagination. We looked at some modern architecture, which depend on geometric forms for their design interest. One that caught our eye was a simple stacked design of rectangular blocks in a smoky atmosphere: Charles Willard Moore’s “Late Entry to the Tribune Tower Competition, Perspective,” 1980.

Moore: Tribune Tower Entry

When we got busy painting, I put on Dvorak’s New World Symphony, since we were creating a new world for our new buildings to inhabit (the link below is to you tube, if you want to listen along). I also ate a few Girl Scout Samoas, since I bought several cookie boxes from Gail. They reside in the freezer now so I don’t eat them all before Easter. I’m sure Gail can supply you if you want cookies.

While painting, I often lose track of time, perhaps because I enter into this “other world” of my creation. I focus on the image I see and the image I paint on the canvas. My problems fade away, for all I can think about are how to bring the form closer to the foreground: do I need a lighter, brighter color or do I need to change the direction of my brush stroke too? I may need to darken the shape behind or the shadow below it to best evoke the depth of space. Sometimes just a line across the back is enough to set the objects in space, but if we’re trying to build a new world, we might have to indicate some form of landscape.

We talked about the science fiction movies which invent an entire language complete with syntax and vocabulary for the various peoples and architecture suitable for their worlds. If we lived on a planet of crystalline structures, we’d always see the individual parts of white light. Then we’d be people who analyzed the world about us and looked for multiple meanings in the simplest of sayings. If we lived on a hot desert world, we might yearn for cool, dark places, so caves would be our preferred dwelling places. There’s a home for each person, for as Jesus reminded his disciples in John 14:2—

“In my Father’s house there are many dwelling places.
If it were not so, would I have told you that I go to prepare a place for you?”

What is real, you ask, and what is true? What comes from the heart and mind of the artist is real and true. It may not be of high quality, but proficiency comes from putting your true self into your work, without holding back. As the hand gains competence, the heart and mind have to struggle to remain true to the unique person who creates the work. The great danger is we become proficient at pleasing others for the sake of fame or fortune. Then we make pretty pictures, which will decorate walls and match furniture, but we may not reach the depths of the human heart and emotion required to produce lasting works of art.

Martian Landscape

None of us in our art class are here for fame and glory, yet we are progressing as the weeks go by. I like the rich texture of Gail’s Martian landscape and the red dust filled atmosphere of her painting. The odd geometric shapes look right at home on the extra planetary body. My landscape has a spring fondant look of a non-Lenten pilgrimage hostel or BNB. If anyone wants to journey elsewhere, the road is open before us, and is limited only by our imagination. Art class is where we let our minds stretch to consider the impossible and then create a structure to take us there. This is why VISION, HOPE, and OPTIMISM are also part of the artist’s toolbox.

Unfinished Fondant Landscape

Trompe-l’œil Painting
https://jhna.org/articles/gerrit-dous-enchanting-trompe-loeil-virtuosity-agency-in-early-modern-collections/

Gerrit Dou, The Doctor, 1653, oil on panel, 49.3 x 37 cm. Kunsthistorisches Museum, Vienna, inv. no. GG 592. Photo credit: Erich Lessing / Art Resource, NY (artwork in the public domain)

Edward Munch: The Scream
https://www.edvardmunch.org/the-scream.jsp

Dvorak: New World Symphony
https://youtu.be/Qut5e3OfCvg

Rabbit! Rabbit!

arkansas, art, change, Faith, flowers, holidays, Love, Ministry, nature, purpose, rabbits, renewal, righteousness, Spring Equinox, St. Patrick’s Day, Uncategorized, United Methodist Church, vision

Beware the Ides of March

Change is the theme of March. We can count on the weather to vary, for old proverbs tell us, “In like a lion, out like a lamb.” The reverse holds true too. March is the boundary line between winter and spring, with the Vernal Equinox occurring March 19, 2020, at 10:50 pm Central Time.

Folklore tell us that you can balance a raw egg on its end on the equinox, something attributed to the Earth’s “balance” on that day. While this sounds like a fun activity, there’s no basis in fact that egg balancing is any easier on the equinox, according to NASA. The U.S. space agency conducted an unscientific experiment and found it was no easier to balance an egg on the equinox than on any other day. What did make it easier was finding an egg with small bumps on its shell, something that NASA said made the “seemingly impossible task achievable.”

Super Tuesday on March 3rd is the first coast to coast opportunity to select a presidential candidate to oppose the one currently in office. As I write this, every single TV commercial is a political one. We should be glad for this, for some countries don’t have this luxury. I hear a big rain event is forecast for Arkansas, so I recommend early voting, but not often voting. Remember we practice “one rabbit, one vote.” If you want to stuff a box, don’t let it be the ballot box, but fill a food drive box. While some rabbits do prosper in our economy, other rabbits still struggle due to health problems, job losses, or other difficulties in life.

Purim, beginning at sunset on March 10, marks the leadership of Queen Esther, who advocated to the king for her Jewish people, to protect them from a royal death decree back in the fourth century BCE, as told in the Book of Esther. The mark of a leader is to risk their own position to benefit those who are subject to injustice.

“For if you keep quiet at such a time as this, help and protection will come to the Jews from another quarter, but you and your father’s family will perish. Yet, who knows whether it was not for such a time as this that you were made queen?” (Additions to Esther 4:14)

On March 15th we celebrate the Ides of March. The Ides are nothing more than the name the Romans gave to the middle of the month, just as we get excited about Hump Day or the Weekend. Life moved slower back in BCE, but they didn’t have the internet and were still using ink and parchment. We first find the expression ‘Beware the Ides of March’ in Shakespeare’s Julius Caesar in 1601, when the soothsayer whispers to Julius Caesar a warning of his impending death. Shakespeare also added the famous retort to Caesar’s assassins, ‘Et tu, Brute?’ History records no words from Caesar when the dictator, who was launching a series of political and social reforms, was assassinated by a group of nobles in the Senate House on the Ides of March.

Tom Brady and the Future

Free Agency is another way to change leaders, and it’s far better plan than assassination, a practice only used in pirate and authoritarian organizations. March 18, at 4 pm ET begins the fruit basket turnover we know as Free Agency. Drew Brees and Tom Brady, quarterbacks who rank first and second on the all-time NFL passing touchdowns list, will both have the last two years of their current deals void on the eve of the new league year. While they’re the two oldest position players in pro football, new contracts in New Orleans and New England are likely. Even if those deals don’t come together, it’s possible either (or both) could retire.

In the United Methodist Church, springtime is appointment season. Clergy who’ve grown long in the tooth decide to retire, others change relationships to the annual conference due to health or geography, and then there’s the pulpits that need a pastor. While our church tends to move on a regular calendar nationwide, those denominations and congregations who call their own pastor need to seek one whenever they have a need and take the best of what’s available.

We can’t micromanage God.

Having been born a cradle Methodist, I prefer our way of sending new leadership. As my mother used to say, in one of her many unfiltered moments, “If you don’t like the preachers in the Methodist Church, think of them like the weather. They’ll change pretty soon, but don’t get your heart attached, for they’ll have to move on elsewhere. It’s their nature.” Of course, I’m not sure my mother ever had any filtered moments, but the rabbits always knew where they stood with her.

The Ides of March may be the sifting or winnowing date for the Democrats in their presidential primaries. The magic number to win the Democratic Party’s nomination for president is 1,991 delegates. It could take months to officially get there, but a total of 1,344 delegates will be allotted on Super Tuesday alone — about 33 percent of the total. Then 11 more state contests are up for grabs on March 10 and 17. By the time March 17 rolls around, 61 percent of the pledged delegates will be allotted.

We could either have a pretty good sense of who the Democratic nominee will be by the Ides of March, or the primary could still be contested, as it was in 2016. If the latter, the contests to decide the winner will happen from March 18 to June 6. Those three months will be when the remaining 39 percent of delegates will be allotted; the most important day in this stretch is April 28, when New York and Pennsylvania vote, among others.

Presidential candidates are all competing for a majority of 3,979 pledged delegates. Separately, there are also 771 automatic delegates, otherwise known as “superdelegates.” Again, it’s worth noting the biggest DNC rules changes were around superdelegates. The change stems from the tumultuous 2016 primary campaign, in which Sanders’ supporters accused the superdelegates of having too much influence over the outcome, since the overwhelming majority of them supported Clinton. That means these 771 superdelegates will not vote on the first ballot, unless there’s already a candidate with a supermajority of pledged delegates. While some hope for a contested convention, this rabbit thinks the end of the race will find fewer taking the checkered flag than after the Big One at Daytona International Speedway.

Not every hill is worth climbing or dying on.

Rabbits can help us find a better leadership style. The typical Rabbit Leader has the following characteristics:

  1. Typically chaotic
  2. Overwhelmed and running around
  3. Trying to do to many things at once, micromanaging
  4. Neglecting to delegate
  5. Always “busy” when people asked how it’s going.
  6. Definitely “late, for a very important date.”

Work expands to fill the time available, but working harder doesn’t always mean greater rewards. Working smarter, not harder, is the better choice. If we don’t take time to reflect, plan, dream, and vision for the future, we won’t give our best efforts to endeavors. I used to tell my team I didn’t need to have all the decisions run past me, such as flowers for Sunday, the acolytes, or the ushers’ names. They had responsibilities for these and didn’t need my second guessing their choices. I have only one brain, and it’s a very small funnel. It has a tendency to get clogged if too many details get crammed into it. I kept my eye on the big picture and the team helped me keep the day to day details filled in.

The Velveteen Rabbit reminds us to be the most effective leader, we need to be our real self and allow others to love us until we’re worn from use. It isn’t easy to be vulnerable, but this is the mark of a leader.

You are worthy of love. Allow others to love you.

‘Real isn’t how you are made,’ said the Skin Horse. ‘It’s a thing that happens to you. When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real.’
‘Does it hurt?’ asked the Rabbit.
‘Sometimes,’ said the Skin Horse, for he was always truthful. ‘When you are Real you don’t mind being hurt.’
‘Does it happen all at once, like being wound up,’ he asked, ‘or bit by bit?’
‘It doesn’t happen all at once,’ said the Skin Horse. ‘You become. It takes a long time. That is why it doesn’t often happen to people who break easily, or have sharp edges, or who have to be carefully kept. Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But these things don’t matter at all, because once you are Real you can’t be ugly, except to people who don’t understand.’

Spring is popping out all over, a bit earlier than normal.

We rabbits shouldn’t fear change, and certainly not in the month of March. We have the Romans to thank for the months of January and February. The God Janus was two faced, looking both forward and backward. February was a month of purification. March was the original first month of the Roman year. If the spring flowers and new leaves bursting forth from the frozen earth cause you to revision your goals for turning over a new leaf, now is the time for a change!

Plutarch wrote in the 1st CE, “It was also natural that Martius, dedicated to Mars, should be Romulus’s first (month) and Aprilis, named from Venus, or Aphrodite, his second month; in it they sacrifice to Venus, and the women bathe on the calends, or first day of it, with myrtle garlands on their heads. But others, because of its being p and not ph, will not allow of the derivation of this word from Aphrodite, but say it is called Aprilis from aperio, Latin for to open, because that this month is high spring, and opens and discloses the buds and flowers.”

Perhaps the greatest change in March all the rabbit denizens undergo in the neighborhood is on Saint Patrick’s Day. Suddenly everyone has kissed the Blarney Stone, or perhaps that’s the Guinness speaking. All wear a touch of green to avoid the pinch that turns them red. Every bunny is Irish for one day.

Enjoy Craft Beer in Hot Springs Brew Shops

If you visit Hot Springs, Arkansas, you can attend The First Ever 17th Annual World’s Shortest St. Patrick’s Day Parade, all 98 feet of Bridge Street! Foghat, the legendary rock band that created “Slow Ride” and other hits, will play a free public concert on Tuesday, March 17, 2020, immediately following the First Ever 17th Annual World’s Shortest St. Patrick’s Day Parade in downtown Hot Springs.

The day prior, Blues Traveler, the legendary rock band with 13 hit albums to its credit, will play a free concert on Monday, March 16, 2020, on the eve of the First Ever 17th Annual World’s Shortest St. Patrick’s Day Parade in downtown Hot Springs. And…the Dallas Cowboy Cheerleaders, plus local floats and marching groups. The Ides of March should beware the St. Patty Party at Hot Springs National Park, which was once known as Hot Springs Reservation. It was set aside in 1832 to protect the Park’s primary resource, the hot springs. This type of Reservation was an early version of the National Park idea. Hot Springs was actually the first area in the United States to be set aside for its natural features.

Until next time, every bunny stay well, get plenty of sleep, keep washing your hands, and remember March 8th begins DAYLIGHT SAVING TIME: Spring Forward and enjoy the extra hour of daylight in the late afternoon.

Joy and Peace,
Cornelia

Balance an egg on the Equinox. https://www.al.com/news/2019/03/spring-equinox-2019-official-first-day-of-spring-can-you-stand-an-egg-on-its-end-today.html

Ides of March Presidential Predictions and Delegate Tracker
https://www.vox.com/2020/2/5/21113779/2020-presidential-delegate-tracker

Democratic Superdelegates
https://www.cnn.com/2018/08/25/politics/democrats-superdelegates-voting-changes/index.html

Plutarch, “Nuna Pompilius,” C.E. 75
Sanctum Library: 8th-7th Century B.C.E.
Translated by John Dryden.
http://www.webexhibits.org/calendars/year-text-Plutarch.html

Hot Springs National Park
https://www.nps.gov/hosp/planyourvisit/basicinfo.htm

Mountains and Molehills

adult learning, art, Attitudes, beauty, Creativity, Faith, Fear, Imagination, Love, Ministry, Painting, purpose, renewal, Right Brain, righteousness, seashells, shadows, United Methodist Church, vision

I’m one of the world’s worst worriers. I can make a mountain out of a molehill. This doesn’t bode well for living life to the fullest, for none of us know for certain what’s coming up around the corner, much less further down the road. This knowledge paralyses some of us, so that some of us cannot make choices until we have more information.

The fear of making a poor choice keeps some of us confined to our beds, for what happens if we get out on the wrong side of the bed? Our whole day might be ruined. We’ll choose to stay in bed, rather than risk making this first bad choice of many. After all, there’s no sense of starting a day that will only go downhill from the gitgo.

In times of stress, I have repeated this sentence as if it were a mantra:
“There is no fear in love, but perfect love casts out fear;
for fear has to do with punishment,
and whoever fears has not reached perfection in love.”

~~ 1 John 4:18

When faced with a blank canvas, we all have choices. If we use a pencil to draw the shapes, then we try to fill in the exact lines, even though we may not have yet found the perfection of form of the object we are representing. I always recommend drawing the general shape of the subject matter with a brush dipped in a wash of yellow paint. This helps the artist do two things: set the general composition and forms on the canvas, and provide an opportunity to correct any first misperceptions, since the pale yellow is easily over painted.

Lines of a Landscape

Of course, most of us have not lived in a world of unconditional love, even in the church. We Methodists are traditionally called to go “onto perfection in love of God and neighbor until our hearts are so full of love, nothing else exists.” Judgement causes fear, so people are afraid to give what they have or to serve with their gifts, if others tell them how poorly they are doing.

In art class, we have a rule of positive critiques. First we find three constructive statements to make about a student’s work. Then we talk about what can be improved. It takes time to move people’s minds from thinking negatively about their own work, to believing positively in their capabilities to learn. In this aspect, I confess to a belief in “works righteousness,” for persistence will pay off. While we may not become Matisse or Michelangelo, we can enjoy the pleasures of color and the creative act of making art in our own way.

We had a full class last Friday when I brought a small still life. The objects were a small clay lamp from the Holy Land, a white stone scraper I found on an arrowhead hunt with my family, my grandmother’s darning egg, a stone fossil from my San Antonio neighborhood, and a leaf I picked up in the parking lot. Artists can make anything interesting, for we don’t need to have luxurious items for our subjects. Each person brought elements of their own personality to the subject at hand.

Mike is one of my repeat students, who loves texture and mixing colors. You can see he favored the lamp, the scraper, and the fossil, for these have these best rendering. The rest are suggested just enough to balance the others.

Mike Still Life

Erma is new to the class and comes from a mosaic background. Her shapes are true and carefully drawn. Working to get the dimensional qualities is a challenge for everyone. This comes from learning to see the light and darks. Last year the class had traditional perspective drawing classes. I may have to do this again for this group, now that I see where they are.

Erma Still Life

Tatiana has a fine drawing of the leaf and the fossil. Her colors are natural. Getting shapes down is the first goal. Later we’ll work on highlights and shadows.

Tatiana Still Life

I was glad to see Glenn back after his health issue. Can’t keep a good man down. He was in good humor the whole class and was a blessing to all of us. He got the basic shapes of the still life on the canvas. Next time, we’ll work on filling more of the canvas, so it won’t feel so lonely.

Glenn Still Life

Gail is on her second year of art classes. She’s either a glutton for punishment or she’s getting some pleasure from them. She is an example of persistence leading to improvement. Her objects are to scale, relative to each other. We see highlights from the light source, as well as the cast shadows, both of which emphasize the sense of solidity of the objects represented. She has marked off a front plane from the blue background.

Gail Still Life

Some say artists never use logic, or the left side of their brains, but I’d disagree with this. Back in the 1970’s, the commonly held theory was creativity’s location was in the right side of the brain, but today neuroscientists believe both logic and creativity use both sides of the brain at once. While speech and sight are located in certain areas, which if damaged, can affect these abilities, logic and creativity are spread out across many areas of the brain, says Dr. Kara D. Federmeier, who is a professor of psychology at the University of Illinois at Urbana-Champaign, where she’s also affiliated with the Neurosciences Program and The Beckman Institute for Advanced Science and Technology.

As we age, older adults tend to learn better how to be both logical AND creative. This may occur because this kind of a shift is helpful to bring extra processing resources to bear on a task to compensate for age-related declines in function. Or it might be a sign that the brain is simply less good at maintaining its youthful division of labor. Understanding hemispheric specialization is thus also important for discovering ways to help us all maintain better cognitive functioning with age.

Those folks who say “you can’t teach an old dog new tricks,” haven’t been to an art class. We don’t teach, we give opportunities to learn. Every day in my own studio, I learn something new about myself, the paint, my world, my calling, and my vision for the future. I never reach perfection, but at least I’m going on to perfection. My little still life has a mosaic quality, because I took an old canvas, which didn’t meet my expectations, and I sliced it up into evenly spaced vertical cuts. I took another poorly done old work, cut it up into horizontal strips and wove it into the first canvas. Then I painted over what was underneath. Yes, I had to pile the paint on thickly, but that gives it a rich effect, as opposed to a thinned out, watercolor feeling. While I made no clear line of demarcation, the color change denotes the difference between the table and the background.

Cornelia Still Life

I do not know what tomorrow will will bring, or what will come to life on the blank canvas before me. If we will trust the one who lived, died, and rose for us, we can live and work in perfect love every moment of our whole lives. I know I trust the word of our Lord who always will be there for us in our futures to make our mountains into molehills.

“But after I am raised up, I will go before you to Galilee.”
~~ Mark 14:28

https://www.npr.org/sections/13.7/2013/12/02/248089436/the-truth-about-the-left-brain-right-brain-relationship

New Year, New Class

adult learning, art, Attitudes, change, cosmology, Creativity, Faith, flowers, Forgiveness, Habits, Imagination, Love, Ministry, New Year, Painting, renewal, righteousness, trees, vision

Happy New Year to everyone! I like nothing better than putting an old year down for the count, cleaning off my desk, and starting fresh. While I may be the same old gal, at least I have good intentions of improving myself over the next year. Since we have an extra day in 2020, I might meet my goal! My first act in the studio was to clean my palette, since it had an accumulation of color layers. I find the old colors distracting when I want to paint a new color scheme.

Gail: Oranges

I was glad to meet some new students at Oaklawn UMC, where I volunteer to teach an art class for adults on Fridays. In addition to Gail and Mike, who’ve learned my own language and now need minimal guidance, I’m blessed with some new folks who’ll get an opportunity to get out of their houses and into the creative spirit.

Erma: Floating Planets

Exploring the creative process is a wonderful way to come close to the God who created us in God’s own image. Since God is always creating, we who’re made in this image are also creating. Sometimes we make art, design homes, style our clothing choices, or plant gardens. Also we’re making families, cooking meals, or building birdhouses. Even in our sleep, we create a dreamworld unlike anything anyone else can imagine. We’re all artists, but most people quit thinking they can “do art” about the age of eight. This Is a sad commentary on peer pressure, but it also reflects our society’s preference for professional specialists. We tend to identify talent early and track students accordingly.

Glenn: Hearts and Flowers in a Circle

The practice of making art is beneficial at any age. Our goal doesn’t have to become the next Picasso or Michelangelo. In art class we learn new skills and put them to use in our own unique solution. This bolsters problem-solving skills and satisfaction that we can take into everyday life. I always tell my classes, “I expect everyone to find a different solution, since you’re all different personalities.” They never disappoint me!

Tatiana: Balloons

Art class gets us out of the house, so we’re not looking at our own four walls. It can help alleviate boredom and keep our minds busy, and may even help prevent feelings of depression. It also helps with hand-eye coordination, cognitive abilities, and concentration.

Pam: Midnight Moon

I’ve always subscribed to the “works righteousness” school of teaching art: those who work will improve more than those don’t. If we keep on working, over time, we’ll show improvements. This will foster self-esteem and self-awareness and cultivate emotional resilience. We have to trust the process.

Mike: I Dream of the Moon

When we critique a work, it’s not to criticize or only to give negative feedback. A work always has positive aspects, those parts which meet the goals of the day, and negative aspects, or room for improvement. Approached in this manner, students can grow in their skills because the critique reduces and resolves conflicts and distress, which comes from being judged, and it helps to promote insight into their work for the future. As an aside, it might even enhance social skills, if they begin to speak this way in their own conversations outside of class.

Art class isn’t about being the best artist in the room. It’s about the connections between creative choices we make and our inner life. Too many of us are so busy taking care of others, we haven’t time to listen to God or to ourselves. If we take two hours on a Friday to do this, we can touch the part of us that yearns to speak within the silence, and give voice to the creative spirit within our lives.

I hope I assigned the correct name to each person’s art. I may be old and could claim “sometimer’s disease,” but I have the school teacher’s DNA which causes me to mangle my students’ names for the first month. I’ve done this since I was in my 20’s, so I might be incurable. I can edit this, however, if I’ve accused folks wrongly. Doing Art is wonderful, for we learn from our mistakes, so they bring us closer to perfection, rather than diminishing our goodness.

ICONS OF THE NATIVITY

adult learning, art, Christmas, Creativity, Faith, grief, Health, holidays, Icons, Meditation, Ministry, mystery, Reflection, Spirituality, vision, Work

Icon of the Nativity

What is the most important image of the birthplace of Christ? For some of us, it’s a stable filled with hay and animals, in which the Holy Family fill with divine light. For others, the essence is the Holy Family alone. For others, those who brought various gifts take prominence. The early icons describe a dark cave, similar to the tomb in which Christ was laid after his crucifixion. This shouldn’t surprise us, for his birth made him at-one-with-us, just as his death and resurrection made at-one-ment for us. If a picture is worth a thousand words, the icons are worth a million words, or a whole theological thesis.

The cave, manger, and swaddling clothes are indications of the kenosis (emptying) of the Godhead, His abasement, and the utter humility of Him who, invisible in His nature, became visible in the flesh for humanity’s sake, was born in a cave, wrapped in swaddling clothes, and thus foreshadowed His death and burial, in the sepulcher and the burial clothes.

Icon of the Burial of Christ

The icons are a window into the holy spaces, into the heavenly realm, or the spiritual world, whereas western paintings from the renaissance onward are representations of our three dimensional world on a flat surface. Icons have their own vocabulary and forms, so a wonder working icon from the 4th century would be copied over and over again into the present age. Modern icon painters would reinterpret the themes of the ancient icons, but until these images prove themselves to be “spiritual windows,” they’ll be mere paintings, but they won’t be true icons.

In the western world, we’re more likely to consider the narrative in traditional art, so the story details are as important as the design and color elements. Over the centuries the style changes with the artists,, but the main elements tend to stay the same.

Durer, Perspective Nativity

With the Renaissance, artists and their patrons were more interested in the humanity of Christ, as well as the human figure itself. The landscape gets rendered in all its glory, and the architecture of the towns calls us to take a walking tour through it. By the baroque period, artists create a full scale Broadway production scene on their canvases. A “cast of thousands” seem to heighten the importance of the event portrayed.

Rogier van der Weyden, Nativity with the Donor Pieter Bladelin

Our class worked these past two weeks on The Nativity. Gail’s memory of her family incubating a premature baby in a dresser drawer became her Jesus in the Manger. While this may sound strange to some folks, my great grandparents also nursed a premie in this same manner in rural Louisiana. Adding layers of color to her ground, as Rothko did in his color field paintings, was her goal. I failed to get another photo. She’s still working on it.

And they laid him in a dresser drawer, for he was too small for a crib

Mike was working on a shed and the sky. This was more exciting to him than anything else. The figures came later. I also failed to photo them.

First stage of the Nativity shed

He had a coworker pass away during this time. If his mind wasn’t in this work completely, I could understand. His vacation painting of the beach chair at sunset was more of what he can do when his mind is free and his heart is at peace.

Vacation is really great

When I’m sick, I have limited artistic ability. By this, I mean I have no spiritual sensitivity to the world. I can’t feel connected to the shapes, colors, or forms. I’m “dead to this world” as well to the world beyond this one. My hand feels like lead, and my one brain cell which hasn’t gone to Pluto is only working at 20% power. I don’t do sick well, for I take it as a great inconvenience, if not an insult to my nature. I have people to see and paintings to make. I may destroy this little work, but it does have the traditional icon themes of the cave and the swaddling clothes of the birth and death of Christ.

Nativity in a Nimbus

When we go back and sit before an icon, we’re struck by the silent voice of the image. We have a choice: we can dismiss this still, small voice, or we can pause and listen to the voice of God speaking to our heart. I hope we don’t race off to do yet one more of the many “got to do lists” of the Christmas season, but sit for a moment, with a hot cup of our favorite beverage and a little cookie, and mingle with the mystical voices from heaven. We will be choosing the better part, just as Jesus said to Martha, “You are worried and distracted by many things; there is need of only one thing. Mary has chosen the better part, which will not be taken away from her.” (Luke 10:38-42)

NOTES:

Best source for Icons: Ouspensky & Lossky, The Meaning of Icons

Rogier van der Weyden, Nativity with the Donor Pieter Bladelin, center panel of the Middleburg (Bladelin) Altarpiece, ca. 1445, oil on panel, 91 x 89 cm. Gemäldegalerie, Staatliche Museen zu Berlin, Berlin, inv. no. Nr. 535 (artwork in the public domain)

Keep It Simple

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I awoke Sunday morning to a fog enveloped world. My brain was much the same until I made my morning cup of coffee. Unfortunately, this took longer than I expected, for I had only one tablespoon of grounds and a full bag of beans. I’m glad the electric coffee grinder was standing silent beside the coffee pot, waiting only for its moment to be of service. On any ordinary day, I ignore it completely, just as many of us fail to observe the subtle changing of colors from day to day or how the sunlight of the seasons has a different temperature and feel.

Seeing is a learned skill, but like the ancient, secret, gnostic wisdom known only to a few and passed by word of mouth, seeing is best learned in an art class with one who is an eye already. Cézanne characterized Monet as “only an eye—yet what an eye.” Monet taught students not to think of the tree, the building, or the flowers they painted, but of the colors and shapes they were putting on their canvases. This is a conceptual leap, as if we were translating English into Spanish or Martian (we may need this when we go to Mars).

Mike’s Trees

When faced with all the many impressions daily flooding into our consciousness, most of us have learned to block all these distractions out. We do this to “get our chores done in record time” and “come home to escape from this rat race.” “Out of sight and out of mind” is a phrase I often heard growing up. We are often “unconscious people,” walking about in a fog. My dad grew a mustache and my mother kissed him every night before bed without realizing he’d changed his facial appearance. I came home for a visit and said, “When did you grow the Col. Saunders’s look?” My mother was shocked she hadn’t noticed it.

Our first lessons in art class are drawing the geometric figures, since we can simplify or translate most things in nature to these forms. Bushes are balls, houses are cubes, trees are cones, and so on. Some are multiplications of the forms, such as some tree’s foliage is made up of several ball shapes. You get the idea. This way of looking helps to simplify the details so people don’t get stuck on every single leaf.

Another way to simplify is to leave out some of what you see and focus only on what you think is important. If you were a camera in front of a landscape, your eye would take in everything in front of it. We aren’t cameras, however. We can paint as much or as little of what we see before us as we want. I remember in seminary study groups, we prepared for final exams together. The exam would be 3 hours long and cover a semester’s work, which included all the class notes and 15,000 pages of reading. Some of my pals would write a book length answer to one study question. “Fine, but there’s going to be a dozen other questions, so can you hone this down to an essay?” Keeping it simple is a good motto in art class.

Gail’s Trees

Friday in art class I brought in angel hair spaghetti. If the kids eat it, I’m not worried. Fortunately, my “kids” are grownups, but we like to get our inner child out to play every once in a while. We put paint on the sticks and tossed them down on our canvases wherever luck would have them land. In biblical terms, this is “casting lots.” I had given them some ideas for landscape images or they could do some squares in the style of Paul Klee. They went with trees. Mr. Energy and Exuberance, aka Mike, finished his up with jewel tones. Gail, Thoughtful and Precise, did a hard edge tree with a lightning bolt in the background. I worked on a Klee square piece, but I only got the first layer down. It needs more subtle overpainting.

Paul Klee Color Study
(Not my work)

Learning how to see is a lifetime process. The aim of art is to represent not the outward appearance of things, but their inward significance, and this, and not the external manner and detail, is true reality, said Aristotle. Art opens us up not only to the outer world, but also to our inner world. As we see more in the world about us, we find more compassion for its brokenness as well as more love for its beauty. Likewise, we realize we too are both broken and beautiful, so we find we can be more compassionate and loving towards our own selves. As forgiven and reconciled people, we can pour God’s love out into the world and into our art as well.

We discover art isn’t just about decorating a surface with pretty colors and shapes, but art is more about the spiritual process of growing in grace, accepting our lack of strength, and learning to depend on the power of the Spirit moving our hands and hearts. The more we try to impose our power upon the work, the less life it has, but the more we “get out of ourselves,” and let our inner witness work, the more life our creation embodies.

So the artist within each of us is always creating a new thing, just as God is creating:        

For I am about to create new heavens and a new earth;

the former things shall not be remembered or come to mind.

~~ Isaiah 65:17

LESSONS FROM A MASTER

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“Only when he no longer knows what he is doing, does the painter do good things.

Edgar Degas, the French artist known for his ballerina paintings, is a good teacher from whom to learn. A true artist learns something new every day and isn’t afraid of failure. Failure is just another word for discovering what won’t work. As artists and as Christian believers, we are a people of hope. In fact, one might say we’re afflicted with chronic optimism. Even when our work fails to satisfy us, we can say, “Look at what I learned on this, and what I can carry over to my next work.”

North Carolina Sunlit Path

This little landscape is the second stage of a previous painting, one which I began while I was ill with a sinus infection. If I wasn’t at my best, I also wasn’t at my worst, so I was painting at my easel. I knew I wasn’t happy with it, but I thought I’d live with the painting until I heard it tell me what was needed.

Stage One

The trees of the finished work are more slender, more shaped by the wind of the Carolina coastline. The bush masses are larger and have more contrast, while the sky is more evenly colored. Even the path has more sunlight and less shade.

Original Photo

Artistic license is the ticket to drive we all got as children with crayons and poster paint. We could paint the sky red if we took a notion to do so, give our dogs blue tongues, or paint the grass orange. Only the grownups among us squelched our creative spirits. Sometimes we have to learn to forget ourselves on purpose to learn art, faith, love, compassion, or joy.

I’m going to teach Friday morning art classes again at Oaklawn UMC. You bring your materials, I volunteer my years of experience teaching K-12 and adults. You get to learn real art:

  1. Perspective

  2. Shading in Value & Color

  3. Color Wheel

  4. Drawing & Painting from Life

  5. Still Life

  6. Landscape

  7. Icons

One thing you’ll never do is copy anything I’ve already done or come home with a work that looks similar to one of your classmates. Art is about expression of your inner truth. You get to do you, and have a safe place to grow and struggle.

As G. K. Chesterton said in Orthodoxy:

“Poets do not go mad; but chess-players do. Mathematicians go mad, and cashiers; but creative artists very seldom. I am not, as will be seen, in any sense attacking logic: I only say that this danger does lie in logic, not in imagination.”

We artists will not go mad, but we will stretch our minds, deepen our souls, and gain a greater appreciation for the creative struggle.

The first class will begin Friday, September 6 at 10 am, and meet on Fridays afterwards. We’ll break for thanksgiving and Christmas. I’ll get a material list to the church office soon.

The Inspired Church

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My newest painting is from a photo I took of a church in downtown Hot Springs on one cloudy spring day. It wasn’t much to look at as a photo, but I was called to stop and snap its image at that moment. I learned long ago in ministry to listen to those promptings of the spirit, for a greater power was working beneath my poor powers of discernment and knowledge. If I listened, I’d show up when people needed me, even when they were unable to contact me. God has a mysterious power to do unlikely works, or things we ordinary folks would call minor miracles.

THE INSPIRED CHURCH

Most of us see our churches as ordinary places, maybe even “our places,” rather than God’s holy place. This is why we say “my church,” but if we were truthful, we’d admit, no church ever belongs to any human being, for the church is the body of Christ. We also aren’t just one congregation either, for all these buildings comprise a greater Body of the greater Church, which is the Body of Christ. Plus, we who look to our membership rolls forget about the ones who are outside our doorsteps: the hungry, lonely, poor, wandering, naked, or the prisoners and infirm who are confined. They too are part of Christ’s body, which yearns to be made whole.

In my painting, this ordinary, grounded church now rises as a golden, ethereal structure striving toward the heavens. As a Inspired Church, it’s “going on to perfection.” While it won’t get there on its on account, God’s energies are there to help it, just as the spirit will help each of our churches to grow in faith and witness to the world. As I consider the pre Easter fire at the Cathedral of Notre Dame de Paris, I think of the cycles of spiritual growth both we and the bodies of Christ undergo. We all have times of growth and lying fallow, and some even seem to have seasons of rot. Yet God’s renewing spirit can make the dead bones live again.

Notre Dame de Paris

A Christian church has been in Paris since the 3rd century of the CE. This site has a history of both blight and renewal. Two ancient churches were destroyed to build the new gothic cathedral. These were built on the site of an old Roman temple dedicated to Jupiter. The work on the cathedral began in 1163 and was completed 203 years later. In 1789, French revolutionaries caused major damage to the building, especially the statuary. Nearly a half century later, publication of Victor Hugo’s The Hunchback of Notre Dame in 1831 sparked a campaign to restore the cathedral.

Although Notre Dame de Paris is a Catholic Church, it’s also a historic building. As such, the cathedral belongs to the state, which is responsible for its maintenance. Nevertheless, the day-to-day maintenance of churches and cathedrals in France often falls to cultural and religious associations. And just because the state is responsible for funding large infrastructure projects doesn’t necessarily mean it has the money to do it.

When the world watched the spire fall and the wooden roof collapse, a great sadness fell across people’s hearts. Immediately large financial pledges poured in to rebuild this architectural treasure. One of the blowbacks in the days of grief after the fire and the generous outpouring of pledges to rebuild this cathedral of hope, which is over 850 years old, was the reality of human needs. Soon folks said, “If we can raise this much money for a building, why can’t we raise it for the homeless, the hungry, the war refugees, and all the other human causes of need?”

Yes, these are important, and we should always provide relief for human distress. Great buildings, which have seen over eight centuries upon this earth, are a special case. They carry the hopes, dreams, and memories of each person who has ever entered their doors. With the advent of television and social media, they now carry the memories and dreams of everyone around the world who watched this great sanctuary burn and all their hopes for what it will become in the future.

When we cast a vision for our own churches, most of us aren’t facing a burned down edifice. Instead, we usually find a burned out congregation or a barely burning membership. Not many of us will stay in our appointments long enough to make “cosmic changes,” so we work to improve what we can, with the hope the next pastor will build on our work. In truth, it’s easier to redesign or renovate a building than it is to restore a congregation to health.

Currently architects are designing their best proposals for this spiritual heart of Paris and France. Some will “go big or go home,” while others will bring a more simple vision. Paris firm Vincent Callebaut Architectures’ vision for the cathedral is an innovative and eco-friendly design that supports the local population and produces more energy than it uses. Its vision of the rebuilt Notre Dame features a futuristic glass design, solar power, and an urban farm to support vulnerable and homeless Parisians.

Proposal for Interior of Notre Dame de Paris

Four years ago, an art historian used lasers to digitally map Notre Dame Cathedral. His work now could help save it. The Vincent Callebaut project is titled “Palingenesis,” a Greek concept of rebirth or recreation. The firm proposes a new roof made of glass, oak and carbon fiber, which connects “in one single curved stroke of pencil” to the sloping spire. The rooster which topped the original spire and retrieved from the rubble after the fire, will resume its watch from the new glass design, while the cathedral’s choir will be bathed in natural light.

Vincent Callebaut Architectures
Beneath the spire, the roof will host a fruit and vegetable farm run by charities and volunteers, in order to produce free food for vulnerable local people. “Up to 21 tons of fruits and vegetables could be harvested and directly redistributed for free each year,” the firm said in a press release. “To that end, a farmers’ market would be held every week on the forecourt of Notre Dame.”

Notre Dame de Paris


Vincent Callebaut Architectures
The roof and spire will also produce electricity, heat and ventilation for the cathedral: an “organic active layer” within the glass will provide solar power, while the roof’s diamond-shaped “scales” will open to offer natural ventilation — a design inspired by termite mounds. The spire will act as a “thermal buffer space” in which hot air accumulates in winter.

The cathedral could host an urban farm which produces food for local people. Credit: Vincent Callebaut Architectures

“How can we write the contemporary history of our country, but also that of science, art and spirituality together?” the firm said in a press release. “We seek to present a transcendent project, a symbol of a resilient and ecological future.”

If the Vincent Callebaut design is selected, the firm said, the reborn Notre Dame will define “the new face of the Church in the 21st century,” presenting “a fairer symbiotic relationship between humans and nature.”

This is so amazing, yet I wonder if the religious community will feel elbowed out of their worship space. I know one of the difficult challenges in church leadership is adopting new ideas because “we’ve never done it that way before.” On the other hand, helping this 14th century gothic cathedral rise from the ashes to a new birth is the perfect moment to claim an extraordinary vision for a forward looking future, not only for the church, but also for Paris, the French, and even the people of the world.

THOUGHT QUESTIONS

  • When we think about a new vision for our own church, are we willing to destroy the pagan temple and the god of its age?
  • When we build a church for an earlier time, do we have the faith to tear it down and build it anew for the age in which we live?
  • Do we hold on to an old form of church until it burns down and we need to create a new one from the ashes?
  • Will we have the courage to reconfigure our “idea of church” so it’s not a separation from the world, but an incorporation of the world, as in the Wedding Banquet parable?
  • Are we ready to entertain new visions and dream new dreams for our churches and our ministries?

https://www.washingtonpost.com/world/2019/04/18/france-separates-church-state-so-whos-responsible-notre-dame/

https://www.cnn.com/style/article/france-notre-dame-green-scli-intl/index.html

https://www.notredamedeparis.fr/en/la-cathedrale/histoire/historique-de-la-construction/

Reflections of God

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I carry my phone when I walk, so I always have a camera for the scenes of beauty which catch my eye. Since light is ephemeral and these moments are fleeting, catching them as they occur is important. When I come home, I often photoshop the image on my computer or in Instagram to get the emotions, which I experienced when I took the photo.

Winter Lake Reflections

Several winters ago, I took this photo. By the time I painted it this year, I was feeling more optimistic. Back then, I didn’t know if my daughter was alive or dead. I lived in hope, but I also was holding onto some fear, for I knew her drug addiction was going to be difficult to overcome.

The Cloud Rising

This is my most recent landscape. The cloud always reminds me of God’s appearance! Then I think of this verse in Job 38:34, when God asks Job, who’s been questioning God’s intentions and reasons—

“Can you lift up your voice to the clouds,

so that a flood of waters may cover you?”

Poor Job, he’s not God. And neither are any of us. We’d like to make sense of the senseless, right all the wrongs, put order to all the chaos, and make things the way they should be. Of course, if we were in charge, the world would have gone to hell in a hand basket much sooner than it has already.

Maybe we should reread Job 42:3—

‘Who is this that hides counsel without knowledge?’

Therefore I have uttered what I did not understand,

things too wonderful for me, which I did not know.

In our world today, many changes are happening. Some of us want things to be “the way they used to be.” This would make us feel better and be more comfortable with a known world, but God is always recreating God’s new world–

“For I am about to create new heavens

and a new earth;

the former things shall not be remembered

or come to mind” (Isaiah 65:17).

If we are people of faith, we can trust in our God, whose Son Jesus Christ is the same yesterday and today and forever (Hebrews 13:8). If Christ is the same, then God is the same, and so is the Holy Spirit. Does this mean our understanding of the Holy Trinity never changes? No, this means God’s love and mercy for us never changes! We think we can fall outside the bounds of God’s love, but this is only because we have short arms and can’t include all others within our embrace. Just as the water reflects the sky and earth above it, so we’re to reflect the attributes of the holy image in which we’re created and demonstrate the qualities of the heart and the same mind that was in Christ Jesus (Philippians 2:5).

Job, who was well respected and honored in his community, was enamored of his ability to assist others with their needs. He was a big man who used the blessings from God for good purposes. When he lost this status, he was upset. Once he met God face to face, he realized he’d been giving lip service to God, but didn’t actually know God. Many of us today know about God, but haven’t had an encounter or experience with the living God. We can’t reflect a love which we’ve never received, and we can’t share a forgiveness we’ve not known. Perhaps our first work is to seek God’s generosity for our own lives, so we can reflect it outward in the world toward others.

ICONS: A Moment of Mystery

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Making Found Object Icons is an art project that evolved out of the Great Macaroni Multimedia Traveling Artandicon Show. In seminary during Art Week our fellow students were horrified we were making sacred images out of edible products, such as macaroni, lentils, peas, and beans.

Jesus is the Bread of Life

“That’s sacrilegious!”

“Jesus is the bread of life, and macaroni is just another form of wheat,” we replied.

“But it’s so ordinary!”

“Clay is ordinary, and so is stone. Can an object only be worthy of God if it’s made of expensive materials?”

“Well….”

“The value of all the chemicals in a human body is about $5.18, but we’re worth far more than that in the eyes of God. Some say God doesn’t make junk, yet too many people of faith despise and debase the body. I’ve always wondered why this was so, since the Son of God came to earth in human form, and as the great hymn in Philippians 2:5-11 (NRSV) says—

“Let the same mind be in you that was in Christ Jesus,
who, though he was in the form of God,
did not regard equality with God
as something to be exploited,
but emptied himself,
taking the form of a slave,
being born in human likeness.
And being found in human form,
he humbled himself
and became obedient to the point of death—
even death on a cross.
Therefore God also highly exalted him
and gave him the name
that is above every name,
so that at the name of Jesus
every knee should bend,
in heaven and on earth and under the earth,
and every tongue should confess
that Jesus Christ is Lord,
to the glory of God the Father.”

Jeweled Cross

When we meet Christ at Christmas, we can get all warm and fuzzy because who doesn’t like a warm, cuddly baby? Maybe I have a soft spot for babies, but I really don’t trust people who don’t get a little ga-ga when the little ones coo and smile. I can understand folks getting squeamish at Good Friday and the cross. Most of us avoid as much pain as possible. Humility and obedience to God are not high priorities these days for many people. 

Flight into Egypt

Many tend to ignore this wonderful call to the Christ-like life, preferring instead the cop out of “Keep awake and pray that you may not come into the time of trial; the spirit indeed is willing, but the flesh is weak,” (Mark 14:38, NRSV). “Forgive us,” we say, but we hold others up to high standards. 
We make a distinction between our dual natures of the flesh and the spirit, a concept inherited from the Greco-Roman culture. It’s notable that the often quoted verse, “If you sow to your own flesh, you will reap corruption from the flesh; but if you sow to the Spirit, you will reap eternal life from the Spirit,” is found in Galatians 6:8 (NRSV), for this was a Roman province. 
The ancient Mediterranean area had a knowledge/mystery tradition. The Greeks had their cult of Bacchus, the Egyptians the cult of Isis, and the Jewish had their mystical Kabbalah. The Romans had their dying and rising god cult of Mithras, the bull. Entry into all of these groups was by word of mouth only, given to a special few, and all had secret rites known to the members only.  Most promised salvation through secret knowledge, and the true world for them was spiritual rather than the physical world in which we live today. Ecstatic worship separated the believer from the body and the ordinary world. 
You might recognize these traits in your own church or worship community today, except for the ecstatic and enthusiastic worship brought about by mood altering substances. That’s not my church anyway! How do we come close to God? Across the centuries, the tradition has discovered contemplative prayer, singing, searching the scriptures, serving the poor, attending the sacraments, and creating art for God or the Holy Icons.
Making an object for the glory of God, to enhance the worship experience, and to honor God is a gift of the artist’s time and talent. No artist is ever paid what their training and talent is worth, for it’s a treasure from God to begin with—it can’t be valued. Artists have learned over the centuries to live simply, accept fame if it comes, and put a fair price on their work. 

Gail’s Cross

They get value in the spiritual real from the work they do, for the icon opens a window into heaven. As they arrange the jewels and found objects, and move them to a better position, the icon comes alive under their hands and begins to breathe. Only the person, who will be still long enough to hear the silence from beyond the open window, can hear the voice of God in this world. For this person, the icon is a treasure, and a place of holy focus, no matter how small or how simple the materials. 
This is the reason the artist makes an icon—to have a moment of mystery, a time of intersection, and a communion with the holy. In today’s hurried world, each of us wants a place in which we can experience for a moment the timelessness of heaven. 
When we return in the New Year, we’ll begin painting our own holy icons. The process is a spiritual journey, more than a destination or the attempt to reach perfection. We only need to “go toward perfection” each day!