Nativities Then and Now

Altars, Apocalypse, beauty, Bethlehem, Christmas, Creativity, Faith, Holy Spirit, Icons, Imagination, incarnation, inspiration, Israel, mystery, Nativity, righteousness, Savonarola, vision

Every Christmas, my family would put up a beautiful tree and decorate it to the nines. My dad would always tie this living sculpture to the nearest window frame so the tree wouldn’t topple over. He was well aware at least one of his three curious and rambunctious children would no doubt be crawling under the lowest branches to reach the brightly wrapped presents hidden far back in the corner under the tree.

We kids most desired and sought after these hidden gifts, while those near the front always got a cursory glance and shake. If it were hidden, it had to be desired! Package shaking in the hidden, tight quarters could cause a tree to collapse and that would be more drama than our frazzled mother wanted at this time of year. My dad was wise enough, or trained by experience, to know messing with “Mother Nature” wasn’t a great idea.

Mother’s Nativity with other additions from family and friends

Under this tinsel draped tree, with its 1950’s glowing bubble lights, we always had a nativity scene. In our early childhood, it was solid and childproof, but as we aged, and got too large to crawl under the tree, a better quality nativity came to live under the tree. By my college years, my brothers were also grown enough for mom to exercise her creative genius. She hand-painted her own ceramic nativity group. This masterpiece also got its own special display site. Up until this time, we children had no idea our mother had any artistic talent, for she’d spent her days transporting us to our multiple after school activities. Between my brothers’ sports teams and my hobbies, it’s a wonder she found time to do anything else in the afternoon hours.

Nativity, Adoration of the Magi, 3rd century. Fresco, Rome: catacombs of Priscilla, 3rd Century CE

The 3rd century fresco shows the scene of Adoration of the Magi on the the arch dividing the room in the Greek Chapel in the Catacombs of Priscilla, Rome. In depictions of ancient Greek and Roman gift-giving practices, the act and choice of gift were important. They furnish information about both giver and recipient. The wise men adopt the same postures used in Roman imperial ceremony for the worship of an Emperor or other ruler. Roman art has always provided a pictorial model for the representation of the Magi. By identifying with or recognizing such an outward act of homage, the viewer could enter into the Nativity story through the wise visitors, worshipping the God manifest on earth in the Child.

This is why the earliest Christian art is found in the catacombs of Rome, in the hidden places, since worshipping Jesus wasn’t an approved religious practice in the Empire. Only the Divine Emperor alone was worthy of reverence and worship, not some dying and rising god of a far-off province. Today in America we sometimes forget we’re a nation founded on the principle of freedom to practice our religion as we see fit, or not to practice a religion at all, as the case may be. No government can compel the privilege of one religion above another or set one as the official religion.

Tympanum of the right side of the cast of so-called Sarcophagus of Stilicho, sculpted around 385 AD (the original piece of art is in Sant’Ambrogio basilica in Milan, Italy), Detail Nativity scene, Museo della civiltà romana a Roma (Eur), Room 15 (Christianity).

Another early depiction of the nativity isn’t in a Christmas context, but is found on a late 4th C Roman sarcophagus for a high ranking military official and his wife. The unknown artisan rendered the Christ child, wrapped in binding clothes, and lying in a manger, between the ox and the ass, to fulfill the prophecy of Isaiah 1:3—

“The ox knows its owner, and the donkey its master’s crib;
but Israel does not know, my people do not understand.”

As accustomed as we are today to manger scenes with all kinds of animals present, the scriptures don’t name them. These are left up to our imaginations. Even the elements derived directly from the gospel narratives of Matthew and Luke were slow to appear in visual renderings. Between those early scriptural accounts and the formation of even a basic manger scene lie some centuries during which Christian devotion and depiction developed. Likewise, the celebration of Christmas was slow to develop, but by the 4th century it was well along.

Nativity Fresco in Santa Maria Foris Portas, Castelseprio, Italy, 9th CE

In the ninth century, after the iconoclastic period, when the images of holy persons were forbidden and destroyed, a fresh wave of religious activity began in the arts. In Italy. In the church dedicated to Mary Outside the Gates in Castelprio, Italy, an entire series of paintings covered the interior walls. The church was located on an important trade route and the site was once a Roman fort. The theme honored Mary as the Bride of Christ, thus making her the spiritual equivalent of the Church, which is the Bride of Christ in scripture. In every tableau, Mary is the largest or most significant figure. Over the centuries, the area lost its importance, these paintings were whitewashed over, but after many years and much restoration, they’re now protected as a UNESCO World Heritage Site.

Today Protestant believers have a Christo-centric faith, often ignoring the other persons of the Holy Trinity. When we focus on the nativity, we forget God’s plan was to use humanity to save the fallen creation. This includes Mary and Joseph both, as well as God’s own Son, as Paul so well reminds us in Philippians 2:5-8—

Let the same mind be in you that was in Christ Jesus,
who, though he was in the form of God,
did not regard equality with God
as something to be exploited,
but emptied himself,
taking the form of a slave,
being born in human likeness.
And being found in human form,
he humbled himself
and became obedient to the point of death—
even death on a cross.

Giotto di Bodone, Nativity of Jesus, 1303-1305. Fresco, 200 x 185 cm. Padua: Scrovegni Chapel

Giotto’s frescos in the Padua Chapel are some of the most important works of art because he brought the Holy Family into ordinary human life. The blue skies replace the gold of the traditional icons, which stood for the infinite and eternal spiritual world. In Giotto’s painting, people hunger and thirst, while in the world of the icons, all suffering is transformed and any passion is disciplined.

Duccio di Buoninsegna, Nativity between the prophets Isaiah and Ezekiel, 1308-1311. Tempera on panel, 43.8 × 111 cm. Washington: National Gallery of Art

Duccio painted in his studio all the individual sections of the great altarpiece of the church in Sienna, Italy. On completion in 1311, the townspeople held a grand parade as they carried the paintings to the cathedral. They were installed in a magnificent framework with some of the works facing the congregation and the rest facing the church officials. The altarpiece remained intact until until 1506 when it was partially dismantled, relegated to side chapels and replaced by a 15th-century bronze tabernacle.

In 1771, the church fathers hired a carpenter to saw up the old wooden altarpiece into seven vertical pieces, and then saw each of those pieces in half laterally to separate the front scenes from the back. He then reassembled the different pieces to form new scenes. Most of the individual paintings stayed together, but others were sold to private collectors or museums. This Nativity between the prophets Isaiah and Ezekiel was purchased by the Museum Kaiser Wilhelm Friedrich in Berlin and remained on display there until 1938. At that time, a Nazi-appointed Museum director purged most non-Teutonic art from the collection. Through a trade, this Nativity came to our National Gallery of Art in Washington, D. C.

Duccio: Maesta Reconstructed Altarpiece. Front (L) and Back (R)

When we think about hidden meanings in art works, sometimes the journey a work takes to its exhibition home is part of its meaning. The Nazi purge of non-Teutonic art from the collection was based on their idea of a pure race for their homeland, with which they shared a special mystical bond. It meant they would purge or purify all who didn’t meet this white supremacist ideal. I personally am glad America is an open society, which welcomes all kinds of art and artists. When we think of the journey of the Holy Family, they made an arduous trip to Bethlehem while Mary was about to give birth and then had to head out on the lam because king Herod was out to kill all the boy babies. When we look at beautiful nativity scenes, we forget Jesus was born into a troubled world. Indeed, these beautiful works make us forget our own troubles.

Sandro Botticelli, Mystical Nativity, 1501. Tempera on canvas, 108.5 × 75 cm. London: National Gallery.

One of the most unusual nativity paintings is the Mystical Nativity by Botticelli. Painted with egg tempera on canvas, the artist writes in the upper section how he painted this “at the end of the year 1500, in the troubles of Italy…in the half after the time, during the fulfillment of the eleventh chapter of St. John in the second woe of the apocalypse…”

The monk Savonarola was actively preaching at this time, and scholars believe he influenced Botticelli. During the time of the Medici rule, Florence prospered with trade and the city’s alliance with France made for a time of peace. Lorenzo d’Medici died in 1492, relations with France broke off, and the French army ran amuck in the Italian countryside. Florence lost her former glory, trade dried up, and a political vacuum allowed for new voices to rise. Savonarola preached repentance and austerity, even going so far to burn luxurious items and artworks. He burned all kinds of vanities: cosmetics, mirrors, veils, and books.

People followed him because he was charismatic, and his words seemed to match their circumstances. Florence under his rule was an example of theocracy, the government of a state by immediate divine guidance or by officials who are regarded as divinely guided. Under this system, the people prosper if they care for one another and live godly lives, but they fail to thrive if they cheat the poor so the rich can live in luxury.

Prosperity religion teaches the good thrive and the sinners suffer. It’s not a new idea: retribution and reward appeal to people, but sometimes the good suffer and the evil prosper. The book of Job is a counter argument to this worldview. The life of Christ also shows the best of us will be sacrificed on a cross by those who don’t know what they’re doing. From birth to death, Jesus and his family were under duress from the powers of state and religion. He was a new voice of love and acceptance, of grace and forgiveness, of a righteousness by faith, not works. This new voice would upend the world as people knew it then.

Douce Apocalypse – Bodleian Ms180 – p.042 Woman Clothed in the Sun, Oxford University, London, c. 1265-70

The Mystic Nativity is a combination of the Nativity and the Last Judgment. On top, the angels hold hands in a circle, the center is the birth of Christ on earth, and the lower third is the vanquishing devils due to the Christian’s reunification with God. The number twelve represents the twelve gates of the new Jerusalem, the City of God. Twelve are also the number of stars in the crown of the woman in the apocalypse linked to the Virgin Mary. Other symbols also occur, but the overall meaning is Botticelli painted to deal with his fears about the end of the world.

Sometimes we make a cursory glance or reading of a painting, only to see its surface meaning. If we were to take this path with Botticelli’s Mystical Nativity, we might only see pretty angels and lovely ribbons. It looks like a homecoming at a sorority weekend with all the hugging and kissing. But Botticelli was painting during a time when the theological ideas of the monk Savonarola were in ascendance. He believed, “The more creatures approach and participate in the beauty of God, the more are they themselves beautiful, just as the beauty of the body is in proportion to the beauty of the soul.”

Virtuvian Man by Leonardo da Vinci, 1490, pen, brown ink, and watercolor on paper, Gallerie dell’Accademia, Venice, Italy.

As an interesting aside, about contemporary with Botticelli’s work in Florence, while Leonardo da Vinci was in Milan in 1490, he drew his Virtuvian Man, considered one of the greatest scientific and humanist works of the early Renaissance. Da Vinci used Vitruvius’ classical treatise on architecture as the source for his drawing. Notes from his translation are written in his famed mirror script below the image. This artwork is now so fragile, it never travels and only copies are shown.

While his outer world may be falling apart, and prosperity has left his vicinity, Botticelli still had hope for a better world. His faith was grounded in the birth of the savior, the son of God, who came in flesh to make all flesh divine. We forget this crucial message of the nativity, which is to make holy all flesh. More often we focus on the magi’s gifts brought to the child: riches fit for a king, or the gifts of presence, from the poor shepherds. The true gift is the one in the manger, for Christ is God’s gift to us. He came to make us all At-One with God, the very best atonement possible. At the Last Judgment, all who are at one with God’s purposes will be separated from the rest.

Banksy, “The Scar of Bethlehem” (2019) (courtesy Bisher Qassis), located in The Walled in Hotel in Bethlehem, closed since 12/12/23, due to fighting against Hamas

How can we practice seeing past the surface of everyday life? Sometimes we have to be shocked. Modern nativities bring us again and again to confront the same world of challenges and discord into which the young Christ child was born. If we wrap ourselves in warm swaddling clothes so we too won’t cry over the lack of a Christmas in Bethlehem this year, we lose sight of the common humanity of all God’s people. The extremists will take retribution on everyone, but those who take the middle path punish only those who did wrongs. Is there hope for those who take the “my way or the highway?” Or do we need to join the Holy Family and become refugees to avoid King Herod’s slaughter of the innocents?

This 2020 nativity was created as a public art project by ceramics students in Castelli, Abruzzo, Italy, a region known for its ceramics. It had nineteen figures including an astronaut and a Darth Vader figure, whose creation predated the Star-Wars series and represented a generic “sinner” figure. In modern nativity scenes, artists often integrate characters not mentioned in the gospel accounts, in order to bring the interests of contemporary audiences into the biblical story. As you can imagine, it created quite a buzz. Some said it lacked “beauty,” while others thought it was a joke. Some thought it disrespectful to the honor of the Holy See, the Church, and to the good Lord himself. It’s a truism “beauty is in the eye of the beholder.” Also, “we’ve never done it that way” still has a strong hold on people’s hearts and minds.

Sinner and Astronaut: Large Ceramic Nativity at the Vatican, 2020

Seeing deeper meanings in art or scripture is no more complicated than seeing a deeper understanding of a literary experience, such as a book or poem. In art, we do have the hurdle of acquiring some visual background and “visual language.” Just as we can’t understand a foreign language without learning some phrases, we need to know some art history and styles. We can only understand in part at first, but later we’ll understand as if we were old friends. No one is a savant right away. If we pause as we read a scripture, let the words sink into our deeper minds, and let the Holy Spirit open up new insights into God’s word, we can do the same with art works.

After all, bread is just bread: ordinary flour, yeast, oil, and water. Once we bless the bread and invite the Holy Spirit to transform it, we understand these same ordinary materials to be signs of the extraordinary presence of the Body of Christ, as recorded in Luke 22:19 at the Last Supper—

Then he took a loaf of bread, and when he had given thanks, he broke it and gave it to them, saying, “This is my body, which is given for you. Do this in remembrance of me.”

We’re always surrounded by the mysteries of hidden meanings, if only we have eyes to see and ears to hear. May you know God more deeply in the days and years to come.

The Christ Child in the Rubble, Nativity in Bethlehem, Palestine, West Bank, 2023

Joy and peace,

Cornelia.

Featured image—Nativity, 3rd century. Stucco, Rome: catacombs of Priscilla.

Category: Sarcophagus of Stilicho in Sant’Ambrogio (Milan) – Wikimedia Commons
https://commons.wikimedia.org/wiki/Category:Sarcophagus_of_Stilicho_in_Sant%27Ambrogio_(Milan)

Duccio, The Nativity with the Prophets Isaiah and Ezekiel, 1308-1311
https://www.nga.gov/collection/highlights/duccio-the-nativity-with-the-prophets-isaiah-and-ezekiel.html

Botticelli’s’ Mystic Nativity: Symbolism, Savonarola and a Reflection of an Era | Renee Farina – Academia.edu
https://www.academia.edu/1262474/Botticellis_Mystic_Nativity_Symbolism_Savonarola_and_a_Reflection_of_an_Era

Leveto, Paula D. “The Marian Theme of the Frescoes in S. Maria at Castelseprio.” The Art Bulletin, vol. 72, no. 3, 1990, pp. 393–413. JSTOR. Free account to access. https://doi.org/10.2307/3045748. Accessed 24 Dec. 2023.

Katarína Šimová: The Fresco Cycle of Santa Maria foris portas, MASARYK UNIVERSITY! FACULTY OF ARTS, DEPARTMENT OF ART HISTORY, 2021. Open source
https://is.muni.cz/th/ufv2u/castelseprio_frescoes.pdf

Significance of Leonardo da Vinci’s Famous ‘Vitruvian Man’ Drawing
https://mymodernmet.com/leonardo-da-vinci-vitruvian-man/

Baby Jesus Bread Buns · How To Bake A Roll Or Bun · Baking on Cut Out + Keep
https://www.cutoutandkeep.net/projects/baby-jesus-bread-buns

The Adoration of the Magi: Mosaic in S. Maria Maggiore https://www.christianiconography.info/staMariaMaggiore/epiphanyArch.html

The Magi and the Manger: Imaging Christmas in Ancient Art and Ritual – The Yale ISM Review https://www.ismreview.yale.edu/volume-3-1-fall-2016/the-magi-and-the-manger-imaging-christmas-in-ancient-art-and-ritual

Art for the Inner Child

adult learning, Apocalypse, art, Christmas, Creativity, Enneagram, Faith, Holy Spirit, hope, Imagination, inspiration, Light of the World, Ministry, Painting, perfection, purpose, salvation, Spirituality, vision

What is the purpose of an art class? Why does anyone learn to speak a foreign language or take up a craft or sport they’ve never attempted before? We must want to explore some unknown universe or get out of our comfort zone, or as my old favorite television series would announce weekly, “to boldly go where no one has gone before.”

There are art classes and then there are Art Classes. Just as we shouldn’t make up our minds about a subject or a food until we experience it directly, we can have an open mind about a novel event, rather than rejecting it out of hand. Many of us have lived our lives under judgmental circumstances, dealing with rejection and disappointment at not being the best. “Talladega Nights: The Ballad of Ricky Bobby,” the NASCAR themed film of redemption and finding one’s purpose in life, stars Will Ferrell, whose father crippled him with this tragic life message:

“If you ain’t first, you’re last. You know, you know what I’m talking about?”

Near the end of the movie, Ricky Bobby learns this all was just crazy talk:

Ricky Bobby: Wait, Dad. Don’t you remember the time you told me “If you ain’t first, you’re last”?
Reese Bobby: Huh? What are you talking about, Son?
Ricky Bobby: That day at school.
Reese Bobby: Oh hell, Son, I was high that day. That doesn’t make any sense at all, you can be second, third, fourth… hell you can even be fifth.
Ricky Bobby: What? I’ve lived my whole life by that!

According to Baseball Reference, Ruth’s 183.1 career WAR — combining his value as a hitter and pitcher — is the highest all time, well ahead of Walter Johnson’s 164.8. For reference, the highest mark among active players is Albert Pujols’ 99.6 WAR.

We call this living out a “bad script” our ancestors have written for us. We see it all the time in the movies and on television. We read about it in novels and in comic books. For the most part, people don’t change their wicked ways, but get the consequences they’re due. The bad suffer and the good prosper. Or we read fairy tales in which the good little children get rewarded, or the unjustly treated ones are raised up, like Cinderella. These are the popular stories, but not the biblical tales. The book of Job calls this “retribution theology” into question, as does Jesus in the New Testament.

Annie French (1872 – 1965) Scottish: Cinderella and the Ugly Sisters, About 1900 – 1910, Pen and ink, watercolour and gold paint on vellum paper, 23.50 x 21.50 cm, Scottish National Gallery of Art.

In the Bible, God sends prophets, not only to call the people to account (critique their actions or behavior), but to offer the hope of a better future if they return to God and God’s ways (positive changes in behavior). In this way, a good art teacher is like a biblical prophet, who offers both positive and negative critique on the artwork. The teacher also offers “hope” or suggestions on how to improve the work. Teachers aren’t telling the person they don’t measure up, only that they need more time invested in making art to be able to bring their own artistic vision into reality.

If we expected babies to chew steak from the moment of birth, the world would be a lonely place. If we expected these same babies to get up right away and “bring home the bacon” to buy their own steak and potatoes, they’d starve. Babies aren’t meant to walk before they crawl, nor or they chewing meat before they drink milk or pablum for a year or two.

Bacon Cake: Oh, Baby! I hope that’s REAL BACON!!

Someone who comes to art class should always come to learn something more, no matter how much they already know. I’m always learning new ideas and techniques. The act of making art is always an act of exploring new territories. We also grow by sharpening one another. Folks in the class are always excited to see how each other approaches the subject each week.

Mike’s May 2022 class work shows he’s been learning some things.

Only the apocalyptic writers in Scripture had a fixed view of the future. For them, God had given up on humanity. We humans were too far gone, too broken, and had destroyed God’s world beyond our weak means to repair it. Their only hope was for God to create “a new heaven and a new earth, for the first heaven and the first earth had passed away, and the sea was no more.” (Revelation 21:1)

Gail went the extra mile with Cri-Cut lettering

Of course, this isn’t a prediction of a certain time, but it’s a future hope for all times. It’s the hope all we creative people have every time we face a blank canvas, a pile of found objects, or a bag of scrap cloths. We also do this when we pull together a dinner before we go to the grocery store, and we take some of this and that which we have in our cupboards and refrigerators. We’re going to make something new! We do hope the Spirit of God descends to make this an inspired concoction! And if it doesn’t work out, we always know our salvation isn’t at stake over a single random supper creation. If I’m hungry enough, I’ll eat anything. Or there’s always peanut butter and jelly sandwiches.

Leftover Doughnuts and Sausage Bread Pudding Bunt Cakes

I was reading Richard Rohr’s Enneagram commentary on the American people. He says America is a nation of Threes: competitive, striving, always looking for success and improvement. When we hit a down cycle, and economics tells us we always have ups and downs in our economy, Americans act like we’ve been insulted. This doesn’t happen to us—to others maybe—but not to us! We’ll look both for a scapegoat and a savior, but never realize these conditions are a natural part of life.

Always be the best YOU. There’s never going to be another one just like YOU.

Likewise in groups, we’re always judging who got more, who has the most status, who’s preferred, and who’s on the out. We’re even liable to self-select to be on the outer group if we believe we won’t measure up, just to spare ourselves the shame of being found wanting. Joyce Rupp has a great poem about this very topic:

WE CAN LOVE THE IMPERFECT SELF
If I wait to be perfect
before I love myself
I will always be
unsatisfied
and ungrateful.

if I wait until
all the flaws, chips,
and cracks disappear
I will be the cup
that stands on the shelf
and is never used.

Magic Teacup Cake from Alice in Wonderland

If we’re faithful scripture readers, we know God never chooses the best persons to do God’s work. When we were children, we saw these characters as heroic figures, just as we saw our parents as great and invincible. The Old Testament records how Moses was a murderer, Joshua was afraid, Amos was a lowly shepherd, and David was an adulterer. Not exactly Perfect Role Models, but transformed people can do God’s mighty deeds if they let God work God’s purpose through their lives.

This word doesn’t mean what the headline writer thinks it does.

In Art Class, we don’t reject “poor work.” We aren’t a factory producing widgets. We have other goals: art appreciation, learning about colors, learning to see more clearly, developing a creative mind, and developing drawing skills. Art is a unique visual language, so learning how to render a three-dimensional form onto a two-dimensional surface takes some time and practice. Developing our own voice is the step beyond mastering the basics of artistic vocabulary. As I used to tell my parents at back-to-school night, just enjoy whatever your child brings to you! If you leave your “critical parent” at home, and bring your “inner child” to Art Class, life is way more fun!

We’re currently on holiday sabbatical at Oaklawn UMC, but classes will return in the new year. We meet in the old Fellowship Hall at 10 am to noon. We always have coffee, and on occasional days, a tasty treat. Our class will begin working in watercolor beginning on January 5, 2024. I don’t charge for the class instruction, but each person should bring their own supplies. Supplies needed are:

Prang Oval 8 watercolor paint set with brush

Prang Oval 8 watercolor paint set (containing brush)—on line at Walmart and Amazon. This has best color and pigments. I found a prime deal on Amazon for $3 each if you buy 3, free shipping.
Watercolor paper pad 9” x 12” or larger (90 lb or heavier)
Tall plastic container for water (iced tea glass size plus)
Your inner child

Joy and peace,

Cornelia

MERRY CHRISTMAS, PEACE ON EARTH, GOOD WILL TO ALL

Talladega Nights: The Ballad of Ricky Bobby https://www.imdb.com/title/tt0415306/quotes/?item=qt0425224

Babe Ruth’s Top 10 career statistics— Shohei Ohtani produced 9.1 total WAR during his spectacular two-way campaign in 2021. Even he maintained that level of performance for 20 consecutive seasons, he would still be 1.1 WAR short of matching Ruth. https://www.mlb.com/news/babe-ruth-s-top-10-career-statistics-c163792958

Sharansky’s Hanukkah

art, Creativity, Faith, Hanukkah, holidays, hope, Imagination, inspiration, Israel, Light of the World, Painting, righteousness, risk, shadows, Spirituality

NOTE: This extraordinary story comes from Arguable by Jeff Jacoby, an opinion writer for the Boston Globe, on December 12, 2023. I’m sharing it with all of you because even in the worst of times, even with the least of resources, if we have faith in God, we can be a light unto the world.

In his transcendent prison memoir, “Fear No Evil,” Natan Sharansky tells the story of his nine years in the Soviet gulag, a fate to which he was sentenced for the crime of wanting to emigrate to Israel. Even now, 35 years after it was published, it is an amazing read, a great narrative by a great man who refused to be intimidated by his captors. The more the KGB tried to berate or punish him for his Jewish pride and Zionist yearning, the more joyfully and fearlessly Sharansky embraced them.

To mark this week of Hanukkah, consider this extraordinary incident recounted in “Fear No Evil.”

Davis Stark Design, Architectural Digest 2017

Sharansky was in the Siberian prison camp of Perm 35 and Hanukkah was drawing near. Intent on observing the holiday as best he could, Sharansky had a menorah constructed from some wooden scraps. A few candles were found, and each evening Sharansky lit his menorah, reciting the blessing, and describing to his fellow prisoners — none of them Jewish — the story of the Maccabee rebellion long ago. On the sixth night of Hanukkah, the authorities confiscated his menorah and candles. When he demanded to know why, a prison guard claimed that the menorah was made from “state materials” and therefore illegal.

Sharansky declared a hunger strike. “In a statement to the procurator general,” he recounts, “I protested against the violation of my national and religious rights, and against KGB interference in my personal life.”

Two days later, Sharansky was summoned by Major Osin, the prison camp warden. Osin wanted the refusenik to call off his protest before the expected arrival of an inspection committee. In that case, Sharansky said, “Give me back the menorah, as tonight is the last evening of Hanukkah.” He promised to end his hunger strike if he was allowed to light the candles.

But a protocol for its confiscation had already been drawn up, and Osin couldn’t back down in front of the entire camp. . . . I was seized by an amusing idea.

“Listen,” I said, “I’m sure you have the menorah somewhere. It’s very important to me to celebrate the last night of Hanukkah. Why not let me do it here and now, together with you. You’ll give me the menorah, I’ll light the candles and say the prayer, and if all goes well I’ll end the hunger strike.”

Osin thought it over and promptly the confiscated menorah appeared from his desk.

When Sharansky said he needed eight candles, Osin took a knife and cut the candle into eight stubs. Then, with amazing audacity, Sharansky said that the ceremony required everyone present to stand with head covered, listen to the blessing, and answer “Amen.”

Osin complied. He stood behind his desk, donned his major’s cap, watched as Sharansky kindled his eight candle stubs, and then waited for his prisoner to recite the blessing. Speaking in Hebrew — which Osin, of course, did not understand — Sharansky recited a blessing he had composed himself: “Blessed are you, O God, for allowing me to light these candles. May you allow me to light the Hanukkah candles many times in your city, Jerusalem, with my wife, Avital, and my family and friends.”

Then he had a brainstorm.

Inspired by the sight of Osin standing meekly at attention, I added: “And may the day come when all our enemies, who today are planning our destruction, will stand before us and hear our prayers and say ‘Amen.’ ”

“Amen,” Osin echoed back. He sighed with relief, sat down, and removed his hat.

Sharansky writes that he returned to his barracks “in a state of elation.” Who can doubt it? What magnificent chutzpah! What a triumph of the spirit! And what an uplifting reminder that even in the depths of the gulag — even in a time and place filled with the enemies of Jewish faith and freedom — those who refuse to fear can turn the table on their oppressors and dispel the darkness with a candle’s light.

**From Book Blurb:** For anyone with an interest in human rights—and anyone with an appreciation for the resilience of the human spirit—
he illuminates the weapons with which the powerless can humble the powerful: physical courage, an untiring sense of humor, a bountiful imagination, and the conviction that “Nothing they do can humiliate me. I alone can humiliate myself.”

Hachette Books: Use HOLIDAY23 for 20% off site wide until 12/31. (Order by 12/13 to get your gift under the tree!)

This link also has links to other retailers. Price is set by publisher.

https://www.publicaffairsbooks.com/titles/natan-sharansky/fear-no-evil/9780786723249/

Nativity at Night by Geertgen tot Sint Jans, c. 1490, after a composition by Hugo van der Goes of c. 1470; sources of light are the infant Jesus, the shepherds’ fire on the hill behind, and the angel who appears to them

Joy, peace, and light,

Cornelia

Season of Light

art, Astrology, Christmas, Civil War, Faith, Family, Hanukkah, holidays, hope, Israel, Light of the World, Love, Saturnalia, Spirituality, Ukraine

The damaged Drobytsky Yar memorial near Kharkiv, Ukraine after reportedly being hit by Russian artillery fire, on March 26, 2022

As the days grow shorter and the nights lengthen, the chill air adds to the darkness of our world. We can give into this dour outlook, especially this year with devastating wars in Ukraine and Gaza, or we can light a candle against the gathering gloom. Cultures across history have seen the time before year end as an opportunity for reflection, concern, or fear. Others have found reasons to rejoice.

Hanukkah (inauguration) is the eight-day Festival of Lights, which occurs in 2023 from sunset December 7 to December 15. It’s a moveable festival, for in 2024 the holiday will occur from December 25 to January 2. The Jewish calendar is a lunar calendar, not a solar calendar. This holiday celebrates the rededication of the Second Temple after the victory of the Maccabees over the Seleucid Greeks in 164 BCE. On discovering in the temple a vial of unpolluted oil, with only enough to light the candle for one day, this oil kept the candle burning for eight days. To commemorate this miracle, faithful Jews now light a special menorah with nine candles. The ninth candle is called the “helper” or “shammash” candle. The root word is from the Hebrew for “servant.”

While not everyone is Jewish, all persons can learn from the menorah and the shammash candle. We may have only a little to give, but with God’s help it can be multiplied many times over. We can all be a helper candle, and bring a light to the candles who need a light. Many in this season experience a loss of some kind. Some are mourning a loved one, others have broken relationships, or have lost jobs or status. We are not our jobs and we aren’t our paychecks, but we are the beloved children of God. God will love us when everyone else turns aside. God will remember us when others forget we are alive.

Perhaps these darkening days at the end of the year are why people in all parts of the world have brought fire and light to this time of the year. The Yule Festival in German and Scandinavian countries was part of the pagan festival incorporated into Christianity’s Christmas celebrations. It likely began as a winter solstice or year-end celebration. “Yule” became a name for Christmas about the 9th century, and in many languages yule and its cognates are still used to describe that holiday.

The burning in a giant fireplace of a large Yule log until it’s reduced to cinders is one of my favorite mythic memories of the season. Alas, growing up in the Deep South, gas logs were the closest fireplace equivalent, and these were the same yesterday, today, and tomorrow. We rarely turned on the flickering colors of these blue flames because cold nights were few and far between.

By 336 CE, the Christian church in Rome celebrated Christmas on December 25, which coincided with the Roman winter equinox festival of Saturnalia. In medieval England, Christmas was a 12-day festival involving all kinds of revelry, from plays to wild feasts to pageants celebrating Jesus’ birth. Music, gift giving, and decorations all became the norm. Anyone who’s been in a choir singing “The Twelve Days of Christmas” with its repetitive “and a partridge in a pear tree” has those ancestors of ours to thank. Some traditions never die!

Our family stitched and sequined one exactly like this.

Christmas is better known for decorated trees, however. The use of evergreen trees and wreaths in religious ceremonies dates from ancient Roman times, if not earlier. However, the first documented use of a tree in a winter Christmas celebration wasn’t until 1510. In that year, members of a merchant’s guild in Riga, Latvia, placed a tree in the town square. They decorated it with flowers, ribbons, and dried fruit. After the festivities—which included the singing of songs and dancing—were concluded, they burned the tree as a great bonfire to close out the celebrations.

The Grinch Torches Whoville’s Christmas Tree into a Bonfire

Christmas trees gained popularity in Germany and other parts of northern Europe by the 1700s, but the practice of decorating a pine or fir tree during the holiday season remained virtually unknown in the English-speaking world prior to the 19th century. When Queen Victoria married her German cousin Prince Albert in 1840, the Christmas tree became widely accepted and practiced throughout the British Isles.

1836 edition of The Stranger’s Gift: A Christmas and New Year’s Present

In the United States, the practice of placing a decorated tree inside the family home was most likely introduced by German immigrants who arrived soon after the Revolution. The otherwise unassuming volume seen above, the 1836 edition of The Stranger’s Gift: A Christmas and New Year’s Present, is significant for it’s the first book printed in the Americas containing an image of a Christmas tree. Franklin Pierce in 1856 was the first president to erect a tree in the White House. In the United States, Christmas wasn’t celebrated with much gusto until after the Civil War, which reinforced for many the importance of home and family. In 1870, after the war’s end, Congress made Christmas one of nation’s first federal holidays.

Franklin Pierce in 1856 was the first president to erect a tree in the White House.

Light has always been a part of winter festivals, with their signature long, dark nights. Electric Christmas lights are a modern spin-off of the old-fashioned candles that Germans and Scandinavians placed on their trees. Thomas Edison, inventor of the lightbulb, also invented the first strand of lights and hung them outside his Menlo Park, New Jersey laboratory in 1880. In 1882 his business partner, Edward H. Johnson, created the first Christmas tree illuminated with colored lights. In 1895, President Grover Cleveland placed multi-colored electric lights on the White House tree. Since electricity wasn’t available except to the wealthy, most people didn’t have electric lights on their trees at home. Not until the end of the 1920s were electric lights affordable for the average family.

Fast forward to the 1950’s and the postwar period of rural electrification and large family gatherings, colored electric lights of every kind were readily available to the middle classes, not just the wealthy. This was the era of big bulbs and bubble lights, but in a few years, inexpensive miniature colored and white lights imported from China would become popular. Now even single parent households could decorate both the house and tree to their hearts’ content.

Untitled (Lux in tenebris inest—Light in the darkness)
Elisa Sighicelli 2003/2003

The lights bring out our hope of what’s good and wonderful in this world. Christmas and Hanukkah are times when the light burns bright, even when the days are dark. If these holidays didn’t exist, we would need to invent them, for we need the reminders of what is light and good in the world. As Baruch prophesied (5:9):

“For God will lead Israel with joy, in the light of his glory, with the mercy and righteousness that come from him.”

While we don’t know exactly what the Christmas star was, one theory is it was a conjunction of Jupiter, Regulus and Venus. Another possibility includes a set of conjunctions of the planets Jupiter and Venus, and the bright star Regulus. In this case, the mythologies associated with the objects become important. Jupiter in Hebrew is known as ‘Sedeq’, which is often translated as meaning righteousness. Jupiter is also often viewed as being the ‘king’ of the planets. Regulus is Latin for ‘prince’ or ‘little king’, and Venus is often viewed as a symbol of love, fertility and birth. Therefore, the combination of these objects close in the sky could have led to the interpretation of the birth of the ‘King of Kings.’ We do know Matthew records the visit to King Herod:

“After Jesus was born in Bethlehem in Judea, during the time of King Herod, Magi from the east came to Jerusalem and asked, “Where is the one who has been born king of the Jews? We saw his star when it rose and have come to worship him.”
(2:1-2 NIV)

Gerrit Dou: Astronomer by Candlelight, oil, late 1650s, J. Paul Getty Museum

The magi were astrologers, those who studied the heavens for the star signs of rising and falling influences in the ancient world. Herod died soon after their visit, but not before he tried to consolidate his power. He meant his dire deeds to benefit himself, but God spared his son by sending a message to Joseph in a dream to flee to Egypt with Mary and Jesus. The magi were warned not to return to Herod also.
This one who John wrote about in the opening chapter of his gospel (1:5):

“The light shines in the darkness, and the darkness has not overcome it.”

Gerardo Dottori: Nativity, 1930/1930, Museum of modern art

As we celebrate the holidays of light this year, remember to be a “shammash”, or a servant of light, and don’t let this present darkness overwhelm you. Your one light shining may be the brightness that brings someone safely home. Today I wore my bright pink exercise pants, even though I’m sinusy and achy all over. I made at least one person’s day when I said, “They’re stretchy, so I can eat more Christmas cookies!” We spread the joy even when the Grinch has stolen ours. This is a way of taking the darkness back, by making others feel better.

God bless and shine 🕯️on,

Joy and peace,

Cornelia

Jewish Festivals |Britannica
https://www.britannica.com/topic/Jewish-festivals

Shammash | Judaism | Britannica
https://www.britannica.com/topic/shammash

Yule Festival | Britannica
https://www.britannica.com/topic/Yule-festival

O Tannenbaum: Or, a Brief History of the Christmas Tree | The New York Public Library
https://www.nypl.org/blog/2016/12/12/christmas-trees-arrival

Who Invented Electric Christmas Lights |
https://www.eei.org/en/delivering-the-future/articles/who-invented-electric-christmas-lights

A Look Back: 100 Years of Christmas Tree Trends

https://www.bhg.com/100-years-christmas-trees-6751023

Rabbit! Rabbit! Welcome to December 2023

Apocalypse, architecture, art, Bethlehem, Christmas, Civil War, Faith, Family, Healing, holidays, Holy Spirit, hope, inspiration, Israel, Light of the World, Love, Ministry, poverty, rabbits, shame, Spirituality, Stress, trees

“Gloom begets gloom,” my daddy always said, “so if you wake up on the wrong side of the bed, it’s best to go back and get out on the other side.” Some folks today don’t have much of the Christmas or holiday spirit, for they’re only looking at the dark side of world events or at the shrinking purchasing power of their dollar.

Unemployed people sold apples on the street corner in the Great Depression

Since the Civil War, the United States has endured thirteen depressions or recessions large enough to get noticed by those who study such things (see list below). This is an average of one about every dozen years. Of course, those of us who experience these events don’t have to study them, for we directly participate in the event. As the old saying goes, “If my neighbor loses his job, it’s a recession, but if I lose my job, we’re in a depression.” Instead, we plan for them and expect the good times won’t last forever.

Because we human beings are wont to think “our situation is unique,” we’re also great at forgetting the lessons of history. The first lesson is life is cyclical and what goes up will come down. The second lesson is what goes down will eventually go back up. My long experience suggests when folks are in the “down cycle,” they forget upward progress is possible. In college we used to joke, “been down so long, it looks like up to me!”

Some say recessions are “necessary” in economic cycles to remove excess, reprice assets, and tame risky behavior. None of these negative factors would exist except for human greed. When Mary and Joseph went to Bethlehem to register for the census, they were also enrolling for the purpose of taxation. The Romans practiced tax farming in their provinces. Whoever had the account had to raise a certain amount for the empire, but could keep whatever excess they raised for themselves. Excessive taxation on the conquered land and people stoked their hopes for a messiah to rid them of this evil. No wonder the signs and wonders attending the birth of Jesus were fulfilling the ancient prophecies, as Matthew wrote (2:6):

‘And you, Bethlehem, in the land of Judah,
are by no means least among the rulers of Judah;
for from you shall come a ruler
who is to shepherd my people Israel.’

Church of the Nativity, Bethlehem. Star over the Grotto

In the times of darkness, we always look to the light as a reason to hope. As the magi saw a star rising in the east and believed an important person would arise in the land of Israel, we today look for glimmers of light to give us hope for the day to come. Some people see the wars, earthquakes, and crookedness of people and think we’re entering the end times. Churches and radio preachers are making hay with the Book of Revelation, forgetting it was a specific book written for a unique audience and time. We have been in the “end times” since Christ arose from the dead. As Matthew (28:20) records his words to the disciples in Galilee:

“And remember, I am with you always, to the end of the age.”

Since we’re always with Christ, we will always have his light, as Zechariah prophesied in Luke 1:78-79–

“By the tender mercy of our God,
the dawn from on high will break upon us,
to give light to those who sit in darkness and in the shadow of death,
to guide our feet into the way of peace.”

The famous Banksy’s Armored Dove of Peace, the painting of a peace dove wearing a flak jacket. The dove is painted on a wall near the separation wall between Bethlehem (Palestinian Territories) and Israel. Nov. 18, 2023.

In the midst of wars in the Ukraine and in Gaza, where people are suffering and dying, we can lose sight of the vision of light and peace, while we focus on darkness and death. The Christian community in Palestine, which usually hosts hordes of Christmas pilgrims in Bethlehem Square, won’t be celebrating this holy season this year in solidarity with Palestinians in Gaza. Instead, they’ll set up a small nativity scene covered with rubble. It’s a reminder when the Christ child came into a suffering world over two thousand years ago, his birth was a hope for the oppressed and the poor. Every Christmas we have the opportunity to care for those who struggle to make ends meet.

In the Great Depression, families lost homes, farms, and lived in shantytowns called Hoovervilles. President Hoover spoke of a childhood Christmas memory:

“I do vividly recollect a Christmas upon that farm when the sole resources of joy were popcorn balls, sorghum, and hickory nuts; when for a flock of disappointed children there were no store toys, no store clothes; when it was carefully explained that because of the hard times everything must be saved for the mortgage. The word ‘mortgage’ became for me a dreaded and haunting fear from that day to this.”

1950’s Christmas Tree: we kids were Team Tinsel, but the folks were Team Ornaments. Our tree never looked like this!

I have some ancient memories of the cyclic hard times experienced by my family. I recall the late 50’s Eisenhower influenza recession dimly because it was the only time I ever saw my daddy cry. We had a brand-new Ford station wagon, but couldn’t afford to drive it except on Sundays. My dad brought money home daily from his office, so mother and we kids would walk to the local grocery to buy food the next day. He cried because he kept his office full of patients, but half of them couldn’t pay for his services. Mother was very practical and reminded him, “This too would pass. Trouble is only temporary.” In the fall, she took a schoolteacher position to help out. That Christmas we hand decorated sequins on felt shapes the “Twelve Days of Christmas” for a tree skirt. I passed this extravagance on to a nephew when I downsized my home.

We decorated the early days more than the later days. Time management wasn’t our best gift, but we had a great time doing this together.

I also remember the 1970’s economic slowdown very well. I got married during this time. After my husband and I bought our silver wedding rings, we had $16 left in our pocket. I was certain we had jumped off a height with no parachute, but we somehow managed day to day. To keep up “appearances,” we gave away some of our wedding gifts as Christmas gifts to other family members. I thought it was wrong, but now I realize I don’t care about those items today. I was more concerned about “saving face,” since someone might recognize we were regifting. We managed with food from our organic garden and meat from a deer my husband harvested in the autumn. But I no longer eat tuna casserole, having lost my taste for this staple of my poverty years. Gifts aren’t important, but people are.

The 1980’s had a slump related to the oil embargo. When oil money dries up, art teachers lose their jobs, as do all the other “frivolous employees” elsewhere. I got an insurance sales position, with a guaranteed six-week paycheck. I was amazed I had a talent for sales, but I was good at discovering needs and matching products to people’s ability to pay. My best sales close was, “If you’re not here to provide for your family, how will they be able to keep their current lifestyle?”

Having a simpler Christmas this year? Consider an alternative tree…

I lost my house to foreclosure during the 1990’s subprime mortgage crisis. I lost my credit cards and almost lost my daughter to suicide. I learned some things are more important than achievements or possessions. In the depths of the worst of times, gifts aren’t necessary. Being a light for others, helping others, giving yourself to those who need hope in these seemingly hopeless times is important. During this time, I drew hope from God’s words to Nathan in 2 Samuel 7:5-6—

“Go and tell my servant David: Thus says the LORD: Are you the one to build me a house to live in? I have not lived in a house since the day I brought up the people of Israel from Egypt to this day, but I have been moving about in a tent and a tabernacle.” I drew hope, for if God didn’t need a permanent home, but stayed with God’s people, then if I had no home title, God would still go with me wherever I laid my head.

As a people, we always want to tie God to a place or to locate the Spirit to a site, but God is always bigger than our imagination and our attempts to circumscribe God’s existence. We want to restrict God’s love to a few, but God insists on loving those from whom we look away and exclude. In the midst of the chaos of my losses and suffering, I discovered God was calling me to the ministry.

Gislebertus: Flight into Egypt, 1120-1130, Stone Capitals at St Lazare, Autun, France.

Why does God call the least, the last, or the losers to God’s work? God wants to be glorified, not the person who does the work. God needs people who understand suffering and have been seasoned by it, rather than hardened by it. The wounded know the wounds of others, but they also know the path to healing. This is why we find the Christ child in a stable, not in a palace; and have shepherds and foreigners come to visit, but not his family or friends. It’s also why the Holy Family flees to Egypt as refugees to avoid Herod’s death sentence for the Jewish newborns. If we’re having a less than “perfect” holiday this year, perhaps we’re only having a bad hair day in comparison to the suffering of that first Christmas.

When I get to struggling, for the aches and pains of age are catching up to me, I can get in a low mood thinking, “I used to pop out of bed and do 12 things before lunch.” Now I need six cups of coffee to get my lunch going! Of course, I’m past my platinum anniversary and my hair color matches my age. On days like this, I look to Paul’s admonition in 1 Thessalonians 5:16-18, which rings across the ages as a clarion call:

Rejoice always, pray without ceasing, give thanks in all circumstances;
for this is the will of God in Christ Jesus for you.

I wish each and every one of you a Merry Christmas and a Wonderful New Year. I plan to take a sabbatical from my Rabbit-Rabbit series in 2024, since I’ve neglected my sci-fi blog and my pandemic project quilt needs stitching together. I’m going to work on my art more and write about the spiritual intersections of the creative life.

Joy and Peace,
Cornelia

You can keep up with my other writing and thoughts:

SOULJOURNIES: sci-fi spiritual formation blog
https://souljournieswordpress.wordpress.com/author/artandicon/

ARTANDICON: blog on the intersection of art and faith
Www.Artandicon.com

CORNIE’S KITCHEN: blog on healthy eating and spirituality
http://www.cornieskitchen.wordpress.com

List of depressions and recessions since the Civil War:

the Panic of 1873,
the Great Depression when 13 million people were out of work,
a recession after WWII,
another after the Korean War,
the Eisenhower influenza recession in 1957-58,
a recession in the auto industry in 1960-61,
and another year long recession in 1970-71 under Nixon.
In 1973, OPEC quadrupled oil prices, and that shock along with the stock market crash sent the world economy into recession.
In 1980, energy prices continued to rise, so when the Federal Reserve raised interest rates to curb rising prices, the economy contracted. Once again, unemployment rose to 11% and business output suffered.
We had a recession in the Gulf War from 1990-91, and then maintained the longest period of economic growth in American history up until
the Dot Com Bubble in 2001. The tech-heavy NASDAQ ended up losing nearly 77% of its value and took over 15 years to recover its losses. September 11, 2001 wasn’t a sunny day for the stock market or for America. Many people have had a pessimistic outlook on life from this date forward. It changed how we see ourselves.
In 2008-2009 another recession hit hard, making it the longest economic downturn since World War II and the deepest prior to
the following COVID-19 Recession of 2020. The former was triggered by the subprime mortgage market collapse, while the latter was the quickest and steepest of them all. While more than 24 million people lost their jobs in the US the first three weeks of April 2020, this shock was quickly ameliorated by government interventions, such as zero interest, income payments and other supplements.

Christmas During the First “Great Depression” – Hoover Heads
https://hoover.blogs.archives.gov/2020/12/16/christmas-during-the-first-great-depression/

Milestones: 1921–1936 – Office of the Historian
https://history.state.gov/milestones/1921-1936/great-depression#:~:text=The%20U.S.%20stock%20market%20crash,cause%20a%20global%20financial%20crisis.

Understanding America’s Labor Shortage | U.S. Chamber of Commerce
https://www.uschamber.com/workforce/understanding-americas-labor-shortage

Major Financial Crisis History
https://nationalarchives.nic.in/sites/default/files/new/Final_Major_Financial_Crisis-i_0.pdf

A Brief History of U.S. Recessions – Weatherly Asset Management
https://www.weatherlyassetmgt.com/a-brief-history-of-u-s-recessions/

How One of the World’s Biggest Ships Jammed the Suez Canal – The New York Times
https://www.nytimes.com/2021/07/17/world/middleeast/suez-canal-stuck-ship-ever-given.html

Artandicon's Blog

Crossroads of art and faith

Month: December 2023

Nativities Then and Now

Art for the Inner Child

Sharansky’s Hanukkah

Season of Light

Rabbit! Rabbit! Welcome to December 2023

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