Rabbit! Rabbit!

art, chocolate, Creativity, Food, holidays, Imagination, Love, nature, rabbits, Spirituality, Uncategorized, Valentine’s Day

Rabbits and Waves

Welcome to February!

“The most serious charge, which can be brought against New England, is not Puritanism, but February,” said Joseph Wood Krutch, a 20th century American critic and naturalist. If he were alive today, he’d charge this February with felonies!

Winter has come with an exceptional vengeance in some parts of the country, causing us to ask, “What global warming? If boiling water freezes before it hits the ground, how can we have global warming?”

Extreme weather events, such as those which can freeze the ears off a rabbit, are common to global warming or climate change. This is why we have the polar vortex in winter and drenching, slow moving rains during hurricane season. While rabbits don’t hibernate during the winter, the groundhog does take a peek out of the burrow on February 2nd to check the weather. According to the tradition, if it emerged and the sun was out, there would be six more weeks of winter. Remember, winter means “weather,” not “climate.”

The rabbits get a workout the next day with the Super Bowl, America’s all day long food festival. Many gather only for the commercials, the community, and the calories. This day marks the end of many people’s Rabbit Food Diets, Restrictive Eating Plans, and New Year’s Resolutions. This is a blessing in disguise, for Valentine candy is about to go on sale. Don’t wait for someone to give it to you—buy a box for your own beloved self! And yes, you can share with any other rabbit you love in this world.

Speaking of love, the Duke of Orléans sent the first Valentine’s Day card to his wife while he was he was a prisoner in the Tower of London in 1415. In the United States, Valentine’s Day cards didn’t gain popularity until the Revolutionary War, when people took up the habit of writing handwritten notes to their sweethearts. In the early 1900s, mass produced cards for the holiday became popular. Today about 144 million Valentine cards are exchanged, second only to Christmas.

Fleury-François Richard – Valentine of Milan Mourning her Husband, the Duke of Orléans

Shout out for two February monthly observances: Black History and American Heart Month. If you want a daily holiday to celebrate, check out Holiday Insights: http://www.holidayinsights.com/moreholidays/february.htm

February 2019 is only 28 days long because it’s not a leap year, so the good news is, no matter whether Punxsutawney Phil sees his shadow or not, the spring equinox will be here on March 20th. Too bad we won’t know what the weather will be! Rabbit wisdom always claims those who love never worry about the outer temperature, since their hearts and minds are fixed on the ones they love.

We love because God first loved us.

Haiku: Love, Love, Love
By M. As I’m Nehal

keeper of my heart
love me as long as i live
show me the bright light

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Reflections of God

arkansas, art, Creativity, Faith, Forgiveness, generosity, grief, Holy Spirit, Imagination, incarnation, instagram, Love, Meditation, ministry, nature, Painting, photography, purpose, Reflection, renewal, righteousness, Spirituality, trees, vision, vision

I carry my phone when I walk, so I always have a camera for the scenes of beauty which catch my eye. Since light is ephemeral and these moments are fleeting, catching them as they occur is important. When I come home, I often photoshop the image on my computer or in Instagram to get the emotions, which I experienced when I took the photo.

Winter Lake Reflections

Several winters ago, I took this photo. By the time I painted it this year, I was feeling more optimistic. Back then, I didn’t know if my daughter was alive or dead. I lived in hope, but I also was holding onto some fear, for I knew her drug addiction was going to be difficult to overcome.

The Cloud Rising

This is my most recent landscape. The cloud always reminds me of God’s appearance! Then I think of this verse in Job 38:34, when God asks Job, who’s been questioning God’s intentions and reasons—

“Can you lift up your voice to the clouds,

so that a flood of waters may cover you?”

Poor Job, he’s not God. And neither are any of us. We’d like to make sense of the senseless, right all the wrongs, put order to all the chaos, and make things the way they should be. Of course, if we were in charge, the world would have gone to hell in a hand basket much sooner than it has already.

Maybe we should reread Job 42:3—

‘Who is this that hides counsel without knowledge?’

Therefore I have uttered what I did not understand,

things too wonderful for me, which I did not know.

In our world today, many changes are happening. Some of us want things to be “the way they used to be.” This would make us feel better and be more comfortable with a known world, but God is always recreating God’s new world–

“For I am about to create new heavens

and a new earth;

the former things shall not be remembered

or come to mind” (Isaiah 65:17).

If we are people of faith, we can trust in our God, whose Son Jesus Christ is the same yesterday and today and forever (Hebrews 13:8). If Christ is the same, then God is the same, and so is the Holy Spirit. Does this mean our understanding of the Holy Trinity never changes? No, this means God’s love and mercy for us never changes! We think we can fall outside the bounds of God’s love, but this is only because we have short arms and can’t include all others within our embrace. Just as the water reflects the sky and earth above it, so we’re to reflect the attributes of the holy image in which we’re created and demonstrate the qualities of the heart and the same mind that was in Christ Jesus (Philippians 2:5).

Job, who was well respected and honored in his community, was enamored of his ability to assist others with their needs. He was a big man who used the blessings from God for good purposes. When he lost this status, he was upset. Once he met God face to face, he realized he’d been giving lip service to God, but didn’t actually know God. Many of us today know about God, but haven’t had an encounter or experience with the living God. We can’t reflect a love which we’ve never received, and we can’t share a forgiveness we’ve not known. Perhaps our first work is to seek God’s generosity for our own lives, so we can reflect it outward in the world toward others.

Ripples in the Water

art, Attitudes, Faith, Love, Ministry, photography, poverty, Prayer, purpose, renewal, Spirituality, Supreme Court, vision

After all is said and done, the taste of victory will not be sweet for the winning side. They will be eating a roast beast cooked to ashes. It will feed them, but it won’t nourish them for the long haul.

The agony of this latest defeat for the survivors, who came out of hiding to share their stories of pain in solidarity with others, is just a minor setback, for their bravery has been honed by years of struggle. One skirmish doesn’t make a battle, anymore than one person can make or break our spirits. We know our worth and identify is located in our being loved by God and loved into the image of God.

Yet, if we listen to the news feed of any political persuasion, either “the kingdom has come according to God’s will,” or “the apocalypse is upon us now!” I admit to being one of the latter, but even I can put on my drama queen crown for a day. Television, social media, and our instant society push us in this direction. We are seduced into overconsumption of media during times of high drama, especially when an unusual event occurs, such as a natural disaster or a Supreme Court appointment.

Why would we even care, as people of faith, about a political appointee? While this government position is technically separate from the church, the people who rule make decisions affecting God’s people and God’s world–especially the poor, the marginalized, and the dispossessed. We want to know that all 114 of the justices since 1789 not only are well qualified in matters of the law, but have the “temperament suitable for the highest court of the land.”

This is like the classic “sorting hat” of Harry Potter fame—or the Southerner’s expression “couth”—you either have it or you don’t. If you have to ask what it is, you don’t have it. Mostly down South, we easily recognize “uncouth.” That is plain as the nose on you face or people screaming at you to listen when your mind is already made up.

So the vote to confirm the 114th was close, but affirmative, and we now have a new Associate Justice on the Supreme Court. People think Justice Kavanaugh will tilt the Court to the right, since there’s no swing vote currently among the nine. Since I’m afflicted by the dread disease of chronic optimism, and infected by family systems thinking, I don’t believe in static systems. After all, every place I’ve ever been and every job ever had, both secular and sacred, all had the same people and conditions, but when you replace one key person (or change the way the key person relates to the others), change happens.

I observed an interesting effect of Family Systems behavior patterns when an extroverted clergy pal, who led youth groups, and I were part of a leadership training seminar. Our normally reserved group leader began to toss the dinner rolls across our restaurant table as he called out our names. The more he “acted out,” the straighter and quieter my friend became! I was dying laughing inside, but I couldn’t laugh out loud at her expense.

DELEE—Ripples in Water of Lake Hamilton

When we throw a rock into a lake, it creates a ripple. We may think these waves dissipate after a few feet, but under the water are small fish who felt the water’s expansion, so they moved to another part of the lake. Perhaps the fisherman, whose luck was poor all day long, made one final cast and caught the bigger fish that had moved over to seek the small fish from our tossed pebble area. We may have given him a meal for his family or just made his day glad. We’ll never know the results of the small acts or decisions we make.

Likewise, when a new Justice arrives into the very small pond—there’s only nine of them—it’s bound to make a ripple. If we believe “God is working for good in all things, for those who love God and are called according to God’s purposes,” then by faith we’d trust God will work in this small pond to move the hearts and minds of these justices. In their discussions and interactions, they would affect one another. They don’t make decisions in an ivory tower, for they’re not like a judge in an individual court, but colleagues who come to a consensus opinion, even if one may write a dissent on the side.

As a stone sharpens a blade, we can hope and pray for the light of God’s love to illumine both the mind and heart of all who serve on our high court. They’ll have many important questions to come before them. Our hope is they and we always remember psychologist Ellen Langer’s advice for making tough choices: “Don’t make the right decision. Make the decision right.” Since we never have enough information to make the best choice, all we can do is make the best of the choice we’ve made.

If we remember we’re all children of God and all of God’s children are well loved, then we can go forward without rancor to recreate the world anew. If the current occupants of political office aren’t responding to this transformative calling, we should run, organize, vote, and elect others who will work together for the good of all, not just for a few. This takes vision, planning, and a long term view.

Most of us will only think about as long as it takes our double shot white mocha latte with soy to come over the counter at our favorite cafe spot, if that long. Plan for a major holiday? Five year plan? Plan out the church year in advance? No wonder we don’t even know what we’re doing this weekend. Most of us are just trying to get through the day. No wonder we live moment to moment and crisis to crisis. We don’t ever pull back and reflect on where the ripples go when the stone drops. All we do is keep throwing stones. This isn’t evidence of a life of faith and purpose. Calendars are going on sale now. It might be time to make some prayers and plans.

I haven’t read this book, but the New York Times gives it a rave review.
“Farsighted,” Steven Johnson’s riveting new book on how we make tough long-term decisions, uses compelling stories that reveal surprising insights, and explains how we can most effectively approach the choices that can chart the course of a life, an organization, or a civilization. “Farsighted” will help you imagine your possible futures and appreciate the subtle intelligence of the choices that shaped our broader social history.

Now For Something Completely Different

adult learning, art, Creativity, Faith, Imagination, Love, Ministry, Painting, renewal, Spirituality, trees, vision

If we do the same thing over and over again, we’ll get the same results. Most of us will take the same road to our favorite restaurant, choose the same menu items, and call it a night at about the same hour. We are that predictable. A certain structure in our lives is necessary to keep us on an even keel. Mass marketing depends on people like us, since we have reliable and time tested tastes. Great art is different from the decorative arts, however, and it’s unlike the mass produced pieces which are good for covering a section of a wall in an office or residence.

Likewise, if we want to break through from the ordinary to the better, or if we want to improve upon our former work, we have to break our old habits and train ourselves in new habits. Why do world champion golfers reconstruct their swings in the middle of their careers? Their bodies are aging and changing. They can no longer swing with the abandon of younger and more limber persons. To continue playing at a high level, they must learn anew. This learning, forgetting and learning again is related to John 12:24–“Very truly, I tell you, unless a grain of wheat falls into the earth and dies, it remains just a single grain; but if it dies, it bears much fruit.”

DIANA—Painting with a Bell Pepper

In art classes, we’re always unlearning our yesterdays and starting over with fresh eyes and a renewed spirit in the morning. The day we start repeating ourselves, we’ve decided we’re good enough. We’ve settled, rather than continuing to push on to see how far we can go. Some of us will do this because we’re finally making a living. No one can fault this. Taking care of our families is important.

GAIL—Painting wit an Okra Pod

Yet if we fail to care for the artist within us, if we aren’t reaching deep within to wrestle with the challenge to risk trembling on the edges of beauty and chaos, we won’t be happy coloring canvases to satisfy the needs of those who see our art as an appendage to their furnishings rather than an object in its own right.

MIKE—Trees Painted with a Sweet Potato

The art class was somewhat nonplussed when I suggested we use sweet potato slices to print or paint with, as well as the big pretzel rods. Gail brought some large okra from her garden too, so we added this to the equation. If we always draw with the pencil and fill in with the paint brush, we get paintings which resemble coloring books. Then they came up with some original solutions. I knew they had it in them!

DUSTIN—Bowling Pins shaped like Sweet Potatoes

Mike used the actual potato as a paint tool, while Diana used the cut okras as textures and patterns. Dustin took the shape for bowling pins, and Gail doubled up sweet potatoes for mountains. I discovered the woven surface I was using wasn’t really conducive to the printing process, whereas the flat papers the class used worked fine. I got enough paint on it to get started and finished it at home.

CORNELIA—(Sweet Potato) Cloud on the Horizon

In Richard Rhor’s book, Immortal Diamond, he says, “Your True Self is that part of you that knows who you are and whose you are, although largely unconsciously. Your False Self is just who you think you are—but thinking doesn’t make it so.”

In art, we practice over and over again, until we can drop all the artifices of the False Self (the constructs which the world rewards) and work freely for the rewards which are pleasing to God. To do this, we need to allow ourselves to be freely loved by God and let ourselves freely love God’s entire creation. If nothing is outside God’s love and providence, then we too are called to love and care for God’s creation. This attitude will show in our art and heart.

In faith and art, we’re always dying to our old self and rising to our new self. Therefore we won’t be imitators of others, but we’ll be conformed instead to the image of God.

Do not lie to one another, seeing that you have stripped off the old self with its practices and have clothed yourselves with the new self, which is being renewed in knowledge according to the image of its creator.

~~ Colossians 3:9-10

The Sea Shell

adult learning, art, Children, Creativity, Faith, Holy Spirit, Imagination, Love, mystery, Painting, salvation, seashells, shadows, Uncategorized, vision

I have hidden inside a sea shell

but forgotten in which.

SEASHELL AND DRAGON FRUIT

Now daily I dive,

filtering the sea through my fingers,

to find myself.

Sometimes I think

a giant fish has swallowed me.

Looking for it everywhere I want to make sure

it will get me completely.

DRAGON FRUIT MONSTER

The sea-bed attracts me, and

I’m repelled by millions

of sea shells that all look alike.

Help, I am one of them.

If only I knew, which.

BIRD ON A SHELL

How often I’ve gone straight up

to one of them, saying: That’s me.

Only, when I prised it open

it was empty.

In art, beginners can get so caught up with drawing the forms and representing reality, they lose sight of the emotions and meaning of their work. Small children, on the other hand, will take an idea such as a snowman in a snowstorm, and completely obliterate their surface with white swirls until all sight of the ground, the snowman, the house and the children who built it are covered up. Their work is more about the experience of the falling, swirling snow than it is about the distinctive parts. We hang this on our refrigerators and exclaimed with amazement when they tell us the story.

In a year, they’ll be interested in the separate objects and have a well defined ground and sky, even if their objects aren’t in realistic proportions. The proportions are sized according to the child’s interest, and by age 12 most children want to create drawings with realistic perspective and images. Sometimes as they age, they begin to lose their sense of magic and mystery, and need their imagination primed more, but this isn’t impossible.

Adults often have difficulty using their imaginations, for they’ve had too many years of completing to do lists, getting things done, and unfortunately, much work is mind numbing. Some of them also are products of schools that taught to the test and to the “right answer,” rather than teaching thinking or logic skills or creativity.

The disciples asked, “Who is greatest in the kingdom of heaven?” Jesus replied, “Truly I tell you, unless you change and become like children, you will never enter the kingdom of heaven. Whoever becomes humble like this child is the greatest in the kingdom of heaven.” (Matthew 18:3-4)

For us as artists or as people of faith, to enter into the humility of a child is a counter cultural act, both today and in ancient times. We don’t find self help gurus preaching simplicity or poverty, but we do find plenty selling the siren call of prosperity and power. Jesus always speaks of the least of all as being the most of all, which is why the smallest child has more honor and greatness in the kingdom of heaven than the most important citizens of this world.

Some of us hear this text as a call to never question the faith we learned as a child. Unfortunately when we hit the stumbling blocks of adulthood, we find our simple faith’s pillars of belief are on shaky foundations. We can either crash and burn, or we can ask the questions of trusted and learned guides who have gone on the path before. Then we can shore up our foundations with mature understandings, or remodel our understanding so we can live with joy anew.

In art, we can either repeat the same forms over and over, or we can critique our work. In the school I attended, we had a routine—the first three comments had to be positive, then the next had to be those which needed improvement. Since we never called anything “bad” or “wrong,” the person on the hot seat never felt diminished. “You could have darkened the background more, so your foreground objects would have been more prominent.” This is better than saying, “You didn’t make the objects in front stand out,” since it doesn’t offer a solution.

It’s humbling to receive criticism, even positive feedback, because we want to be accepted just as we are, especially in faith. Yet Jesus didn’t die on the cross to leave us just as we are (justifying grace), but rose from the dead to perfect us and make us holy, just as he is (sanctifying grace). In faith, we come as humble children to grow in grace before God and to come to full perfection of love of God and neighbor that is entire sanctification. In art, we work each day to join our hand, our hearts, and our vision into one spiritually inspired whole. The more we know ourselves and can connect with the spirit of the creating God, the better we’ll make art with an inner life.

Sometimes in art, we decide to repeat a certain set of forms because we get approval from others for our work. We do this to the danger of our very lives. While we may continue to sell our work and earn the acclaim of critics, if we aren’t pushing the boundaries of artistic creativity, we are stagnating and not growing. The greatest artists–Picasso, Rembrandt, Matisse, and Michaelagelo–never quit growing. In faith, we work out our own salvation with fear and trembling, knowing “it is God who is at work in you, enabling you both to will and to work for his good pleasure” (Philippians 2:13).

Poem translated by Michael Hamburger. Published in 1983 by Bloodaxe Books. http://www.bloodaxebooks.com

Source: Selected Poems (Bloodaxe Books, 1983)

Perfection in Life and Art

adult learning, art, Attitudes, Creativity, Faith, Habits, Holy Spirit, Imagination, Love, ministry, mystery, Painting, purpose, renewal, Spirituality, Stress, vision

The life of one who pursues Art and Faith has many overlapping points. One of these is the search for perfection. The French artist Marcel Duchamp quit painting to play chess, saying he couldn’t create a greater work. However, he was still working on one last piece in secret in his studio. Artists are driven toward this ultimate prize, just as people of faith are called to grow towards perfection in faith and love.

The difference between perfectionism and Christian perfection is huge! The first seeks flawlessness in self, others, and in all things. I know people who get up in the middle of the night to rearrange the shoes in their closets. Shoes must not dance! While I do alphabetize my spice rack, I can leave my closet’s contents to party at will while I sleep all night. I learned from experience early on not to concentrate in any one area of my artwork, since all my many teachers drilled this lesson into my head. Overworked areas of wet paint also get muddy, for the colors blend together into a sad grey. Experience is a good teacher.

DELEE, negative image & Modern Sculpture

Christian perfection is a heart so full of love of God and neighbor nothing else exists. By definition, our hearts would be also full of love for our own selves, since we are made in God’s image. This is why in art class we use ABC: attitude, behavior, and consequences. Positive ABC gets praise, and negative ABC gets redirected to a better place. If we can reframe our attitudes, we can change our behaviors, and then we’ll have different consequences. Sometimes we need an attitude adjustment.

Art classes aren’t easy, but neither is the Christian life. We need to face our limitations, and this is humbling. We aren’t strong or powerful, nor have we achieved anything close to perfection in any part of our own life. This doesn’t make us bad people, but it does make us drop the false mask we’ve been wearing in the world. The best art will come from an open heart, or from transparency to God and others. We’re so used to hiding our true self from others, we think we can hide it from God also. Art will reveal our true self, however.

In Philippians 3:12-16, Paul talks about Christian perfection, so I’ll add some notes about the search for artistic perfection. In class we drew the negative or empty spaces of a wooden dowel construction I rigged up for the center of the table. I tossed in an extension cord for good measure.

DIANA, negative image & abstract sculpture

Drawing the negative space is a new concept. Most of the time we’re outlining the object itself, but not focusing on the empty space. Then we wonder why our object looks cattywumpus. By drawing the emptiness, we end up with the positive figure. This is a backwards thought process. We’re so trained to look at the object, we forget the empty spaces are a design element also. Drawing the negative space helps us to find the true object in its actual location in three dimensions and translate this into a two dimensional space. This is a complex form of thinking, which is why age 9 or the ability to write in cursive has been the usual cutoff age for formal art training.

MIKE, negative image & DUFY, GATE

Not that I have already obtained this or have already reached the goal—by this Paul means Christian perfection, or having the full love of God and neighbor within our hearts. We artists will work all our lifetimes to achieve perfection. If we’re truly growing as artists, rather than just repeating variations on a theme, our style will change. Monet once destroyed multiple Waterlily canvases right before an exhibition, having deemed them inadequate for the show. We artists are our greatest critic. The day we’re satisfied is the day we begin to repeat ourselves.

GAIL, negative image & DUFY, Room with Window

but I press on to make it my own, because Christ Jesus has made me his own—of course, the Holy Spirit empowers this spiritual quest for complete love, or we’d never achieve this goal alone. I believe all persons have a creative spirit within them. If we’re made in the image of God, who is the creator and is creating all things new again, we must share this attribute in part. Moreover, I think of it as a spiritual gift, for we enter into the mystery of God when we let go of our ego’s organizational skills and allow a greater hand to move our own as we create.

Beloved, I do not consider that I have made it my own—the mark of a spiritually mature person is recognizing how far from the perfection of God all of creation will always be. Yet God can refine and renew any imperfection in our spiritual and physical lives. The consequences of our acts will stay with us, however.

At the end of a studio session, I sometimes tell myself, “I’ve learned all I can from this one. It’s time to go onto the next piece and do better.” I don’t expect a masterpiece every time. I do expect to learn from my mistakes. I own my mistakes! I’ll keep the work around for several months. If it doesn’t fall apart, I let it out to show. If it doesn’t sell in three years, I destroy it and move on. I can’t stay attached to it, although I once did. Now I see my work as an opportunity to share the beauty and joy of God’s inspiration with others. I’d be selfish to hoard it all to myself.

but this one thing I do—Paul stays focused on the ultimate prize, not just on the easy gains. “We have stress enough in our daily world, so why can’t we just come and be comfortable in our sanctuary or in our art class?”

If we were hot house tomatoes being prepared for the salsa factory, this might be an acceptable choice, but we’re human beings who’ll be tested and tried in the world beyond the security of our sacred spaces and quiet studios. We need controlled challenges, just beyond our reach, to strengthen us for the days ahead. Even the most famous artists will struggle with success, so having a goal beyond this world is important. The rest of us will struggle with failure and rejection, so we need to learn resilience and fortitude, and the strength of power available to us from on high.

forgetting what lies behind and straining forward to what lies ahead—most of us carry baggage from our earlier days when we made poor choices and did dumb stuff. If we don’t have several suitcases, we at least have a closet full of T-shirts from Been There Done That Land. In art, we eventually will make enough work to break out of our old patterns, or we can enter into a studio teaching environment and accelerate the process. The trained teacher gives positive criticism and guidance, just as we can give the keys to a novice driver with a licensed driver in the car. We could let the novice driver out on their own, but a cow pasture would be a safer choice for this unsupervised driving experience than a city street.

I press on toward the goal for the prize of the “heavenly” call of God in Christ Jesus.—the Greek word is “upward” call, or “higher” call. This call is more important than any other in our lives. If our only goal is to be a good person, but not loving person, we need a higher goal! Why are we satisfied with less when God is so much more of everything?

Let those of us then who are mature be of the same mind;—just as our challenge in faith is to always grow in grace and love, so our goal in life is to always grow and learn. What we fail to use will atrophy and die. If we don’t love from the depths of God’s inpouring and abundant love, our own ability to love will wither and die. Burnout is a spiritual condition first, then it becomes a physical problem. The ancient icon painters prayed as they “wrote” the images of Christ. If we offer up our time in the studio as a prayer to God, we will better connect to God’s deep well of hope and compassion, which can recreate our lives and the world.

and if you think differently about anything, this too God will reveal to you.—I happen to be a slow learner, but better a slow learner than one who never learns at all. Some of us need repeated lessons before the scales drop from our eyes, but once we see clearly, we’re zealous to convert the rest of the world. Once the flame of love burns brightly, it wants to spread and replicate itself. One light wants to set the other coals aflame. Still not everyone wants to set themselves on fire! They’re perfectly willing to watch someone else burn brightly and bask in their glow.

Price’s Law is a good example in real life. Price’s law describes unequal distribution of productivity in most domains of creativity. The square root of the number of people in a domain do 50% of the work. In a group of 100, 10 do 50% of the work and 90 do the other 50%. This seems to hold true in business and in volunteer groups. Some Elijahs love to work, but don’t know how to replicate their Elishas. They rob the future Elishas of the blessings of service.

In art everyone has to do their own work, and some have difficulty if the work doesn’t look as good as their neighbor’s efforts. Since everyone begins at a different point, each person improves from that beginning. Each has to be considered as an individual. No one is compared to anyone else, even in a graded system. Art is the best class of all, for if you work the whole class, turn in all your work on time, and meet the criteria of the project, you get an A. There is a “works righteousness” in the studio, even if we’re saved by grace in faith.

Only let us hold fast to what we have attained.—I find many folks want to quote this verse only, but not the whole of the Philippians text. They use it as an excuse to stand still without reflecting on their faith, which they inherited from their ancestors. Worse, they don’t read the Bible with a heart or mind open to the fresh winds of the Holy Spirit. Then they wonder why joy and peace are merely limited gifts in their lives. We prosper, not by material wealth, but in our relationships with one another and with God.

In art, we’d rather copy our teacher’s example and match it to the best of our ability, instead of coming up with solutions unique and personal to our own spirit. Thinking uses energy, but it also builds resourcefulness and new cognitive pathways, as well as increasing confidence.

The former is the standard teaching technique in most departments of education, but it has nothing to do with engaging creativity. Instead it assumes a single right answer, but the history of art is replete with multitudes of many answers and solutions to the questions of the moment. When we ask, “What is beauty, truth, and good in art,” we answer, “Across the years and with different artists in different cultures, it varies.”

With this in mind, as artists and people of faith, we can hold certain truths across all the years, artists, and cultures, but other truths may be variable. Certainly overworking the person and the painting hold true everywhere. Many of us hunger for approval from human sources, and work ourselves sick trying to please too many masters.

In art school I had several master teachers. One day I was drawing in an empty classroom. The department head came by and asked, “Who are you working for, me or Mr. Sitton?”

“I’m drawing,” was my noncommittal answer.

He returned a short while later to ask the same question and I gave the same answer. Not long after that, he popped his head into the door, pointed his pipe at me, and asked again, “Who are you working for, me or Mr. Sitton?”

By this time I was irritated to no end. I’d been polite twice, but this third time was too much! I snapped around on the stool and snarled, “ I’m working for myself, thank you! Now quit bothering me so I can draw in peace!”

He laughed as if I’d finally passed some rite of passage. “That’s what I wanted to hear you say the first time!” Some art lessons aren’t given in a class, and they aren’t about design and color, but about your calling and your purpose.

Who are you working for in this world: the praises of ordinary people, or the eternal voice of the master, who paints the dawn and sunset from a palette of glorious colors?

The DNA of Gods and Heroes

#MeToo movement, Ancestry, art, Family, greek myths, Imagination, Love, Painting, photography, Reflection, shame, Stress, Uncategorized

Danae and the Shower of Gold

Danae and the Shower of Gold

Danaë was a princess of Argos in Greek mythology. Argos was an island kingdom ruled by Danae’s father, who had no sons to inherit his throne, but a prophecy foretold his fate: his grandson would kill him and rule in his place.

To defy the gods, Danae’s father sealed her up in a prison so she’d never get pregnant, but Zeus, the king of the gods, transformed into a rain cloud, came to her in a shower of gold. As a result, she bore a son, Perseus. The king put his daughter and grandson into a chest, set them adrift upon the open sea, and left them to their fate. They would either drown in the sea, or drift so far away, they couldn’t harm his kingdom.

As fate would have it, Danaë and her son washed up on a far land, where a fisherman took care of them. It’s at this point I chose to enter Danaë’s story and combine it with images from my travels and imagination. This seascape is from a photo from a journey to the Oregon coast. The sunset’s crepuscular rays reminded me of the golden rain of Zeus’s disguise. Magritte has a famous painting of a “merfish” (a Fish headed body) on a beach with a seascape similar to this one, but Picasso’s beach paintings are more like the figure itself. All artists owe a debt to the images from our culture and history. We can trace our artistic DNA from the masters who went before us, just as we can see the influence of our forebears on the faces and health of our children.

While Danaë already had given birth when she washed up on the beach, this is a dream construction of her memories prior to that time. The stress of losing her parents, her home, and her support system must have been overwhelming. Add to this the burden of knowing her own child will kill her father. On top of this, she had conceived by unusual means, which portends ill for those who attempted to circumvent their fates. The giant sea shell is a reminder of her sexual union with the god, as well as her openness to the power of the gods. Danaë doesn’t resist her fate, but surrenders to it.

In the ancient world, the Greeks believed humans were foolish if they attempted to manipulate fate, for the gods had their own designs in mind. In the Greek myths, you can run, but you can’t hide. Destinies are fixed and immutable, due to fate. The three fates wore white robes and were incarnations of destiny. One spun the thread of life, another wove the cloth, and the third snipped the cord to determine the length. They controlled every mortal from birth to death.

Happiness comes from accepting one’s lot in life, for the gods will prevail. Today, we are more likely to believe we can change our destiny by our own efforts and will. Gone are the days when women submitted to powerful men, whether they were fathers, husbands, employers, or “gods.” In the context of the #MeToo movement, women today read this myth and say, “I reject a destiny of submission to another’s power over my own body. I claim the right to my own body, not only for the sake of love, but for the power it represents when I give it to another. No one takes it from me.”

Today women are more likely to chose the hero route, to take on the role of Perseus. As Perseus grew up, the king of the place sent him on a quest for the head of Medusa. While he was gone, the king tried to marry Danaë, but Perseus returned, just in time, and froze the wedding guests into stone with the dread head.

With his mother free, Perseus and Danaë returned to Argos. His grandfather had fled to Thessaly to avoid his fate, but while Perseus was competing in athletic games there, his wayward throw of a quoit, an iron ring, struck his grandfather in the head, killing him instantly. He couldn’t bear to rule Argos, so he swapped city states with another king, and ruled there instead.

If this story sounds familiar to you, perhaps you’re thinking of Jason and the Argonauts, a hero of later myth. He and his hero pals sailed in the Argo, a ship built by Argus, who was from Thespiae, the city of the Muses. His hero story shares many similarities with that of Perseus, but that’s for another day. For each of us today, the ancient myth calls us to reconsider how we relate to one another, from the most toxic evils of date rape and sexual harassment in the workplace to the commonplace demeaning behavior known as “mansplaining.”

If men need to rethink their behaviors, women need to choose to speak up and risk public humiliation, rather than staying silent with private shame. Silence only enables bad actors by giving them continued cover. The heroic women, who take on the quests to defeat the monsters they fear, redeem their mother’s shame and silence. They also make a better world possible for the next generation. The DNA of gods and heroes flows through the veins of Danae’s descendants.

TIME AND THE TWO CLOCKS

art, Christmas, Faith, Family, Healing, Imagination, Love, Meditation, Ministry, Philosophy, Pi Day, purpose, Retirement, Spirituality, Uncategorized, Work

On The Death of Stephen Hawking: March 14, 2018

With the death of the esteemed scientist Stephen Hawking on Pi Day, I wondered what do The Corpus Clock and the Banksy Rat Clock say about these artists’ concepts of time? All musings about chronological time lead me to ask, Does God experience time in the same way we mortals experience time? Is time the same for all persons? Do all people in the same event experience time in the same manner? What do we humans do with our time? Moreover, do people of faith have a particular calling from God to use time in a certain way?

We might fill a book with the fully fleshed out answers to all these questions, but let’s just sketch out a few points on each.

THE BANKSY RAT

The Banksy rat running in a 14th Street clock face, as if in a hamster wheel, is believed to be his first work in New York since 2013. One of Banksy’s trademark rats was found painted on the face of a clock adorning a building façade, on Pi Day, 2018, with the distinctive silhouette of the Empire State Building looming in the background. The clock in question adorns a former bank and post office at the northwest corner of Sixth Avenue and 14th Street in Greenwich Village. This building is currently slated for demolition.

Banksy seems to think time is a circular and continuous event, ever repeating, and perhaps monotonous. If the wheel goes nowhere, we can be very busy, but gain nothing for our efforts. Therefore our lifespan, the time we have on earth, is an exercise in futility. Do we know this, however? If we’re rats in a cage, do we have the cognitive awareness to perceive this? The good news is, we are more than rats, and for this I’m grateful.

Of course, pi/π is an irrational number and irrational numbers don’t repeat forever. If you write out the decimal expansion of any irrational number (not just π) you’ll find that it never repeats. That means that π is irrational, and that means that π never repeats. It also never completes, or comes out even, as my old third grade teacher Mrs. Dickey used to say, under the old math I learned in elementary school. In November 2016, y-cruncher, a computer for large calculations, took the value of pi out to 22.4 Trillion digits. I was always doing well to remember “yes, I have a number,” for my math classes.

Since Banksy’s Rat appeared on Pi Day, his wry humor might be evident in the rat race is never ending for all time. If it’s on a building meant for destruction, however, it shows he has hope for a change in this world and a creation of a new world. We need to take care to create a better world, rather than the same old world which we destroyed.

THE CORPUS CLOCK

The Corpus Clock, created in 2008 by the inventor and horologist John C. Taylor, doesn’t look like a clock. Its shiny gold disk features 60 notches that radiate from its center. Lights race around the edges of the disc, and a spherical pendulum swings slowly beneath it. The Corpus Clock has no hands or digital numbers, but has three rings of LEDs, which reading from the innermost ring show the hours, minutes and seconds. When an hour is struck, no bells chime, but chains shake and a hammer hits a wooden coffin. Time passes and we all die, a fact further represented by the Latin inscription underneath the clock, mundus transit et concupiscentia eius, meaning ‘the world and its desires pass away’.

The most eye-catching detail is the fierce-looking grasshopper sitting atop the disc. Taylor called it a “chronophage,” from the Greek for time-eater. Like a locust devouring the harvest, the chronophage opens its mouth. Ordinary clocks emphasize the cyclical nature of time. The hands, moving in a circle, always make it back to the same place and suggest if we lose track of time today, we’ll always have tomorrow. This, of course, is only partly true. As the chronophage reminds us, we can never regain lost time.

Weirdly, the pendulum of the Corpus Clock slows down or speeds up. Sometimes it stops, the chronophage shakes a foot, and the pendulum moves again. Because of that, the time display may be as much as a minute off, although it swings back to the correct time every five minutes.

“There are so many expressions in everyday life about time going fast, time going slow and time standing still. Your life is not regular; it’s relative to what’s going on,” Taylor said.

He noted Albert Einstein’s observation: “When a man sits with a pretty girl for an hour, it seems like a minute. But let him sit on a hot stove for a minute and it’s longer than any hour. That’s relativity.”

“Time is a destroyer. Once a minute is gone you can’t get it back.”

As a note of irony, Prof. Stephen Hawking, cosmologist and author of the global bestseller, A Brief History of Time, was due to unveil the clock at 5.45 pm, but in the end the curtain covering it didn’t fall until 5.59.55 pm.

Two theories of time

Actually, philosophers have multiple theories on time. Scientists hold a few more yet. Two of the main ways of looking at time are movement and stasis.

1. Time moves. The A-theory (or the process theory) holds that time moves from one point to another in a unidirectional line.

2. Time stands still. The B-theory of time (or the stasis theory) holds that time essentially stands still. B-theorists holds that the process of time is an illusion and time itself is rather static, or unmovable.

Does God experience time in the same way we mortals experience time?

God is absolutely timeless and exists beyond the scope of space-time. Since God’s not mortal, and not a created being, the laws of creation don’t apply to God. God is the creator, the uncreated one. We, who are the created ones, can’t experience time in the same way as God. In a sense, all time is the same for God. The past, the present, and the future are all the same for God, since all things seem as “now” to the one who is. We never say “God was,” except in reference to our own experience. For God, all events are always happening concurrently, as it were, with the present, and with all the possible futures.

We too can experience time, somewhat like God, in those moments when memories flood into our present experience, such as when a certain smell reminds us of a loved one, or a melody brings to mind old friends and old haunts. Even unpleasant associations can bring the past into the present for us. While we’d rather only have positive feelings and thoughts, at least we can know we are in the same mysterious time stream with God when our time sense begins to meld the past and present together. If we’re in the same space and time with God, we’re sheltered from any harm. If we relax in these times, we can put our focus on the God who’s cared for us before we were born and will carry us through any storm.

For us, in an excruciating time, we might sense time stands still, or moves as slow as molasses. Slow motion is a description of the telescoping or expanding sensation some of us feel. Actually, Time happens at the same speed, but our sensation or experience of it is different. The expression “Time flies when you’re having fun,” is an example of the how fast moving time is when you’re enjoying yourself. Ask a child how long it is till Christmas, then ask the parents the same question. The child says”Forever!” Mother or Daddy swears they need another month at least. My well worn Advent calendar had many little doors, which I opened daily as a child to help me count down the days until Christmas. My parents had crafts for us to make for the holidays to help pass the time and give our eager hands an outlet for our energy.

Is time the same for all persons?

I think most of us count time linearly, for we begin at our birth and count our days and years until our death. We see this life unfolding along a single line. If we were to view our lives from beyond this world, we might perceive our lives as a circular spiral which orbits around our sun as the sun makes its route around the outer edge of our galaxy. The first seems to be a straight line like a ship crossing an ocean, while the latter is more of a spiraling circle on a larger circle.

Most of us are just trying to make it to the weekend or to payday, so our concepts of time aren’t vast at all. If we think about time, it’s about quitting time, lunch time, coffee break time, or time for bed. Thinking ahead to vacation time or retirement is a future too far, so wrapping our minds around infinity or eternity is too great a stretch. God can see all our possible futures, for we all have choices and there are always events beyond our control which will affect us. Nothing is preordained or fixed, except God’s generous love and grace. If we could stand out beyond our galaxy and see our small world, I wonder if we would see our lives in a different manner?

Do all people in the same event experience time in the same manner?

If we come from different places and upbringings, we won’t take from an event the same experiences. When one person sees the flickering candles of a worship center and feels fear and shame, while everyone else feels joy and serenity, the pastor has to ask what’s wrong. The association for this person was from a cult with ritual sexual abuse on the altar. Yes, things like this happen, and thank goodness this person came out of that environment. Yet the same setting was a trigger for old memories, and an opportunity for compassion, prayer, support, and the offering of healing.

For those who found the experience uplifting, the time passed quickly. For the suffering, Time was agony, for it united the ugly past with the present. The present ministry of those who sat with her eased her pain until she could return into the present once again, and begin to have hope for a better future.

What do we humans do with our time?

Too often we overvalue work and undervalue relationships. As a city person pastoring in a country church, I often felt they didn’t value the work of ministry among the people, since God calls all to be priests (priesthood of all believers). My people felt I didn’t value relationships very much. Maybe we should have met each other in the middle. What we do with our time is more than being honest in our business dealings, doing good in our community, and being faithful to our spouse. It has to be more than giving a tithe to our place of worship. Are we rats in a hamster wheel, or mere cogs in a great industrial production machine? When we spend our time at work, have we lost it, and only get to live on the weekends or when we retire?

Does God call people of faith to have a purpose for our time?

If our time at work is only a means to an end, but the time spent there has no meaning at all, we might want to consider a career change. One person I know said, “It just wasn’t fun anymore.” Another’s eyes only lit up when she spoke about her work with the hospice patients, but she gave the pat answers to “how’s your church doing?” I knew before she did her call had changed. I taught school and sold Insurance before I became a pastor. Now I cook, paint, and write in my retirement years. I get to study anything that suits my fancy, which is perfect for one who’s a professional student!

What is God’s call for your life? It doesn’t matter what age you are, the time to answer it is now, at the present moment. Tomorrow you’ll be a day older, and this day will be long gone. It will be only a memory, but not for taking action. Like the chronophage, the monster which eats time, each moment is precious and worthy. Seize the Day! Do the work God’s got for you!

LINKS

Pi calculation records link: http://www.numberworld.org/y-cruncher/

Discussion on theories of time link: https://plato.stanford.edu/entries/time/

The Man of Sorrows

art, Creativity, Faith, Healing, Holy Spirit, Icons, incarnation, Love, Man of Sorrows, Meditation, Painting, Reflection, salvation, shame, Spirituality, Strength

Most of us try to put our best foot forward every day. If we have the means, we want to wear nice clothes for work and put on our “game face.” In private, we might “let it all hang out” and put on our sloppy clothes, but only if we’re staying inside. This is why the pajamas at Walmart memes persist as the walk of shame from sea to shining sea.

We like our art “pretty” also. Indeed, if it doesn’t match our current decorating theme, we don’t buy it. We want our art to fade into the wall and not interact with us. If this is our attitude, we aren’t candidates for an icon in our space. The icon is meant to open up a conversation with the viewer and with the Holy Spirit. The icon opens a window into the world beyond this reality, into eternity, in which the Holy Trinity and the communion of saints live forever. While the image itself isn’t Holy, what it represents is Holy. Therefore the icon is venerated, but not worshipped. Only God is worshipped.

Because most of us like our images beautiful, we prefer gold and silver over fading and flaking. We also like polished and pleasant more than brutal and broken. This is why most of us like Christmas more than Good Friday, even though both are necessary to understand at-one-ment and atonement.

The oldest icons often show the ravages of age. Centuries of use, with smoking candle soot and oils from many hands, have worn their surfaces raw. Many of us also show the scars of Time, but we also are the image of God, just as Christ is the living image of God. We are like the ancient icons, worn and weathered. If we were given an ancient holy icon, damaged by circumstances or desecrated by human hands, we would treat it with tenderness, reverence, and compassion. We wouldn’t pay attention to the damaged parts, or to the tragedy of the act of damage, but we’d focus on what is left of its beauty, not what was lost.

Only those who are rapidly aging may be able to understand this concept, or those who’ve suffered. Yet, the Man of Sorrows icon exists for those who know life isn’t always a bowl of cherries and even the best people will suffer. The suffering servant contradicts the promises of prosperity gospel, but the icon reminds us we aren’t alone when hard times strike.

The Virgin Hodegetria and the Man of Sorrows

This double-sided icon in the National Gallery of Art, in Washington, D. C., depicts two of the most influential images in Byzantine art. On the front, the Virgin Hodegetria (“she who points the way”) gestures toward the Christ child as the path to salvation.

The image derives from a venerated model, which was legendary. Saint Luke was the purported artist who painted the original from life in Jerusalem and others brought it to Constantinople in the fifth century. Pilgrims flocked to the Monastery of the Hodegon to revere the original icon, which was paraded weekly through the streets of the capital. Widely copied, it’s one of the most common types of images of the Virgin.

On the other side is the icon of Christ after the Crucifixion, laid out for burial with his arms at his sides. This is the earliest known panel painting of the Man of Sorrows, a name taken from an Old Testament description of the Messiah:He is despised and rejected of men, a man of sorrows, acquainted with grief (Isaiah 53:3).”

Called Akra Tapaneiosis (Ultimate Humiliation) in the Greek Orthodox Church, the subject originated in Byzantium in the 11th century in response to liturgical changes and became widespread in the medieval West. This icon dates from the last quarter of the 12th century.

The Kastoria icon imbues the traditional Virgin Hodegetria with heightened emotion found also in hymns and sermons, especially after Iconoclasm. Her sorrowful expression and furrowed brow suggest that she foresees her son’s death. On Mary’s grief at the Crucifixion, the ninth-century bishop George of Nicomedia wrote,Who will enumerate the arrows that penetrated her heart? Who will recount in words her pains that are beyond words?” His sermon served as the lesson on Good Friday when this icon was displayed during the church service commemorating Christ’s Crucifixion.

https://www.nga.gov/features/byzantine/virginmanofsorrows.html

HOW DID A SAINT BECOME A SANTA?

art, Children, Christmas, Civil War, Faith, generosity, Icons, Imagination, Love, photography, poverty, purpose, Spirituality

Once upon a time, Bishop Nicholas of the Greek Orthodox Church was known for his charity to the poor and other good deeds. After his death, enough miracles in his name elevated him to sainthood. People began to give gifts to others in his name to celebrate his feast day, December 6th.

Later on, the gift giving at Christmas became more important. After Clement Moore’s 1823 Poem, A Night Before Christmas, the visit of “Old Saint Nick” came alive in children’s imagination. With Thomas Nast’s Illustrations during the Civil War era, Old Saint Nick transformed into Santa Claus.

Of course, even though the two were once one person, their personalities are different. Everybody loves Santa Claus. He embodies holiday cheer, happiness, fun, and gifts—warm happy aspects of the Christmas season. How do Santa Claus and St. Nicholas differ?

Santa Claus belongs to childhood;

St. Nicholas models for all of life.

Santa Claus, as we know him, developed to boost Christmas sales—the commercial Christmas message;

St. Nicholas told the story of Christ and peace, goodwill toward all—the hope-filled Christmas message.

Lorenzetti—Saint Nicholas giving gold to a poor family

Santa Claus encourages consumption;

St. Nicholas encourages compassion.

Santa Claus appears each year to be seen and heard for a short time;

St. Nicholas is part of the communion of saints, surrounding us always with prayer and example.

Santa Claus flies through the air—from the North Pole;

St. Nicholas walked the earth—caring for those in need.

Santa Claus, for some, replaces the Babe of Bethlehem;

St. Nicholas, for all, points to the Babe of Bethlehem.

Santa Claus isn’t bad;

St. Nicholas is just better.

We can actually keep the spirit of both Santa and the Saint all year long if we keep the joy of giving and receiving gifts to all, especially by giving to those who have less than we have.

If we keep the love of all persons in our hearts, then we’re loving as God loves us, for this is how the saints love the world. Even Santa loves all the world like this—really! Does any child ever get coal in their stocking? No! This is only a grownup threat to make the child behave. All children get a Santa gift, for the “Santas” in the community will make it happen, for they are the Saints who walk among us.

I want to thank the folks at the St. Nicholas Center for this idea. They have good resources for teachers for downloading. Check them out. I found the images on google search.

http://www.stnicholascenter.org/pages/compare-santa-st-nicholas/