Robert Frost, in his poem “Nothing Gold Can Stay,” speaks to the transitory nature of fall colors:
Nature’s first green is gold, Her hardest hue to hold. Her early leaf’s a flower; But only so an hour. Then leaf subsides to leaf. So Eden sank to grief, So dawn goes down to day.
Nothing gold can stay.
When I was in North Carolina recently, I was a tad early for the best colors of autumn, but I didn’t miss the Apple Festival in Waynesville, where I bought a half peck of apples fresh from a local orchard. Every time I encounter the word peck, it it brings back memories of my dad and his older brother schooling us children on the tongue twisters they learned in school. Back in the Stone Age, proper elocution was emphasized, along with cursive writing. To this day, l still hear their dulcet duet:
Peter Piper picked a peck of pickled peppers;
A peck of pickled peppers Peter Piper picked;
If Peter Piper picked a peck of pickled peppers,
Where’s the peck of pickled peppers Peter Piper picked?
Don’t get me started on sister Suzy’s seaside seashells or the amount of wood a woodchuck could chuck if a woodchuck could chuck wood. I’d much rather talk about autumn leaves!
Here in Arkansas, our colors up north are about spent, but near and south of the I-40 corridor, peak leaf change generally takes place in early November. The colors usually don’t last long because as soon as the leaves change, strong cold fronts tend to knock off the leaves quickly as we head toward Thanksgiving.
Of course, with climate change, our first frosts are occurring later in the season. In fact, some climate scientists think we could be on the path to two main seasons—winter and summer—with transitional short shoulders of temperate weather we once knew as fall and spring. This will affect not only agriculture’s growing seasons, but also insect populations, flower blooms, and the wildlife dependent upon them, not to mention our utility bills.
After a three week hiatus from art class, I was excited to return. While I was gone, Gail has had many sleepless nights helping with the new grand babies and Mike has been extra busy, as is his normal usual. I was glad to see Erma and catch up with her to give condolences in the passing of her dear husband. COVID has kept us apart and out of touch, so I was late to know this. Others were sick or out of town, so Mike, Gail, and I looked over some art works for inspiration.
The Georgia O’Keefe Leaf painting treated these single shapes as unique objects, a radical idea in its day. This allowed her to limit her color palette and focus her design on the positive and negative spaces. A somewhat similar painting is Norman Black’s surrealist Autumn Leaves. It differs in feeling because the individual leaves are isolated, floating in space, rather than being layered one upon the other like cozy coverlets.
One of the aspects in painting we often overlook is the source of light. Light is what gives our work sparkle, just as the light makes the world visible. As we wake to darkness now, we’ll appreciate the light more and more when we come home in the dark, for the days gradually grow shorter. Most artists pick one direction as the source for their light in the painting. This allows them to control the shadows of the objects in their canvases. They prefer the afternoon or morning light, not just because the sun is lower in the sky, but also because these times have distinctive temperatures. The morning has cooler colors, while the afternoon has warmer colors.
We looked in our cell phones for images of autumn leaves. This is when we discovered our phone search systems aren’t all created equal. While my phone will turn up every single yellow, red, or orange tree or leaf photo, plus a few pumpkins thrown in for good measure, other peoples’ phones list photos by month and date. Technology frustrated us right off the bat. Rather than waste half our class time looking for an image, Gail and I decided on one.
Sometimes the perfect is sacrificed in favor of the good when the time is short. Perfection is a goal, not the necessity to begin the journey. This is why we Methodists say we’re “going onto perfection,” rather than we’ve already arrived.
Mike chose the first one that popped up in his phone. He went straight to work. Gail likes to find the best before she starts. Sometimes we need to accept what is before us and make the best of what we have. The perfect isn’t always available. Also, she was working on too little sleep. Newborn babies will do that to grandmas. We can take a halfway good image from our phone and use it as an inspiration or jumping off point. We don’t have to recreate the image.
When working from a photo, it’s good to crop the image to the same scale as the canvas. This helps you get the proportions of the subject true to form. I also photoshop the colors, sharpness, and contrast. This preparatory work helps the mind sort out the important shapes. Once these decisions are made, drawing the basic shapes on the canvas starts and colors start happening.
Mike got out of the class to get back to the office before I could set a photo of his tree, but I recall it was an overall image with multicolored leaves. I worked from an old autumn photo from the grounds of my condo. I’d pushed the colors past realism in my computer software program, so it was already bold. I eliminated much of the extraneous details and painted just the simplest elements of the landscape. This is called “artistic license.” We don’t have to paint every leaf, but we can paint the shape of all the leaves in the mass together.
Artists and poets both seek to strike a chord in the hearts of their audience: one uses colors, light, shape, and form, while the other creates their images and emotions through word and metaphors.
If we remember nothing about this glorious autumn, let’s remember John 8:12, in which we hear Jesus proclaimed as the Light of the World:
Again Jesus spoke to them, saying, “I am the light of the world. Whoever follows me will never walk in darkness, but will have the light of life.”
USGCRP, 2018: Impacts, Risks, and Adaptation in the United States: Fourth National Climate Assessment, Volume II [Reidmiller, D.R., C.W. Avery, D.R. Easterling, K.E. Kunkel, K.L.M. Lewis, T.K. Maycock, and B.C. Stewart (eds.)]. U.S. Global Change Research Program, Washington, DC, USA, 1515 pp. doi: 10.7930/NCA4.2018.
We’ve made it to May, the official door to summer, picnics, swimming pools, backyard cookouts, and slower paced lives. Or so we hope, as the temperatures warm and the pandemic wanes. Of course, this last is dependent not just on our individual responses, or even on our citizens’ cooperative actions, but it also depends on the developed nations of our world sharing our expertise and resources with the larger world’s need. If we ever thought we could build a wall and isolate our people and economy from the outside, our need for imported goods and our desire to travel on cruise ships seems to trump our need for isolation. India’s ongoing coronavirus catastrophe results from an inadequate health care system and a lack of vaccines, oxygen, and PPE. Less than 10 percent of Indians have gotten even one dose, despite India being the world’s leading vaccine manufacturer.
As we come out of our enforced hibernation, like bears we shed our winter coats and start foraging for foods in an ever widening territory. We’re looking for reasons to celebrate and tantalizing foods to taste. The yum factor and new environments suddenly become sirens singing irresistible songs, which have the opportunity to dash our small bark against the rocks if we’re not careful. Like Ulysses, the ancient Greek hero, we travel between Scylla and Charybdis, hoping not to wreck.
Fictional heroes make a big splash in May. On May 1, 1939, Batman, the caped crusader, made his first appearance in Detective Comics Issue #27. Star Wars Day is “May the 4th be with you.” On May 5, 1895, Richard F. Outcault published the first ever cartoon, The Yellow Kid. Since all those years ago, cartoons have seeped into our lives through every media outlet possible. If it weren’t for The Yellow Kid all those years ago, we probably wouldn’t be watching Iron Man and Captain America slugging it out on the big-screen. May 25 is a tribute to author Douglas Adams, who wrote the famed novel, The Hitchhiker’s Guide to the Galaxy.
It’s a rather easy day to celebrate and it’s done by taking a towel with you wherever you go: to work, school, or just to the shops. This way you can celebrate such gems of wisdom as, “Nothing travels faster than the speed of light with the possible exception of bad news, which obeys its own special laws.” The only thing that’s truly important on this day is you don’t forget to bring a towel!
Oh, and the answer to the “Great Question of Life, the Universe and Everything” is “forty-two.” In the 1979 novel, the supercomputer Deep Thought takes 7.5 million years to calculate the answer to this ultimate question. The characters tasked with getting that answer are disappointed because it isn’t very useful. Yet, as the computer points out, the question itself was vaguely formulated. To find the correct statement of the query whose answer is 42, the computer will have to build a new version of itself. That, too, will take time. The new version of the computer is Earth. To find out what happens next, you’ll just have to read Adams’s books. For a math geek discussion of the significance of 42, read the link “For Math Fans” below.
Having dispensed with heroes, we can move onto the significant May Days that truly appeal to me. “April showers bring May flowers” is a saying I’ve heard since my childhood ever so long ago. Historians believe this phrase may date back to a 1610 poem, which contained the lines, “Sweet April showers, do spring May flowers.” A longer phrase, “March winds and April showers bring forth May flowers,” has also been traced back to 1886. Of course, this tidbit of wisdom depends upon your geographic location, for folks inland and north may wait until what we southern folks call “early summer” before they get their “springtime.”
“The month of May was come, when every lust heart beginneth to blossom, and to bring forth fruit,” wrote Sir Thomas Malory in Le Morte d’Arthur. The early Greeks called this month Maia, after the goddess of fertility, many of the early May festivals relate to agriculture and renewal. May Day, celebrated on the first with the Maypole, is one such festive event that was more debauched in earlier times, but now survives as a chaste minuet of colorful ribbons woven around a tall pole by children dancing in an interweaving circle below it.
Other modern May festivities include No Pants Day on 5/1, originally an end of the college year prank at the University of Texas, Austin, which spread to other realms needing release, and World Laughter Day, celebrated on the first Sunday of May. This holiday helps raise awareness about the benefits of laughing and promotes world peace through laughter. Laughing can instantly help reduce stress and brings us closer to other people, as we share our happiness with them. Those who take part in World Laughter Day can help spread positivity and cheerfulness to help change the world for the better. As Ralph Waldo Emerson said, “What potent blood hath modest May.”
No Diet Day is May 6, a good day to remember our good health isn’t based on a scale number or a pant size. Instead, our health is dependent on nutritious foods, adequate exercise, and sufficient sleep. Extreme weight loss, except under a doctor’s supervision, usually leads to yo-yo weight gain, with the body gaining back the lost weight and more after severe deprivation. Slow, long term, weight loss is more likely to be permanent loss, since we aren’t “dieting,” but changing our habits. May 11th is Eat What You Want Day. I suggest we don’t follow Oscar Wilde’s habit: “My doctor told me to stop having intimate dinners for four, unless there are three other people.”
Speaking of breaking a fast, May 12th ends the month of Ramadan, the holy month of observance for Muslims. It was during Ramadan Muhammad, the prophet of Islam, received the revelations from angel Gabriel that allowed him to compile the holy book of Quran. Upon arriving in Medina, Muhammad announced Allah had established two days of celebrations for Muslims, Eid Al Fitr and Eid Al Adha. The purpose of Eid Al Fitr was to commemorate the end of the fasting of Ramadan, and mark the start of the Shawwal month, as well as to thank Allah for giving Muslims the perseverance to fast during Ramadan. The customary feast day greeting is “Eid Mubarak,” which translates to “blessed celebration” or “Happy Eid.”
The dessert of May is apple pie. Originally invented in England, the earliest apple pie recipe dates all the way back to 1381. The original recipe is very similar to the one we currently know, but it also included figs, raisins, pears, and saffron. The Dutch also created their own version of the apple pie, and the first recipe was published in a 1514 cookbook. This recipe is very similar to the apple pie we know and love today. Apple Pie Day is May 13th.
English and Dutch settlers brought the apple pie recipes into the colonies of what would become the United States, during the 17th and 18th centuries. They had to wait until the apple trees they planted grew and bore fruit, so at first apples were mainly used to make cider. It was only in the 18th century, when the first apple pie recipes were printed in America, that the dessert quickly grew in popularity. Following this came the 19th century Legend of Johnny Appleseed, whose real name was John Chapman. He crisscrossed the expanding American frontier to bring seeds for apple orchards for homesteaders. He also brought news and the gospel for fifty years.
Chapman, or Appleseed, lives on as a barometer of the ever-shifting American ideal. Some see him as a pacifist, others as an example of the White Noble Savage (so remembered long after the settlers drove indigenous peoples from the land), and others see a mere children’s book simpleton. Some see him as a frontier bootlegger, since he helped expand the hard cider industry. Others see Johnny Appleseed as the patron saint of everything from cannabis to evangelical environmentalism and creation care—everything, that is, but the flesh-and-blood man he really was.
Our heroes are too often cardboard cutouts, and we don’t spend much time reflecting on their shadow sides. Of course, much like a Flat Stanley, a two dimensional character doesn’t have enough density to cast much of a shadow, unless the light is just right. This is why continuing Bible study is so important: most of us stop in grammar school and never get an adult insight into the scriptures. When we meet grownup problems, we have to wrestle the questions of faith that we once easily accepted trustingly. Or we walk out the door and never come back.
One of the most difficult sermons I ever preached was on the first Mother’s Day after my mother died. One of my best clergy pals, who was a mentor in my ministry, had arranged for a single rose to be on the pulpit beside me on that morning. It was a gift of grace and an empowering symbol, for roses were my mom’s favorite flower. Every time I thought I might cry, I held on tight to the polished oak wood and inhaled the fragrance of the rose. Even now, nearly two decades later, I can clearly see this rose and pulpit, and while I remember where I was, I recall the congregation’s faces were a blur on that day. It’s always the second Sunday in May.
I talk about my fresh grief from years ago, for during this current Pandemic too many of us have had present grief and stress, but either have no words for it, or perhaps have no safe place to express it. Then again, we may be “managing the grief of others,” and don’t have time for caring for our own needs. I call this Deferred Maintenance Grief. If you have an old, leaky faucet, you can keep turning the handle tighter for only so long. You can keep the leak stopped for a while, but soon you’ll strip out the insides of the faucet. Once it’s stripped down, it both streams steadily and needs a completely new fixture to replace it, instead of a minor repair.
I experienced this DMG once after a spate of ten deaths in a week, or maybe it was seven in ten days, followed by the death of one of the old, beloved black clergymen in my community. As I lay on the parsonage couch watching a rerun of Babylon 5, I was crying as if old E.D. were my own daddy. I then realized I’d been too busy caring for others and doing the “work I was called for,” to do the grief work I needed to do for myself. I needed to honor my loss and give myself dedicated spaces to deal with my feelings, so I could be present for others. That’s Deferred Maintenance Grief in a nutshell. If I were eating Cheetos by the bucketful, I’d be in a deep hole of DMG and digging it deeper!
Most of the churches I served had a “Don’t fix it unless it’s broke” policy. I grew up in a Depression Era family, so I was familiar with this attitude. However, these same people didn’t live this way in their own homes. We usually had a long list of deferred maintenance projects in the church property to finish in my time there. Then I’d go to the next place and do it all over again. “Always leave a place better than you found it, both structurally and theologically. Teach people the law of love. As we learn in Romans 13:8, “Owe no one anything, except to love one another; for the one who loves another has fulfilled the law.”
Most of us human beings have “deferred maintenance projects” also: days off, doctor visits, exercise, healthy meals, quiet times, and family times. Taking time for ourselves means we’re refreshed and eager to serve from the quickening power of the Spirit. Without this resting or love for our own embodied image of God, we end up working from the dying embers of our body’s frail resources—burnout calls our name.
When we get this broken, our families and our ministries both suffer along with us. We know better than to drive our vehicles with the gas gauge on empty past every filling station on the road of life. We aren’t called to die on the cross to prove our worth to Christ or to anyone else. He’s our savior and we claim his work on the cross. Anything else is workaholism or salvation by works. We need to name and claim this.
For clergy moving to a new appointment, this is an opportunity for a reset. For those who remain in place, I suggest a planning book. Mark off in advance quiet times, office hours, and visitation times. Take educational events, even if zoom is the only offering. Read for pleasure. Take a day off out of town. Don’t answer the phone after 9 pm unless it’s an emergency. Boundaries are blessings. I always told people up front, “I take my brain out of my head and put it inside a brain box at 9 pm. I put it back in at 9 am. If you call me between those hours, somebody better have died, be on the way to the ER, or the church is burning down.” They laugh, but I’ve had friends who wanted their pastor to be their bedtime Bible expositor. Boundaries keep us from burning out.
Speaking of burning, the official door to summer begins with Memorial Day Weekend. This holiday celebrates those who gave their lives in the great wars of our nation. It began after the Civil War in 1865 as a way to deal with the shared grief of a nation, which lost 750,000 people, or 2.5% of the population, in the struggle. If we were to translate this to today’s world, the number would equal 7,000,000 deaths. War is a pandemic all its own.
As a parting commentary on Memorial Day, the Pandemic, and Extreme Care Giving, I leave you with a portion of the 1865 Walt Whitman poem, “The Wound Dresser,” which he wrote after serving as a hospital volunteer in the Civil War.
But in silence, in dreams’ projections, While the world of gain and appearance and mirth goes on, So soon what is over forgotten, and waves wash the imprints off the sand, With hinged knees returning I enter the doors, (while for you up there, Whoever you are, follow without noise and be of strong heart.)
Bearing the bandages, water and sponge, Straight and swift to my wounded I go, Where they lie on the ground after the battle brought in, Where their priceless blood reddens the grass the ground, Or to the rows of the hospital tent, or under the roof’d hospital, To the long rows of cots up and down each side I return, To each and all one after another I draw near, not one do I miss, An attendant follows holding a tray, he carries a refuse pail, Soon to be fill’d with clotted rags and blood, emptied, and fill’d again.
I onward go, I stop, With hinged knees and steady hand to dress wounds, I am firm with each, the pangs are sharp yet unavoidable, One turns to me his appealing eyes—poor boy! I never knew you, Yet I think I could not refuse this moment to die for you, if that would save you.
Remember to wear sunscreen to protect your skin if you plan outdoor activities on the first three day weekend of the summer and watch the temperature of the grill. We don’t want anything to burn if we can help it. Charred meat and burned skin are both indicated for cancer risks. Be safe and continue to mask up in public. Get vaccinated as an act of love for your family, your neighbors, and the world community. Since we’re all wound dressers, as well as the wounded also, we want to give as much care to healing our own wounds as we do to the wounds of others.
One of the best genres of painting is still life: it doesn’t move, it never gets tired, and it never fusses about sitting in one place for a longtime. It’s only drawback is it might rot if you take too long to do your art work. Most of us won’t have this problem, since we’ll either take a photo of the piece or go on to paint something else before that happens.
Still life painting as an independent genre or specialty first flourished in the Netherlands during the early 1600s, even though parts of earlier paintings paid detailed attention to flowers or fruit within the whole. The rise of still life painting in the Northern and Spanish Netherlands, mainly in the large city trade centers, reflected the increasing urbanization of Dutch and Flemish society, which brought with it an emphasis on the home and personal possessions, commerce, trade, learning—all the aspects and diversions of everyday life. These still lifes featured imported flowers and fruits plus expensive objects such as Chinese porcelain, Venetian glassware, and silver-gilt cups and trays, all of which were usually rendered in a glistening light and with a velvety atmosphere.
A noted Flemish master of the 17th century, Jan Davidsz de Heem, enjoyed combining multiple flowers from different seasons along with ears of corn, a spider, a ladybird, ants, and butterflies in a glass vase on a slate ledge with red currents, a violet, a snail, and a caterpillar. Photorealistic paintings like this were in vogue then, but as the years rolled on, modern artists began to explore other directions. Cezanne retains the luxurious drapery of earlier still life paintings, but simplifies the forms of everyday objects. He’s the father of the cubist painters, represented by Picasso’s bottle still life.
Another artist shows us how to handle the reflection of the background in a glass vessel. Matisse freely paints the colors and shapes of the plants, the window, and the bright goldfish plus all the highlights from the light sources. He even lets some of the white of the unpainted canvas show throughout his work to add to the feeling of airiness.
A current painting from Pinterest is a quieter and more sedate rendering of the goldfish theme. The overall drawing is good, but it lacks energy. There’s no vibrancy in the light coming through the window and the shadows on the goldfish are too dark. Muting the values of the colors toward grey and brown will decrease the “pop” of a painting every time.
We also looked at a painting of a clear bottle with lemons in the background. Objects behind a glass will often be displaced by the surface, just as water also shifts the position of anything underwater. We’ve tried bottles and jars before, but this is the first time we’ve focused on them entirely. As a collector of ancient and odd things, these are old beer and soda bottles I’ve found over the years. They aren’t THAT old, with the oldest being about 1905. They’re all mould blown and have distinctive air bubbles and seam lines.
One is from the bottling company of my hometown, the Star Bottling Company, which first produced the Uncle Joe and Aunt Ida soft drinks, before becoming part of the Coca Cola bottling family in 1904. Before the Coca Cola Company created a line of flavored drinks, most of the bottlers created their own brands, with orange, root beer, strawberry, grape and fruit-flavored drinks. Because they weren’t allowed to put them in bottles with the “Coca-Cola” script, the bottlers developed their own “flavor bottles.”
The writing on many of these bottles indicated they were property of the local Coca Cola bottling company. Collectors can find an enormous variety in flavor bottles, and most are very inexpensive to collect. Mine are of the nondescript, ordinary variety, but I have fond memories of the experience of finding them. Plus the excitement of a field trip to the bottling plant, which both got us out of school for a morning and introduced us to the wonders of industry.
The earliest known man made glass date back to around 3500 BCE, with finds in Egypt and Eastern Mesopotamia. Discovery of glassblowing around 1st century BCE was a major breakthrough in glass making. Archaeological findings in Egypt and Eastern Mesopotamia indicate the first manufactured glass dates back to 3000 BCE. The oldest fragments of glass vases found in Mesopotamia date back to the 16th century BCE and represent evidence of the origins of the hollow glass industry. Beside Mesopotamia, hollow glass production was also evolving in the same time in Egypt, in Mycenae (Greece), China and North Tyrol (now part of Austria). The first glassmaking manual from the library of the Assyrian king Ashurbanipal (669-626 BCE) dates back to around 650 BCE.
Because glassmaking was slow and costly, it was luxury item and few people could afford it. Around the end of the 1st century BCE, Syrian craftsmen discovered the new technique of “glass blowing.” This revolutionary event made glass production easier, faster and cheaper, so that glass, for the first time, became available to ordinary citizens. The tools and techniques of glass blowing have changed very little over the centuries.
The Romans traded glass across the vast RomanEmpire and beyond. They were the first to use glass for architectural purposes when clear glass was discovered in Alexandria around 100 CE. Venice was the center of the glassmaking craft.
The art of glass making flourished during the Roman Empire and spread across Western Europe and the Mediterranean. Glass was one of the most important items of trade beyond the borders of the Roman Empire. The Romans were the first ones who began to use glass for architectural purposes, when clear glass was discovered in Alexandria around AD 100.
Other examples in the image above of the Roman expertise in glass blowing include a pale green bottle, with the four-sided mould-blown body with rounded shoulder and tapering cylindrical neck, the wide strap handle attached to the shoulder and curved under the lip, 5¾ in. (14.5 cm.) high; a pale green jug, the squat spherical body with diagonal ribs, a pinched handle attached to the flaring neck with trailed ring, 4¾ in. (12 cm.) high; and a pale yellow unguentarium, 4 5/8 in. (11.8 cm.) high. These were from an auction lot at Christie’s.
A flourishing glass industry was developed in Europe at the end of the 13th century when the glass industry was established in Venice by the time of the Crusades (1096-1270 CE). Despite the efforts of the Venetian artisans who dominated the glass industry to keep the technology secret, it soon spread around Europe. Eventually all the great gothic cathedrals of Europe would have stained glass curtains or large windows of colored light illuminating their interiors.
Because stained glass is translucent, we see both the color and the light. When we paint with acrylic colors, the light reflects back from the pigments in the binding medium. In watercolor, the white paper adds brightness since the colors are transparent. This means we have to “fool the eye” and use highlights plus color values near to the background colors to give the illusion of clarity.
Gail is getting good at analyzing the shapes and setting them down on a small canvas during our short class period. This still life had both the extra solid apple and the very clear bottles in contrast. It was more challenging than it sounds. How do you balance the heavy with the light, the solid with the transparent, and the cool blues with the warm reds? Adding a strong background color helps tie the two together.
Another way to bring everything together is to ignore the apple all together, as Mike did. This is called artistic license. He included the red in a cloth crossed by another golden fabric. He uses multiple viewpoints, for the base of the bottles are on one plane and the tops are flipped forward. I don’t know if he changed position or just sat up straighter when doing the bases. I also gave him one of my brushes to use in class, since he’s been using the same one forever. He wants to paint a straight line, but is using a round brush. He needs to take a lesson from Tim, the Tool man Taylor, and “use the right tool for the right job.” Of course we all know that means the one with “more power!”
“Here, use this flat edge artist’s brush. I think you’ll like it.” “Wow, it really paints a smooth edge.”
“Yep, I been suggesting you get a better brush, but you keep using the old one. I finally decided you needed to experience what a real brush feels like in your hand.”
“If I go in the store, do I need a special license to buy a real artist’s brush?”
“They’ll take your money. That’s the only license you need.”
He laughed. I’m glad he has a sense of humor. We’ve been doing this class for about two years now. It takes us a while to learn from each other. We have to learn how to be transparent and open to one another, much as a clear glass bottle is open to light shining through it. The greatest challenge for any of us as adults is accepting any instruction or critique at all. In seminary, I always opened my tests and papers after I repeated my mantra, “I am not my grade.” If I got a good score, I didn’t let it go to my head, but worked even harder on the next effort. If I didn’t score well, I took that grade as an opportunity to define my arenas of insufficient knowledge. I could work on that for the next time.
As we read in the scriptures, the apostle Paul writes: All scripture is inspired by God and is useful for teaching, for reproof, for correction, and for training in righteousness, so that everyone who belongs to God may be proficient, equipped for every good work. ~~ 2 Timothy 3:16-17
If we weren’t willing to be transformed, why would we read our Bibles or attend to the teachings of God’s holy word? If we let the good word go in one ear and out the other, and it never makes an impact on our hearts, minds, or lives, we’re dead in our faith. We’re called to have a living faith, one full of hope, and actively bring that same hope to our hurting world.
Johnny Nash, who recently passed away, had the number one song on Billboard’s Hot 100 song list in 1972, called “I can see clearly now.”
I can see clearly now the rain is gone I can see all obstacles in my way Gone are the dark clouds that had me blind It’s gonna be a bright (bright) Bright (bright) sunshiny day It’s gonna be a bright (bright) Bright (bright) sunshiny day
I think I can make it now the pain is gone All of the bad feelings have disappeared Here is that rainbow I’ve been praying for It’s gonna be a bright (bright) Bright (bright) sunshiny day It’s gonna be a bright (bright) Bright (bright) sunshiny day
Look all around, there’s nothing but blue skies Look straight ahead, there’s nothing but blue skies I can see clearly now the rain is gone I can see all obstacles in my way Gone are the dark clouds that had me blind It’s gonna be a bright (bright) Bright (bright) sunshiny day
It’s gonna be a bright (bright) Bright (bright) sunshiny day
It’s gonna be a bright (bright) Bright (bright) sunshiny day
Oh what a bright (bright) Bright (bright) sunshiny day
I hope you have a bright, bright, sunshiny day, Cornelia
Famous artists throughout the ages have chosen apples for their still life paintings. Apples are known for sitting still, they have a long shelf life, and they work for cheap. Moreover, when the painting is done, they make an excellent pie. We can’t do this with our human models, since this involves non ethical principles such as “Do not take a human life or do not murder.” So, apples are good for starving artists everywhere.
In art class last Friday, the adult students learned even a simple apple and its shadows can be challenging, but the fruit of the quest is worth it. Integration of the object and the ground isn’t easy! If we focus only on the form, it’ll float like a butterfly above the ground. The shadow ties the form to the ground and tells us more about object’s shape and location in space. The line behind the objects determines the point of view. It becomes our horizon line, so we know if we’re looking above or below the objects.
We can use our brushstrokes can to shape the apple’s form too. Then if we use the same brush technique for our ground, we haven’t separated the object from the ground. We end up with the famous magic “cloak of invisibility,” which is great in a Harry Potter novel, but not so great if we want to separate our apple from the ground.
These are all areas of growth, however. As my old teachers all said, “There are no mistakes–only attempts to gain mastery over the techniques until you find your own voice.”
Next week we’ll look at negative space. So far we’ve been drawing the objects, but now we’ll look at the space in between them! Oh–who knew we’d pay attention to the empty spaces or they’d have so much meaning!
“Guard me as the apple of the eye; hide me in the shadow of your wings…”.