Valentine’s Day is all about love. Television advertisements push candies, dipped gold “eternal” roses, gaudy jewelry—a price for every pocketbook—and the dating apps have been in full swing since the new year.
“Everybody needs somebody to love,” the old song goes. The Blues Brothers sing this oldie before their mad escape from the Illinois Law Enforcement Community. Solomon Burkes treats it with his indigenous soul blues from his lived experience and The Rolling Stones give it their percussive upbeat treatment. Wilson Picket has a good cover, but I don’t recommend the explicit version of Rod Wave’s Sneaky Links. Fitz and the Tantrums was interesting. My “old person “ is probably showing about the edges here.
Martin Luther King, Jr. Quote
We all can love our friends or sweethearts, especially in mid February. After all, February is “for lovers.” The bigger question is, How do we love our enemies? Dr. Martin Luther King, Jr., in his book, A Gift of Love, writes:
“First, we must develop and maintain the capacity to forgive. (The one) who is devoid of the power to forgive is devoid of the power to love. It is impossible even to begin the act of loving one’s enemies without the prior acceptance of the necessity, over and over again, of forgiving those who inflict evil and injury upon us.”
Well, how can I forgive the person who hurt me, my child, my family, my tribe, or my community? We all want that person to come crawling to us and ask for forgiveness, but that’s not how radical love works. We want the wrong doer to show remorse and ask us for mercy and forgiveness. This puts them in a subordinate position and us in a position of power. But that’s not how radical love works. Radical love initiates forgiveness, even if the wrongdoer never shows contrition.
Dr. King goes on to say:
“It is also necessary to realize that the forgiving act must always be initiated by the person who has been wronged, the victim of some great hurt, the recipient of some tortuous injustice, the absorber of some terrible act of oppression.”
Sir Terry Frost: Sun Tree, 2003, Silkscreen on Paper with 9 collage elements. Frost was a prisoner of war in WWII with Adrian Heath, who taught him to paint. They were both imprisoned in Stalag 383, in Germany.
Why must the wronged take on the indignity of offering forgiveness to unrepentant wrongdoers? In this act, we become most like Christ on the cross, who in his final moments, forgave not only the thief who asked for forgiveness, but also all those who crucified him, who had no intention of repenting. Our problem is we enjoy being like the risen Christ, the one with the “name above all names,” but most of us don’t want to “pick up our cross and follow” Jesus, especially if it leads to an ignominious death on that very cross.
Sir Terry Frost: Blue Love Tree, 2003, Silkscreen on Paper
As Dr. King wrote,
“The wrongdoer may request forgiveness. He may come to himself, and, like the prodigal son, move up some dusty road, his heart palpitating with the desire for forgiveness. But only the injured neighbor, the loving father back home, can really pour out the warm waters of forgiveness.”
The injured one, whose heart has been broken and wounded by someone else’s words or deeds, is the only one who can heal the broken rift between them. This is why the deepest lovers of Christ are most often the wounded ones who’ve been healed by God’s mercy, grace, and forgiveness. The woman with the alabaster jar of ointment anointed Jesus’ feet in the house of the Pharisee, but the host had failed at the minimum hospitality for his guest, so Jesus reminded him (Luke 7:47):
“Therefore, I tell you, her sins, which were many, have been forgiven; hence she has shown great love. But the one to whom little is forgiven, loves little.”
Mending Broken Hearts, silkscreen, artist unknown
If we would be healers in our broken and fragmented world, we need to first address our own woundedness. Each of us has a hidden pain or suffering, for this is the human condition. If we give this to God, our healing makes us into vessels where our cracks are filled with precious gold. We can offer more love, more forgiveness, and more hope to people who have been sitting in darkness and despair. People are waiting for joy and love to flow out in abundance from God’s heart into our hearts and into their world. Then we can be the light in the darkness for them, the holy fire that lights the embers of hope in their hearts, not just on St. Valentine’s Day, but every day.
Joy, Peace, and Love,
Cornelia
Kintsugi: Mending cracks with gold
Excerpt from A Gift of Love | Penguin Random House Canada By Dr. Martin Luther King, Jr. Chapter 5, Loving Your Enemies
One of my favorite Saturday morning cartoons was Rocky and Bullwinkle. I loved Mr. Peabody and Sherman, who would climb into the WABAC machine after setting the controls to a time and place of historical importance. That a bow tie wearing dog had adopted a human boy never crossed my mind as being strange. It was a cartoon, after all. In the 1960’s we didn’t take cartoons as real life. We knew they were fantasy.
Votive relief. Pentelic marble. Found in the sanctuary of Eleusis.
In times of change we always want to hold on to traditions: our rituals, our places of worship, our routines. I think the newly minted Christians in the first century, who had friendships and business relationships tied up in the pagan temple sacrificial banquets, most likely had this problem too. The temples were where they ate food sacrificed to the pagan gods, drank to celebrate new deals or cement old relationships, and soon one thing would lead to another. It was the “another” that Paul had words about, for In sharing these meals, Christians were also indulging in the sexual activities that resulted from the feast. (1 Corinthians 8)
Monarch Metamorphosis
If Christians were to live a new life and their lifestyles were to reflect this newness, they needed to make an outward change to reflect the inward transformation of their hearts. We don’t keep the old but take on a newness of heart that transforms our outer life. Consider the caterpillar. It only knows how to be a caterpillar, but it has an inner drive to spin a cocoon. Once inside, it rests, reflects, and directs its energy to becoming a new creation. Then it breaks free to become what its new and true self is meant to be. If it remains bound in a cocoon, it won’t fulfill the wonderful design of God’s best hopes and dreams for its life.
We too have to reimagine and revision our spiritual lives. I’ve always based my vision for ministry on John Wesley’s doctrine of Christian Perfection: “A heart so full of love for God and neighbor that nothing else can exist.” Like the lawyer in the parable, many of us ask, “Who is my neighbor?” Jesus and Wesley say “Everybody is our neighbor.” I’d add, even those we’re most upset with, even if they’ve part of our family and we have disagreements with them.
Most of us have a Bible, but we don’t all read the same translation and we also have major disagreements on how to interpret this holy book. A particularly fraught scripture is 1 Corinthians 6:9-11:
“Do you not know that wrongdoers will not inherit the kingdom of God? Do not be deceived! Fornicators, idolaters, adulterers, male prostitutes, sodomites, thieves, the greedy, drunkards, revilers, robbers—none of these will inherit the kingdom of God. And this is what some of you used to be. But you were washed, you were sanctified, you were justified in the name of the Lord Jesus Christ and in the Spirit of our God.” (NRSV)
Wesley wrote in his Notes on the New Testament on 1 Corinthians 6:9—
“Idolatry is here placed between fornication and adultery, because they generally accompanied it. Nor the effeminate—Who live in an easy, indolent way; taking up no cross, enduring no hardship. But how is this? These good-natured, harmless people are ranked with idolaters and sodomites! We may learn hence, that we are never secure from the greatest sins, till we guard against those which are thought the least; nor, indeed, till we think no sin is little, since every one is a step toward hell.”
In Wesley’s Notes on The Entire Bible, of which his Notes on the New Testament is part of our United Methodist Doctrinal standards, he also reminds us, “ Fornication—The original word implies criminal conversation of any kind whatever.” (1 Corinthians 6:9)
That was Wesley in 1754, or the mid 18th century, but most modern Wesleyans today would be shocked at that interpretation of this text. Interestingly, Wesley departed from the KJV in over 12,000 instances in his Notes on the NT. Wesley valued the Authorised Version of the Bible (KJV), but he always preferred to study the Scriptures in their original languages over any and all translations. If we’re traditionalists, we need to remember Wesley was a radical in his time. As Albert Outler was always keen to remind Methodists, Wesley looked better without his halo.
A later day hero was my dear friend and mentor, Dr. Billy Abraham. As his research assistant at Perkins, I had the wonderful opportunity to learn from his thought and appreciate the early church fathers and mothers. Through him I was privileged to meet and learn from Dr. Roberta Bondi, a noted expert on early church history. I learned from Billy about differing views of scriptural authority and from Roberta how a heart of love and mercy helps us live in community.
I decided I’d go with Wesley’s view: “The Bible contains everything necessary for salvation.” This meant I didn’t have to get into creationist arguments because that’s not going to interfere with anyone’s salvation. Of course, that was the big issue a quarter century ago. Even our disagreements change over time. I learned to pray from Dr. Bondi, “Help us to love one another as God loves us.”
When we read scripture in translation, we read from the vantage point of our times and our context. We don’t have a 1960’s Rocky and Bullwinkle WABAC machine to visit the historical people who wrote the Bible. (If only we could time travel!) Only by studying the life and times of that era can we read with a clearer mind what the original authors meant. Even then, we’re caught up in the translation, for we don’t have many full copies of the holy books from the earliest times. Our earliest complete New Testament dates from the 4th century, long after Christ and the first apostles walked these rocks and clods we call earth.
Sundial at Mt. Sequoyah
Then too, we have concepts today which ancient people hadn’t yet conceived. In Roman times, which is the time of the earliest New Testament writings, the day was divided into watches or hours. We think of those hours as having 60 minutes each, but they had no mechanical clocks for precision time keeping. The sundial kept the hour count, so a summer day had long watch hours, while a winter day had shorter ones. Since everyone was on the same system, everyone was on time, or they were late if they were my ancestors.
We all read the same Bible, but we have different translations in our hands. I choose the NRSV because it’s a modern translation that’s as literal as possible and as free as necessary, unlike the NIV, which is a dynamic translation or one that seeks to make the best readable sense of the text. Those translators have to make decisions on how to render rare words in the text. For instance, the word “arsenokoitai,” which shows up in two different verses in the bible, wasn’t translated to mean “homosexual” until 1946. It appears in the RSV, whereas in the KJV, the word gets translated as “nor abusers of themselves with mankind” (or to put it less delicately—trigger warning—masturbation).
Douris: Drinking cup (kylix) depicting an erotic scene of Eros and a youth
How was the word translated previously? It referred to the common Greek practice of pederasty: adult male love for younger boys, which everyone today would be opposed to and disgusted by this cultural practice once common in Greek society. Abuse of youths by adults is something all of us can dislike because that experience isn’t a relationship of equals. One has too much power, authority, and dominance over the other. For the same reason we object to other unequal sexual relationships: clergy and laity, counselors and campers, teachers and students, bosses and employees, and so on.
Circle of Euthymides: Two-handled storage jar (pelike) depicting young athletes jumping
This particular word shows up exactly two times in the whole Bible. It’s now translated as “sodomites.” This too is an unfortunate translation, since the sin of Sodom wasn’t homosexuality, but the townspeople’s failure to respect the laws of hospitality. When the visitors came under Lot’s protection in his home, the townies gathered outside his door and begged to have their sport with his guests. We’re horrified Lot would offer up his own daughters, but in that day and time, protecting the honor of the patriarch’s offer of hospitality to strangers was more important than anything that happened to the women of the household. We don’t have to like the culture as it was back then to get the lesson of “entertaining angels unawares.” This is an instance we’re glad fathers today have respect both for their guests and their daughters. Cultures change and we’re very glad for that.
The word “μαλακός” or Malakos refers to something soft and effeminate. It could refer to silk clothing or to an adult man who shaved his beard or grew long hair. In the Ancient Greek society, once a boy grew a beard, he was no longer subjected to pederastic abuse. Instead, he passed “the gift on” to the next generation. We’re well aware today how child abuse is generational. This is what Paul railed about in this text.
When the holidays crank up, the greedy, drunkards, and maybe a few adulterers and fornicators will go to town. The angry criticizers will probably be driving the bus and the swindlers (robbers: ἅρπαγες) will be grifting the unsuspecting flock as they barrel along. We don’t have any temples with male prostitutes as the ancient Greek cities once had. There were also women prostitutes serving at these temples, so everyone had their pick when visiting with a celebrant for an intercession with the gods. I’m really glad our current clergy orders don’t include this ritual as part of “pastoral care.” Culture changes. Maybe today’s clergy body is glad this duty isn’t added to their holiday activities.
It’s good the culture has changed from that of Rome and Athens of the first century. In fact, culture keeps on changing all the time. This is why Jesus spoke of “new wine in new wine skins.” We’re no longer a first century church, but some principles still apply. We can’t pour the new wine into an old skin, or the fermentation will burst open the weak old skin. This is why we are a new and changing church, for just as butterflies break out of their cocoons, we too have to break free from what has bound us in a past time. The Holy Spirit keeps refreshing and invigorating a living community, whether it worships in a tent, a rented room, or in a set place.
Now we look forward, to a new land, a new existence, and new possibilities. If we hear the voice of God, we hear the calling: “Go to the land I will show you.” God has always led God’s people in every place and in every time. God has brought God’s people through good times and bad, through war and peace, and in exile to the promised land. We can trust God to be faithful once again.
Joy, peace, and hope,
Cornelia
Drinking cup (kylix) depicting an erotic scene of Eros and a youth Signed by: Douris: clay, Greek, made in Attica, Athens, Late Archaic Period, about 490–485 B.C., Museum of Fine Arts, Boston, MA.
Two-handled storage jar (pelike) depicting young athletes jumping Circle of Euthymides (Greek), Archaic Period, about 520–515 B.C., Museum of Fine Arts, Boston, MA.
Drinking cup (kylix) depicting pentathletes Onesimos: Greek, Late Archaic Period, about 500–490 B.C., Museum of Fine Arts, Boston, MA.
Crossing the Threshold of Divine Revelation: Abraham, William J. Here Abraham argues for divine revelation as another leg of understanding and interpretation of church traditions and scripture.
Canon and Criterion in Christian Theology: From the Fathers to Feminism by William J. Abraham This is a seminary textbook and historical overview.
“John Wesley’s Notes On The Entire Bible” by John Wesley (1754) Start reading it for free: https://a.co/3UKifSG
STRONGS NT 3120: μαλακός μαλακός, μαλακή, μαλακον, soft; soft to the touch: ἱμάτια, Matthew 11:8 R G L brackets; Luke 7:25 (ἱματίων πολυτελῶν καί μαλακων, Artemidorus Daldianus, oneir. 1, 78; ἐσθής, Homer, Odyssey 23, 290; Artemidorus Daldianus, oneir. 2, 3; χιτών, Homer, Iliad 2, 42); and simply τά μαλακά, soft raiment (see λευκός, 1): Matthew 11:8 T Tr WH.
Like the Latin mollis, metaphorically, and in a bad sense: effeminate, of a catamite, a male who submits his body to unnatural lewdness, 1 Corinthians 6:9 (Dionysius Halicarnassus, Antiquities 7, 2 under the end; ((Diogenes Laërtius 7, 173 at the end)).
Strong’s Exhaustive Concordance: effeminate, soft. Of uncertain affinity; soft, i.e. Fine (clothing); figuratively, a catamite — effeminate, soft.
Thayer’s Greek Lexicon, STRONGS NT 733: ἀρσενοκοίτης 733 arsenokoítēs (from 730 /árrhēn, “a male” and 2845 /koítē, “a mat, bed”) – properly, a man in bed with another man; a homosexual. ἀρσενοκοίτης, ἀρσενοκοιτου, ὁ (ἄρσην a male; κοίτη a bed), one who lies with a male as with a female, a sodomite: 1 Corinthians 6:9; 1 Timothy 1:10. (Anthol. 9, 686, 5; ecclesiastical writings.)
Ready or not, the creative juices must be stirred. If the brain has lain fallow all summer, or it’s been overworked keeping the youngsters occupied, now you can find your own groove again. Yes, it’s time for Adult Art Class at Oaklawn UMC.
Our first meeting will be Friday, September 9, at 10 am in the old fellowship hall. Bring your own acrylic paints, brushes, and a canvas or canvas panel to paint on. We begin with a short visual inspiration from some great art works, I’ll give some direction on the skill we’ll work on in the session, and then everyone is free to bring their own unique expression to their paintings. We don’t copy my work and judge how well a person can match it. We learn from the great masters and stretch our own skills to create something new.
Walter Nowatka: Abstract Ferris Wheel
Of course, making great art isn’t our first purpose. As we age, we will lose our ability to learn new skills until we lose our memory of what we just ate for breakfast. Challenging our brains is one of the best ways to keep our brain cells firing and “chatting with one another.” Our brains have the immensely powerful ability to remodel themselves because each of us have 1,000 trillion synapses, which are constantly being modified every second of every day. Socialization and encouragement also helps to keep our brains young.
Frank Lloyd Wright: March of Balloons
Of course, we have to give up our desire to be perfect. Perfection comes from practice, or working at it. Every baby stumbles and falls when they learn to walk, but dotting adults encourage every trembling step. This is what art teachers also do. I’ve always had a rule in my classes, especially when I taught in middle school: No Negative Talking about People or Art. This included a student’s own art works. They always had to give at least three positive comments about their work before they spoke about the negative. “My work needs improvement” became the replacement phrase for “My work stinks!”
De Fem. Titel saknas, 1908. HAK 1274. Kat. 12. 52,5 x 62,8 cm
Of course, we’ve all grown up and worked in environments where negativity is the rule. Art class is a place of grace because this is how life should be. If we can transform a blank canvas into a field of color, why can’t we transform our communities and our world into fields of hope, joy, and love? Perhaps because we try to make everyone copy/fit into our idea of the proper end product, rather than allow everyone discover their own creative response to the given subject of the day. The museums of our world are richer and more vibrant because artists have listened to the Spirit of the Creating God. We might do well to realize God’s creative energies are varied and vibrant also, just as Isaiah wrote about his vision of God’s Glorious New Creation:
“For I am about to create new heavens and a new earth; the former things shall not be remembered or come to mind. But be glad and rejoice forever in what I am creating; for I am about to create Jerusalem as a joy, and its people as a delight.” (65:17-18)
James Wyper: City of Dreams
I hope to see you there. I don’t charge for the class sessions, since this is one of my ministries as a retired elder in the United Methodist Church. As John Wesley once said, “The World is my Parish.”
Joy and Peace,
Pastor Cornelia
Wes Ely: How long covid reshapes the brain — and how we might treat it
When our world is changing “faster than we can say Jack Rabbit,” sometimes life can get overwhelming. My dad often used this quaint phrase when he wanted something in a hot minute, like a bowl of ice cream just before bedtime. Or when he wanted us kids to get a move on and not dilly dally. Usually we were messing around and goofing off when our parents had time constraints, so the tone of his voice sometimes sharpened with the promise of consequences if we weren’t front and center right now. My parents were usually in hurry mode, while we kids never quick unless the destination was the local Dairy Queen. We all screamed for ice cream in my family.
This clock knows which way the wind blows
Grownups have a different sense of time than children do. Adults know from experience how short lived is the human existence, for they’ve lived long enough to have loved and lost. Children, who’re generally protected from such harsh realities, live in worlds in which time both stretches into eternity and seems to stand still. I call this variable sense “rubber band” time, since it can both stretch to the moment of breaking, but also snap back to inertia or non movement. For children, especially at year end, Christmas comes on lumbering feet, but for parents, the season is far too brief. The day blows through on a wind from the north, like a polar front charging into the Deep South on a mission to freeze every fragile magnolia blossom before the new year can make an appearance.
Treasure at the end of the rainbow
Children’s worlds are different from adults, for they still have a sense of wonder and all things are new to them. I remember seeing my first rainbow high up in the sky. I put up such a clamor on the front porch as I called for my mother, she was sure I’d seen a snake or some dangerous animal. She was put out I’d called her away from her household tasks “just to see a rainbow.” To this day, I still think rainbows are wondrous writings in the sky and meant to give us joy for our mundane lives. Seven decades later, the child in me still celebrates rainbows.
Our sense of time changes as we age, for everything a child sees is a first and a best. This is why we can have such deeply imprinted memories from our childhoods. Later on, we’re doing the same things over and over, so unless these events stand out for some different reason, they all tend to blend together. We also tend to think of these as “this is the way life is,” or they become the “model” for our world. This is also known as our cognitive map.
Some people can give good directions to their home, while others wouldn’t be able to get someone to their place even if they lived in a teacup. Those “others” lack good cognitive maps, for they don’t have a good mental image of the landmarks on the way to their home. Today, our cognitive maps are undergoing rapid change. The world we used to know doesn’t exist, mostly because of COVID. Once we had a service economy, but now we don’t do face to face experiences because of the pandemic, so we buy goods. We’re buying so many goods (can we ever buy bads?), we have supply chain problems trying to provide them all. We’re so used to same day or next day delivery from our pre-pandemic lives, we think our world is coming to an end if it’s going to take a week to get our cherished gifts delivered.
That old world existed back in 2005, when Amazon Prime partnered with the US Postal Service for its packages’ last leg of delivery. Today we have on demand groceries ordered through the app for immediate pick up or delivery, as well as restaurant foods for the same. This was unimaginable just a decade ago. It’s still so new, some folks won’t use it, even if they were on their death bed. Their cognitive map won’t let them try a new thing, for these new places and experiences aren’t encoded on their mind maps.
British Library: Mappa Mundi
The ancient world maps, dating from the peak of the Middle Ages, take their cartography from both faith and geography. One of the earliest is the Map Psalter, which takes its name from its full-page illustration of a map of the world. It’s design shares close parallels with the famous Mappa Mundi, now housed at Hereford Cathedral. The manuscript was made in London during the latter half of the 13th century but after 1262, as the Psalter’s calendar commemorates on 3rd April the feast day of St Richard of Chichester (d. 1253) who was canonized in 1262.
The image shows Christ holding the orb of the world, flanked by two angels. The map itself is highly detailed. Jerusalem is marked in the center, with Rome appearing slightly below it. Major rivers, such as the Ganges and the Danube, are drawn in blue, and the Red Sea is also included. Representations of the so-called ‘Marvels of the East’ line the right-hand side of the painting. The British Isles are found to the lower left.
Hereford Mappa Mundi
The Hereford Mappa Mundi is unique in Britain’s heritage. An outstanding treasure of the medieval world, it records how 13th-century scholars interpreted the world in spiritual as well as geographical terms. The map bears the name of its author, ‘Richard of Haldingham or Lafford’ (Holdingham and Sleaford in Lincolnshire). Recent research suggests a date of about 1300 for the creation of the map. An unknown artist drew the Hereford Mappa Mundi on a single sheet of vellum (calf skin), measuring 64 × 52 inches (1.58 × 1.33 meters), tapering towards the top with a rounded apex.
The geographical material of the map is contained within a circle 52 inches in diameter and reflects the thinking of the medieval Church, which places Jerusalem at the center of the world. Drawings of the history of humankind and the marvels of the natural world are superimposed onto the continents of the world. These 500 or so drawings include around 420 cities and towns; 15 Biblical events; 33 plants, animals, birds, and strange creatures; 32 images of the peoples of the world; and 8 pictures from classical mythology.
We all make maps in our minds, otherwise we’d get lost going from our easy chair to the kitchen to get a snack on a commercial break. This is because our hippocampus is working well. Some of us have a talent for getting lost in a proverbial tea cup, especially when landmarks aren’t visible. When I lived in Colorado, I always knew which way I was headed as long as I could see the mountains. At night, I had no idea, so I could get lost easily.
T shape map, East at top
The ancient western world oriented their maps with east at the top and Jerusalem at the center because the sun rose in the east and faith was primary in their world view. The Chinese, who were the first to invent the compass, often drew maps with South on top because they always thought the compass pointed to South. South was their sacred direction, for in any religious or royal ceremonies the kings faced south. This perception may have come because the northern parts of China were cold and dark.
The Islamic maps of the era also drew the south on top, since the initial Islamic habitations were north of Mecca. Therefore, South-oriented maps would show the followers looking up towards it. Yet, our maps today orient north instead, due to Mercator, the noted mapmaker of the 16th century. By this time, sailors were navigating not only by the North Star, but also with the compass. Their sailing records were complete and detailed. Mercator used these to create the first Mercator Projection map, which was more correct than any map beforehand. After this map, all western maps set North as the top of the map.
Columbus managed to find the Americas in 1492 with the map he had at the time, but he was convinced he’d found islands outlying Japan or Asia because he’d traveled the distance the map had indicated was necessary to find the Asian continent. This is a classic case of cognitive dissonance, for the map Columbus had in his mind and in his hand didn’t correlate with reality. This disconnect can cause us discomfort or cause us to make decisions or conclusions based on a reality that no longer exists or doesn’t fit the facts in hand.
All of us have this problem, to one degree or another. As we grow up, we discover our childhood myths are just stories, and the Tooth Fairy, the Easter Rabbit, and Santa Claus aren’t real, but just our parents acting in secret to bring magic into our childish world. As the oldest child in my family, I recall the Christmas I realized Santa Claus wrote in the same distinctive script for which my father was known. Unlike many doctors, my dad had elegant and legible handwriting. At the tender age of five, I made the choice to keep the secret of Santa Claus safe for my younger brother’s sake. Besides, as long as I believed, I would get presents from both my parents and Santa. Keeping the Santa secret safe had its advantages.
These old maps also remind us how our point of view determines our world view. If we see the world with the eyes of faith, we’ll observe the world through a different lens than the person who looks through a microscope or telescope. A person of faith can look through these tools and see the wonders of God in the smallest or most distant bits of creation, but without faith, these views will be unique, but not inspiring.
In ancient times, while sailors navigated with their eyes fixed on the Northern Star, they also depended on the written records of previous sailors. They depended on the capricious sea gods to protect them and their cargo from harm. Sailing was a dangerous occupation and goods were often lost at sea. The apostle Paul was caught in a storm on the Mediterranean for two weeks, when the crew finally threw the cargo of wheat overboard to lighten the load. Even in the first century, there were supply chain issues in the grocery business (Acts 27). Afterwards, Paul met and healed people on shore and the ship finally got under way with new supplies to replace the old ones.
Today, our settled lives have been upended by a tiny virus that seems to mutate and persist. What we used to know as normal now feels strange. I grew up hand washing dishes at the kitchen sink, but since COVID and the demise of my garbage disposal, I’m back to hand washing them until the plumber can rotorouter my drain and I can put Mr. Dishwasher back to work. I’m not sure my dishes are clean or sanitary. Of course, I obviously made it to a ripe old age without a dishwasher, but the pandemic has changed my worldview. I see germs everywhere now.
“‘Adjusting our expectations to account for unpredictability, uncontrollability, and the fact that our lives may be disrupted on and off, and building that into our expectations, would be good for our mental health,’ said Karestan Koenen, a professor of psychiatric epidemiology at the Harvard T.H. Chan School of Public Health. “As humans, we don’t have as much control as we think we do. The virus has just made it very clear.” Many of us have a world view that puts us in charge of all things, when in truth we aren’t the captains of our fate.
First Stage, Map Icon
The first stage of my icon map followed the original map fairly well, but I let it rest next to my easel for a long time. This was a sure sign I wasn’t happy with it. The old map was a world view which belonged to a different age, but not to me. When I thought of my own world view, Jesus still had priority as Lord and Ruler of creation, but the world over which he reigned wasn’t merely the earth, but all of the known universe.
After a vacation, I decided to repaint it. The central swath of color represents the Milky Way in the night sky, as seen from earth. The warm golds and reds are the energies of all the planets and the stars in our universe, as well as the heat of all the life on earth. If we are all one, and Christ is lord of all, we humans have a particular responsibility to care for life in all its forms. As John 10:10 reminds us, Jesus said:
“I came that they may have life, and have it abundantly.”
The saying is true: “If nothing ever changed, there’d be no butterflies.” Yet how hard do we humans hold to the past, even if we need to move on into the future? As an artist, I’ve always been caught between my desire to honor the traditions of the past, but also to move into the the unknown realms of the future. Artists already have a vocabulary and boundaries to describe the works of the past, so we can tell if our current works “meet the criteria for excellence.”
Found Object Butterfly: roadside debris, wire, scrap cloth, and metallic beads
When we go beyond this known world into the uncharted territories, we’re like Columbus, who landed in the Caribbean islands, but thought he was on the continent of North America. I wonder if the monarch butterfly, just emerging from the cocoon, has any idea it soon will begin a 3,000 mile migration to its ancestral winter home in Mexico. The butterfly has the innate ability to navigate this path, whereas we humans are like Abram, for we’re going to a land our God will show us. We have no idea where we’ll end up, but we do know we’ll travel by stages and God’s guiding inspiration will always be with us.
During this current protracted COVID pandemic, with cases beginning in mid December 2019, we’ve now lost over 766,206 persons in the US alone and over 47,390,239 individuals have had COVID. Worldwide, the numbers are far greater: over 5 million have died and nearly 255 million have contracted COVID, mostly because vaccines and health care services aren’t available to the extent they are in America and the European Community. Not only has our world as a whole suffered a great grief, but each of us individually have lost friends, neighbors, or loved ones. This adds to our collective grief.
Airport Road at MLK Hwy Intersection, empty lots
When we see the rest of our world changing around us, we feel another loss, and this becomes the grief leading to the death of a thousand tiny cuts. Just as in our workplaces, when the ideas of the young, the female, and the ethnic individuals aren’t valued, their dismissal leads to devaluation of their perspectives as well as their personhood. When we devalue nature and treat creation as an arena for humanity to restructure for our purposes alone, we can fall into the trap of thinking only for our immediate future, but not for the generations to follow. This is why building lots inside the city get cleaned off and offered as a blank slate, since this makes them valuable to the greatest number of buyers.
Death by a thousand cuts was supposedly a form of torture in ancient China. It was reserved for the most heinous crimes, such as matricide, patricide, treason, and the like. From all the tiny slices, the accused finally bled to death. It was a cruel and unusual punishment, rather like flogging the back of a law breaker until the flesh was raw, but this punishment was intended to cause death because the executioner kept at it until he succeeded.
Most of us are blissfully unaware of the loss of a few trees here and there in our neighborhoods. Sometimes we even want to cut down the trees on our own property because we’re tired of raking leaves every fall, or if we have a magnolia tree, we’re tired of our year round duty of leap reaping. Of course, if you want a high strung, classy tree to show off in your front yard, you also need to sign onto the high maintenance these trees require. “Those that wears the fancy pants has to take care of those fancy pants,” my mother always reminded me.
Yard work is a type of infrastructure most of us can understand. With Thanksgiving just around the corner, those of us hosting the feast are also getting the house and yard ready for family and friends to visit. Infrastructure has been in the news lately also, with politicians debating whether soft or hard infrastructure deserves the most funding.
In Hot Springs, we have “Green Infrastructure,” which includes all the natural assets that make the city livable and healthy: trees, parks, streams, springs, lakes and other open spaces. These assets are ‘infrastructure’ because they support peoples’ existence. For example, tree canopy keeps the city cooler while also absorbing air pollutants and mitigating flooding. The Hot Springs National Park forest area is also an important resource for a variety of reasons. The mountain area is in the recharge zone for the hot springs and the forest provides other important ecosystem services.
Hot Springs is Very Green
In urban areas, we can evaluate the landscape on a smaller scale, so even small patches of green space become important, since together they can make a greater large cumulative impact. Smaller urban spaces, such as linear stream valleys, or even pocket parks, can add up to a connected green landscape. When evaluating the ecological health of an urban area, urban tree canopy is a key green asset. For instance, Hot Springs has 57% tree canopy coverage and an additional 12% green space coverage. This adds to our quality of life, for this isn’t only pleasing to the eye, but the trees and grass convert carbon dioxide to oxygen, thus improving the air we breathe.
Cities are beginning to recognize the importance of their urban trees because they provide tremendous dividends. For example, city trees are a strategic way to reduce excess stormwater runoff and flooding. Even one tree can play an important role in stormwater management. For example, estimates for the amount of water a typical street tree can intercept in its crown range from 760 gallons to 4000 gallons per tree per year, depending on the species and age. Taken city-wide, the trees within the city provide an annual stormwater interception of 1.2 to 1.5 million gallons which equates to 7 to 9 million dollars in benefits. The loss of one tree is worth so much money, replanting our tree cover is an investment in our future wellbeing.
I often heard an old proverbial poem growing up, which may not be repeated much today:
For want of a nail the shoe was lost. For want of a shoe the horse was lost. For want of a horse the rider was lost. For want of a rider the battle was lost. For want of a battle the kingdom was lost. And all for the want of a horseshoe nail.
My nanny would remind me of the same principle in other words, “A stitch in time saves nine.” My daddy was from the school of “If it ain’t broke, don’t fix it.” While those two schools of thought still persist today, I think making a small, inexpensive repair, rather than a costly replacement, is a better choice, but too many of us live in a throwaway society.
Wisterias among the Trees
When we lose one small thing, we brush it off as no matter, but after a thousand small losses, we just can’t take it any longer. We look around and wonder what happened to our world, why didn’t we take action sooner, and now we might be in a hole so deep we can’t see the top. When I first painted the trees on this vacant lot, the little coffee kiosk had closed shop and moved on. It was springtime and the violet wisteria vines were bright against a sunlit cerulean sky.
As I was taking a few photos with my iPhone last spring, the local policeman pulled into the circular drive to check on me. We chatted a bit, but he wanted to make sure I was OK. I’m at that age when silver alerts go out for others, but I’m not there yet. I guess “old gal taking photographs of trees” still looks suspicious in my small town. I’m thankful my town is this quiet.
When I told the officer, “These trees called to me,” he might have had second thoughts about my state of mind. Then he realized he was talking to an artist. I was rescued when his radio called him off to take care of some real trouble. I find I do my best work when I feel called to a subject, for I have a spiritual connection with it.
That was this past April, and here at year’s end, this lot is up for auction, with a commercial use zoning. It has easy access to the bypass and would be good for a food place or a fuel stop. Things change and we can’t hold back progress. I know people who buy a vacation home to visit while they still work, but as soon as they retire to this same place, they grouse about all the weekenders who come and spoil their solitude. They put up with it a year or so, griping daily, and then sell and move on. Life changed for them and they didn’t adjust to their new normal. I wonder why they never realized Hot Springs was a vacation destination. We think we need an infrastructure just for the 38,500 people who live here year round, but we actually need an infrastructure to support the over two million visitors to whom we offer the hospitality of our hot springs, our hotels, our fine dining, our attractions, and our natural beauty.
When I saw the trees were gone and the lots had been plowed level, I wondered if the trees had a swift death, or if they had brief dreams and fantasies while the saws pierced their outer skins. I thought of the butterflies encased in their cocoons, and the deep sleep of their transformation. Do butterflies dream in this stage, or do they even dream like we do? I wondered if next April I would see wisteria growing near the ground, for as a weed, it’s hard to kill. I always hope, for I’ve learned over time, if I’m a prisoner of hope, this is better than seeing only the loss.
Stage One
After traveling and recovering from an autumn sinus infection, I decided to destroy an old mobile sculpture of a butterfly made from found materials and attach it to a canvas. I took some scraps of cloth from some mask projects, and glued the whole to the canvas. Maybe I crammed more than I should have onto the small surface, but I was going with it. This work might be more catharsis than art, or more process and possibility than success. It doesn’t matter, for sometimes art is more therapeutic than anything else.
The first layer held all the colors and shapes of the original Google map. The second layer began to make sense of the shapes and textures, for I started to pull together the small areas into larger spaces. By the third layer, I’d lost most of the color areas and turned them instead into linear shapes. The primary colors of the background I subdued beneath an overall gold tone. The lines now are like an automatic writing or glyphic writing, which might be the language spoken either by the trees or the butterflies, or by all natural living beings.
Stage Two
When we confront suffering in nature, in our lives, or in the world, we often ask, “Where is God in all of this?” In the days past when I suffered, I held on to the words of the Apostle Paul to the Romans:
“I consider that the sufferings of this present time are not worth comparing with the glory about to be revealed to us. For the creation waits with eager longing for the revealing of the children of God; for the creation was subjected to futility, not of its own will but by the will of the one who subjected it, in hope that the creation itself will be set free from its bondage to decay and will obtain the freedom of the glory of the children of God.” (8:18-21)
Dreams of Trees and Butterflies
Often we suffer because we can’t change our past, or we think we can’t affect our future. At some point in our lives, we come to accept our suffering. We don’t have to continue to suffer, of course, but we need to accept that what happened to us is over. We can forgive ourselves for not leaving a bad relationship earlier, or being too young to know we were being harmed. Some of us may have survivor guilt from our nation’s wars, and suffer moral injuries from acts of war. Only good and decent human beings would feel this guilt, and they can heal with Christ’s forgiveness. We can be changed and then begin to change the world, even if we begin only with our own selves.
After all, the Psalms promise us God is faithful both to us and to the creation also: “When you send forth your spirit, they are created; and you renew the face of the ground.” (104:30)
If we watch the evening news on television, read a newspaper, or check our Twitter feed, bad news seems to fill the whole of it. Sometimes it gets to be too much, and we turn it all off, for we can’t cope with the next straw; it will break our camel’s back and we won’t be able to go on. Or we may already be broken by all the grief and pain, wounded by the wounds we can’t heal or by those wounded ones who wound others, rather than seek healing. I often thought I spent 50% of my pastoral care on 10% of my congregation, the “broken” ones.
After a while, we can feel like Elijah, who was worn out from doing great things for the LORD, and felt “I alone am left.” God comes to remind him he’s not alone. John Donne was very ill when he wrote this famous meditation. The artists all are from the margins, or made their art during a time of suffering. Yet, what beauty they found in this time. Artists often find their way back into the unity of all things by joining in the creating spirit of God.
Sam Doyle: Untitled (Rambling Rose), paint on metal, Smithsonian Institute.
Sam Doyle, who was on born and died St. Helena Island, SC (1906-1985), was a self taught Gullah artist, who painted the local stories of his community on anything he could find. He covered the walls of his home, as well as scraps of metal and wood with iconic figures of his people. You can read about this richly talented primitive artist at https://www.soulsgrowndeep.org/artist/sam-doyle
Hilda Wilkinson Brown: Third and Rhode Island, Washington DC, oil on canvas, 1930-40, Smithsonian Institute
Hilda Wilkinson Brown was born in Washington, DC 1894 and died there in 1981. She was an African American artist and art educator who brought her love of education and creativity to everything she did. Her work was mostly “under the radar,” except for in her own community. Yet she persisted. As a teacher, she’s best remembered for introducing individual creativity as a goal, rather than having students mimic the teacher’s model. Unfortunately, art education classes are still teaching mimicry.
Myrna Báez: Platanal, acrylic on canvas, 1974, Smithsonian Institute.
Myrna Báez of Puerto Rico (1931-2018), painted this lush field of plantain trees, a crop long wedded to concepts of Puerto Rican identity and sovereignty. She depicted the crop’s large leaves as they reflect the tropical sun and delighted in her manipulation of paint on unprimed canvas. Báez’s belief in Puerto Rican independence manifests in her impulse to look, depict, and therefore possess the island’s landscape on her own terms. Puerto Rico is currently an unincorporated territory of the United, in which the people are American citizens, but have no vote, unless they move to the mainland.
Georgia O’Keeffe: Hibiscus with Plumeria, oil on canvas, 1939, Smithsonian Institute
Georgia O’Keeffe, who was born in Sun Prairie, WI in 1887 and died in Santa Fe, NM in 1986, painted this exquisite “Hibiscus with Plumeria,” (oil on canvas, 1939, Smithsonian Institute). Intrigued by the opportunity to paint tropical flora, O’Keeffe accepted an offer from the Dole Pineapple Company for an all-expenses paid trip to the state of Hawaii to create a painting for the company’s 1939 advertising campaign. It was a perfect escape from the stress of her husband, Alfred Stieglitz’s ongoing affair with Dorothy Norman, the beautiful young wife of an heir to the Sears, Roebuck & Co fortune.
She visited Maui, O’ahu, Hawai’i, and Kaua’i, painting the islands’ dramatic gorges, waterfalls, and tropical flowers, among them Hibiscus with Plumeria. Pink and yellow petals towering against a clear blue sky transform the delicate blossoms into a joyous monumentality. But of the twenty canvases of Hawaii she completed, none showed a pineapple. Only after Dole had one flown to New York did she finally, if reluctantly, paint the desired fruit.
George Bellows: Vine Clad Shore–Monhegan Island, oil on canvas, 1913, Smithsonian Institute
George Bellows was born in Columbus, OH in 1882 and died when his appendix ruptured at the age of 42 in New York City in 1925. He’s best known for his “outsider” subject matter: tenement life, New York street scenes, and boxing subjects. While Bellows was famous for his fight scenes, he recovered his soul in the landscape, such as this Vine Clad Shore on Monhegan Island, Maine.
Frank Wilbert Stokes: The Eighth of March–Island Ice, Greenland, 1894, Peary and Party near 6 p.m., oil on canvas, 1893, Smithsonian Institute.
Frank Wilbert Stokes (born Nashville, TN 1858-died New York City 1955) was the artist member of Robert Edwin Peary’s Greenland Expeditions. He did small works such as this one on site as a record of the journey. Stokes spent eight weeks in the Arctic, the first painter to work on the ice fields, where he had to learn a method as he went, mixing kerosene into his pigments to stop them freezing and sketching outdoors through indistinguishable Arctic days and nights. Based in his studio at Bowdoin Bay, Stokes would spend fourteen months in all working in this extraordinary Arctic environment:
The outside winter temperature was frequently forty degrees below zero Fahrenheit. The lowest temperature experienced was frequently sixty-five degrees below zero. In order to prevent his colours from freezing, [Stokes] mixed them with petrol and poppy oil and kept his colour box in a deerskin bag. Lieutenant Peary’s general orders forbade any member of the party to go more than a quarter of a mile from the main camp. This restriction was relaxed in the case of Mr. Stokes, who frequently went four or five miles in moonlight or starlight, during the polar night, to study effects which he had declared to be indescribable in words, but which are shown by his pictures.
Thomas James Delbridge: Lower Manhattan, oil on canvas, 1934, Smithsonian Institute
Thomas James Delbridge (born Atlanta, GA 1894-died Long Island, NY 1968) painted this view of Lower Manhattan, an oil on canvas, in 1934, which is now in the Smithsonian Institute. It was part of the Federal Work Projects Administration, which gave support to “starving artists” during the Great Depression. Lower Manhattan’s glorious skyscrapers inspired all New Yorkers, including the city’s artists, through the worst hardships of the Great Depression.
Looking from the dock of a harbor island, Thomas Delbridge showed the dark mouths of Manhattan’s ferry terminals; above them ever taller buildings climb out of red shadows into gold and white sunshine. The crisply outlined forms evoke such famous structures as the Woolworth Building to the left and the Singer Building to the right without placing the buildings precisely or describing specific details. The skyscraper at the center suggests the mighty Empire State Building as it had stood incomplete before its triumphant opening on May 1, 1931. Even as the stock market foundered and thousands were thrown out of work, New Yorkers had gathered in excited throngs to watch their tallest tower rise. The Manhattan skyscrapers in the painting appear to be pushing back dark clouds, creating an oasis of brilliant blue around the island. (1934: A New Deal for Artists exhibition label)
DeLee: How Many Times Must Paradise Burn?
Does art come only from the mind, or does it come from the greater depths of our souls and our hearts or guts? If we reduce art to only its analytical forms and colors, we may rob ourselves of the deeper experiences of the art itself. Likewise, if we put on our false face of “I’m fine,” but in fact we’re falling apart inside, pretty soon our facade will crack open too. Then folks will say, “What happened there?” And perhaps we’ll be too ashamed by then to speak of it, for we lied about our truth too long.
My recent canvas is another cognitive map, for it deals with the changing landscape and our changing climate. It uses paper scraps, lace trims, the button row of an old outfit, and old blue jean seams all glued on the canvas in the proximate place of the main roads of the Dixie Fire out in California. I painted flame colors over the surface, but left some greens for where the fire hadn’t yet spread. Then I took out my handy Bic torch lighter to sear some of the cloth additions. Even acrylic paints, if overheated, will combust, as I soon discovered, for I burned two holes in the painting. They look like the black holes of outer space or the dark night of the soul in our spiritual lives.
When I think of all the needless deaths from the coronavirus since we’ve have the introduction of our current safe and effective vaccines, I feel very sad for every life lost. Even with nearly 4.4 million deaths worldwide and almost 639,000 deaths in the USA alone, I’m not so inured to the loss of my brothers and sisters that I can just shrug it off. I know very few of those Covid has taken from us, but the world is a lesser place without those millions.
And so I leave you with this famous meditation. Donne didn’t know if he was on his deathbed or not when he wrote it. I’m pretty sure I won’t leave behind such immortal words when I think my end is near.
No man is an island, entire of itself; every man is a piece of the continent, a part of the main. If a clod be washed away by the sea, Europe is the less, as well as if a promontory were. as well as if a manor of thy friend’s or of thine own were. Any man’s death diminishes me, because I am involved in mankind; and therefore never send to know for whom the bell tolls; it tolls for thee.
~~ John Donne, “Meditation 17,” (1623, transcribed into modern English)
“It was fitting that God, for whom and through whom all things exist, in bringing many children to glory, should make the pioneer of their salvation perfect through sufferings. For the one who sanctifies and those who are sanctified all have one Father. For this reason Jesus is not ashamed to call them brothers and sisters.” —Hebrews 2:10-11 NRSV
After the initial burst of summer excitement, my community is not only sweltering in a heat wave, but we’re also smack dab in the midst of the third wave of this Covid-19 pandemic. We might be more than halfway through 2021, but at the rate my home state of Arkansas is pursuing vaccinations, it’ll be years before we reach the holy grail of herd immunity, estimated to be at 80% immunity. Only 37% of our people are fully immunized, with Alabama and Mississippi pulling up the rear nationally with 35% and the states of Louisiana and Wyoming tied with us at 37%.
@rdaily—Arkansas hospital bed availability. Getting nearly impossible to find an ICU bed again. Many really sick patients being held in ER beds all over the state.
Like the old gal who’s always worn a certain size shoe or dress, my state now tries to fit an increasing number of Covid patients into a fixed set of ICU beds in our state. My days of a size seven shoe or skirt are a dim memory, as are the days of empty medical facilities.
“We have nowhere to send COVID-19 patients within the State of Arkansas. There is limited bed capacity at trauma centers increasing pressure on the time-sensitive healthcare system,” said Jeff Tabor, program director for the COVIDComm system, which helps match covid-19 patients with hospitals.
Tabor said the one COVID ICU bed which is available is located in southern Arkansas. There are five hospitals, also in southern Arkansas, showing limited COVID bed space. Tabor said some COVID-19 patients are so critical at rural Arkansas hospitals that they cannot be transferred to other hospitals because the patient is too critical and because of bed space.
Recently our state legislature adjourned a special session without amending their misguided law mandating no masks ever in public schools or government agencies. Act 1002, by Sen. Trent Garner, R-El Dorado, prohibits state and local governments, including public schools, from requiring people to wear masks. Act 1002 became effective on July 28.
The state’s largest school district, joined by a small district already suffering from Covid quarantine attendance problems in its early opening days, filed suit in court to stop this law from going into effect. The judge issued a temporary restraining order. The reasons for this aren’t political, but are found in the Arkansas constitution.
LRSD and MSD are likely to succeed on the merits. Act 1002 violates the Education Article of the Arkansas Constitution, Article 14, § 1, which requires that “the State shall ever maintain a general, suitable and efficient system of free public schools and shall adopt all suitable means to secure to the people the advantages and opportunities of education.” A suitable and efficient system of public education would not require students to risk their health and their lives to get the education promised to them in the Arkansas Constitution, especially when the State is required to “adopt all suitable means” to provide them “the advantages and opportunities of education”.
An affidavit provided by Dr. Glen Fenter, the superintendent of the Marion School District, said that incentives, including gift certificates, groceries, and even big-screen televisions, didn’t entice many local citizens to take the vaccine. Only one out of every three students in the district has acceptable home internet service, making remote learning difficult; even then, “very few” students who did “participate in the virtual education option last year achieved an acceptable level of academic progress,” the affidavit said.
The Marion superintendent said that his district was forced to “quarantine over 500 students and employees” based on CDC and state health department guidance after the second week of school. The school year in Marion began July 27, 2021. This rural system has only 3,325 students enrolled for the 2021-22 school year. Their math proficiency score averages 22% and reading averages 31%, compared to the statewide averages of 47% and 45%.
The broader lawsuit argues that the Act violates an education clause of the state constitution, the equal protection clause of the state constitution, and that certain federal laws preempt the state from enforcing the Act. It also argues that the Act violates separation of powers principles, conflicts with a subsequent state law, and violates the premise of Jacobson v. Commonwealth of Mass., the 1905 U.S. Supreme court case during the smallpox scourge, which allowed mandatory vaccination policies — and penalties for those who refused to comply — to stand.
On another front, the mayor of Little Rock, Frank Scott, Jr., said the capitol city’s covid-19 task force had recommended to him that “masks be worn again in public spaces for which the city is responsible.” He strongly exhorted businesses to follow suit. Scott made note of the many children who visit city parks and community centers and who will be returning to school later this month, adding that “right now, they don’t have the ability to mask up.”
“The Lotus Eaters” by James Dromgole Linton
In the middle of all this stress, I ponder these questions: “What inspires a work of art? In our search for beauty in this world, do we have to forget our pain and become as the lotus eaters of the ancient myths?”
Edward Marle: The Lotus Eaters, 1970, Glasgow Museum
Worn out from the years of the Trojan war fought in a foreign land and tired from an unending journey full of trials and tribulations on the way home, Odysseus found his men succumbing to the hypnotic lure of the magic flower. When eaten, it caused people to forget both their troubles and also their future plans. In the words of the hippies of yore, they were content to “get high and get by.”
Alfred Lord Tennyson’s poem, The Lotus Eaters, inspired Robert S. Duncanson, an African American landscape painter, prior to the Civil War:
Hateful is the dark-blue sky,
Vaulted o’er the dark-blue sea.
Death is the end of life; ah, why
Should life all labour be?
Let us alone. Time driveth onward fast,
And in a little while our lips are dumb.
Let us alone. What is it that will last?
All things are taken from us, and become
Portions and parcels of the dreadful past.
Let us alone. What pleasure can we have
To war with evil? Is there any peace
In ever climbing up the climbing wave?
All things have rest, and ripen toward the grave
In silence; ripen, fall and cease:
Give us long rest or death, dark death, or dreamful ease.
Robert S. Duncanson, Land of The Lotus Eaters, 1861
Odysseus had to bodily carry his men back to the ship and tie them to their seats to keep them rowing on a straight course for home. Today we’re treated to videos of airline passengers taped to their seats because of their unruly behaviors. Rage flying has taken the place of rage driving. Neither the roads, the post offices, nor the skies are friendly anymore. “Going postal” has almost lost its meaning when no workplace is safe these days.
In the midst of the record deaths of despair, come now the increasing deaths of our most precious inheritance—our children. The number of children contracting Covid-19 has increased fivefold since the end of June, with a “substantial” 84% jump in the last week alone, according to a new report from the American Academy of Pediatrics. This number comes as numerous states report upticks in child hospitalizations amid the ongoing delta surge. In Arkansas, we’ve had three children die from Covid.
Picasso: The Weeping Woman, 1937 (Portrait of Dora Maar)
Some would say this is an “acceptable loss or trade off to allow others to have freedom.” I find this line of reasoning heartless at best and cruel in reality. I wonder what these folks would say if their child had lost their life instead. It seems not too long ago some of these same persons were advocating for the elderly to accept a shortened lifespan, since their productive lifetimes were expended. They seem to value people only for their economic ability, rather than for their humanness or for their lived experience. Allowing the “weak” to die in this part of the pandemic also devalues those who aren’t yet ready to produce economic gain for the big machine. (Yet, they fail to recognize the loss of future gain of these young “production units.”)
I would rage blog at the inhumanity of our legislators, who couldn’t find an giant acorn in the midst of an empty football field, even if they had the scales removed from their eyes, but then there’s always the hope they might learn the lesson of Job, for whom suffering brought new understanding of God. Then they’d call themselves back into session and amend their own misbegotten law so it’s flexible enough to meet our current, extreme circumstances. Who knows, they might even rescind this unconscionable law, for persons who truly have the capacity to lead with courage also have the ability to change their minds. Some say it’ll never happen, but I’ve always been afflicted with incurable optimism.
Google Map of National Park Medical Centet
In the meantime, I paint and pray. Even this dire event can inspire a work of art. One of our local hospitals has already canceled elective surgeries in order to concentrate on Covid care. The other hospital has very limited intensive care unit availability. Right now, no one in our tourist town needs to get sick and we certainly don’t need a mass casualty incident. Of course, I could live in a rural county and my nearest medical facility with a trauma unit could be hours away. I remember my early years of ministry when I reminded people, “If I’m ever unconscious, please just have them stabilize me and send me off to the big hospital in Little Rock or Memphis.”
Photo Sketch on Google Map
Today I blog about another painting based on a Google map of my adopted city, so it’s another “cognitive map.” I used scraps of an old preaching stole. I made the stole from odd pieces of fabric, plus an old pair of overalls, and a garden glove. I deconstructed the stole, since I’m no longer preaching in my retirement years, and added a few worn out face masks, in which I sewed small pleats. I took some of my grandmother’s old crochet and rickrack trim to mark some of the roads, but let the three dimensional shapes mark the other directional lines. My mother made Belgian lace collars for my young daughter’s dresses, so I’d used these for masks.
Layout on Raw Canvas of Primary Fabric Elements
I too wore these masks until I was tired of them. I was hopeful when those who know more than I do believed the virus had subsided and we were safe to shed our face coverings. One day in early July at Kroger I had an hour long conversation with a young man who was also glad to be shed of the mask, just to see people’s smiles. We talked for a while and I learned he was just a few weeks past a suicide attempt. This pandemic has been hard on him. We talked some more, for I’ve been in the dark place before too.
Cognitive Map: Search for Healing
I don’t need a preaching stole anymore, for preaching isn’t what I do best in this season of my life. God sets people in my path who need an encouraging or healing word. The world, in its beauty or its sadness, inspires me to paint a new vision of the world as it could be, for I don’t think I’ve ever painted what was ever “real.”
People ask, “Why don’t you make a painting that looks like real life?”
I answer, “We have cameras today for this. In any event, how do we know this ordinary world we see today is what God intended? This could be the fallen world, and not the original world of colors and joy, which God originally created.”
Perhaps we need to rethink our cognitive maps or how we view our world. If we consider all persons to be made in the image of God, then caring for them becomes important also. We can’t separate the Spirit of God from the body in which it resides. We also have to recognize God works through extraordinary events as well as through ordinary events. If we are to reject the inspiration and special providence of God in the matter of scientific discovery, then we’re going to go back to living in caves for a long time.
Posted on Homes to Warm of Highly Transmissible Disease
I remember when my daddy came home from his medical office with a small vial and a special double pronged needle. The windows were open, so it wasn’t yet the heat of summer. He stood next to the light, as he always did in his office when he worked, and gave us children the smallpox vaccine.
“Let’s put a little light on the subject, shall we?” I laughed as I proffered my left arm. He washed it with a cotton swab and alcohol, in his usual calm way. I went first because I was the oldest. Also, I was a role model for my brothers, but I was used to this because of my birth order. I knew to trust my daddy and to show my brothers the way forward. A few tiny pin pricks later, a bandaid, and I was good to go. My brothers followed suit, and we were all told, “Hands off.” We were restricted from playing with our friends because of our parents’ fear we’d end up with a limp or in an iron lung. Polio was eradicated in the USA in 1979, but it still occurs in war torn and poverty areas worldwide.
Finally, while some will write off as heartless idiots the ones using the tired canard of freedom of choice (the ones who fail to protect our vulnerable children), I remind them we require measles, mumps and rubella vaccines to enter schools because medical professionals deem it important for the children’s health and welfare. Of course this same group throws back to us the name “liberal whackdoodles” in return. Maybe we’d all be better off if we thought less of our own egos and territory, and cared more about the welfare of our future generations.
We could then fulfill the promise of God in Isaiah 57:19—
“Peace, peace, to the far and the near, says the LORD;
and I will heal them.”
God is full of grace and love, given to offering gifts of healing to those who are both close to us—our neighbors—and those who are far from us—the strangers. If only we humans could love one another as God loves us all.
Changing the way we see our world, one map at a time, brings
Stop all the clocks, cut off the telephone, Prevent the dog from barking with a juicy bone, Silence the pianos and with muffled drum Bring out the coffin, let the mourners come.
Let aeroplanes circle moaning overhead Scribbling on the sky the message ‘He is Dead’. Put crepe bows round the white necks of the public doves, Let the traffic policemen wear black cotton gloves.
He was my North, my South, my East and West, My working week and my Sunday rest, My noon, my midnight, my talk, my song; I thought that love would last forever: I was wrong.
The stars are not wanted now; put out every one, Pack up the moon and dismantle the sun, Pour away the ocean and sweep up the wood; For nothing now can ever come to any good.
What Percentage of Arkansas is Vaccinated? | Arkansas Vaccine Tracker | USAFacts
Here in this Common Era of 2021, we Americans are now 245 years into this project we call democracy, having declared our independence from the British crown on July 4, 1776. We didn’t effectively become an organized, constitutional nation until June 21, 1788, when nine out of the thirteen existing states ratified the United States Constitution, thus officially establishing the country’s independence and a new form of government. Based on the date of our constitution, which is still in place, the United States is the oldest continuous democracy in the world.
I realize some of y’all rabbits might disagree with my description of the USA as “organized,” but I may have a higher tolerance for disorder than some of you. Then again, I taught art in kindergarten, so that probably explains a lot. When we make a mess in art class, we always clean it up. That’s just part of the lesson plan. Art, as in life, isn’t always neat, but the end product is worthwhile. In art we learn from our failures as often as from our successes. This takes courage and resilience, two life skills any rabbit can use in this fast changing world.
Antique German Rabbit Candy Container with Uncle Sam Rider, c. 1910
The preamble of the Declaration boldly states:
“We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable rights, that among these are Life, Liberty and the Pursuit of happiness.”
In our modern era, this is the section of the Declaration of Independence which we rabbits so dearly cherish, for it suits our individualism to a T. The next statement which follows complicates life, as King George discovered in 1776:
“That to secure these rights, Governments are instituted among Men, deriving their just powers from the consent of the governed, —That whenever any Form of Government becomes destructive of these ends, it is the Right of the People to alter or to abolish it, and to institute new Government, laying its foundation on such principles and organizing its powers in such form, as to them shall seem most likely to effect their Safety and Happiness.”
Way back in the 18th century, the practice of slavery still allowed others to profit off the the lives of human beings as if they were livestock, women couldn’t vote or own property, and states often excluded from the voting rolls certain classes of men for religious reasons or lack of property. The American Revolution changed the landscape of voting rights to some degree. Once the constitution was enacted on September 17, 1787, it created a new, federal layer of government, in which there was absolute freedom of religion—and no religious test that might prevent a Jew from serving in Congress or even as president—without removing the religious tests that existed in many individual states.
Rabbit Power of the Vote recognized by Uncle Sam
The Freedom to Vote came by Stages
Most of the states wrote new state constitutions in the 1770s, and some softened or removed their existing religious tests, but some did not. The real work of abolishing religious tests for suffrage was done at the state level, largely in the half-century after the American Revolution. Not until 1870, when Congress passed the the 15th and last of the three of the so-called Reconstruction Amendments, which stated that voting rights could not be “denied or abridged by the United States or by any state on account of race, color, or previous condition of servitude,” did African Americans get the right to vote, if their local communities did not make it impossible due to Jim Crow laws.
John Lewis: Civil Rights Icon
Doctrine of Original Meaning
Today, voting rights are under attack once again, not against religious minorities, but against racial and economic minorities. It makes this old rabbit wonder why the “doctrine of original meaning” by the founders has any worth when our 21st century world of today is so drastically different from the 18th century times of yore. Also, if “original meaning” is seen only through the eyes of our white founders, how can we be a nation for all people “created equal(ly)… endowed by their Creator with certain unalienable rights, that among these are Life, Liberty and the Pursuit of happiness?”
Scholars agree the original framers actually were more intent on the Declaration’s first paragraph, for only the Declaration of Independence officially proclaims the new American nation’s assumption of a “separate and equal station “among the “powers of the earth:”
“The unanimous Declaration of the thirteen united States of America, When in the Course of human events, it becomes necessary for one people to dissolve the political bands which have connected them with another, and to assume among the powers of the earth, the separate and equal station to which the Laws of Nature and of Nature’s God entitle them, a decent respect to the opinions of mankind requires that they should declare the causes which impel them to the separation.”
Medieval Manuscript: Rabbits Rebelling Against Humanity
As we rabbits know, if we plan to start a tussle, good manners suggest we tell why we’re fixing to throw the first punch. If there’s no honor among thieves, at least we rebellious rabbits have the good form to stand up in the pure light of day and list our grievances before we overthrow a bad king. Only the uncouth sucker punch the unwitting. The reason this American Democratic experiment has persisted for nearly two and a half centuries is the vast majority of us have freely chosen to change our leaders through the ballot box, rather than revolution.
Only the past unpleasantness of the Civil War in the 1860’s has marked this unbroken transfer of power by the vote, until the assault on the US Capitol and the Houses of Congress on January 6, 2021, by a motley crew of domestic terrorists, QAnon supporters, and admirers of the former President. Because they violently assaulted the police guarding the building and public servants inside, and interfered with the duties of duly elected government officials attempting to exercise their public duty to certify the electoral college vote, the Department of Justice has charged them and they’ll have their day in court. You can read all their names and cases at the link below. Maybe you’ll find a friend or neighbor there. As Mother rabbit always warned Peter Rabbit, “Don’t go into the garden; Farmer McGregor will get you!”
Farmer McGregor Chases Peter Rabbit
What exactly did the signers of the Declaration of Independence mean when when they wrote “all men are free and equal?” Abraham Lincoln said, “The men who signed the Declaration did not mean to say that men were “equal in all respects. They did not mean to say,” he said, that “all were equal in color, size, intellect, moral developments, or social capacity. They defined with tolerable distinctness, in what respects they did consider all men created equal.”‘ Men were equal in having “‘certain inalienable rights, among which are life, liberty and the pursuit of happiness.’ This they said, and this [they] meant.”
Lincoln Monument, Washington D. C.
This quote comes from Lincoln’s 1857 argument on the Dred Scott case before the Supreme Court, which decided against him, with Head Justice Roger Taney, who became best known for writing the final majority opinion in Dred Scott v. Sandford, which said “all people of African descent, free or enslaved, were not United States citizens” and therefore “had no right to sue in federal court.” In addition he wrote, “the Fifth Amendment protected slave owner rights because enslaved workers were their legal property.” Taney’s reputation was vilified for this decision during his lifetime, for it contributed to the growing divisions between the north and the south. The U. S. House of Representatives voted in 2021, to remove Taney’s statue and replace it with a statue in honor of the first African American Supreme Court justice, Thurgood Marshall.
Dred Scott Newspaper Announcement
The big holiday in July is Independence Day. While we rabbits lounge about the waterside or in our backyards, eating our favored picnic and cookout foods at the nation’s birthday party, not many of us will be thinking on a biblical text. Instead, we’ll be eyeing our paper plates and hoping they’re substantial enough to make it to the table before they collapse from the excess helpings of foods we’ve piled on them. A special bunny secret: you can go back for seconds, and laugh at everyone when you say, “I just want to make sure all you little piggies get your fill—oink, oink!” Don’t let them bother you, since you made sure everyone who came late would have something to eat by not taking it all at once.
In 2 Corinthians 3:17-18, Paul writes: Now the Lord is the Spirit, and where the Spirit of the Lord is, there is freedom. And all of us, with unveiled faces, seeing the glory of the Lord as though reflected in a mirror, are being transformed into the same image from one degree of glory to another; for this comes from the Lord, the Spirit.
In Essentials, Unity; In Non-Essentials, Liberty; In All Things, Love
Have you ever wondered why some groups are so strictly homogeneous, while others are a kaleidoscope of differences? Some rabbits feel safer when everyone is more like them and differences are kept to a minimum. Other rabbits seem to thrive in the creative intermixing of unusual and unique personalities. I know when I entered the ministry, my parents’ friends were amazed I went into the faith I’d been birthed into, rather than some new age, air fluff religion. Oddly enough, I related more to the historic beliefs of Wesleyan Methodism better than my contemporary generation. In that sense, I had faith in a “different religion” than my friends. Yet we all saw ourselves as “being transformed into the same image from one degree of glory to another; for this comes from the Lord, the Spirit.”
This marked a freedom of thought, but it required an understanding we were all on the same journey and were progressing toward the same end. I admit I have the type of mind that wants the idea to lead to the behavior and then the consequences. In art class I called it Attitude, Behavior, and Consequences. If the first attitude was positive, the rest followed suit, but if a student had a bad attitude, they weren’t going to work, and then they had the negative outcomes of poor efforts, sad projects, and little improvement. While in life we’re saved by faith, in art we’re saved by works, for work will bring rewards.
It’s as Easy as ABC
One way for all good rabbits to be free is to have no regrets, or worries about what might have been. As my mother often said, “That’s water under the bridge.” The River of life has moved on and the choices we’ve made have gone downstream also. She believed in living in the now. The third Saturday in July recognizes Toss Away the “Could Haves” and “Should Haves” Day. In short, don’t go through life with regrets.
Created by author and motivational speaker Martha J. Ross-Rodgers, this day is intended for us rabbits to let go of our past and live for the present. The first step to participating in this day is to find a pen and paper. Then write down our “could haves” and “should haves” on the paper.
Finally, throw away the list and make the following resolution: “From this day forward, I choose not to live in the past. The past is history that I can not change. I can do something about the present; therefore, I choose to live in the present.”
As I’m going through boxes in my storage unit, I’m coming across souvenirs from my high school and college years. Some of us are sentimentally attached to the memories imbued within these objects, but they’re merely memories, not the actual people. My parents and grandparents saved things, for they experienced hard times. I make new art every week, so if a painting doesn’t hold up to my critique after six months, it goes into a pile to get destroyed and remade.
DeLee: The Springtimes of My Life: Memories of Yesterday and Today
Now, take care of yourself and your health by living for now. Do your best and make the best of each and every day! Strike a power pose and smile when you do this. You’d be surprised how much energy flows through your body, I kid you not.
A final word for all rabbits who want to live in truth and freedom: we have only one God given life, so let’s live with joy and peace. We aren’t promised tomorrow, but only today. Now is the time to care for the broken, to right the wrongs of the world, and to make a difference, no matter how small.
Charles Derber, in Welcome to the Revolution: Universalizing Resistance for Social Justice and Democracy in Perilous Time, says: “Resistance can be symbolic, but at its core it must also be empowering and even shocking, in the sense of awakening the people to the evils of the system and the terrifying end-result if we allow business as usual to continue. Resistance is rage at injustice and at the insanity of institutions that kill and exploit for money and power. Melding that rage with love is the art of activism.”
Now that I walk more slowly in this world, this old rabbit has found I notice people whom everyone else hurries past, even if these folks are standing in the middle of a store entryway and are obviously lost. I stopped today at Sam’s to ask if this older woman needed help. Right away I realized she had trouble processing words, so she might have memory problems. I asked where her people were, but she didn’t know. We went over to customer service, since I knew they could use the announcement system to call for them to come get her. At least she knew her name. I was sad they had hurried off without her, especially in her condition, but I prayed with her before I left. The service staff got her a chair and made sure she was safely seated.
Lady Liberty
I hope as the holiday approaches, you don’t find yourselves so busy getting your celebration together that you overlook the ones in need who are right in front of you. Once we cared for one another in communities, but now we look after only ourselves. We wouldn’t have become a nation 245 years ago if every man had tried to take on the king’s men alone.
Be the spark that starts the fire of love and joy,
Maier quotes The Dred Scott Decision: Speech at Springfield, Illinois (June 26, 1857), in ABRAHAM Lincoln: His SPEECHES AND writings 352,360 (Roy P. Basler ed., 1946). 68. Id. at360-61.
The word labyrinth comes from the Greek labyrinthos and describes any maze-like structure with a single path through it. It’s different from an actual maze, which may have multiple paths intricately linked. Etymologically the word is linked to the Minoan labrys or ‘double axe’, which is the symbol of the Minoan mother goddess of Crete. The actual word is Lydian in origin and most likely came to Crete from Anatolia (Asia Minor) through trade. Labyrinths and labyrinthine symbols have been dated to the Neolithic Age in regions as diverse as modern-day Turkey, Ireland, Greece, and India among others.
Labyrinths or mazes may have served to help the ones who walked them to find their spiritual path by purposefully removing them from their common understanding of linear time and direction between two points. As one traveled through the labyrinth, one would become increasingly lost in reference to the world outside and, in doing so, might unexpectedly discover one’s true path in life.
On New Year’s Day, I was reading my Twitter feed and came across this image of a seaside labyrinth. The comment was, “My #oneword for 2021 is downwind. After walking the labyrinth today with turns both against & with strong wind, I realized how limitless 2021 can be with the help of those who push me forward and not the wind pushing against me. This year, I’ll ride the momentum downwind.”
Twitter photo—My #oneword for 2021 is downwind
The theme of the labyrinth leading to one’s destiny is intricately linked to the Greek myth of Theseus and the Minotaur. The Minotaur lived at the heart of the labyrinth on the island of Crete, whose king required the people of Athens to send a tribute of fourteen youths annually. Once they entered the Minotaur ‘s labyrinth, they never returned. Theseus defeats the beast and saves his people, but loses his father to suicide because he fails to remember to change the color of his sails on his return trip as a sign of his victory. There’s even more dysfunctional family relationships, but that’s a story for another day. Suffice it to say, the ancient gods were wont to interfere with the lives of arrogant humans who failed to defer to the gods and instead acted as if they were masters of their own destiny.
Theseus and the Minotaur: Attributed to the Tleson Painter, ca 550 B.C., Attic Black Figure Kylix, Toledo Museum of Art, Toledo
Greek tragedy deals with the sweeping themes of love, loss, pride, the abuse of power and the fraught relationships between humanity and the gods. Typically the main protagonist of a tragedy committed some terrible crime without realizing how foolish and arrogant she or he had been. After slowly realizing the error, the world crumbles around the hero. The tragic hero must be essentially admirable and good. The fall of a scoundrel or villain evokes applause rather than pity. Audiences cheer when the bad guy goes down. We feel compassion for someone we admire when that character is in a difficult situation. The nobler and more admirable the person is, the greater our anxiety or grief at his or her downfall.
This idea survives to this day in the proverb, “The bigger they come, the harder they fall.” In the 5th C BCE, in the founding work of history known as the Histories of Herodotus, we find the statement: “It is the gods’ custom to bring low all things of surpassing greatness.” An earlier expression, “Pride goes before destruction, and a haughty spirit before a fall,” is found in the Proverbs (16:18). These date from 700 BCE to the fourth century BCE (1:1-9:18).
In a true tragedy, the hero’s demise must come as a result of some personal error or decision. The tragic or fatal error, or fatal flaw of the protagonist that eventually leads to the final catastrophe is known as hamartia, or missing the mark. It’s a metaphor from archery, and literally refers to a shot that misses the bullseye. There’s no such thing as an innocent victim in a tragedy, nor can a genuinely tragic downfall ever be purely a matter of blind accident or bad luck. The tragic hero must always bear at least some responsibility for his or her own doom. In Greek tragedy, the gods may interfere, but they don’t determine our destiny. Likewise, human events and actors may put detours across our path, but though the gods may intervene on our behalf, we can still snatch defeat from the jaws of victory in a true Greek tragedy.
Theseus killing the Minotaur of the Cretan labyrinth. Ariadne, possibly, looks on from the right. Attic black figure vase, Late 6th, early 5th century BCE. (Archaeological Museum, Milan).
The labyrinth is a symbol for change, for it’s the place of transformation. In the myth, Theseus must enter a maze no one knows how to navigate, slay a flesh eating monster, and return to the world above. Theseus accomplishes this, but still retains his youthful flaws until he is changed by his father’s death and he’s forced to grow up and assume adult responsibility. His experience in the labyrinth offered him an opportunity to change and grow but, like many people, Theseus resisted until change was forced upon him.
The medieval labyrinth is a unicursal labyrinth, with a single, circuitous but clearly delineated path. It’s an image encompassing both shared and individual experience, for we don’t walk the path alone, but we share it with fellow travelers. The unicursal labyrinth is distinguished from a multicursal labyrinth (or maze) by having only a single (though winding) path to its center. While a maze may have little or no symmetry and may not even have a center, a medieval labyrinth usually has both. The great medieval labyrinth on the floor of France’s Chartres Cathedral is one of the most famous unicursal labyrinths.
Chartres Cathedral Labyrinth from Above
Carl Jung, the famous Swiss psychologist, saw the similarity between medieval, Christ-centered mandalas in manuscripts and rose windows, the mandalas of his patients, and the mandalas he created. Jung believed his own mandalas “helped him maintain his psychic equilibrium” and believed “everything points toward the center,”so that he found “stability” and “inner peace” even during the war era.
Jung: Mandela
Medieval labyrinths, and all their variations, including the classical design of which the medieval style is an outgrowth, now appear across the United States in settings ranging from churches and parks to hospitals and museums; they may be painted, tiled, paved, woven into a carpet, constructed of canvas, or cut into a lawn. They’re usually designed to be walked on. Over the last quarter century, the medieval labyrinth has entered public consciousness as a “blueprint for transformation” rather than “an oddity,” as it was at one time. I can remember at least one of my fellow clergy asking if “this wasn’t so kind of new age hooey I was getting into.” Moreover, labyrinths aren’t limited to meditative and ritual use; they also appear in secular and recreational settings and are often noteworthy for their ornamental or artistic value.
Lavender Garden Labyrinth
While each one of us walks the same path, no one has the same experience on the labyrinth. We’re all on the same journey, but we’re traveling on a different part of the path. We entered at a different time, or we came to the labyrinthine journey at a different period of our spiritual journey. Some of us will move slowly, while others will hustle along the way. If we came with troubles and worries, we may have been looking for THE ANSWER. The labyrinth isn’t a one armed bandit. We don’t put our money in, pull the handle, and get a payout. The walking is instead an opportunity for reflection, a time to give our selves to the service of God, and set aside our pride.
We enter into the community of faith on the path
I’ve walked on the labyrinth on different occasions and had different experiences, since I’ve been “residing in different inns along my spiritual journey” during the years as I make my rounds about the sun while I live on this planet earth. I’ve been to the holy land twice, and been to Greece and Turkey to walk in the footsteps of Paul to see the churches he planted across the Mediterranean. I spent a summer in Italy during art school, while living in a small town and taking field trips to see the historic sites nearby. I took an interterm during graduate school to visit London and visit all the museums I could devour in that short time, along with some excursions to the seaside. Still, I’ve yet to see Stonehenge, and I’ve not seen Paris.
The question is, do we walk the labyrinth as a tourist going to a destination, expecting to stamp our passports, bring back photos, and buy souvenirs, or do we go expecting to meet Christ along the way? On the tour groups, folks sort themselves fairly soon into subgroups. The ones who want to go quickly to the site, give it a once over, take a few photos, and hit the souvenir shops before they have a coffee or a drink, will find each other and share their daily haul as they relax and wait for the stragglers to roll in. The stragglers come in two groups: the ones who took their time, and the ones who took the wrong turn and got lost. Thankfully, I didn’t get lost as I often do here at home! My notorious ability to take the wrong turn and my poor map reading skills are legend. The virtue of group travel is we leave no one behind.
While each person enters the labyrinth alone, others may also be on the path also. When we meet another, we perform a silent dance of giving way, first one to another, then the other to the one. Two can’t be in the same lane at the same time, but we can “dosie do” to let one another pass on by. This is life in community, where we share the spaces and the journey. When we walk the path of the Labyrinth, we enter a space/time/continuum. This is where up/down, left/right, and forward/backward all exist in one time dimension. Time passes differently inside the Labyrinth, for the twisting path appears to take us first directly toward the center, but just as we approach it, we are forced to follow the path directly away from the center instead. Then we wander around the outer edges of the labyrinth until suddenly, we arrive at the center. If we think we’ll never reach the promised land, we’ll find ourselves suddenly cast upon its shores as a Jonah spewed from the belly of a big fish. What seems like three days of darkness in a labyrinth may only be thirty minutes. Clock time gives way to God time on the journey.
Energies of the Labyrinth
Thus we enter into the timeless paths of all the pilgrims walking before us, those who never made their way to the holy land, but found the holy in the land in which they lived. The labyrinth has a way of uniting all the time of the past, the future, and the now into one dimension. In this way, when we walk the labyrinth, we enter into the kairos time of God, as opposed to the chronos time of humanity. No longer are “on the clock,” but we walk in the appointed and opportune time for us to experience the holy.
If we’re surprised, and emotionally disconcerted as we walk these twisting paths, it’s because we discovered we had no control over how soon we could get to our destination. We can stay in the center and be humbled by this awareness, but often we act like tourists instead. We get our passports stamped after an appropriate rest, and head back home. As heroes who’ve been to the center, we journey back to the outer world as changed people, ready to bring new truths and understanding back to the world. If we are like the Greek heroes of old, however, our tragic flaw will be living for ourselves only and forgetting to do good to all.
The energies of the labyrinth aren’t self-contained to the paths or to those who walk it. It is a holy space, so like the energies of space time, in which space and time are relative, observations depend on the viewer’s speed. If we rush through the labyrinth, we don’t have the same opportunity to meet Christ on the road to Damascus, as Paul did, and have an opportunity to change our lives. We need to drag our feet a bit, as the grieving disciples did on the road to Emmaus, so we might have the privilege of recognizing Christ in the central act of blessing the bread when they invited him to stay with them at the end of the journey.
The hurried life isn’t for the contemplative person, so even those whose lives are given over to getting many things done can benefit from a quiet time now and then. Otherwise, we can become the heroic Theseus who depends upon his own power, rather than giving credit to the powers of the gods, for all his great deeds. This is why his arrogance and pride is his undoing, even though he had a transformative experience in the labyrinth. Not until much later did he process this experience and grow from it.
When I began my painting, I started out with the actual forms, in homage to the many walks I’d participated in over the years. Soon I thought of burying the image, and uncovering parts of it, as if it were an archeological dig in process, but I only buried the outer edges. Then the idea of energies of the innumerable pilgrim walks percolated up into my consciousness and I began to paint the intersecting colored arcs. While I lost the paths, I was painting my emotional experience of the walking. I’ve been on quite a journey this past year, even though I’ve gone nowhere, due to the covid pandemic. Confined to home, I’ve longed to journey elsewhere, but the labyrinth is a journey anyone can take safely without fear of a monster who devours human tributes. I’m looking forward to the new year and new works, and perhaps some actual journeys. God bless everyone. Thanks for reading this.
Leonardo da Vinci is the ideal Renaissance man: a supremely gifted painter, scientist, inventor and polymath. Da Vinci has been widely regarded as one of the world’s greatest minds, whose extraordinary talents included painting, mathematics, architecture, engineering, botany, sculpture, and human biology. He once said,
There are three classes of people: Those who see. Those who see when they are shown. Those who do not see.
When small children draw, they first make experiments with whatever medium they have in hand. They’ll put their whole body into it, cover the entire page, and sometimes even eat the materials. Even though they’ve been given a limited arena to explore, such as a sheet of paper, if you turn your back, kids will want to see how the crayons or paint work on a wall, on their bodies, or on the family pet. Parents think of this as more cleanup work, but it’s just another learning experience for the children. The pandemic may have brought this lesson home to roost in more than one home.
Family and House
Later on, children make symbols for the objects in their world. This is why all early grammar school art looks very similar: the blue line across the paper’s top represents the sky, the yellow sun blazes in an upper corner, a house has exactly one door and two windows, and the ground is green grass. Once a child is 9 to 11 years old, they begin to draw realistically, and over the next few years a child will develop their eye for accurate color and detail.
Sometimes children get the idea they have no artistic ability, and develop a bad case of the “I can’t do this-itis.” When I taught art, I had kindergartners cry when they couldn’t cut out a snowman perfectly on the fold. “Oh, sweetie, no one cuts it perfect the very first time! The first time is just for practice. Let’s see what you were doing that got you two pieces instead of one.”
I knew they were holding the cut side, rather than the folded side, when they made made their cut, but they needed hands on instructions to get the lesson. “Oh, look, you need to hold the fold in your hand, and cut on the flappy sides. That’ll give you the whole piece. Try that while I watch.”
It’s just amazing what happens when the scales fall off their little eyes! In the book of Acts (9:17-18), Ananias laid his hands on Saul and said, “Brother Saul, the Lord Jesus, who appeared to you on your way here, has sent me so that you may regain your sight and be filled with the Holy Spirit.” And immediately something like scales fell from his eyes, and his sight was restored. When we find the magic key to unlock the storehouse of hidden knowledge, all the possibilities of the world beyond us seem to be close at hand. It only takes a few successes to gain confidence.
Once young people get up to middle school age, they begin to sort themselves into “groups.” Those who think they’re Michelangelo’s and Leonardo’s heir apparents often think they only need to do a minimum of work, since their native abilities exceed the best efforts of the less talented students. In mandatory art classes, everyone needs to work under the same grading system. Otherwise systemic structures would always prefer and rank higher those students who had the benefit of prior training, cultural experiences, and native talent.
I always leveled the playing field by grading on heavily on the work ethic, the amount of improvement, and then gave the finished product only 25% of the overall total. This meant if Michelangelo goofed off, but dashed off a winning project, he’d most likely fail the first grading period. His parents would get his mind straight and then his art works would begin to improve by leaps and bounds.
Jasper Johns: Order and Disorder.
Likewise, the students who never had a chance at succeeding in art class could give their best efforts, seek to solve the assignments, and discover they could improve! It was as easy as A—B—C—Attitude, Behavior, and Consequences. If we began with a positive attitude, we made positive actions, and got good grades and improving art works. Plus we began to feel good about ourselves. If we kept a negative attitude, we wouldn’t try, we’d goof off, be slow to improve, and get a bad grade. Why feel bad about yourself when everyone else was having a good time in art?
The fancy name for this process is brain plasticity. Our brains can form new information and structures, not only when we’re young, but also as we age. The brain is a muscle, which we can exercise. If we stop exercising our mental skills, we don’t just forget them: the brain map space for those skills is turned over to the skills we practice instead. You might ask, “How often must I practice tennis, guitar, or math to keep on top of it?” This is the question about brain plasticity, since you’re asking how frequently you must practice an activity to make sure its brain map space is not lost to another. The simple word for this is “Use it or lose it.”
Today we live in a world in which many children don’t get to explore a wide variety of interests. Some of this is because our schools have focused on teaching just the basics, so art and music get shuffled off to the outermost edges, or dropped if finances get tight. We live in a more structured world than fifty years ago, so children don’t often interact with their environment unless they’re camping or on a field trip. Many don’t play sports because teams are competitive, time consuming, and don’t allow children to have outside interests. I’m not sure why we want children to become professionals too early in life, when they could be exploring the world in all its vast wonder instead.
Maybe this is why as adults we come back to discover our true selves and take up a hobby we never thought we’d ever try. We have to drop our preconceived notion that our abilities and success in one area of our lives will mean we’ll quickly progress in a new field. Some have said we need 10,000 hours of practice to attain excellence, but others say it depends on the field. Deliberate practice is only a predictor of success in fields that have super stable structures. In tennis, chess, and classical music, the rules never change, so you can study up to become the best. If we were to start up a brand new business , we might need to break some of the rules.
Leonardo da Vinci wrote in his notebook, “Shadows which you see with difficulty, and whose boundaries you cannot define… these you should not represent as finished or sharply defined, for the result would be that your work would seem wooden.”
We sometimes see with difficulty, and our hand isn’t yet fully connected to our eye, so the boundaries of our shapes don’t match what we see, but we find joy in the act of painting. We keep looking ever more closely, increasing our powers of observation, and training our hand to follow our eye. Some of this is keeping a memory in our mind long enough to put the image on the surface, and the other part is to still the mind of extraneous thoughts so we can hold that thought for the few seconds it takes to make the line.
Leonardo was a lifetime learner.
We do this for our mental health, to keep our neurons fresh and our brains challenged by the problems of representing color, shadows, light, and space. We approach our art work as if we’re little children eager to discover a new way to describe our world. Each time we set brush to canvas, we grow, if only in humility.
Gail brought us some beauty berry bushes. Unlike nearly every other fruiting shrub in North America, beauty berry flowers and fruits in clusters along its stem at the leaf joints, rather than on a separate fruiting stem. Flowers are clustered sprays of pinkish-white tiny blossoms that appear in mid to late summer. Berries are a bright, intense purple, tightly packed in balls of fruit along the stem. The berries are edible when they’re deep purple, but they require lemon juice and sugar to make a good jelly.
The leaves can be used in nearly every way to fight insects: you can crush them and rub them on yourself for a quick fix, you can make an infusion and dip your clothes in it, you can distill out the essential oils and combine them with other plants to make a bug spray… it all works. And it’s not just folklore, either. In 2006, scientists at the USDA’s Agricultural Research Service working at the University of Mississippi isolated three chemical compounds from beauty berry leaves— callicarpenal, intermedeol and spathulenol. All three proved highly effective as repellents for mosquitoes, biting flies, ticks, fleas, and other pests. Later studies confirmed their findings, and actually proved callicarpenal to be more effective than DEET at repelling insects, without the harsh side effects. The last hurdle is making the process financially feasible.
Very nice Beauty Berries
I brought another of my antique 1930’s glass vases from my grandmother’s house. Filled with water, the stems appear distorted underwater and don’t line up with the stems above water. This proved more difficult to paint, so I suggested to Gail a way to simplify the leaves. If the basic yellow shape were filled in first, then the shades of green could go next, leaving thin streaks of yellow for the veins. This is easier than painting a thin yellow line. A thin red edge could highlight certain areas to get the shadow. This takes a steady hand and controlled breathing. Hurrying to get somewhere fast won’t get it done. She paid close attention to the berries and their highlights.
Mike had an errand of mercy to attend to, so he made an appearance and left to help someone who was in trouble. Trouble is just another word for the opportunity to be the hands of Christ in the world. Anytime I had interruptions in my daily plans, I always knew God’s plans were superseding my well planned calendar.
Sunlight on an Antique Vase of Beauty Berries
My little still-life has all the autumn colors. Gail brought in a variety of branches and a red sumac also. We only have about 90 minutes to paint after I show some examples and have time to cleanup afterwards. Therefore, I choose to simplify the subject before me. I decide what is most important and necessary to convey the image, to set it into the space, to give it a mood, and to let it speak. If there’s an air of sadness about it, it’s because I painted it on the anniversary of my daughter’s death. If there’s a mood of mystery within it, the changing season is one of harvest and celebration. The earth gives forth its bounty, then goes into a form of rest, until it rebirths itself in the springtime.
If we’re going to paint not only the subject before us, but also share our true selves in the finished work, we need to become as little children who put their whole selves into their work. Although I’d hope we would have learned by now not to eat the paint.
Next Friday we’re going to make decorations for the harvest season. Mike is bringing in leaves, branches, and spray paint. I’m bringing a drill, glue guns, wire cutters, and wire. If you’re coming to make a wreath or mantle piece, bring your “autumn stuff,” as well as a wreath or log. Please wear a mask.
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