The Image of God

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When I was a child, my mother’s friends were sure I was the spitting image of little Martha. Likewise, my daddy’s friends thought I was a chip off the old block of Stew-boy. I suppose I had enough of the parental DNA to be claimed by both sides of the family, as long as I wasn’t in the dog house for some juvenile infraction. Even today, folks are just gaga over who the newest royal baby favors, whether it’s our beautiful American Megan’s face or the handsome English Prince Harry’s mug. Since baby Andrew is a boy, hopefully he inherits Harry’s beard and the good health of both parents.

The Golden Christ

This odd phrase, the “spitting image,” was known in its earliest form in the 17th century, and has come down in its modern meaning today through literature and the theater. I heard it growing up from all the old folks in town and from all my out of town relatives when they pinched my cheeks at the summer camp meetings and family reunions. If you read some internet sites, they’ll even claim it has a biblical source, since God used spit and mud to create the first human beings. Of course, these sites don’t bother to attach the texts, but just repeat the claim. Let’s see if you can spot which text is the “proof” for this “spitting image” claim.

The Golden Christ

The first chapter of Genesis is the most recent biblical account of creation, known as the Priestly account:
“Then God said, ‘Let us make humankind in our image, according to our likeness; and let them have dominion over the fish of the sea, and over the birds of the air, and over the cattle, and over all the wild animals of the earth, and over every creeping thing that creeps upon the earth.’ So God created humankind in his image, in the image of God he created them; male and female he created them.” ~~ Genesis 1.26-27


We don’t see the mud and spit claim here, so we turn to the older account of creation, found in Genesis 2:4-7—

“In the day that the Lord God made the earth and the heavens, when no plant of the field was yet in the earth and no herb of the field had yet sprung up—for the Lord God had not caused it to rain upon the earth, and there was no one to till the ground; but a stream would rise from the earth, and water the whole face of the ground— then the Lord God formed man from the dust of the ground, and breathed into his nostrils the breath of life; and the man became a living being.”

Here we have water from streams or mists rising from the face of the earth and dust from the ground, which God used to form the first human person. However, God doesn’t use spit.

Icon of Christ, Creator and Savior

Where do people get the idea God uses spit and mud to create human beings? They must be thinking of Jesus, who cured the blind beggar with a poultice of dust and saliva, as recorded in the book of John:

As he walked along, he saw a man blind from birth. His disciples asked him, ‘Rabbi, who sinned, this man or his parents, that he was born blind?’

Jesus answered, ‘Neither this man nor his parents sinned; he was born blind so that God’s works might be revealed in him. We must work the works of him who sent me while it is day; night is coming when no one can work. As long as I am in the world, I am the light of the world.’

When he had said this, he spat on the ground and made mud with the saliva and spread the mud on the man’s eyes, saying to him, ‘Go, wash in the pool of Siloam’ (which means Sent).

Then he went and washed and came back able to see.
~~ John 9:1-7

If some folks confuse Jesus with God, we can forgive them, since Colossians 1:15 reminds us, “He is the image of the invisible God, the firstborn of all creation.”

As the ancient creeds remind us, God has One nature, but Three Persons; and is one in unity of work, wisdom, energy, and love. We who were created in this divine image “and have clothed (ourselves) with the new self, which is being renewed in knowledge according to the image of its creator,” are daily recovering the image of God. Colossians 3:10 is one of the most precious promises of the faith, for it testifies to God’s work in us, as the passive voice in scripture so often denotes.


So, what exactly is this divine image? If we look around us, we see a variety of faces and bodies, if we count the physical types of human beings. While some have tried to claim a perfect racial image in the past, or to eliminate all but their own tribal relations, today we have difficulty holding this thought together with “firstborn of all creation.” If we believe God created all things, all people, and all of us humans share in the divine image, then we’re all part of God’s family and we all share the DNA of the image.

I Am the One who Is

Is that image physical? It’s not the DNA of genetics, although we all share 99.9% of our DNA if we have common ancestry from any of the great continents. For those of European ancestry, everyone has a common ancestor from 3,400 years ago. Yet we still have enough variety in our DNA to make us unique persons. Because God’s creation of human beings in God’s image isn’t a physical imitation of God’s spiritual body, we have to understand the IMAGE as an incorporeal form more than a bodily form.


If we’re made in the spiritual image of God, then we must be more aligned to the wisdom of God, the energy, work, love of God, and look to our need to acquire the divine nature, as we put off our human nature bit by bit. If we keep yearning for the human nature, or the mortal flesh, then we’ll never grow into the higher and finer image. We often make the excuse, “I only human,” but fail to ask for God’s help to grow beyond our human nature into the divine nature of love for all creation.

Moreover, if we’re made in the spiritual image of God, our physical attributes mean less than our spiritual attributes. This isn’t to discount our humanity, but it’s to say our human differences mean less to God than they do to us. We look for reasons to separate us into tribes, but God looks for reasons to include us into incorporate us into God’s family, “for those whom he foreknew he also predestined to be conformed to the image of his Son, in order that he might be the firstborn within a large family.” ~~ Romans 8.29

Renaissance Christ

Then it matters not who we are, what we look like, or where we’ve been on our journey to our faith in the Christ who saves us. Just as the Son has the image of God, and all persons have the image of God, all can be saved by the faith of the Son who trusted in the Father for his life, death, and resurrection. Too often people of faith focus wrongly on the requirements for a good life in order to be saved, but the only true necessity for salvation is unconditional faith in the one whose faith rested in the God who both creates and saves God’s people and world. This is why his family called him Jesus, or “God Saves.”

This is why the most unlikely people can claim the faith of Christ, and why their faith drives “good people” to distraction. But as it was even in the days of the Lord himself, as he reminded those who wanted to keep the smallest of laws, but ignore the greater meaning and spirit of the whole law. The whole of the law was summed up in two commandments: “You shall love the Lord your God with all your heart, and with all your soul, and with all your mind.” This is the greatest and first commandment. And a second is like it: “You shall love your neighbor as yourself.” ~~ Matthew 22:37-39

I admit it’s hard to love my neighbors, since it’s sometimes difficult to love even some of the members of my extended family. If I’m honest, I often need a little breathing room from some of my immediate family, but I admit I have stress issues after a lifetime of ministry and helping people with their myriad family crises.

If we can learn to include in our lives and in our worship places more people who have hearts full of love of God and neighbor, we might find ourselves enriched by their joy and talents, as well as their fresh outlooks on life. The more alike we all are, the fewer creative ideas are lifted for the unknown future. We need a variety of viewpoints and visions to meet the challenges of the future, which by definition will not be a repeat of yesterday. We cannot pour new wine into old wineskins, or the vessel won’t hold. We are a people inspired by the Holy Spirit and meant to change.

As the scripture tells us in 2 Corinthians 3:17-18—

“Now the Lord is the Spirit,
and where the Spirit of the Lord is, there is freedom.
And all of us, with unveiled faces,
seeing the glory of the Lord as though reflected in a mirror,
are being transformed into the same image
from one degree of glory to another;
for this comes from the Lord, the Spirit.”

The Good Shepherd

I’ve included various paintings from my studio of the icons of Christ. Many people have their own image of Jesus which appeals to them, and it’s usually one that is created in a human image. By this I mean, the Jesus is sympathetic, prayerful, strong, otherworldly, calm, friendly, or some other attribute common to the relevant age. The Japanese Jesus has Orientalized features, the Native American Jesus looks like one of the people, the African Jesus is black, and the European American Jesus favors Mediterranean origins more than the Holy Land. The Icons of the early church have their own imagery, which is as much theological as artistic. I hope you enjoy the post, and focus on one question per day to consider:

  1. Do you see the image of God in others?
  2. How is your own image of God is recovering?
  3. Do the acts or behaviors of others diminish the image of God in them?
  4. How can you find common cause with people you disagree with?
  5. Spend a day looking for the good in others.
  6. Use today to reflect in words, art, or music on your experience with the image of God.

INTERNET REFERENCES TO SPITTING IMAGE IN THE BIBLE

https://www.merriam-webster.com/words-at-play/spitting-image-origin-meaning

https://grammarist.com/usage/spitting-image/

The others refer back to these or to others quoting these above.

Spring Flowers

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How many colors exist in creation? Many more than we can buy in a tube at the art supply store and even more than the number of paint chips at our local building supply store. Recently I gave my adult art class an assignment to use their primary colors and white only to mix new colors, since I noticed they were not getting middle values in their paintings. I too enjoy the brightness of the primary colors, so this was also a challenge for me.

Power of the Cross

The following week I needed to do less geometry and more nature, but I came back to the cross theme once again, for these flowers are from a photo of the Easter “Living Cross” at my church. While we can’t see the arms of the cross, anymore than we can see Jesus today, we know the cross is there, just as we know Jesus is present for us in the power of the Holy Spirit.

This makes Christ alive, not only in our hearts, but also in the lives of all who suffer: the poor, the immigrant or stranger in our land, and the oppressed. Even the land itself, which suffers from human caused climate change, can be a place where we meet the living Christ.

Spring Flowers

The Garden of Gethsemane in Jerusalem is a powerful place, for it was where Christ was handed over to his captors by a former friend. From there he went to death on the cross and resurrection for our salvation. This garden retains this energy of struggle: Jesus prayed to get his will in line with God’s will.

If the story ended here, we’d have no living crosses full of beautiful flowers on Easter Sunday. Out of pain and struggle comes great beauty. Most of us will avoid any challenge in our lives, thinking the easy way is the best way. Intentionally causing others to suffer pain isn’t acceptable for moral reasons: “do no harm” is a good adage, as is “do unto others as you would have them do unto you.” Setting achievable goals and challenges are different. These cause us to grow. They may also cause us discomfort, but this isn’t pain.

On this canvas, Spring Flowers, I had to overpaint and scumble to create the textured grays of the background. I even had to repaint the wispy border flowers several times to get their petals colored and straight, plus to get the ground varied enough to make them stand out.

One of the artists I most admire is Picasso, for he was always reinventing his style. Today artists pick a style and stick with it. Perhaps this is lucrative and makes economic sense. Still, I wonder what happens to the creative spirit when it’s not nurtured, challenged, and expressed. Of course, this may be the difference between a great artist and a good artist, and only the centuries will tell which among us now will be great.

Hope and Suffering

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“You totally (should) become his nature, deny his being apart from you; you should be he himself, not Christians, but Christ, otherwise you will be no use to the coming god.”
—C. G. Jung, The Red Book, p. 137.

“No one can be spared the way of Christ, since this way leads to what is to come. You should all become Christs, says C. G. Jung, in his Answer to Job. He goes on to explain in the divine indwelling of the Holy Spirit in humanity, “a christification of the many arises.” One of the great and simple prayers is “Come, Holy Spirit, fill the hearts of your faithful, and kindle in them in them the fire of your love.” When we ask for the indwelling third person of the Trinity, we also ask for the rest of the “family,” for the three are fellow travelers. The Father and the Son aren’t separate entities, even when the Spirit proceeds from the two, just as the Father and the Spirit aren’t off somewhere distant when the Son is suffering on the cross.

In the season of Lent, many people begin with ashes on their forehead as a sign of repentance and fasting for the forty days before Easter. Some give up bacon, others give up alcohol, and some give up social media. Perhaps this is our idea of suffering today, since most of us have our needs for shelter, food, and security met. Modern people tend to suffer emotionally instead, so this may be why we fast from social media. Unfortunately, we don’t have much deep Christian teaching around suffering, mostly because it’s not a happy subject. Nobody likes a downer sermon. Bible studies on Job and the prophets are unpopular too. We don’t like seeing our faces in a BCE Mirror.

I AM THE RESURRECTION AND THE LIFE

Who wants to suffer today? No one! Most of the Christian teaching around the cross concerns a variation on the substitution theory, or Jesus takes on our suffering so we no longer have to endure the agony ourselves. Of course, when we meet trouble in our daily life, we then call into question either the effectiveness of this work on the cross or our faith in his work on our behalf. Did Christ die for everyone else, but not for me? Are there other works besides my faith in Christ necessary for my salvation? Do I need to be a better person to earn my freedom from suffering?

If we understood the nature of the earthbound Christ life, rather than the resurrected Christ life, we’d grasp the essential nature of suffering bound up into this life of flesh and spirit. Christ knew hunger, thirst, loneliness, temptation, disappointments, weariness, rejection, and pain. Worst of all, he tasted the emptiness of death before he knew the fullness of the resurrection.

Should we protect our children from suffering? If we mean, should we do our best to feed, clothe, and shelter them, the answer is yes, of course! If we mean, do we protect them from the logical consequences of their acts, I’d say, most likely no. If a child won’t do their own homework, they should get the logical results for their refusal. Physical punishment isn’t a logical result. Poor grades, limits on sports or activities, or staying after school are consequences in line with the poor behavior. Small sufferings now will avoid larger sufferings later. (If they want to jump out of a third story window, that’s another matter. Put some locks on that, parents!)

Of course, to even call these “suffering” shows how far our modern world has moved from the ancient world. Sufferings once were the lot of slaves, who had no authority over their own lives, and could be bought and sold like cattle. They had no agency or control over their fortunes or lots in life. We modern folk are different, unless we buy into the idea we’re rudderless ships upon a stormy ocean. Then we’re merely chaff tossed about by external forces, so we might as well be slaves to our environment.

If we held the whole nature of Christ within us, we’d know both the Christ of suffering and the resurrected Christ of glory. While we ourselves have not yet ascended, we do hold fast to his promise,

“Beloved, we are God’s children now; what we will be has not yet been revealed. What we do know is this: when he is revealed, we will be like him, for we will see him as he is. And all who have this hope in him purify themselves, just as he is pure.” (1 John 3:2-3)

If we live with hope, we can rejoice, and be patient in suffering, while we persevere in prayer.
~~ Romans 12:12

Reflections of God

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I carry my phone when I walk, so I always have a camera for the scenes of beauty which catch my eye. Since light is ephemeral and these moments are fleeting, catching them as they occur is important. When I come home, I often photoshop the image on my computer or in Instagram to get the emotions, which I experienced when I took the photo.

Winter Lake Reflections

Several winters ago, I took this photo. By the time I painted it this year, I was feeling more optimistic. Back then, I didn’t know if my daughter was alive or dead. I lived in hope, but I also was holding onto some fear, for I knew her drug addiction was going to be difficult to overcome.

The Cloud Rising

This is my most recent landscape. The cloud always reminds me of God’s appearance! Then I think of this verse in Job 38:34, when God asks Job, who’s been questioning God’s intentions and reasons—

“Can you lift up your voice to the clouds,

so that a flood of waters may cover you?”

Poor Job, he’s not God. And neither are any of us. We’d like to make sense of the senseless, right all the wrongs, put order to all the chaos, and make things the way they should be. Of course, if we were in charge, the world would have gone to hell in a hand basket much sooner than it has already.

Maybe we should reread Job 42:3—

‘Who is this that hides counsel without knowledge?’

Therefore I have uttered what I did not understand,

things too wonderful for me, which I did not know.

In our world today, many changes are happening. Some of us want things to be “the way they used to be.” This would make us feel better and be more comfortable with a known world, but God is always recreating God’s new world–

“For I am about to create new heavens

and a new earth;

the former things shall not be remembered

or come to mind” (Isaiah 65:17).

If we are people of faith, we can trust in our God, whose Son Jesus Christ is the same yesterday and today and forever (Hebrews 13:8). If Christ is the same, then God is the same, and so is the Holy Spirit. Does this mean our understanding of the Holy Trinity never changes? No, this means God’s love and mercy for us never changes! We think we can fall outside the bounds of God’s love, but this is only because we have short arms and can’t include all others within our embrace. Just as the water reflects the sky and earth above it, so we’re to reflect the attributes of the holy image in which we’re created and demonstrate the qualities of the heart and the same mind that was in Christ Jesus (Philippians 2:5).

Job, who was well respected and honored in his community, was enamored of his ability to assist others with their needs. He was a big man who used the blessings from God for good purposes. When he lost this status, he was upset. Once he met God face to face, he realized he’d been giving lip service to God, but didn’t actually know God. Many of us today know about God, but haven’t had an encounter or experience with the living God. We can’t reflect a love which we’ve never received, and we can’t share a forgiveness we’ve not known. Perhaps our first work is to seek God’s generosity for our own lives, so we can reflect it outward in the world toward others.

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PRAYER: Listening to an Icon

Most of us separate our lives into doing and being: we are creatures of comfort at times, and then we expend energy doing chores or work at different times. We live bifurcated lives, even if we’ve heard the admonition to “pray without ceasing” (1 Thessalonians 5:16), we work without prayer and pray without working. Then again, some of us have little connection with the spiritual at all, so we miss the mystery and the awe of the dimensions beyond this mundane world. We’re unable to see even the glory and beauty of the creation, since we aren’t connected spirituality to a life beyond this world.

Christ Overcomes the World

The iconographer is more than a painter or a writer: he or she is one who connects this material world with the spiritual world beyond. The icon is a window through which the heavenly and the earthly worlds communicate. It’s like a wormhole, of sorts, in sci-fi language, or a portal passage for direct communication. Of course, we can directly communicate with the Holy Spirit, but not being able to see the Spirit, we can see the icon’s representation of the image of Christ or a saint, and this helps us to focus our thoughts and prayers.

Golden Christ

Some say a candle would suffice, or a text from Scripture, and I agree. Yet not everyone is able to live such a spare life, reduced of images, color, and beauty. Minimalism isn’t for everyone! This is why we have zen gardens as well as romantic English gardens. Some of us need architectural modernism and others like quaint country clutter. The icon tradition comes from the ancient church, for Luke was traditionally ascribed to be the first iconographer, as well as one of the first gospel writers. He painted Mary “the God-bearer” and Jesus.

Mary Macaroni

Our art class is moving out of its comfort zone in the painting of icons. We can learn about the spiritual life in the art class every time we meet. In fact, every time we try something new or challenging, we learn about ourselves and the spiritual life. A close inspection of the gospels shows a Jesus who was always challenging the status quo. The only time he was comforting people was when they were dispossessed, marginalized, or disrespected. “Blessed are the poor…” was his first choice, not blessed are the rich or powerful!

When we are weak and powerless, when we struggle and fall short of success, and that will be. Every. Single. Day. In. Art—We are then most able to lean on the one who for our sakes became weak so we can become strong. Then we’ll come back and fail again and remember the times Christ stumbled on the rocky road to the crucifixion. What seemed like a failure to everyone gathered about, and didn’t make logical sense to wisdom seeking people, nevertheless served a higher purpose. By uniting all of our human failures and faults in one person, God could experience all of them in God’s own image, the icon we know as Jesus Christ.

Crucifixion

If there’s any reason to attempt a Holy Icon in this modern world, we paint and pray to unite our work and spiritual into one. Usually only the clergy have this privilege, and they can too easily burn out if they do too much and pray too little. Lay people underestimate the amount of prayers necessary for effective work. The older I get, the more prayer time I need. Of course, work takes more out of me now, but I’m a refugee from the dinosaur age. I used to be an energizer bunny back in my fifties, but working thirty hours a week painting and writing is enough for me today.

Any art work, whether a landscape, portrait, or an icon, can be alive or dead, depending on how the artist approaches the work. If we draw the lines, fill in the colors, and never pay attention to the energy of the art itself, we’re just filling up time. If we’re thinking about our grocery list, what to make for dinner, or the errands we have to run, we aren’t on speaking terms with our artwork. On the other hand, if we’re paying attention, sharing in the conversation, listening to what our work is telling us, we can respond to the push and pull of the conversation. Our work will tell us what it needs if we’ll only listen to it. If we trust and listen to the Holy Spirit, we’ll paint a true icon, and the window into heaven will open for all who want to listen.

Christ Blessing the World

ICONS: A Moment of Mystery

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Making Found Object Icons is an art project that evolved out of the Great Macaroni Multimedia Traveling Artandicon Show. In seminary during Art Week our fellow students were horrified we were making sacred images out of edible products, such as macaroni, lentils, peas, and beans.

Jesus is the Bread of Life

“That’s sacrilegious!”

“Jesus is the bread of life, and macaroni is just another form of wheat,” we replied.

“But it’s so ordinary!”

“Clay is ordinary, and so is stone. Can an object only be worthy of God if it’s made of expensive materials?”

“Well….”

“The value of all the chemicals in a human body is about $5.18, but we’re worth far more than that in the eyes of God. Some say God doesn’t make junk, yet too many people of faith despise and debase the body. I’ve always wondered why this was so, since the Son of God came to earth in human form, and as the great hymn in Philippians 2:5-11 (NRSV) says—

“Let the same mind be in you that was in Christ Jesus,
who, though he was in the form of God,
did not regard equality with God
as something to be exploited,
but emptied himself,
taking the form of a slave,
being born in human likeness.
And being found in human form,
he humbled himself
and became obedient to the point of death—
even death on a cross.
Therefore God also highly exalted him
and gave him the name
that is above every name,
so that at the name of Jesus
every knee should bend,
in heaven and on earth and under the earth,
and every tongue should confess
that Jesus Christ is Lord,
to the glory of God the Father.”

Jeweled Cross

When we meet Christ at Christmas, we can get all warm and fuzzy because who doesn’t like a warm, cuddly baby? Maybe I have a soft spot for babies, but I really don’t trust people who don’t get a little ga-ga when the little ones coo and smile. I can understand folks getting squeamish at Good Friday and the cross. Most of us avoid as much pain as possible. Humility and obedience to God are not high priorities these days for many people. 

Flight into Egypt

Many tend to ignore this wonderful call to the Christ-like life, preferring instead the cop out of “Keep awake and pray that you may not come into the time of trial; the spirit indeed is willing, but the flesh is weak,” (Mark 14:38, NRSV). “Forgive us,” we say, but we hold others up to high standards. 
We make a distinction between our dual natures of the flesh and the spirit, a concept inherited from the Greco-Roman culture. It’s notable that the often quoted verse, “If you sow to your own flesh, you will reap corruption from the flesh; but if you sow to the Spirit, you will reap eternal life from the Spirit,” is found in Galatians 6:8 (NRSV), for this was a Roman province. 
The ancient Mediterranean area had a knowledge/mystery tradition. The Greeks had their cult of Bacchus, the Egyptians the cult of Isis, and the Jewish had their mystical Kabbalah. The Romans had their dying and rising god cult of Mithras, the bull. Entry into all of these groups was by word of mouth only, given to a special few, and all had secret rites known to the members only.  Most promised salvation through secret knowledge, and the true world for them was spiritual rather than the physical world in which we live today. Ecstatic worship separated the believer from the body and the ordinary world. 
You might recognize these traits in your own church or worship community today, except for the ecstatic and enthusiastic worship brought about by mood altering substances. That’s not my church anyway! How do we come close to God? Across the centuries, the tradition has discovered contemplative prayer, singing, searching the scriptures, serving the poor, attending the sacraments, and creating art for God or the Holy Icons.
Making an object for the glory of God, to enhance the worship experience, and to honor God is a gift of the artist’s time and talent. No artist is ever paid what their training and talent is worth, for it’s a treasure from God to begin with—it can’t be valued. Artists have learned over the centuries to live simply, accept fame if it comes, and put a fair price on their work. 

Gail’s Cross

They get value in the spiritual real from the work they do, for the icon opens a window into heaven. As they arrange the jewels and found objects, and move them to a better position, the icon comes alive under their hands and begins to breathe. Only the person, who will be still long enough to hear the silence from beyond the open window, can hear the voice of God in this world. For this person, the icon is a treasure, and a place of holy focus, no matter how small or how simple the materials. 
This is the reason the artist makes an icon—to have a moment of mystery, a time of intersection, and a communion with the holy. In today’s hurried world, each of us wants a place in which we can experience for a moment the timelessness of heaven. 
When we return in the New Year, we’ll begin painting our own holy icons. The process is a spiritual journey, more than a destination or the attempt to reach perfection. We only need to “go toward perfection” each day!

Icon of Christ the Redeemer

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My latest icon of the face of Christ is based on the Napkin of Christ or The Image Not Made by Human Hands. The tradition tells us the Lord washed his face on a cloth and the image of his face transferred directly to it. King Abgar took the image bearing cloth to Edessa and hung it above the city’s entrance, where the people venerated it.

For many years afterwards, the inhabitants kept a pious custom to bow down before the Icon Not-Made-by-Hands, when they went forth from the gates. When one of the great-grandsons of Abgar, who later ruled Edessa, fell into idolatry, he decided to take down the icon from the city wall. In a vision the Lord ordered the Bishop of Edessa to hide His icon. The bishop, coming by night with his clergy, lit a lamp before it and walled it up with a board and with bricks.

Years later, when the city was under siege, the Virgin Mary appeared to the presiding bishop with the instruction to reveal the old icon. Not only was it found, but also the lamp, and a copy etched into the wall itself! This miracle saved the city.

We know “that the creation itself will be set free from its bondage to decay and will obtain the freedom of the glory of the children of God” (Romans 8:21), for Christ came not to save only humankind, but to redeem all creation. Sometimes when hurricanes, floods, fires, and other natural disasters make the news, we might think nature is disordered, dysfunctional, and we can despair for any harmonious sensitivity to the only planet we can call our home.

Redeemer of the Earth

For some people of faith, because their “citizenship is not of this world,” they see no reason to care for our world, yet God created this place for us and our children and their children. We don’t own it, we merely care for it, as good stewards for the generations to come and as servants of our creator. If our world is to be lush and green, as well as clean and blue, we must love it as if it were the body of Christ, even though the world isn’t divine.

God is still going to “make a new heaven and a new earth,” but we don’t have to destroy the one we already have just to get God to prove God’s powers over our stupidity. We could choose to participate in the recreation of the new earth and let God finish the task at the right time. Then we’d enjoy the fruits of this better world and share it with all our neighbors around the earth.

As Paul reminds us, “We know that the whole creation has been groaning in labor pains until now; and not only the creation, but we ourselves, who have the first fruits of the Spirit, groan inwardly while we wait for adoption, the redemption of our bodies. For in hope we were saved. Now hope that is seen is not hope. For who hopes for what is seen?” (Romans 8:22-24)

The Man of Sorrows

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Most of us try to put our best foot forward every day. If we have the means, we want to wear nice clothes for work and put on our “game face.” In private, we might “let it all hang out” and put on our sloppy clothes, but only if we’re staying inside. This is why the pajamas at Walmart memes persist as the walk of shame from sea to shining sea.

We like our art “pretty” also. Indeed, if it doesn’t match our current decorating theme, we don’t buy it. We want our art to fade into the wall and not interact with us. If this is our attitude, we aren’t candidates for an icon in our space. The icon is meant to open up a conversation with the viewer and with the Holy Spirit. The icon opens a window into the world beyond this reality, into eternity, in which the Holy Trinity and the communion of saints live forever. While the image itself isn’t Holy, what it represents is Holy. Therefore the icon is venerated, but not worshipped. Only God is worshipped.

Because most of us like our images beautiful, we prefer gold and silver over fading and flaking. We also like polished and pleasant more than brutal and broken. This is why most of us like Christmas more than Good Friday, even though both are necessary to understand at-one-ment and atonement.

The oldest icons often show the ravages of age. Centuries of use, with smoking candle soot and oils from many hands, have worn their surfaces raw. Many of us also show the scars of Time, but we also are the image of God, just as Christ is the living image of God. We are like the ancient icons, worn and weathered. If we were given an ancient holy icon, damaged by circumstances or desecrated by human hands, we would treat it with tenderness, reverence, and compassion. We wouldn’t pay attention to the damaged parts, or to the tragedy of the act of damage, but we’d focus on what is left of its beauty, not what was lost.

Only those who are rapidly aging may be able to understand this concept, or those who’ve suffered. Yet, the Man of Sorrows icon exists for those who know life isn’t always a bowl of cherries and even the best people will suffer. The suffering servant contradicts the promises of prosperity gospel, but the icon reminds us we aren’t alone when hard times strike.

The Virgin Hodegetria and the Man of Sorrows

This double-sided icon in the National Gallery of Art, in Washington, D. C., depicts two of the most influential images in Byzantine art. On the front, the Virgin Hodegetria (“she who points the way”) gestures toward the Christ child as the path to salvation.

The image derives from a venerated model, which was legendary. Saint Luke was the purported artist who painted the original from life in Jerusalem and others brought it to Constantinople in the fifth century. Pilgrims flocked to the Monastery of the Hodegon to revere the original icon, which was paraded weekly through the streets of the capital. Widely copied, it’s one of the most common types of images of the Virgin.

On the other side is the icon of Christ after the Crucifixion, laid out for burial with his arms at his sides. This is the earliest known panel painting of the Man of Sorrows, a name taken from an Old Testament description of the Messiah:He is despised and rejected of men, a man of sorrows, acquainted with grief (Isaiah 53:3).”

Called Akra Tapaneiosis (Ultimate Humiliation) in the Greek Orthodox Church, the subject originated in Byzantium in the 11th century in response to liturgical changes and became widespread in the medieval West. This icon dates from the last quarter of the 12th century.

The Kastoria icon imbues the traditional Virgin Hodegetria with heightened emotion found also in hymns and sermons, especially after Iconoclasm. Her sorrowful expression and furrowed brow suggest that she foresees her son’s death. On Mary’s grief at the Crucifixion, the ninth-century bishop George of Nicomedia wrote,Who will enumerate the arrows that penetrated her heart? Who will recount in words her pains that are beyond words?” His sermon served as the lesson on Good Friday when this icon was displayed during the church service commemorating Christ’s Crucifixion.

https://www.nga.gov/features/byzantine/virginmanofsorrows.html

A FATAL DISEASE 

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“The biggest disease today is not leprosy or tuberculosis, but rather the feeling of being unwanted, uncared for, and deserted by everybody. The greatest evil is the lack of love and charity, the terrible indifference towards one’s neighbor…” 
~~ St. Theresa (Mother Theresa)

The biggest disease today isn’t covered by any medical plan–it is the lack of concern for the weak and vulnerable among us. The only medicine for this is a change of heart, so we begin to consider the needs of the poor, the disabled, and the ill as equal to the healthy, the rich, and those who can work. 

This medicine is a living faith, not a dead assent to beliefs! Can we look on the face of our brothers and sisters and see the face of God!?! Can we see the wounds of Christ needing to be healed!?! If we see only the money and the tax ramifications of the plans currently proposed by congress, we have a dead faith, for we aren’t working to care for the “least of these, my brothers and sisters, who are the Christ” we meet daily as we go about our journey. 

If our Sunday words are only for ourselves and not for the world also, if our Sunday words are only for our lives and not for the lives of others, and if our Sunday words are only for our lives, but don’t translate to our politics, we cannot say that we are living a fully Christian life. 

What is the medicine for this? Repentance and restitution. We must make a change in the way we live, the way we think, and in all the ways we act: our uses of money, our treatment of people, and our lifestyle choices. All must be governed by God’s all encompassing love. If God’s love flows into our hearts, let this same generous love flow out unimpeded. 

“Love one another, as I have loved you.” –John 15:12

Weaving Images

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“Aye, workman, make me a dream”

By Stephen Crane

Aye, workman, make me a dream,

A dream for my love.

Cunningly weave sunlight,

Breezes, and flowers.

Let it be of the cloth of meadows.

And—good workman—

And let there be a man walking thereon.

In 2013, I made a painting of flowers in a meadow. It wasn’t a bad painting, but it never called anyone’s name. Yes, it was part of my unsold inventory, as we artists call our orphan works, those which have yet to find another home. 

“What the heck! I’m cutting this up, weaving it into another form, and I’ll see if it speaks in a different voice to me.” This is artist speak for “I’ve had it with my life, my world, my existence, and my progress at the easel.” In truth, my hand has felt dead due to illness: my blood pressure was too low, so I lacked energy. It’s hard to paint without energy. Depression also robbed me of my creativity, since I lacked the will to pursue a challenge. Thankfully my doctors are healers and I’m on the right track now. I just had to find the key to unlock the door to the path ahead. 

I cut the old canvas up into mostly even strips and wove it in a simple basket weave. Once I rewove this 8″ x 10″ canvas, I sat meditating upon the colors and shapes. I began to see faces of Christ appearing and arms and bodies, as if he were hanging upon the cross, one image superimposed upon another. The checkerboard colors were a garden of flowers wildly blooming in a riotous exuberance of the joy that was set before him, even though he was enduring the shame of the cross (Hebrews 12:2). I took some cerulean blue and pyrrole red to make a dark violet to sketch in the outer shapes of the figures. These colors make up the ground, along with some white for highlights. I used Payne’s grey to darken other parts of the ground. The halos are cadmium yellow deep. 

Why are the faces of Christ not detailed? We often want to fixate on who the person of Jesus is physically, but this ties him to his human body only. We forget he is also the Son of God, a being who can’t be imagined or represented except in the form of Jesus, the incarnate one (the embodied one). Cultures across the world represent Christ as one of their own people as a result, rather than tie him to a first century middle eastern individual. 

Then too, if Christ takes the sins of all the world upon himself on the cross, one could say he also takes the pain of all the people of the world into himself. If this is so, we would no longer see the “face of Christ,” but we would see the “face of every person for whom Christ’s suffering was redemptive.” This is a mystical understanding, of course, but it gets to the heart of the meaning of ATONEMENT. This has always meant sacrifice in the past, but today some of us are understanding it to be AT ONE MENT. This is when we and Christ are at one in suffering and redemption, in death and in the hope of new life, and when the “cloth of meadows” is indeed where we walk in new ways. 
Joy and peace for the Easter season. Cornelia 

Triple Christ icon, $50, 2017, acrylic on canvas, 8″ x 10″