Although we celebrated the vernal equinox on the 20th last month, the church counts March 21 as the equinox date in the ecclesiastical calendar, rather than the actual date, which can vary between March 19-21.
Vintage Easter Greetings
This is important because the Council of Nicaea in 325 CE established Easter would be held on the first Sunday after the first Full Moon occurring on or after the spring equinox. From then on, the church determined the full moon would be on March 21 for the vernal equinox. This means Easter can be as early as March 22nd, or as late as April 25th.
My dad loved to recite this bit of lore each year, just as much as he relished knowing the difference between first and second cousins and those kin who were once removed from us. If I live long enough, I may one day learn this arcane knowledge of relationships, but for now I’m doing well to keep the date of Easter in my head.
A boy and his pet rabbit
Easter is always a Sunday celebration, while Good Friday and the Passover are Friday events. Although the text says Jesus was taken down from the cross before sundown before the beginning of the Passover, the two celebrations don’t always coincide. The Christian calendar follows the sun, whereas the Hebrew calendar follows the moon. These two can get out of sync over time.
The two festivals do share a common theme, however. God works a miracle in the lives of the people. In the Passover, God spared the Hebrew families, but visited the plagues upon the Egyptians until Pharaoh freed the people. At Good Friday, God freed the people from bondage to sin and death and through the resurrection of Jesus on Easter, freed all who believe to live in freedom in love and life.
This is why we can say with Ellis Peters, “Every spring is the only spring—a perpetual astonishment.” If we wear our new or best clothes in honor of the resurrection, it’s only because we want to share the experience of rebirth in our own lives. After a grim winter, or a rain filled March, the bright colors of the Easter resurrection feel more real than the few small bursts of colors we’ve seen in the garden to date.
Longfellow wrote in Kavanaugh: A Tale,
“If Spring came but once in a century, instead of once a year, or burst forth with the sound of an earthquake, and not in silence, what wonder and expectation there would be in all hearts to behold the miraculous change! But now the silent succession suggests nothing but necessity. To most men only the cessation of the miracle would be miraculous and the perpetual exercise of God’s power seems less wonderful than its withdrawal would be.”
If we were only barely holding on to hope during the days of false spring, now as the days grow longer and warmer, we can feel hope taking hold in our hearts for certain. Maybe we feel better because of the longer days, or we can be outside more often. We don’t know, but we thank God for this blessing and the resurrection of hope in our hearts.
Perhaps it’s true: “The day the Lord created hope was probably the same day he created Spring.” —Bernard Williams
As a reminder, Time is infinite, even if we mark its passing in moments, minutes, hours, days, months, years, decades, centuries, and millennia. While we’re not infinite, the love of God is inexhaustible and steadfast, enduring forever. Where we see paucity, God provides abundance. The message of the eternal springtime and the resurrection is hope abounds in the most unlikely and darkest of days.
God’s Kairos Time is not our Chronological Time
May you have a blessed Easter and a new hope in your hearts and lives! My gift to you is a poem I’ve loved for nearly half a century.
Joy and Peace, Cornelia
A Poem by Khalil Gibran
And an astronomer said, “Master, what of Time?”
And he answered:
You would measure time the measureless and the immeasurable.
You would adjust your conduct and even direct the course of your spirit according to hours and seasons.
Of time you would make a stream upon whose bank you would sit and watch its flowing.
Yet the timeless in you is aware of life’s timelessness,
And knows that yesterday is but today’s memory and tomorrow is today’s dream.
And that that which sings and contemplates in you is still dwelling within the bounds of that first moment which scattered the stars into space.
Who among you does not feel that his power to love is boundless?
And yet who does not feel that very love, though boundless, encompassed within the centre of his being, and moving not from love thought to love thought, nor from love deeds to other love deeds?
And is not time even as love is, undivided and paceless?
But if in your thoughts you must measure time into seasons, let each season encircle all the other seasons,
And let today embrace the past with remembrance and the future with longing.
We had a bright taste of spring in last Friday’s art class with the yellow daffodils from Gail’s yard. She and Mike have come a long way in their powers of observation and rendering. They take their time to see, study, and really observe intentionally whatever objects are before them. These two students have been to most of the 26 classes to date, beginning back in June 2018. They’ve come a long way.
We can get lost in the busyness of the world with all the competing claims for our attention, but if we take our time, breathe, look for the most important things first, and then deal with the details, we’ll usually have a better outcome. This is an art studio principle we can carry over into life.
I happen to be doing something entirely different. It’s a woven painting, from two old works I’m no longer keeping. As part of my recycled/resurrection series, it belongs to a theme of change. In Luke 9:51, we hear
“When the days drew near for him to be taken up,
he set his face to go to Jerusalem.”
Sometimes we have to set our minds on what God wants for us and deal with the consequences. As we head into Lent, I recognize as a teacher most students today don’t want to suffer, but want the prize of achievement without the sweat of practice. Some say 10,000 hours is the mythical threshold to acquire competency.
Will we then all be Leonardo’s, Picasso’s, or Monet’s? Some of us will work 100,000 hours and still be ourselves, but we’ll be so much more than we were when we began! It’s like the Christian life: if we aren’t intentional about giving ourselves into God’s service, we won’t practice it often enough to grow in love and grace.
I had a dream about this image I’m working on now. Jesus knows the cross is before him. He’s already seen it in his mind. When he goes down to Jerusalem for the Passover, things won’t go well for him. He can go to fulfill his mission or turn tail and run. The prelude to his ministry was the temptation in the desert, which we remember during Lent. He goes forward to the certainty of his ministry and also his death and resurrection.
DeLee—Face Set Towards Jerusalem”
Those of us who like Easter, but not Good Friday, will one day have to deal with suffering: our own, someone’s we love, or the suffering of humanity. We can’t escape suffering, for it’s part of the human condition. Some of it we choose, like training for sports, but some is visited upon us unkindly, such as the dread illnesses and wars of our world. Some were born into suffering by geographic location, and this causes mass refugee populations to move across national borders in search of hope and opportunity.
When we’re painting these pretty pictures of flowers, we can think of those who have put their hope in God’s hands and remember we are Christ’s hands in God’s world.
My weaving is a dream image of a transformational point in time when you see what is both before you and behind you. You choose to go ahead anyway, even knowing the consequences. Both the hero and the artist have to risk the danger. Otherwise we’ll paint pretty canvases for nice homes and be the Christians who wear our decorative crosses, but we’ll never bear the cross for the sake of Christ, his kingdom, and the better world God calls us to recreate.
The Christian life calls each of us to be a hero, one who suffers on behalf of another. If our lives are too easy, we aren’t walking like Christ. We aren’t called to suffer at the hands of another, or to be harmed by others, but there’s a real need in our lives for “structured and guided suffering in a safe environment,” such as learning a new skill or getting outside of our comfort zone.
I carry my phone when I walk, so I always have a camera for the scenes of beauty which catch my eye. Since light is ephemeral and these moments are fleeting, catching them as they occur is important. When I come home, I often photoshop the image on my computer or in Instagram to get the emotions, which I experienced when I took the photo.
Winter Lake Reflections
Several winters ago, I took this photo. By the time I painted it this year, I was feeling more optimistic. Back then, I didn’t know if my daughter was alive or dead. I lived in hope, but I also was holding onto some fear, for I knew her drug addiction was going to be difficult to overcome.
The Cloud Rising
This is my most recent landscape. The cloud always reminds me of God’s appearance! Then I think of this verse in Job 38:34, when God asks Job, who’s been questioning God’s intentions and reasons—
“Can you lift up your voice to the clouds,
so that a flood of waters may cover you?”
Poor Job, he’s not God. And neither are any of us. We’d like to make sense of the senseless, right all the wrongs, put order to all the chaos, and make things the way they should be. Of course, if we were in charge, the world would have gone to hell in a hand basket much sooner than it has already.
Maybe we should reread Job 42:3—
‘Who is this that hides counsel without knowledge?’
Therefore I have uttered what I did not understand,
things too wonderful for me, which I did not know.
In our world today, many changes are happening. Some of us want things to be “the way they used to be.” This would make us feel better and be more comfortable with a known world, but God is always recreating God’s new world–
“For I am about to create new heavens
and a new earth;
the former things shall not be remembered
or come to mind” (Isaiah 65:17).
If we are people of faith, we can trust in our God, whose Son Jesus Christ is the same yesterday and today and forever (Hebrews 13:8). If Christ is the same, then God is the same, and so is the Holy Spirit. Does this mean our understanding of the Holy Trinity never changes? No, this means God’s love and mercy for us never changes! We think we can fall outside the bounds of God’s love, but this is only because we have short arms and can’t include all others within our embrace. Just as the water reflects the sky and earth above it, so we’re to reflect the attributes of the holy image in which we’re created and demonstrate the qualities of the heart and the same mind that was in Christ Jesus (Philippians 2:5).
Job, who was well respected and honored in his community, was enamored of his ability to assist others with their needs. He was a big man who used the blessings from God for good purposes. When he lost this status, he was upset. Once he met God face to face, he realized he’d been giving lip service to God, but didn’t actually know God. Many of us today know about God, but haven’t had an encounter or experience with the living God. We can’t reflect a love which we’ve never received, and we can’t share a forgiveness we’ve not known. Perhaps our first work is to seek God’s generosity for our own lives, so we can reflect it outward in the world toward others.
Making Found Object Icons is an art project that evolved out of the Great Macaroni Multimedia Traveling Artandicon Show. In seminary during Art Week our fellow students were horrified we were making sacred images out of edible products, such as macaroni, lentils, peas, and beans.
Jesus is the Bread of Life
“Jesus is the bread of life, and macaroni is just another form of wheat,” we replied.
“But it’s so ordinary!”
“Clay is ordinary, and so is stone. Can an object only be worthy of God if it’s made of expensive materials?”
“The value of all the chemicals in a human body is about $5.18, but we’re worth far more than that in the eyes of God. Some say God doesn’t make junk, yet too many people of faith despise and debase the body. I’ve always wondered why this was so, since the Son of God came to earth in human form, and as the great hymn in Philippians 2:5-11 (NRSV) says—
“Let the same mind be in you that was in Christ Jesus,
who, though he was in the form of God,
did not regard equality with God
as something to be exploited,
but emptied himself,
taking the form of a slave,
being born in human likeness.
And being found in human form,
he humbled himself
and became obedient to the point of death—
even death on a cross.
Therefore God also highly exalted him
and gave him the name
that is above every name,
so that at the name of Jesus
every knee should bend,
in heaven and on earth and under the earth,
and every tongue should confess
that Jesus Christ is Lord,
to the glory of God the Father.”
When we meet Christ at Christmas, we can get all warm and fuzzy because who doesn’t like a warm, cuddly baby? Maybe I have a soft spot for babies, but I really don’t trust people who don’t get a little ga-ga when the little ones coo and smile. I can understand folks getting squeamish at Good Friday and the cross. Most of us avoid as much pain as possible. Humility and obedience to God are not high priorities these days for many people.
Flight into Egypt
Many tend to ignore this wonderful call to the Christ-like life, preferring instead the cop out of “Keep awake and pray that you may not come into the time of trial; the spirit indeed is willing, but the flesh is weak,” (Mark 14:38, NRSV). “Forgive us,” we say, but we hold others up to high standards.
We make a distinction between our dual natures of the flesh and the spirit, a concept inherited from the Greco-Roman culture. It’s notable that the often quoted verse, “If you sow to your own flesh, you will reap corruption from the flesh; but if you sow to the Spirit, you will reap eternal life from the Spirit,” is found in Galatians 6:8 (NRSV), for this was a Roman province.
The ancient Mediterranean area had a knowledge/mystery tradition. The Greeks had their cult of Bacchus, the Egyptians the cult of Isis, and the Jewish had their mystical Kabbalah. The Romans had their dying and rising god cult of Mithras, the bull. Entry into all of these groups was by word of mouth only, given to a special few, and all had secret rites known to the members only. Most promised salvation through secret knowledge, and the true world for them was spiritual rather than the physical world in which we live today. Ecstatic worship separated the believer from the body and the ordinary world.
You might recognize these traits in your own church or worship community today, except for the ecstatic and enthusiastic worship brought about by mood altering substances. That’s not my church anyway! How do we come close to God? Across the centuries, the tradition has discovered contemplative prayer, singing, searching the scriptures, serving the poor, attending the sacraments, and creating art for God or the Holy Icons.
Making an object for the glory of God, to enhance the worship experience, and to honor God is a gift of the artist’s time and talent. No artist is ever paid what their training and talent is worth, for it’s a treasure from God to begin with—it can’t be valued. Artists have learned over the centuries to live simply, accept fame if it comes, and put a fair price on their work.
They get value in the spiritual real from the work they do, for the icon opens a window into heaven. As they arrange the jewels and found objects, and move them to a better position, the icon comes alive under their hands and begins to breathe. Only the person, who will be still long enough to hear the silence from beyond the open window, can hear the voice of God in this world. For this person, the icon is a treasure, and a place of holy focus, no matter how small or how simple the materials.
This is the reason the artist makes an icon—to have a moment of mystery, a time of intersection, and a communion with the holy. In today’s hurried world, each of us wants a place in which we can experience for a moment the timelessness of heaven.
When we return in the New Year, we’ll begin painting our own holy icons. The process is a spiritual journey, more than a destination or the attempt to reach perfection. We only need to “go toward perfection” each day!
My latest icon of the face of Christ is based on the Napkin of Christ or The Image Not Made by Human Hands. The tradition tells us the Lord washed his face on a cloth and the image of his face transferred directly to it. King Abgar took the image bearing cloth to Edessa and hung it above the city’s entrance, where the people venerated it.
For many years afterwards, the inhabitants kept a pious custom to bow down before the Icon Not-Made-by-Hands, when they went forth from the gates. When one of the great-grandsons of Abgar, who later ruled Edessa, fell into idolatry, he decided to take down the icon from the city wall. In a vision the Lord ordered the Bishop of Edessa to hide His icon. The bishop, coming by night with his clergy, lit a lamp before it and walled it up with a board and with bricks.
Years later, when the city was under siege, the Virgin Mary appeared to the presiding bishop with the instruction to reveal the old icon. Not only was it found, but also the lamp, and a copy etched into the wall itself! This miracle saved the city.
We know “that the creation itself will be set free from its bondage to decay and will obtain the freedom of the glory of the children of God” (Romans 8:21), for Christ came not to save only humankind, but to redeem all creation. Sometimes when hurricanes, floods, fires, and other natural disasters make the news, we might think nature is disordered, dysfunctional, and we can despair for any harmonious sensitivity to the only planet we can call our home.
For some people of faith, because their “citizenship is not of this world,” they see no reason to care for our world, yet God created this place for us and our children and their children. We don’t own it, we merely care for it, as good stewards for the generations to come and as servants of our creator. If our world is to be lush and green, as well as clean and blue, we must love it as if it were the body of Christ, even though the world isn’t divine.
God is still going to “make a new heaven and a new earth,” but we don’t have to destroy the one we already have just to get God to prove God’s powers over our stupidity. We could choose to participate in the recreation of the new earth and let God finish the task at the right time. Then we’d enjoy the fruits of this better world and share it with all our neighbors around the earth.
As Paul reminds us, “We know that the whole creation has been groaning in labor pains until now; and not only the creation, but we ourselves, who have the first fruits of the Spirit, groan inwardly while we wait for adoption, the redemption of our bodies. For in hope we were saved. Now hope that is seen is not hope. For who hopes for what is seen?” (Romans 8:22-24)
Some things I take for granted, since I had the great privilege of knowing my great grandmother in her last years. I knew all but one of my grandparents, since my daddy’s father died when I was only a year old. Even my daughter knew both her Nana and all four of her grandparents. Growing up we attended family reunions or homecomings every summer without fail. We renewed ties with the distant or “kissing cousins” who also showed up for the food and fellowship. I also have family members who care about genealogy, especially if this gets them into exclusive organizations, but I’ve never joined these.
The Mexican festival for the Day of the Dead pays respects to the ancestors. In truth, we don’t need to know who they are, or to have had an intimate relationship with them. After all, I certainly didn’t know my great great ancestors! I can appreciate I wouldn’t be here without their gift of life to my more proximate relatives. This is what the writer of Hebrews means by, “we are surrounded by so great a cloud of witnesses” (12:1).
The Day of the Dead is celebrated on or around All Saints Day, and sometimes for several days on either side of it. It began with an Aztec custom, and blended into the Catholic tradition. This is a time for feasting, celebrations, and joy, to make memorable the experience of recalling the lives of the ancestors. Sweet foods shaped like skulls are one of the traditions.
Michael worked on a pyramid of foam core boards, which he painted to look like stones. He decorated it with store bought skulls and a photo of his deceased brother. He has more nuts and bolts from a found object stash to add to it. Telling the story of his beloved one is part of the project. Art is part therapy and part project. We may work with our hands, but our hearts and minds are also involved.
Gail worked on a tombstone painting with images of her ancestors and their pets. She figured our how to transfer photos to cloth via the printer! Technology! I was impressed! Plus Gail made coffee for my sake, and it was a means of grace, since I’ve had a serious sinus infection that won’t go away. Coffee really is a blessing.
I’m slowly working on a new box for my daughter’s memory. This is the third anniversary of her death. When we think of the Dead, we remember
we believe “he is God not of the dead, but of the living; for to him all of them are alive” (Luke 20:38). So we don’t grieve like others do, for our loved ones aren’t lost to us. Since God is close to us, and our loved ones are with God, this means our loved ones are always as close to us as God is.
In these past three years, grief has roiled not only our nation, but the nations of the world. Since 2015, more than 33,000 Americans have died as a result of the opioid epidemic, but drug overdose deaths overall are even larger. In 2015 alone, 52,404 people died from a drug overdose and 64,070 died in the year ending in January, 2017. Across the world, 2015 was remarkable for forcibly displaced persons: 21.3 million refugees, 40.8 million internally displaced persons, and 3.2 million asylum seekers. The photo of the drowned Syrian boy, who washed up on a Turkish beach, helped open Europe’s doors to people fleeing the war torn country they once called home. Now we have neighbors from the south fleeing gangs and corruption in the hope of a place to work and give their families a better life.
Perhaps we’ve had so much of our own grief, we can’t deal with any more. We’ve become numb to the pain of others. If this is the case, we are dead inside, and others need to grieve for us. The fancy name for our condition is “compassion fatigue,” for we hear folks saying, “We should take care of our own first,” but our own go hungry and sleep in the bushes behind our churches or on our city streets.
To live with joy isn’t easy in the early days after the death of a loved one, but as our journey progresses toward recovery, we come to remember who we are and whose we are. Making a scrapbook, writing a journal, or building an altar are all physical means to engage the senses. Once we tap these, we can open the floodgates to our emotions and thoughts, and then healing can begin. We aren’t healed in a moment, but by a process over time.
“Hear, LORD, and be merciful to me; LORD, be my help.
You turned my wailing into dancing;
you removed my sackcloth and clothed me with joy”
~~ Psalms 30:10-11
NEXT WEEK: We begin a new still life painting series—Ornamental Gourds.
No, we aren’t painting ON the gourds…Bring paints and a canvas!
After all is said and done, the taste of victory will not be sweet for the winning side. They will be eating a roast beast cooked to ashes. It will feed them, but it won’t nourish them for the long haul.
The agony of this latest defeat for the survivors, who came out of hiding to share their stories of pain in solidarity with others, is just a minor setback, for their bravery has been honed by years of struggle. One skirmish doesn’t make a battle, anymore than one person can make or break our spirits. We know our worth and identify is located in our being loved by God and loved into the image of God.
Yet, if we listen to the news feed of any political persuasion, either “the kingdom has come according to God’s will,” or “the apocalypse is upon us now!” I admit to being one of the latter, but even I can put on my drama queen crown for a day. Television, social media, and our instant society push us in this direction. We are seduced into overconsumption of media during times of high drama, especially when an unusual event occurs, such as a natural disaster or a Supreme Court appointment.
Why would we even care, as people of faith, about a political appointee? While this government position is technically separate from the church, the people who rule make decisions affecting God’s people and God’s world–especially the poor, the marginalized, and the dispossessed. We want to know that all 114 of the justices since 1789 not only are well qualified in matters of the law, but have the “temperament suitable for the highest court of the land.”
This is like the classic “sorting hat” of Harry Potter fame—or the Southerner’s expression “couth”—you either have it or you don’t. If you have to ask what it is, you don’t have it. Mostly down South, we easily recognize “uncouth.” That is plain as the nose on you face or people screaming at you to listen when your mind is already made up.
So the vote to confirm the 114th was close, but affirmative, and we now have a new Associate Justice on the Supreme Court. People think Justice Kavanaugh will tilt the Court to the right, since there’s no swing vote currently among the nine. Since I’m afflicted by the dread disease of chronic optimism, and infected by family systems thinking, I don’t believe in static systems. After all, every place I’ve ever been and every job ever had, both secular and sacred, all had the same people and conditions, but when you replace one key person (or change the way the key person relates to the others), change happens.
I observed an interesting effect of Family Systems behavior patterns when an extroverted clergy pal, who led youth groups, and I were part of a leadership training seminar. Our normally reserved group leader began to toss the dinner rolls across our restaurant table as he called out our names. The more he “acted out,” the straighter and quieter my friend became! I was dying laughing inside, but I couldn’t laugh out loud at her expense.
DELEE—Ripples in Water of Lake Hamilton
When we throw a rock into a lake, it creates a ripple. We may think these waves dissipate after a few feet, but under the water are small fish who felt the water’s expansion, so they moved to another part of the lake. Perhaps the fisherman, whose luck was poor all day long, made one final cast and caught the bigger fish that had moved over to seek the small fish from our tossed pebble area. We may have given him a meal for his family or just made his day glad. We’ll never know the results of the small acts or decisions we make.
Likewise, when a new Justice arrives into the very small pond—there’s only nine of them—it’s bound to make a ripple. If we believe “God is working for good in all things, for those who love God and are called according to God’s purposes,” then by faith we’d trust God will work in this small pond to move the hearts and minds of these justices. In their discussions and interactions, they would affect one another. They don’t make decisions in an ivory tower, for they’re not like a judge in an individual court, but colleagues who come to a consensus opinion, even if one may write a dissent on the side.
As a stone sharpens a blade, we can hope and pray for the light of God’s love to illumine both the mind and heart of all who serve on our high court. They’ll have many important questions to come before them. Our hope is they and we always remember psychologist Ellen Langer’s advice for making tough choices: “Don’t make the right decision. Make the decision right.” Since we never have enough information to make the best choice, all we can do is make the best of the choice we’ve made.
If we remember we’re all children of God and all of God’s children are well loved, then we can go forward without rancor to recreate the world anew. If the current occupants of political office aren’t responding to this transformative calling, we should run, organize, vote, and elect others who will work together for the good of all, not just for a few. This takes vision, planning, and a long term view.
Most of us will only think about as long as it takes our double shot white mocha latte with soy to come over the counter at our favorite cafe spot, if that long. Plan for a major holiday? Five year plan? Plan out the church year in advance? No wonder we don’t even know what we’re doing this weekend. Most of us are just trying to get through the day. No wonder we live moment to moment and crisis to crisis. We don’t ever pull back and reflect on where the ripples go when the stone drops. All we do is keep throwing stones. This isn’t evidence of a life of faith and purpose. Calendars are going on sale now. It might be time to make some prayers and plans.
I haven’t read this book, but the New York Times gives it a rave review.
“Farsighted,” Steven Johnson’s riveting new book on how we make tough long-term decisions, uses compelling stories that reveal surprising insights, and explains how we can most effectively approach the choices that can chart the course of a life, an organization, or a civilization. “Farsighted” will help you imagine your possible futures and appreciate the subtle intelligence of the choices that shaped our broader social history.
As a gal who loves her spa days, few and far between though they are, I enjoy the pampering these small forays into indulgence involve. The friendly staff, the luxurious soft robes, the warm scented tubs, the cold needled showers, and even the brief stints in the steam box. Most of all, I live for the white terrycloth towels soaked in the hot spring waters, but cooled enough to put onto tender human flesh. The attendant who wraps my knees and back also puts an ice cold towel on my face before she leaves me alone to the quiet. Then I succumb to the ecstasy of this melting experience for about fifteen minutes.
Afterward, she wraps me back into my white robe to walk me over to the massage therapy room. She walks, but I sort of flow, for my feet don’t really feel connected to my legs or knees or hips. The heat can make a person feel giddy for a time, or perhaps the lack of pain is such a relief, I feel euphoric.
I notice the other women waiting for their massages have similar beatific smiles on their faces. The magic of the spa day outing is at work. After our massages, we seem to glow from the inside out. This effect lasts for a few hours at best, until the experience wears off, and we return to normal. I understand now why my grandparents would come to Hot Springs for “the waters” on their vacations. They did the baths daily, for their supposedly medicinal cure, even if it served to merely relax then and distress them. “Take as needed” is a medical prescription we can all understand.
This brings me to my real subject: Faith and Righteousness. Of late in the public realm we’ve been treated to curious definitions of faith and righteousness by groups in powerful places and those who want to ascend to positions of power. “I go to church” is their definition of faith and “I got into the best college and law school “ has been their definition of righteousness. Evidently attendance in these places didn’t include a passing acquaintance with the dictionary or intensive study, much less convincing evidence.
Imputed righteousness and the Faith of Acceptance
Righteousness and faith for the average church going person is like the robe I wear at the spa for a while. I don’t own it, but I use it. It belongs to Christ, who imputes his right relationship with God to me while I wear it. I accept this idea by faith—the faith Christ had in God’s love for humankind as well as Christ’s faith God would raise him from the dead. I don’t own this faith with any depth of conviction, so my outward life isn’t changed in any way from a nonbeliever ‘s life.
As the writer of Ephesians says in 5:12-14–
For it is shameful even to mention what such people do secretly; but everything exposed by the light becomes visible, for everything that becomes visible is light. Therefore it says,
“Sleeper, awake! Rise from the dead, and Christ will shine on you.”
Imparted righteousness and the Faith of Assurance
One day we wake from our sleep and come to the conviction our surface appearances have failed us. We see our outward professions of faith and righteousness are a mere mask for the carefully constructed False Self we’ve been presenting to the world. We see our own righteousness is weak beside the true righteousness of Christ. We no longer see our Self, but Christ. We depend only on Christ, and not on any strength of our own Self.
When we cast aside this False Self, we can finally “buy the robe of Christ,” which he purchased with his own life, death, and resurrection. We buy into the whole life of Christ when we let our False Self die, and let our New/True Self rise with Christ. We can wear this robe of righteousness everywhere we go, for it changes us from within. The evidence shows on the outside by our words, deeds, and temperament. Our attitude changes our behavior and the consequences follow suit. The inner person shows through in the outer person, for better or worse, depending on whether we merely borrow or buy the robe of Christ.
The question for all of us remains: Do we trust our goodness to our ethnicity, our deeds, our social status, our religious heritage, our political group, our wealth, our zip code, our strength, our beauty, or any other transient thing? Or do we trust the unchanging and eternal love of God in Christ Jesus, who gave his son so all of creation could be redeemed to its original perfection?
DeLee—Christ, The Good Shepherd Saves All the Lost
John Wesley has a famous sermon called “The Almost Christian.” He suggests we need to go farther and become an “Altogether Christian.”
You can read his sermon preached at St. Mary’s, Oxford, before the University, on July 25, 1741 at the link below:
If we do the same thing over and over again, we’ll get the same results. Most of us will take the same road to our favorite restaurant, choose the same menu items, and call it a night at about the same hour. We are that predictable. A certain structure in our lives is necessary to keep us on an even keel. Mass marketing depends on people like us, since we have reliable and time tested tastes. Great art is different from the decorative arts, however, and it’s unlike the mass produced pieces which are good for covering a section of a wall in an office or residence.
Likewise, if we want to break through from the ordinary to the better, or if we want to improve upon our former work, we have to break our old habits and train ourselves in new habits. Why do world champion golfers reconstruct their swings in the middle of their careers? Their bodies are aging and changing. They can no longer swing with the abandon of younger and more limber persons. To continue playing at a high level, they must learn anew. This learning, forgetting and learning again is related to John 12:24–“Very truly, I tell you, unless a grain of wheat falls into the earth and dies, it remains just a single grain; but if it dies, it bears much fruit.”
DIANA—Painting with a Bell Pepper
In art classes, we’re always unlearning our yesterdays and starting over with fresh eyes and a renewed spirit in the morning. The day we start repeating ourselves, we’ve decided we’re good enough. We’ve settled, rather than continuing to push on to see how far we can go. Some of us will do this because we’re finally making a living. No one can fault this. Taking care of our families is important.
GAIL—Painting wit an Okra Pod
Yet if we fail to care for the artist within us, if we aren’t reaching deep within to wrestle with the challenge to risk trembling on the edges of beauty and chaos, we won’t be happy coloring canvases to satisfy the needs of those who see our art as an appendage to their furnishings rather than an object in its own right.
MIKE—Trees Painted with a Sweet Potato
The art class was somewhat nonplussed when I suggested we use sweet potato slices to print or paint with, as well as the big pretzel rods. Gail brought some large okra from her garden too, so we added this to the equation. If we always draw with the pencil and fill in with the paint brush, we get paintings which resemble coloring books. Then they came up with some original solutions. I knew they had it in them!
DUSTIN—Bowling Pins shaped like Sweet Potatoes
Mike used the actual potato as a paint tool, while Diana used the cut okras as textures and patterns. Dustin took the shape for bowling pins, and Gail doubled up sweet potatoes for mountains. I discovered the woven surface I was using wasn’t really conducive to the printing process, whereas the flat papers the class used worked fine. I got enough paint on it to get started and finished it at home.
CORNELIA—(Sweet Potato) Cloud on the Horizon
In Richard Rhor’s book, Immortal Diamond, he says, “Your True Self is that part of you that knows who you are and whose you are, although largely unconsciously. Your False Self is just who you think you are—but thinking doesn’t make it so.”
In art, we practice over and over again, until we can drop all the artifices of the False Self (the constructs which the world rewards) and work freely for the rewards which are pleasing to God. To do this, we need to allow ourselves to be freely loved by God and let ourselves freely love God’s entire creation. If nothing is outside God’s love and providence, then we too are called to love and care for God’s creation. This attitude will show in our art and heart.
In faith and art, we’re always dying to our old self and rising to our new self. Therefore we won’t be imitators of others, but we’ll be conformed instead to the image of God.
Do not lie to one another, seeing that you have stripped off the old self with its practices and have clothed yourselves with the new self, which is being renewed in knowledge according to the image of its creator.
The life of one who pursues Art and Faith has many overlapping points. One of these is the search for perfection. The French artist Marcel Duchamp quit painting to play chess, saying he couldn’t create a greater work. However, he was still working on one last piece in secret in his studio. Artists are driven toward this ultimate prize, just as people of faith are called to grow towards perfection in faith and love.
The difference between perfectionism and Christian perfection is huge! The first seeks flawlessness in self, others, and in all things. I know people who get up in the middle of the night to rearrange the shoes in their closets. Shoes must not dance! While I do alphabetize my spice rack, I can leave my closet’s contents to party at will while I sleep all night. I learned from experience early on not to concentrate in any one area of my artwork, since all my many teachers drilled this lesson into my head. Overworked areas of wet paint also get muddy, for the colors blend together into a sad grey. Experience is a good teacher.
Christian perfection is a heart so full of love of God and neighbor nothing else exists. By definition, our hearts would be also full of love for our own selves, since we are made in God’s image. This is why in art class we use ABC: attitude, behavior, and consequences. Positive ABC gets praise, and negative ABC gets redirected to a better place. If we can reframe our attitudes, we can change our behaviors, and then we’ll have different consequences. Sometimes we need an attitude adjustment.
Art classes aren’t easy, but neither is the Christian life. We need to face our limitations, and this is humbling. We aren’t strong or powerful, nor have we achieved anything close to perfection in any part of our own life. This doesn’t make us bad people, but it does make us drop the false mask we’ve been wearing in the world. The best art will come from an open heart, or from transparency to God and others. We’re so used to hiding our true self from others, we think we can hide it from God also. Art will reveal our true self, however.
In Philippians 3:12-16, Paul talks about Christian perfection, so I’ll add some notes about the search for artistic perfection. In class we drew the negative or empty spaces of a wooden dowel construction I rigged up for the center of the table. I tossed in an extension cord for good measure.
Drawing the negative space is a new concept. Most of the time we’re outlining the object itself, but not focusing on the empty space. Then we wonder why our object looks cattywumpus. By drawing the emptiness, we end up with the positive figure. This is a backwards thought process. We’re so trained to look at the object, we forget the empty spaces are a design element also. Drawing the negative space helps us to find the true object in its actual location in three dimensions and translate this into a two dimensional space. This is a complex form of thinking, which is why age 9 or the ability to write in cursive has been the usual cutoff age for formal art training.
MIKE, negative image & DUFY, GATE
Not that I have already obtained this or have already reached the goal—by this Paul means Christian perfection, or having the full love of God and neighbor within our hearts. We artists will work all our lifetimes to achieve perfection. If we’re truly growing as artists, rather than just repeating variations on a theme, our style will change. Monet once destroyed multiple Waterlily canvases right before an exhibition, having deemed them inadequate for the show. We artists are our greatest critic. The day we’re satisfied is the day we begin to repeat ourselves.
GAIL, negative image & DUFY, Room with Window
but I press on to make it my own, because Christ Jesus has made me his own—of course, the Holy Spirit empowers this spiritual quest for complete love, or we’d never achieve this goal alone. I believe all persons have a creative spirit within them. If we’re made in the image of God, who is the creator and is creating all things new again, we must share this attribute in part. Moreover, I think of it as a spiritual gift, for we enter into the mystery of God when we let go of our ego’s organizational skills and allow a greater hand to move our own as we create.
Beloved, I do not consider that I have made it my own—the mark of a spiritually mature person is recognizing how far from the perfection of God all of creation will always be. Yet God can refine and renew any imperfection in our spiritual and physical lives. The consequences of our acts will stay with us, however.
At the end of a studio session, I sometimes tell myself, “I’ve learned all I can from this one. It’s time to go onto the next piece and do better.” I don’t expect a masterpiece every time. I do expect to learn from my mistakes. I own my mistakes! I’ll keep the work around for several months. If it doesn’t fall apart, I let it out to show. If it doesn’t sell in three years, I destroy it and move on. I can’t stay attached to it, although I once did. Now I see my work as an opportunity to share the beauty and joy of God’s inspiration with others. I’d be selfish to hoard it all to myself.
but this one thing I do—Paul stays focused on the ultimate prize, not just on the easy gains. “We have stress enough in our daily world, so why can’t we just come and be comfortable in our sanctuary or in our art class?”
If we were hot house tomatoes being prepared for the salsa factory, this might be an acceptable choice, but we’re human beings who’ll be tested and tried in the world beyond the security of our sacred spaces and quiet studios. We need controlled challenges, just beyond our reach, to strengthen us for the days ahead. Even the most famous artists will struggle with success, so having a goal beyond this world is important. The rest of us will struggle with failure and rejection, so we need to learn resilience and fortitude, and the strength of power available to us from on high.
forgetting what lies behind and straining forward to what lies ahead—most of us carry baggage from our earlier days when we made poor choices and did dumb stuff. If we don’t have several suitcases, we at least have a closet full of T-shirts from Been There Done That Land. In art, we eventually will make enough work to break out of our old patterns, or we can enter into a studio teaching environment and accelerate the process. The trained teacher gives positive criticism and guidance, just as we can give the keys to a novice driver with a licensed driver in the car. We could let the novice driver out on their own, but a cow pasture would be a safer choice for this unsupervised driving experience than a city street.
I press on toward the goal for the prize of the “heavenly” call of God in Christ Jesus.—the Greek word is “upward” call, or “higher” call. This call is more important than any other in our lives. If our only goal is to be a good person, but not loving person, we need a higher goal! Why are we satisfied with less when God is so much more of everything?
Let those of us then who are mature be of the same mind;—just as our challenge in faith is to always grow in grace and love, so our goal in life is to always grow and learn. What we fail to use will atrophy and die. If we don’t love from the depths of God’s inpouring and abundant love, our own ability to love will wither and die. Burnout is a spiritual condition first, then it becomes a physical problem. The ancient icon painters prayed as they “wrote” the images of Christ. If we offer up our time in the studio as a prayer to God, we will better connect to God’s deep well of hope and compassion, which can recreate our lives and the world.
and if you think differently about anything, this too God will reveal to you.—I happen to be a slow learner, but better a slow learner than one who never learns at all. Some of us need repeated lessons before the scales drop from our eyes, but once we see clearly, we’re zealous to convert the rest of the world. Once the flame of love burns brightly, it wants to spread and replicate itself. One light wants to set the other coals aflame. Still not everyone wants to set themselves on fire! They’re perfectly willing to watch someone else burn brightly and bask in their glow.
Price’s Law is a good example in real life. Price’s law describes unequal distribution of productivity in most domains of creativity. The square root of the number of people in a domain do 50% of the work. In a group of 100, 10 do 50% of the work and 90 do the other 50%. This seems to hold true in business and in volunteer groups. Some Elijahs love to work, but don’t know how to replicate their Elishas. They rob the future Elishas of the blessings of service.
In art everyone has to do their own work, and some have difficulty if the work doesn’t look as good as their neighbor’s efforts. Since everyone begins at a different point, each person improves from that beginning. Each has to be considered as an individual. No one is compared to anyone else, even in a graded system. Art is the best class of all, for if you work the whole class, turn in all your work on time, and meet the criteria of the project, you get an A. There is a “works righteousness” in the studio, even if we’re saved by grace in faith.
Only let us hold fast to what we have attained.—I find many folks want to quote this verse only, but not the whole of the Philippians text. They use it as an excuse to stand still without reflecting on their faith, which they inherited from their ancestors. Worse, they don’t read the Bible with a heart or mind open to the fresh winds of the Holy Spirit. Then they wonder why joy and peace are merely limited gifts in their lives. We prosper, not by material wealth, but in our relationships with one another and with God.
In art, we’d rather copy our teacher’s example and match it to the best of our ability, instead of coming up with solutions unique and personal to our own spirit. Thinking uses energy, but it also builds resourcefulness and new cognitive pathways, as well as increasing confidence.
The former is the standard teaching technique in most departments of education, but it has nothing to do with engaging creativity. Instead it assumes a single right answer, but the history of art is replete with multitudes of many answers and solutions to the questions of the moment. When we ask, “What is beauty, truth, and good in art,” we answer, “Across the years and with different artists in different cultures, it varies.”
With this in mind, as artists and people of faith, we can hold certain truths across all the years, artists, and cultures, but other truths may be variable. Certainly overworking the person and the painting hold true everywhere. Many of us hunger for approval from human sources, and work ourselves sick trying to please too many masters.
In art school I had several master teachers. One day I was drawing in an empty classroom. The department head came by and asked, “Who are you working for, me or Mr. Sitton?”
“I’m drawing,” was my noncommittal answer.
He returned a short while later to ask the same question and I gave the same answer. Not long after that, he popped his head into the door, pointed his pipe at me, and asked again, “Who are you working for, me or Mr. Sitton?”
By this time I was irritated to no end. I’d been polite twice, but this third time was too much! I snapped around on the stool and snarled, “ I’m working for myself, thank you! Now quit bothering me so I can draw in peace!”
He laughed as if I’d finally passed some rite of passage. “That’s what I wanted to hear you say the first time!” Some art lessons aren’t given in a class, and they aren’t about design and color, but about your calling and your purpose.
Who are you working for in this world: the praises of ordinary people, or the eternal voice of the master, who paints the dawn and sunset from a palette of glorious colors?