Alone in the Woods

art, Attitudes, Children, coronavirus, Creativity, Faith, Family, Garvan Woodlands Garden, Health, Imagination, incarnation, nature, Painting, renewal, Spirituality, stewardship, Stress, texas, Travel, trees, Uncategorized, vision

“Turn Around,” I heard the voice whisper.

Life for extroverts in the Age of Social Distancing is difficult. They need people to bounce their ideas off of, friends to hear their tales of daily struggles or victories, and most of all, the transfer of energy between the parties to feel alive. For introverts, most of whom need space and quiet to restore their energies, the “stay at home unless absolutely necessary” directives are more welcome than not. A good book, some quiet music, and a calming drink of herbal tea is a balm for the body and the soul.

Of course, if you have children, activity is your middle name, no matter where you fall on the spectrum of extroversion or introversion. Taking walks in the neighborhood of your city is an opportunity to learn about architecture. How is it built, what are the forms called, and how many styles can you identify as you walk about? You can make an art project from this walk about, by building a shoebox city, a collage from magazines or scrap paper, or making a map.

Fantasy Forest

When my daughter was young, we lived in south Texas, so our walks meant we might stumble upon a limestone fossil creature. She was always amazed some animal from the prehistoric times would find its way into our modern age, even if it were a lifeless stone. To find a treasure from 100,000,000 years ago always added excitement to our jaunts about the home place.

If you live in the countryside, you might have access to the woods or a forest, or you can go there. We haven’t decided to lock down everyone in their home yet. However, it’s my “Dr. Cornie” opinion we all should limit our goings and doings to the utmost necessities of grocery, health, and essential services. While I’m not a “real doctor,” those of us who are “Coronavirus Cathys and Chucks” can spread this disease to others, even if we don’t feel sick or have symptoms.

In this Age of Coronavirus, staying put at home means we “flatten the curve” of the spread of the disease. While many will have a mild disease, too many will have a difficult outcome, especially when they face a lack of hospital beds and equipment to treat them. Let’s think of these others, and not just of ourselves alone.

Autumn Sunlight at Poverty Point, Louisiana

With this admonition in mind, I invite you to travel virtually in solitude to the woods. Many of my paintings are of nature, for I feel close to God in nature. My parents may have been getting a vacation from me when I went to summer church camp at the old Works Project Administration site at Caney Lake, but I connected with the God who meets us in nature while I was there.

The Germans have a constructed word Waldeinsamkeit, which roughly translates to “the feeling of being alone in the woods.” The structure of the word says it all: “wald” means woods/forest, and “einsamkeit” means loneliness or solitude. The Grimm Brothers wrote many fairy tales, which were also set in the famed German Black Forest: Hansel and Gretel, Rumpelstiltskin, Snow White, and Little Red Riding Hood to name a few.

I don’t know if children read these stories today, since they’re a tad scary, but my parents grew up in the Great Depression and fought the Great War in Europe against the Nazis. They helped us through the imaginary, scary events so we could take on the actual, distressing situations. Practicing the easy operations in a safe space helped us confront our fears in real life.

Creek Side Reflections

Sometimes I’ll walk in the woods and hear a voice calling me to turn around. It’s not an audible voice, as if an outside agent were speaking to me. It’s also not my own inner sense, as “I should turn around.” Instead, I perceive a stillness from beyond, and the word I hear is “Turn around and look.”

If nature speaks to us, it’s because “Ever since the creation of the world God’s eternal power and divine nature, invisible though they are, have been understood and seen through the things God has made.” (Romans 1:20). Does this mean all persons see God’s hand in creation? Of course not, for some can’t even see the image of God in their own faces when they look in the mirror as they brush their teeth in the morning. Perhaps this is why the city streets are littered, the country roads are trashed, and violence to humanity is a sad trouble in every zip code. If we are God’s people, we’ll care for one another and for God’s world.

Even in the Age of Coronavirus, when our solid underpinnings have been cut down from under us and we have crashed to the ground with the noise of a giant sequoia tearing through its smaller companions, we don’t lose hope and we don’t lose heart. “Even though our outer nature is wasting away, our inner nature is being renewed day by day.” (2 Corinthians 4:16)

Walk in the woods, in silence, and renew your soul, with Ralph Waldo Emerson:

Waldeinsamkeit
I do not count the hours I spend
In wandering by the sea;
The forest is my loyal friend,
Like God it useth me.

In plains that room for shadows make
Of skirting hills to lie,
Bound in by streams which give and take
Their colors from the sky;

Or on the mountain-crest sublime,
Or down the oaken glade,
O what have I to do with time?
For this the day was made.

Cities of mortals woe-begone
Fantastic care derides,
But in the serious landscape lone
Stern benefit abides.

Sheen will tarnish, honey cloy,
And merry is only a mask of sad,
But, sober on a fund of joy,
The woods at heart are glad.

There the great Planter plants
Of fruitful worlds the grain,
And with a million spells enchants
The souls that walk in pain.

Still on the seeds of all he made
The rose of beauty burns;
Through times that wear and forms that fade,
Immortal youth returns.

The black ducks mounting from the lake,
The pigeon in the pines,
The bittern’s boom, a desert make
Which no false art refines.

Down in yon watery nook,
Where bearded mists divide,
The gray old gods whom Chaos knew,
The sires of Nature, hide.

Aloft, in secret veins of air,
Blows the sweet breath of song,
O, few to scale those uplands dare,
Though they to all belong!

See thou bring not to field or stone
The fancies found in books;
Leave authors’ eyes, and fetch your own,
To brave the landscape’s looks.

Oblivion here thy wisdom is,
Thy thrift, the sleep of cares;
For a proud idleness like this
Crowns all thy mean affairs.

Grimm’s Fairy Tales, Project Gutenberg Free PDF
https://www.gutenberg.org/files/2591/old/grimm10.pdf

Internet Encyclopedia of Philosophy https://www.iep.utm.edu/theo-nat/

SPRING CLEANING

adult learning, arkansas, art, Attitudes, beauty, Creativity, Faith, greek myths, Holy Spirit, Painting, poverty, purpose, Secrets, vision, Work

Lately I’ve had an extra burst of energy around the house, but this always happens as the light begins to change and the sap rises in the trees. I see the first feathers of blooming green on the tips of trees and realize the grays of winter are no more. The ornamental pears lining our drive are bursting into white and the joy of the pink Japanese magnolias have my spirits and energies both exulting. I was in Kroger looking for the daffodils to bring to art class, but they weren’t in the store yet. I live in a condo, so those jaunty jonquils on our property aren’t mine to cut, since they’re considered community property.

When I arrived at church Friday, it was a fine spring day, the sort most folks would want to be outside digging up a garden. I certainly would, but I have a few pots inside for herbs and call that my “condo garden” instead. Mike and Gail asked, “What? No flowers? We hoped there’d be flowers!”

Yeah, me too. I’m ready for flowers. Just as spring flowers remind us of new life, they also remind us of the fragility of life. In the bulb, there is the promise of the life yet to come, even if it’s hidden underground all winter, just as there’s the promise of our new life to come after our death and burial. When we have a worldwide pandemic of a novel Coronavirus, which has no vaccine as yet to protect us, we depend on common sense behaviors and our faith in times of trial.

Kettle and Frying Pan

For our still life, I appropriated a tea kettle and a frying pan from the church kitchen. Since I returned it, I didn’t use the five finger discount, but merely borrowed it for a bit. As we looked at the still life, I talked about the objects as simplified forms, which we’ve done time and time again. The basic forms may get boring, but they’re the foundational exercises for artists, just as practicing the scales are for musicians.

I pointed out how the tea kettle is more like a big sphere, which has had its bottom sliced off so it can sit on the table. If we can see the ball inside it, then we can capture its fullness. The spout is a cylinder, with a triangular form attached to it. The pan is another sphere, but this one has had its top and bottom cut off. It’s like a globe with only the equatorial latitudes remaining because the top and bottom 45% have been removed. Also, we can see the inside, for it’s been scooped out.

Happy Pan by Gail

Last week I’d shown Gail the trick of using the brush handle to measure the still life and get similar proportions on her canvas. I showed this to Mike today. This is part of the “secret, gnostic, knowledge, known only to a few, and passed on by word of mouth,” which artists teach to students when they they’re ready to receive it. I usually leave the group alone for awhile, and then get up and make a quick check of their work. Gail and Mike are second year students, so they work more independently. We all paint some more, but on the second check is where we’re more likely to get into trouble.

Sturdy kitchenware by Mike

This second checkpoint is about ninety minutes into a two hour session. Our internal clocks tell us to hurry up and finish, so we begin to paint without thinking or looking at our subject anymore. We’re just doing, but not paying attention. If we were slicing onions with a sharp knife for a restaurant, we might lose a fingertip here. Thankfully we’re only painting shapes, which can get covered over with more paint. Art is much more forgiving than chopping onions. Keeping our focus is a skill just as much as learning perspective, color theory, or value. Learning how to step away and check our work is also important.

What of the subject matter, though? What inspires us to paint? We may be asking the question, “What is beautiful?” A corollary to this is “Does the subject need to be beautiful to be art?” The ancient proverb, “Beauty is in the eye of the beholder,” has been around in one form or another since the 3rd century BCE in Greece. I remember standing in front of J.M.W. Turner’s “Ulysses Deriding Polyphemus” (1829) in the Tate Gallery in London when I spent a winter term there during my grad school days.

Turner: Ulysses Deriding Polyphemus

I was making a small drawing of the scene, which I remembered well from my days in Latin class, and was paying attention to the details of the one eyed cyclops and the tiny figure shaking his fist in the boat below, when an older gentleman came close, inspected the art work, stepped back, and then looked hard at the painting once more. A brief moment of silence passed as he continued to study the work before him, then he leaned forward once more and read the painting’s title out loud. “Ulysses Deriding Polyphemus—no, I don’t see it. I don’t see it at all.”

I almost dropped my sketchbook in amazement. It was as plain as the nose on this man’s face, but he couldn’t see it. This painting currently isn’t on exhibition, so perhaps many people had the same reaction as the gentleman viewer, and not enough had my joyous response to Turner’s painting. If beauty is in the eye of the beholder, an untrained eye won’t recognize esoteric beauty even if it’s labeled “work of beautiful art.” If we don’t have fine arts education in our schools, then children grow up without an appreciation for their creative spirits and their own unique voices. Art is a field of exploration which allows for many types of expression and interpretations of “beauty.”

Cornelia’s Orange and Blue Kitchen

In our world today, we’ve turned so many activities over to professionals. While I wouldn’t want someone who stayed in a Holiday Inn last night doing brain surgery on me, I’m not ready to let fast food cooks prepare all my meals. This attitude of outsourcing ministry to the professionals is a dated concept, for now the most prevalent understanding is all Christians are called to ministry by virtue of their baptism, and some are set aside for special service to the church and the world through ordination. In art terms, we all are part of the arts and crafts movement, although some of us have special training to elucidate our greater gifts.

Paul explains this in his letter to Timothy:

“In a large house there are utensils not only of gold and silver but also of wood and clay, some for special use, some for ordinary. All who cleanse themselves of the things I have mentioned will become special utensils, dedicated and useful to the owner of the house, ready for every good work.” ~~ 2 Timothy 2:20-21

Still Life with Copper Cauldron (c. 1734–35), Jean-Siméon Chardin.

Lest we get a swelled head, thinking we’re special utensils, or get depressed believing we’re only ordinary utensils, we all need to remember we’re both useful in our Father’s household. In our everyday lives, we need to care for those in our community who exist on the margins of life, many of whom are hourly workers who stitch together several part time jobs to make ends meet, but don’t get health insurance anywhere.

Our elderly are another marginal and vulnerable group, who often have multiple health conditions and declining incomes, fewer social contacts, and less mobility. Once they were the special vessels, made of gold and silver, but now they get treated like ordinary wood and clay, too easily broken in their fragile days. Our elderly carry the dreams and memories of our history together, so they can tell the stories of perseverance when the times get tough.

The wonderful promise is all of us can be “special utensils,” dedicated to God, ready and useful for every good work. We merely have to show up. We don’t have to hire professionals to do all our work, but we can enjoy the experience of our own creative efforts. Learning new skills builds confidence as well as competency, so we get a double benefit. God will give the promised Holy Spirit to the entire priesthood, for we’re are all called to do God’s good works for the sake of the kingdom.

Still Life with Copper Cauldron (c. 1734–35), Jean-Siméon Chardin. Photo: © Roger-Viollet/Musée Cognacq-Jay, Paris

https://www.phrases.org.uk/meanings/beauty-is-in-the-eye-of-the-beholder.html

Welcome to My World

adult learning, architecture, art, Creativity, Habits, Imagination, Painting, shadows, vision

The Physician

I’m currently reading Noah Gordon’s The Physician, the story of a Christian masquerading as a Jew so he can study in the ancient medical school in Persia during the Middle Ages. Authors have to describe their characters and the world they inhabit in order for the reader to imagine a realistic place, even if the location could only exist in the imagination. I find this book a great escape from the histrionics of the recent news cycles.

An artist who wants to render a three dimensional scene on a two dimensional surface has the extra challenge of learning a new visual language to describe the scene. Drawing in perspective is a brand new way of seeing and rendering a multidimensional world on a flat surface so the appearance of depth and solidity is realized. In some paintings, the artist’s style of painting depicts objects with photographically realistic detail. These works can “fool the eye” of the viewer.

The realism of Gerrit Dou’s “The Doctor” allows us to see the portrait of the physician through a window niche. The bas relief sculptural rendering on the wall is partly covered by a luxurious rug, on which a burnished copper dish rests. The window behind the Doctor adds a back light, but he uses the primary light from the niche opening to observe the liquid in the specimen container. His assistant is in the dimmer light of the background. We are looking through this window and watching him pursue his calling.

In other art works, the “realism” isn’t so much concerned with photographic accuracy, but with the emotional experience of the space rendered. The Scream, painted in 1893 by Edvard Munch, uses classical one point perspective to introduce the sensation of depth with the bridge. The two people walking away balance the one facing forward, who screams from the gut. The colors and shapes of the landscape are emotional reflections of the interior, psychic experiences of the screamer.

The Scream

In art class last year, we had several lessons on perspective. Most students, no matter what their age, dislike these basic lessons. They want to jump right in and learn to paint a still life, figure, landscape, or a building. Unfortunately, if they jump over these basic instructions in drawing, they struggle to set a form in space or have difficulty getting the proportions of the objects correct in relation to eschew other. Art school students usually have have an entire semester class devoted to the multiple forms of perspective. I remember drawing the overhead pipes, book shelves, the corners of rooms, and anything else that had a vanishing point.

Black and White Sketch of Geometric Figures

Perspective teaches us how to see by eliminating the extraneous and unnecessary information and concentrating instead on only the simplest and essential forms and lines. We can hold our paint brush handle up to the objects to measure them. This helps us know if the cone is twice the height of the cube, or 2.5 times. When we lay in our first sketch in a pale yellow wash, we don’t worry if it isn’t exact, we can adjust it with the paint. Why don’t we draw it in pencil? This tool tends to confine our creativity, since we’re used to small movements for writing and filling in correct answers from our school days. It has an eraser, so we struggle to get it “right.” Then we don’t paint with our hearts, but mechanically fill in the lines of a paint by number design.

Last week I was sick, and when I came back from the dead, others were down for the count, working the polls, or working in the salt mines. Gail and I were the only ones in attendance. She’d had the benefit of doing this lesson before, so I suggested we take the setup as a springboard for our imagination. We looked at some modern architecture, which depend on geometric forms for their design interest. One that caught our eye was a simple stacked design of rectangular blocks in a smoky atmosphere: Charles Willard Moore’s “Late Entry to the Tribune Tower Competition, Perspective,” 1980.

Moore: Tribune Tower Entry

When we got busy painting, I put on Dvorak’s New World Symphony, since we were creating a new world for our new buildings to inhabit (the link below is to you tube, if you want to listen along). I also ate a few Girl Scout Samoas, since I bought several cookie boxes from Gail. They reside in the freezer now so I don’t eat them all before Easter. I’m sure Gail can supply you if you want cookies.

While painting, I often lose track of time, perhaps because I enter into this “other world” of my creation. I focus on the image I see and the image I paint on the canvas. My problems fade away, for all I can think about are how to bring the form closer to the foreground: do I need a lighter, brighter color or do I need to change the direction of my brush stroke too? I may need to darken the shape behind or the shadow below it to best evoke the depth of space. Sometimes just a line across the back is enough to set the objects in space, but if we’re trying to build a new world, we might have to indicate some form of landscape.

We talked about the science fiction movies which invent an entire language complete with syntax and vocabulary for the various peoples and architecture suitable for their worlds. If we lived on a planet of crystalline structures, we’d always see the individual parts of white light. Then we’d be people who analyzed the world about us and looked for multiple meanings in the simplest of sayings. If we lived on a hot desert world, we might yearn for cool, dark places, so caves would be our preferred dwelling places. There’s a home for each person, for as Jesus reminded his disciples in John 14:2—

“In my Father’s house there are many dwelling places.
If it were not so, would I have told you that I go to prepare a place for you?”

What is real, you ask, and what is true? What comes from the heart and mind of the artist is real and true. It may not be of high quality, but proficiency comes from putting your true self into your work, without holding back. As the hand gains competence, the heart and mind have to struggle to remain true to the unique person who creates the work. The great danger is we become proficient at pleasing others for the sake of fame or fortune. Then we make pretty pictures, which will decorate walls and match furniture, but we may not reach the depths of the human heart and emotion required to produce lasting works of art.

Martian Landscape

None of us in our art class are here for fame and glory, yet we are progressing as the weeks go by. I like the rich texture of Gail’s Martian landscape and the red dust filled atmosphere of her painting. The odd geometric shapes look right at home on the extra planetary body. My landscape has a spring fondant look of a non-Lenten pilgrimage hostel or BNB. If anyone wants to journey elsewhere, the road is open before us, and is limited only by our imagination. Art class is where we let our minds stretch to consider the impossible and then create a structure to take us there. This is why VISION, HOPE, and OPTIMISM are also part of the artist’s toolbox.

Unfinished Fondant Landscape

Trompe-l’œil Painting
https://jhna.org/articles/gerrit-dous-enchanting-trompe-loeil-virtuosity-agency-in-early-modern-collections/

Gerrit Dou, The Doctor, 1653, oil on panel, 49.3 x 37 cm. Kunsthistorisches Museum, Vienna, inv. no. GG 592. Photo credit: Erich Lessing / Art Resource, NY (artwork in the public domain)

Edward Munch: The Scream
https://www.edvardmunch.org/the-scream.jsp

Dvorak: New World Symphony
https://youtu.be/Qut5e3OfCvg

Rabbit! Rabbit!

arkansas, art, change, Faith, flowers, holidays, Love, Ministry, nature, purpose, rabbits, renewal, righteousness, Spring Equinox, St. Patrick’s Day, Uncategorized, United Methodist Church, vision

Beware the Ides of March

Change is the theme of March. We can count on the weather to vary, for old proverbs tell us, “In like a lion, out like a lamb.” The reverse holds true too. March is the boundary line between winter and spring, with the Vernal Equinox occurring March 19, 2020, at 10:50 pm Central Time.

Folklore tell us that you can balance a raw egg on its end on the equinox, something attributed to the Earth’s “balance” on that day. While this sounds like a fun activity, there’s no basis in fact that egg balancing is any easier on the equinox, according to NASA. The U.S. space agency conducted an unscientific experiment and found it was no easier to balance an egg on the equinox than on any other day. What did make it easier was finding an egg with small bumps on its shell, something that NASA said made the “seemingly impossible task achievable.”

Super Tuesday on March 3rd is the first coast to coast opportunity to select a presidential candidate to oppose the one currently in office. As I write this, every single TV commercial is a political one. We should be glad for this, for some countries don’t have this luxury. I hear a big rain event is forecast for Arkansas, so I recommend early voting, but not often voting. Remember we practice “one rabbit, one vote.” If you want to stuff a box, don’t let it be the ballot box, but fill a food drive box. While some rabbits do prosper in our economy, other rabbits still struggle due to health problems, job losses, or other difficulties in life.

Purim, beginning at sunset on March 10, marks the leadership of Queen Esther, who advocated to the king for her Jewish people, to protect them from a royal death decree back in the fourth century BCE, as told in the Book of Esther. The mark of a leader is to risk their own position to benefit those who are subject to injustice.

“For if you keep quiet at such a time as this, help and protection will come to the Jews from another quarter, but you and your father’s family will perish. Yet, who knows whether it was not for such a time as this that you were made queen?” (Additions to Esther 4:14)

On March 15th we celebrate the Ides of March. The Ides are nothing more than the name the Romans gave to the middle of the month, just as we get excited about Hump Day or the Weekend. Life moved slower back in BCE, but they didn’t have the internet and were still using ink and parchment. We first find the expression ‘Beware the Ides of March’ in Shakespeare’s Julius Caesar in 1601, when the soothsayer whispers to Julius Caesar a warning of his impending death. Shakespeare also added the famous retort to Caesar’s assassins, ‘Et tu, Brute?’ History records no words from Caesar when the dictator, who was launching a series of political and social reforms, was assassinated by a group of nobles in the Senate House on the Ides of March.

Tom Brady and the Future

Free Agency is another way to change leaders, and it’s far better plan than assassination, a practice only used in pirate and authoritarian organizations. March 18, at 4 pm ET begins the fruit basket turnover we know as Free Agency. Drew Brees and Tom Brady, quarterbacks who rank first and second on the all-time NFL passing touchdowns list, will both have the last two years of their current deals void on the eve of the new league year. While they’re the two oldest position players in pro football, new contracts in New Orleans and New England are likely. Even if those deals don’t come together, it’s possible either (or both) could retire.

In the United Methodist Church, springtime is appointment season. Clergy who’ve grown long in the tooth decide to retire, others change relationships to the annual conference due to health or geography, and then there’s the pulpits that need a pastor. While our church tends to move on a regular calendar nationwide, those denominations and congregations who call their own pastor need to seek one whenever they have a need and take the best of what’s available.

We can’t micromanage God.

Having been born a cradle Methodist, I prefer our way of sending new leadership. As my mother used to say, in one of her many unfiltered moments, “If you don’t like the preachers in the Methodist Church, think of them like the weather. They’ll change pretty soon, but don’t get your heart attached, for they’ll have to move on elsewhere. It’s their nature.” Of course, I’m not sure my mother ever had any filtered moments, but the rabbits always knew where they stood with her.

The Ides of March may be the sifting or winnowing date for the Democrats in their presidential primaries. The magic number to win the Democratic Party’s nomination for president is 1,991 delegates. It could take months to officially get there, but a total of 1,344 delegates will be allotted on Super Tuesday alone — about 33 percent of the total. Then 11 more state contests are up for grabs on March 10 and 17. By the time March 17 rolls around, 61 percent of the pledged delegates will be allotted.

We could either have a pretty good sense of who the Democratic nominee will be by the Ides of March, or the primary could still be contested, as it was in 2016. If the latter, the contests to decide the winner will happen from March 18 to June 6. Those three months will be when the remaining 39 percent of delegates will be allotted; the most important day in this stretch is April 28, when New York and Pennsylvania vote, among others.

Presidential candidates are all competing for a majority of 3,979 pledged delegates. Separately, there are also 771 automatic delegates, otherwise known as “superdelegates.” Again, it’s worth noting the biggest DNC rules changes were around superdelegates. The change stems from the tumultuous 2016 primary campaign, in which Sanders’ supporters accused the superdelegates of having too much influence over the outcome, since the overwhelming majority of them supported Clinton. That means these 771 superdelegates will not vote on the first ballot, unless there’s already a candidate with a supermajority of pledged delegates. While some hope for a contested convention, this rabbit thinks the end of the race will find fewer taking the checkered flag than after the Big One at Daytona International Speedway.

Not every hill is worth climbing or dying on.

Rabbits can help us find a better leadership style. The typical Rabbit Leader has the following characteristics:

  1. Typically chaotic
  2. Overwhelmed and running around
  3. Trying to do to many things at once, micromanaging
  4. Neglecting to delegate
  5. Always “busy” when people asked how it’s going.
  6. Definitely “late, for a very important date.”

Work expands to fill the time available, but working harder doesn’t always mean greater rewards. Working smarter, not harder, is the better choice. If we don’t take time to reflect, plan, dream, and vision for the future, we won’t give our best efforts to endeavors. I used to tell my team I didn’t need to have all the decisions run past me, such as flowers for Sunday, the acolytes, or the ushers’ names. They had responsibilities for these and didn’t need my second guessing their choices. I have only one brain, and it’s a very small funnel. It has a tendency to get clogged if too many details get crammed into it. I kept my eye on the big picture and the team helped me keep the day to day details filled in.

The Velveteen Rabbit reminds us to be the most effective leader, we need to be our real self and allow others to love us until we’re worn from use. It isn’t easy to be vulnerable, but this is the mark of a leader.

You are worthy of love. Allow others to love you.

‘Real isn’t how you are made,’ said the Skin Horse. ‘It’s a thing that happens to you. When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real.’
‘Does it hurt?’ asked the Rabbit.
‘Sometimes,’ said the Skin Horse, for he was always truthful. ‘When you are Real you don’t mind being hurt.’
‘Does it happen all at once, like being wound up,’ he asked, ‘or bit by bit?’
‘It doesn’t happen all at once,’ said the Skin Horse. ‘You become. It takes a long time. That is why it doesn’t often happen to people who break easily, or have sharp edges, or who have to be carefully kept. Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But these things don’t matter at all, because once you are Real you can’t be ugly, except to people who don’t understand.’

Spring is popping out all over, a bit earlier than normal.

We rabbits shouldn’t fear change, and certainly not in the month of March. We have the Romans to thank for the months of January and February. The God Janus was two faced, looking both forward and backward. February was a month of purification. March was the original first month of the Roman year. If the spring flowers and new leaves bursting forth from the frozen earth cause you to revision your goals for turning over a new leaf, now is the time for a change!

Plutarch wrote in the 1st CE, “It was also natural that Martius, dedicated to Mars, should be Romulus’s first (month) and Aprilis, named from Venus, or Aphrodite, his second month; in it they sacrifice to Venus, and the women bathe on the calends, or first day of it, with myrtle garlands on their heads. But others, because of its being p and not ph, will not allow of the derivation of this word from Aphrodite, but say it is called Aprilis from aperio, Latin for to open, because that this month is high spring, and opens and discloses the buds and flowers.”

Perhaps the greatest change in March all the rabbit denizens undergo in the neighborhood is on Saint Patrick’s Day. Suddenly everyone has kissed the Blarney Stone, or perhaps that’s the Guinness speaking. All wear a touch of green to avoid the pinch that turns them red. Every bunny is Irish for one day.

Enjoy Craft Beer in Hot Springs Brew Shops

If you visit Hot Springs, Arkansas, you can attend The First Ever 17th Annual World’s Shortest St. Patrick’s Day Parade, all 98 feet of Bridge Street! Foghat, the legendary rock band that created “Slow Ride” and other hits, will play a free public concert on Tuesday, March 17, 2020, immediately following the First Ever 17th Annual World’s Shortest St. Patrick’s Day Parade in downtown Hot Springs.

The day prior, Blues Traveler, the legendary rock band with 13 hit albums to its credit, will play a free concert on Monday, March 16, 2020, on the eve of the First Ever 17th Annual World’s Shortest St. Patrick’s Day Parade in downtown Hot Springs. And…the Dallas Cowboy Cheerleaders, plus local floats and marching groups. The Ides of March should beware the St. Patty Party at Hot Springs National Park, which was once known as Hot Springs Reservation. It was set aside in 1832 to protect the Park’s primary resource, the hot springs. This type of Reservation was an early version of the National Park idea. Hot Springs was actually the first area in the United States to be set aside for its natural features.

Until next time, every bunny stay well, get plenty of sleep, keep washing your hands, and remember March 8th begins DAYLIGHT SAVING TIME: Spring Forward and enjoy the extra hour of daylight in the late afternoon.

Joy and Peace,
Cornelia

Balance an egg on the Equinox. https://www.al.com/news/2019/03/spring-equinox-2019-official-first-day-of-spring-can-you-stand-an-egg-on-its-end-today.html

Ides of March Presidential Predictions and Delegate Tracker
https://www.vox.com/2020/2/5/21113779/2020-presidential-delegate-tracker

Democratic Superdelegates
https://www.cnn.com/2018/08/25/politics/democrats-superdelegates-voting-changes/index.html

Plutarch, “Nuna Pompilius,” C.E. 75
Sanctum Library: 8th-7th Century B.C.E.
Translated by John Dryden.
http://www.webexhibits.org/calendars/year-text-Plutarch.html

Hot Springs National Park
https://www.nps.gov/hosp/planyourvisit/basicinfo.htm

Mountains and Molehills

adult learning, art, Attitudes, beauty, Creativity, Faith, Fear, Imagination, Love, Ministry, Painting, purpose, renewal, Right Brain, righteousness, seashells, shadows, United Methodist Church, vision

I’m one of the world’s worst worriers. I can make a mountain out of a molehill. This doesn’t bode well for living life to the fullest, for none of us know for certain what’s coming up around the corner, much less further down the road. This knowledge paralyses some of us, so that some of us cannot make choices until we have more information.

The fear of making a poor choice keeps some of us confined to our beds, for what happens if we get out on the wrong side of the bed? Our whole day might be ruined. We’ll choose to stay in bed, rather than risk making this first bad choice of many. After all, there’s no sense of starting a day that will only go downhill from the gitgo.

In times of stress, I have repeated this sentence as if it were a mantra:
“There is no fear in love, but perfect love casts out fear;
for fear has to do with punishment,
and whoever fears has not reached perfection in love.”

~~ 1 John 4:18

When faced with a blank canvas, we all have choices. If we use a pencil to draw the shapes, then we try to fill in the exact lines, even though we may not have yet found the perfection of form of the object we are representing. I always recommend drawing the general shape of the subject matter with a brush dipped in a wash of yellow paint. This helps the artist do two things: set the general composition and forms on the canvas, and provide an opportunity to correct any first misperceptions, since the pale yellow is easily over painted.

Lines of a Landscape

Of course, most of us have not lived in a world of unconditional love, even in the church. We Methodists are traditionally called to go “onto perfection in love of God and neighbor until our hearts are so full of love, nothing else exists.” Judgement causes fear, so people are afraid to give what they have or to serve with their gifts, if others tell them how poorly they are doing.

In art class, we have a rule of positive critiques. First we find three constructive statements to make about a student’s work. Then we talk about what can be improved. It takes time to move people’s minds from thinking negatively about their own work, to believing positively in their capabilities to learn. In this aspect, I confess to a belief in “works righteousness,” for persistence will pay off. While we may not become Matisse or Michelangelo, we can enjoy the pleasures of color and the creative act of making art in our own way.

We had a full class last Friday when I brought a small still life. The objects were a small clay lamp from the Holy Land, a white stone scraper I found on an arrowhead hunt with my family, my grandmother’s darning egg, a stone fossil from my San Antonio neighborhood, and a leaf I picked up in the parking lot. Artists can make anything interesting, for we don’t need to have luxurious items for our subjects. Each person brought elements of their own personality to the subject at hand.

Mike is one of my repeat students, who loves texture and mixing colors. You can see he favored the lamp, the scraper, and the fossil, for these have these best rendering. The rest are suggested just enough to balance the others.

Mike Still Life

Erma is new to the class and comes from a mosaic background. Her shapes are true and carefully drawn. Working to get the dimensional qualities is a challenge for everyone. This comes from learning to see the light and darks. Last year the class had traditional perspective drawing classes. I may have to do this again for this group, now that I see where they are.

Erma Still Life

Tatiana has a fine drawing of the leaf and the fossil. Her colors are natural. Getting shapes down is the first goal. Later we’ll work on highlights and shadows.

Tatiana Still Life

I was glad to see Glenn back after his health issue. Can’t keep a good man down. He was in good humor the whole class and was a blessing to all of us. He got the basic shapes of the still life on the canvas. Next time, we’ll work on filling more of the canvas, so it won’t feel so lonely.

Glenn Still Life

Gail is on her second year of art classes. She’s either a glutton for punishment or she’s getting some pleasure from them. She is an example of persistence leading to improvement. Her objects are to scale, relative to each other. We see highlights from the light source, as well as the cast shadows, both of which emphasize the sense of solidity of the objects represented. She has marked off a front plane from the blue background.

Gail Still Life

Some say artists never use logic, or the left side of their brains, but I’d disagree with this. Back in the 1970’s, the commonly held theory was creativity’s location was in the right side of the brain, but today neuroscientists believe both logic and creativity use both sides of the brain at once. While speech and sight are located in certain areas, which if damaged, can affect these abilities, logic and creativity are spread out across many areas of the brain, says Dr. Kara D. Federmeier, who is a professor of psychology at the University of Illinois at Urbana-Champaign, where she’s also affiliated with the Neurosciences Program and The Beckman Institute for Advanced Science and Technology.

As we age, older adults tend to learn better how to be both logical AND creative. This may occur because this kind of a shift is helpful to bring extra processing resources to bear on a task to compensate for age-related declines in function. Or it might be a sign that the brain is simply less good at maintaining its youthful division of labor. Understanding hemispheric specialization is thus also important for discovering ways to help us all maintain better cognitive functioning with age.

Those folks who say “you can’t teach an old dog new tricks,” haven’t been to an art class. We don’t teach, we give opportunities to learn. Every day in my own studio, I learn something new about myself, the paint, my world, my calling, and my vision for the future. I never reach perfection, but at least I’m going on to perfection. My little still life has a mosaic quality, because I took an old canvas, which didn’t meet my expectations, and I sliced it up into evenly spaced vertical cuts. I took another poorly done old work, cut it up into horizontal strips and wove it into the first canvas. Then I painted over what was underneath. Yes, I had to pile the paint on thickly, but that gives it a rich effect, as opposed to a thinned out, watercolor feeling. While I made no clear line of demarcation, the color change denotes the difference between the table and the background.

Cornelia Still Life

I do not know what tomorrow will will bring, or what will come to life on the blank canvas before me. If we will trust the one who lived, died, and rose for us, we can live and work in perfect love every moment of our whole lives. I know I trust the word of our Lord who always will be there for us in our futures to make our mountains into molehills.

“But after I am raised up, I will go before you to Galilee.”
~~ Mark 14:28

https://www.npr.org/sections/13.7/2013/12/02/248089436/the-truth-about-the-left-brain-right-brain-relationship

The Character of a Methodist

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Love Knows No Fear

Wesley’s Historic Teaching on Holiness

John Wesley wrote extensively to teach the Methodists of his day the tenets of the faith. We teach seminarians the historic doctrines, but many think these are “dead ideas of a long ago world.” Wesley gave us 52 Standard Sermons and the Notes on the New Testament, both of which are part of our doctrinal standards. Today many believe as long as they can justify an idea by scripture, reason, tradition, and experience, they can believe anything they want regardless of our standards. Of course, Wesley himself believed scripture, reason, and tradition led to the experience of being a child of God, but that’s another story for another day.

  1. The first tract I ever wrote expressly on this subject was published in the latter end of this year. That none might be prejudiced before they read it, I gave it the indifferent title of “The Character of a Methodist.” In this I described a perfect Christian, placing in the front, “Not as though I had already attained.” Part of it I subjoin without any alteration: —

Loves the Lord with All the Heart
“A Methodist is one who loves the Lord his God with all his heart, with all his soul, with all his mind, and with all his strength. God is the joy of his heart, and the desire of his soul, which is continually crying, ‘Whom have I in heaven but thee? and there is none upon earth whom I desire besides thee.’ My God and my all! ‘Thou art the strength of my heart, and my portion for ever.’ He is therefore happy in God; yea, always happy, as having in him a well of water springing up unto everlasting life, and over-flowing his soul with peace and joy. Perfect love living now cast out fear, he rejoices evermore. Yea, his joy is full, and all his bones cry out, ‘Blessed be the God and Father of our Lord Jesus Christ, who, according to his abundant mercy, hath begotten me again unto a living hope of an inheritance incorruptible and undefiled, reserved in heaven for me.’

Good is the Will of the Lord
“And he, who hath this hope, thus full of immortality, in everything giveth thanks, as knowing this (whatsoever it is) is the will of God in Christ Jesus concerning him. From him therefore he cheerfully receives all, saying, ‘Good is the will of the Lord;’ and whether he giveth or taketh away, equally blessing the name of the Lord. Whether in ease or pain, whether in sickness or health, whether in life or death, he giveth thanks from the ground of the heart to Him who orders it for good; into whose hands he hath wholly committed his body and soul, ‘as into the hands of a faithful Creator.’ He is therefore anxiously ‘careful for nothing,’ as having ‘cast all his care on Him that careth for him;’ and ‘in all things’ resting on him, after ‘making’ his ‘request known to him with thanksgiving.’

Prays Without Ceasing
“For indeed he ‘prays without ceasing;’ at all times the language of his heart is this, ‘Unto thee is my mouth, though without a voice; and my silence speaketh unto thee.’ His heart is lifted up to God at all times, and in all places. In this he is never hindered, much less interrupted, by any person or thing. In retirement or company, in leisure, business, or conversation, his heart is ever with the Lord. Whether he lie down, or rise up, ‘God is in all his thoughts:’ He walks with God continually; having the loving eye of his soul fixed on him, and everywhere ‘seeing Him that is invisible.’

Loves the Neighbor as the Self
“And loving God, he ‘loves his neighbour as himself;’ he loves every man as his own soul. He loves his enemies, yea, and the enemies of God. And if it be not in his power to ‘do good to them that hate’ him, yet he ceases not to ‘pray for them,’ though they spurn his love, and still ‘despite. fully use him, and persecute him.’

Pure in Heart
“For he is ‘pure in heart.’ Love has purified his heart from envy, malice, wrath, and every unkind temper. It has cleansed him from pride, whereof ‘only cometh contention;’ and he hath now ‘put on bowels of mercies, kindness, humbleness of mind, meekness, long-suffering.’ And indeed all possible ground for contention, on his part, is cut off. For none can take from him what he desires, seeing he ‘loves not the world, nor any of the things of the world;’ but ‘all his desire is unto God, and to the remembrance of his name.’

Does the Will of God
“Agreeable to this his one desire, is this one design of his life; namely, ‘to do, not his own will, but the will of Him that sent him.’ His one intention at all times and in all places is, not to please himself, but Him whom his soul loveth. He hath a single eye; and because his ‘eye is single, his whole body is full of light. The whole is light, as when the bright shining of a candle doth enlighten the house.’ God reigns alone; all that is in the soul is ‘holiness to the Lord.’ There is not a motion in his heart but is according to his will. Every thought that arises points to him, and is in ‘obedience to the law of Christ.’

Tree Known by Fruits
“And the tree is known by its fruits. For, as he loves God, so he ‘keeps his commandments;’ not only some, or most of them, but all, from the least to the greatest. He is not content to ‘keep the whole law and offend in one point,’ but has in all points ‘a conscience void of offence towards God, and towards man.’ Whatever God has forbidden, he avoids; whatever God has enjoined, he does. ‘He runs the way of God’s commandments,’ now He bath set his heart at liberty. It is his glory and joy so to do; it is his daily crown of rejoicing, to ‘do the will of God on earth, as it is done in heaven.’

Keeping the Commandments
“All the commandments of God he accordingly keeps, and that with all his might; for his obedience is in proportion to his love, the source from whence it flows. And therefore, loving God with all his heart, he serves him with all his strength; he continually presents his soul and ‘body a living sacrifice, holy, acceptable to God;’ entirely and without reserve devoting himself, all he has, all he is, to his glory. All the talents he has, he constantly employs according to his Master’s will; every power and faculty of his soul, every member of his body.

Doing All to the Glory of God
“By consequence, ‘whatsoever he doeth, it is all to the glory of God.’ In all his employments of every kind, he not only aims at this, which is implied in having a single eye, but actually attains it; his business and his refreshments, as well as his prayers, all serve to this great end. Whether he ‘sit in the house, or walk by the way,’ whether he lie down, or rise up, he is promoting, in all he speaks or does, the one business of his life. Whether he put on his apparel, or labour, or eat and drink, or divert himself from too wasting labour, it all tends to advance the glory of God, by peace and good-will among men. His one invariable rule is this: ‘Whatsoever ye do, in word or deed, do it all in the name of the Lord Jesus, giving thanks to God, even the Father, through him.’

Running the Race, Not as the World Runs
“Nor do the customs of the world at all hinder his ‘ running the race which is set before him.’ He cannot therefore ‘lay up treasures upon earth,’ no more than he can take fire into his bosom. He cannot speak evil of his neighbour, any more than he can lie either for God or man. He cannot utter an unkind word of any one; for love keeps the door of his lips. He cannot ‘speak idle words; no corrupt conversation’ ever ‘comes out of his mouth;’ as is all that is not ‘good to the use of edifying,’ not fit to ‘minister grace to the hearers.’ But ‘whatsoever things are pure, whatsoever things are lovely, whatsoever things are’ justly ‘of good report,’ he thinks, speaks, and acts, ‘adorning the doctrine of God our Saviour in all things.'”

Lovely, Pure, Clean

Christian Perfection is Wesley’s Theme
These are the very words wherein I largely declared, for the first time, my sentiments of Christian perfection. And is it not easy to see, (1.) That this is the very point at which I aimed all along from the year 1725; and more determinately from the year 1730, when I began to be +homo unius libri,+ “a man of one book,” regarding none, comparatively, but the Bible? Is it not easy to see, (2.) That this is the very same doctrine which I believe and teach at this day; not adding one point, either to that inward or outward holiness which I maintained eight-and- thirty years ago? And it is the same which, by the grace of God, I have continued to teach from that time till now; as will appear to every impartial person from the extracts subjoined below.

Wesley goes on for some length, in his 18th century fondness for expositions. He’s not a modern blogger, but wrote for people who had time and leisure to read extensively. What I find most important for us Methodists today is his teaching about sin in believers, which is one of the points he makes strongly in the following sections.

Christian Perfection Explained
1.) In what sense Christians are not, (2.) In what sense they are, perfect.

“(1.) In what sense they are not. They are not perfect in knowledge. They are not free from ignorance, no, nor from mistake. We are no more to expect any living man to be infallible, than to be omniscient. They are not free from infirmities, such as weakness or slowness of understanding, irregular quickness or heaviness of imagination. Such in another kind are impropriety of language, ungracefulness of pronunciation; to which one- might add a thousand nameless defects, either in conversation or behaviour. From such infirmities as these none are perfectly freed till their spirits return to God; neither can we expect till then to be wholly freed from temptation; for ‘the servant is not above his master.’ But neither in this sense is there any absolute perfection on earth. There is no perfection of degrees, none which does not admit of a continual increase.

Christian Perfection means Sins Are Not Committed
“(2.) In what sense then are they perfect? Observe, we are not now speaking of babes in Christ, but adult Christians But even babes in Christ are so far perfect as not to commit sin. This St. John affirms expressly; and it cannot be disproved by the examples of the Old Testament. For what, if the holiest of the ancient Jews did sometimes commit sin? We cannot infer from hence, that ‘all Christians do and must commit sin as long as they live.’

Christians have the Holy Spirit
“The privileges of Christians are in nowise to be measured by what the Old Testament records concerning those who were under the Jewish dispensation; seeing the fulness of time is now come, the Holy Ghost is now given, the great salvation of God is now brought to men by the revelation of Jesus Christ. The kingdom of heaven is now set up on earth, concerning which the Spirit of God declared of old time, (so far is David from being the pattern or standard of Christian perfection,) ‘He that is feeble among them, at that day, shall be as David, and the house of David shall be as the angel of the Lord before them.’ (Zech. 12:8.)

Christ Cleanses Us from Unrighteousness
But St. John himself says, ‘If we say that we have no sin, we deceive ourselves;’ and, ‘If we say we have not sinned, we make him a liar, and his word is not in us.’

“I answer,
1.) The tenth verse fixes the sense of the eighth: ‘If we say we have no sin,’ in the former, being explained by, ‘If we say we have not sinned,’ in the latter, verse.

2.) The point under consideration is not, whether we have or have not sinned heretofore; and neither of these verses asserts that we do sin, or commit sin now.

3.) The ninth verse explains both the eighth and tenth: ‘If we confess our sins, he is faithful and just to forgive us our sins, and to cleanse us from all unrighteousness.’ As if he had said, ‘I have before affirmed, The blood of Christ cleanseth from all sin.’ And no man can say, ‘I need it not; I have 110 sin to be cleansed, from.’ ‘If we say, we have no sin, that ‘we have not sinned, we deceive ourselves,’ and make God a liar: But ‘if we confess our sins, he is faithful and just,’ not only ‘to forgive us our sins,’ but also ‘to cleanse us from all unrighteousness,’ that we may ‘go and sin no more.’ In conformity, therefore, both to the doctrine of St. John, and the whole tenor of the New Testament, we fix this conclusion: A Christian is so far perfect, as not to commit sin.

Good Trees don’t Produce Evil Fruits
“This is the glorious privilege of every Christian, yea, though he be but a babe in Christ. But it is only of grown Christians it can be affirmed, they are in such a sense perfect, as, Secondly, to be freed from evil thoughts and evil tempers. First, from evil or sinful thoughts. Indeed, whence should they spring? ‘Out of the heart of man,’ if at all, ‘proceed evil thoughts.’ If, therefore, the heart be no longer evil, then evil thoughts no longer proceed out of it: For ‘a good tree cannot bring forth evil fruit.’

Christ Lives in the Heart
“And as they are freed from evil thoughts, so likewise from evil tempers. Every one of these can say, with St. Paul, ‘I am crucified with Christ; nevertheless I live; yet not I, but Christ liveth in me;’ – – words that manifestly describe a deliverance from inward as well as from outward sin. This is expressed both negatively, ‘I live not,’ my evil nature, the body of sin, is destroyed; and positively, ‘Christ liveth in me,’ and therefore all that is holy, and just, and good. Indeed, both these, ‘Christ liveth in me,’ and, ‘I live not,’ are inseparably connected. For what communion hath light with darkness, or Christ with Belial?

Wesley was fond of quoting his brother Charles’ hymns in his writings:
“He walks in glorious liberty, To sin entirely dead:

The Truth, the Son hath made him free, And he is free indeed.”

Lessons for Methodists Today
Do we Methodists today understand this classic teaching on Christian Perfection overriding the ancient concept of justification over and over again? That idea implied we’re always in a state of corruption, so we constantly needed a sacrifice to make us right with God. Wesley taught justification by Christ, followed by the Spirit helping to refine us until we were entirely sanctified to be as Christ. This could happen in this life if we expected it and cooperated with the Spirit, but more likely the state came at the moment of death.

If we Methodists actually agreed on living out the “heart so full of love of God and neighbor that nothing else exists” motto, we’d not be listing the sins of others we find distasteful, but looking instead to shed God’s love abroad in the world.

Instead, we still attempt to keep the old laws, rather than the law of Christ’s faith, which proceeds from God’s love for the world. As Wesley writes,

Christ is the End of the Old Laws
“For Christ is the end of the Adamic, as well as the Mosaic, law. By his death, he hath put an end to both; he hath abolished both the one and the other, with regard to man; and the obligation to observe either the one or the other is vanished away. Nor is any man living bound to observe the Adamic more than the Mosaic law. [I mean, it is not the condition either of present or future salvation.]

“In the room of this, Christ hath established another, namely, the law of faith. Not every one that doeth, but every one that believeth, now receiveth righteousness, in the full sense of the word; that is, he is justified, sanctified, and glorified.”

Love is the Fulfillment of the Law
Q. 4. Is love the fulfilling of this law?

“A. Unquestionably it is. The whole law under which we now are, is fulfilled by love. (Rom. 13:9, 10.) Faith working or animated by love is all that God now requires of man. He has substituted (not sincerity, but) love, in the room of angelic perfection.

“Q. 5. How is ‘love the end of the commandment?’ (1 Tim. 1:5.)

“A. It is the end of every commandment of God. It is the point aimed at by the whole and every part of the Christian institution. The foundation is faith, purifying the heart; the end love, preserving a good conscience.

“Q. 6. What love is this?

“A. The loving the Lord our God with all our heart, mind, soul, and strength; and the loving our neighbour, every man, as ourselves, as our own souls.

DeLee: Resurrection Icon

Thoughts on the Future
The question for me is, how do we as Methodists retain our classical teachings and interpret them for our modern world? While some in fear want to move toward the exclusionary teachings of other faiths, Methodists have never lived in fear, for “perfect love drives out fear.” Yet some persist in excluding some for the sake of “the law,” as if the breaking of one law were more heinous than all the others.

Today in our congregations we have persons who’ve had serial divorces or cohabitate, plus those who gamble, drink excessively, mismanage personal funds, have babies out of wedlock, and are a public nuisance. You know who I’m talking about, but we love these folks and pray for them just the same. This isn’t right to include folks whose infirmities are in the straight world, but to exclude those who have the same problems just because they have a different sexual orientation. It’s not a choice for anyone who they love. It’s not a disease to be straight or gay. It is a problem if our hearts are closed and the love of God for all our neighbors isn’t filling our hearts to overflowing.

Wesley once said, “if your heart be as my heart, then give me your hand.” In a manner of speaking, we’re saying, if your experience is the same as my experience, let’s be partners. We think too much separates us, or there’s a rat between or among us, so no one extends their hand in fellowship. We distrust what we fear, for we don’t live in perfect love, but live instead according to the ways of the world.

The Quadrilateral Doesn’t Exist

But Scripture and tradition would not suffice without the good offices (positive and negative) of critical reason. Thus, he insisted on logical coherence and as an authorized referee in any contest between contrary positions or arguments. And yet, this was never enough. It was, as he knew for himself, the vital Christian experience of the assurance of one’s sins forgiven that clinched the matter. (24)

Scripture Alone is Not Enough

When challenged for his authority, on any question, his first appeal was to the Holy Bible… Even so, he was well aware that Scripture alone had rarely settled any controverted point of doctrine… Thus, though never as a substitute or corrective, he would also appeal to ‘the primitive church’ and to the Christian tradition at large as competent, complementary witnesses to ‘the meaning’ of this Scripture or that…

Doctrine of Assurance
This is Methodism’s gift to the world and the reason we can live in perfect love, which casts out all fear. We have the assurance of the forgiveness of sins and our adoption as sons and daughters of God, so that we are the joint heirs with Christ to all the innumerable riches of God’s inheritance. This isn’t just for a few, but for all who give themselves to Christ.

We humans aren’t allowed to say whom God forgives or who is worthy to be forgiven. That would put us smack onto the throne of god and make us a god. Then we would be worshipping our own selves, an act which would be the highest form of idolatry and worshipping the creature. God forbid we Methodists fall into this trap!

Notes:

24—https://www.amazon.com/Wesleyan-Theological-Heritage-Essays-Albert/dp/0310754712

Notes on the 1992 Report to General Conference: Scripture, Science, and Sexuality | Beyond General Conference | Asbury United Methodist Church—

https://www.visitasbury.org/beyond-general-conference/scripture-science-and-sexuality/

A PLAIN ACCOUNT OF CHRISTIAN PERFECTION by John Wesley—

https://www.whatsaiththescripture.com/Fellowship/Wesley.Christian.Perfectio.html

The Works of John Wesley, J and J Harper, 1827, free ebook.—

https://books.google.com/books/about/The_Works.html?id=PcWyAAAAMAAJ

Hope and Promise

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The new year is always full of hope and promise. If we only look backward, we see what was unfulfilled and unfinished. When I sold insurance, I always had a calendar with my name and phone number printed on it, as a promise to my clients I would be there for them in the coming year. When I taught art, my lesson planner was a guide for the school term. I could plan assignments, each of which would build the skills necessary to complete later and more difficult art projects. Some things you can’t rush. Teaching a child to cut on a fold doesn’t come easy. First they have to handle scissors, then cut on a line, and then be sure to hold the fold in their non cutting hand. It’s not a nursery school achievement, but a five year old should handle it with practice.

Even grownup artists should always be pushing their talents out to the frontiers of the unknown. Of course, when we do this, we’re like golfers who deconstruct their golf swing. It can get ugly for a while, but we have to have faith in the process and the promise of the better outcome on the other side. If we’re chained to the approval of the crowd and need the affirmation of sales or positive critiques, we might take the easy path and continue our “style.”

I could tell I was on the verge of a transformational moment last year, but I was physically run down, suffering from a low grade sinus and bronchial infection. I blame part of it on my inability to accept the image of myself as a sick person, who needs to rest. Also, I don’t want to admit I’m not Wonder Woman, even if I want to maintain this delusion as a fantasy. The golden lasso of truth appeals to me: I should be able to use this on anyone, to know their inner truth. Instead, I depend on the gift of spiritual discernment, which only works efficiently if one stays bound to the God who sends the Spirit into our hearts and minds.

Self Portrait as Wonder Woman

I can tell a real difference in works done when I’m sick and those done when I’m well. I labor over the brush strokes, I paint and repaint, and the results are staid and wooden. The dark evening clouds of my first painting this year belong to this group. This painting is most likely going to become one of the “woven works,” for it’s not satisfying my eye the longer I look at it. If it can’t last a month under my gaze, it’s definitely not ready for prime time.

Evening Sky

About ten days later, I painted the rainbow clouds over the lake. The medicine and my willingness to rest finally have had a positive effect. A sense of joy and delight pervades this canvas. If I could give a rainbow sky to everyone, I think we’d all be much happier.

Rainbow Sky

This little square painting is from an arial view of Hot Springs, at the Cornerstone Shopping Center. While it’s not an exact highway and street rendition, it does represent the green spaces near the roads and the mall. Since I do a lot of landscapes, I’m interested in the amount of green spaces our city has. Some people see these empty lots as potential sites for future real estate development, but Hot Springs can keep its health conscious reputation by conserving some of these green areas to keep our air clean.

Hot Springs: Cornerstone Shopping Center

I hope to stay well in the new year and to focus on my art more. If we are to “Love our neighbors as ourselves,” perhaps we need to truly learn to love ourselves more, so we can better love the neighbors and our neighborhoods.

Joy and Peace,

Cornelia

New Year, New Class

adult learning, art, Attitudes, change, cosmology, Creativity, Faith, flowers, Forgiveness, Habits, Imagination, Love, Ministry, New Year, Painting, renewal, righteousness, trees, vision

Happy New Year to everyone! I like nothing better than putting an old year down for the count, cleaning off my desk, and starting fresh. While I may be the same old gal, at least I have good intentions of improving myself over the next year. Since we have an extra day in 2020, I might meet my goal! My first act in the studio was to clean my palette, since it had an accumulation of color layers. I find the old colors distracting when I want to paint a new color scheme.

Gail: Oranges

I was glad to meet some new students at Oaklawn UMC, where I volunteer to teach an art class for adults on Fridays. In addition to Gail and Mike, who’ve learned my own language and now need minimal guidance, I’m blessed with some new folks who’ll get an opportunity to get out of their houses and into the creative spirit.

Erma: Floating Planets

Exploring the creative process is a wonderful way to come close to the God who created us in God’s own image. Since God is always creating, we who’re made in this image are also creating. Sometimes we make art, design homes, style our clothing choices, or plant gardens. Also we’re making families, cooking meals, or building birdhouses. Even in our sleep, we create a dreamworld unlike anything anyone else can imagine. We’re all artists, but most people quit thinking they can “do art” about the age of eight. This Is a sad commentary on peer pressure, but it also reflects our society’s preference for professional specialists. We tend to identify talent early and track students accordingly.

Glenn: Hearts and Flowers in a Circle

The practice of making art is beneficial at any age. Our goal doesn’t have to become the next Picasso or Michelangelo. In art class we learn new skills and put them to use in our own unique solution. This bolsters problem-solving skills and satisfaction that we can take into everyday life. I always tell my classes, “I expect everyone to find a different solution, since you’re all different personalities.” They never disappoint me!

Tatiana: Balloons

Art class gets us out of the house, so we’re not looking at our own four walls. It can help alleviate boredom and keep our minds busy, and may even help prevent feelings of depression. It also helps with hand-eye coordination, cognitive abilities, and concentration.

Pam: Midnight Moon

I’ve always subscribed to the “works righteousness” school of teaching art: those who work will improve more than those don’t. If we keep on working, over time, we’ll show improvements. This will foster self-esteem and self-awareness and cultivate emotional resilience. We have to trust the process.

Mike: I Dream of the Moon

When we critique a work, it’s not to criticize or only to give negative feedback. A work always has positive aspects, those parts which meet the goals of the day, and negative aspects, or room for improvement. Approached in this manner, students can grow in their skills because the critique reduces and resolves conflicts and distress, which comes from being judged, and it helps to promote insight into their work for the future. As an aside, it might even enhance social skills, if they begin to speak this way in their own conversations outside of class.

Art class isn’t about being the best artist in the room. It’s about the connections between creative choices we make and our inner life. Too many of us are so busy taking care of others, we haven’t time to listen to God or to ourselves. If we take two hours on a Friday to do this, we can touch the part of us that yearns to speak within the silence, and give voice to the creative spirit within our lives.

I hope I assigned the correct name to each person’s art. I may be old and could claim “sometimer’s disease,” but I have the school teacher’s DNA which causes me to mangle my students’ names for the first month. I’ve done this since I was in my 20’s, so I might be incurable. I can edit this, however, if I’ve accused folks wrongly. Doing Art is wonderful, for we learn from our mistakes, so they bring us closer to perfection, rather than diminishing our goodness.

Sea Change

art, Attitudes, change, cosmology, dark matter, Faith, Fear, Icons, incarnation, New Year, Reflection, renewal, Spirituality, vision, William Blake

Here at the beginning of the New Year of 2020, I’m taking time to reflect on the end of an age and the beginning of another. Some will begin the celebration of the new decade now since we’ve moved into the 20’s, but as the mathematicians will tell us, the numbering of years began with a 1, so the old decade ends in the zero year, and the new decade won’t begin for another year. I enjoy parties, so you can invite me to your party this year, and I’ll invite you to my party next year. Twice as much fun for everyone!

Each year brings new changes. We age, get married or divorced, or have children. My daughter, if she had lived, would now be as old as I was when I began my fifth career by answering the call and going to seminary. Time flies when you’re having fun, and it can plumb get away from you when your life is tipsy turvey. Yet, history tells us life has always been turbulent and we don’t live in extraordinary times. The world of the Bible, Shakespeare, and the poets remind us human nature has always been in conflict with God’s plans for peace.

William Blake: The Beast of the Second Coming

THE SECOND COMING
By William Butler Yeats

Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.

Surely some revelation is at hand;
Surely the Second Coming is at hand.
The Second Coming! Hardly are those words out
When a vast image out of Spiritus Mundi
Troubles my sight: somewhere in sands of the desert
A shape with lion body and the head of a man,
A gaze blank and pitiless as the sun,
Is moving its slow thighs, while all about it
Reel shadows of the indignant desert birds.
The darkness drops again; but now I know
That twenty centuries of stony sleep
Were vexed to nightmare by a rocking cradle,
And what rough beast, its hour come round at last,
Slouches towards Bethlehem to be born?

This poem ends with the famous lines, “And what rough beast, its hour come round at last, Slouches towards Bethlehem to be born?” Yeats wrote it in 1919, after the end of World War I. This date is significant, for we’re at the centennial celebration of this Great War, but also at a watershed moment in our modern life. H. G. Wells, the sci-fi writer, called it the “war to end all wars,” but later he thought any war was waged with the hope to end war forever.

Today our world seems to be falling apart once again. The center doesn’t seem to hold, but instead the voices of the extremes fill the sound waves and social media. Some of us want to escape under our covers, while others act out in rages. We in the middle keep praying, “Come Lord Jesus!”

Sea Changes are Inevitable
If we today are in a sea change, we should look back on the times of historic tumult. We need first to give credit to Shakespeare for creating the word and its current meaning in his play The Tempest, from 1610, in which ARIEL sings:

Full fathom five thy father lies;
Of his bones are coral made;
Those are pearls that were his eyes:
Nothing of him that doth fade
But doth suffer a sea-change
Into something rich and strange.
Sea-nymphs hourly ring his knell

Change to a Heliocentric Universe
During Shakespeare’s time, the most exciting sea change was the shift from the earth-centric universe to the heliocentric universe. Copernicus had proposed this earlier, but Galileo was able to prove it by direct observation once he had a working telescope. Galileo modified one of the early spyglasses used on ships and made a telescope from it. With it, he was able to see the mountains and craters of the moon, and study the planets as they crossed the sky.

Because the Catholic Church had taught for centuries the earth was the center of the universe, in 1616 Galileo was charged with the crime of heresy, or teaching false doctrines, because of his belief in a sun centered universe. When he published a book of proofs on Copernicus’ Theory in 1632, he was convicted again and sentenced to house arrest for his teachings.

New ideas are hard to accept by even the most learned persons in a generation. We have believed what we’ve known to be true for so long, our minds can’t even flex and bend to a new idea. Some say this is why we can’t teach an old dog new tricks, but that’s not always true. While some think Shakespeare may have known of Galileo’s treatise, Starry Messenger, others disagree. Reputable astronomers, theologians and poets in England continued to cogently defend Ptolemy’s earth centric universe well into the late 17th century.

Still, Shakespeare has his Hamlet dream of infinite space: “O God, I could be bounded in a nutshell and count myself a king of infinite space…” (2.2.55- 56).

Arabic Numerals “unwelcome” to a majority of Americans
Even today, we have difficulty accepting strange or foreign ideas. A recent poll asked, “Should Americans, as part of their school curriculum, learn Arabic numerals?” A Pittsburgh-based research firm CivicScience questioned 3,200 Americans recently in a poll seemingly about mathematics, but the outcome was a measure of students’ attitudes toward the Arab world. Some 56 percent of the respondents said, “No.” Fifteen percent had no opinion.

Those results, which quickly inspired more than 24,000 tweets, might have been sharply different had the pollsters explained what “Arabic numerals” are. There are 10 of them: 0, 1, 2, 3, 4, 5, 6, 7, 8 and 9.

HOW HAVE OUR IDEAS ABOUT GOD CHANGED ACROSS THE CENTURIES?
If Jesus is fully human and fully divine, can he be said to be male in the ordinary sense? When Jesus ascended into heaven, did his full human nature incorporate into the Holy Trinity? Also, does God the Father participate in the same human characteristics of earthly fathers, or is Father a title only which excludes the characteristics of Motherhood?

As we ask these engendered human questions about relationships in the spiritual realm, perhaps we are missing the mark entirely. If we project our human relationship experiences on the Holy Trinity, we attempt to make it in our own image. Instead, we’re called to look at the greater image and remake our own lives to conform with it.

A Closer Look at Engendered Language
This means we need to take a closer look at the language used across the centuries of Christian tradition. It has changed with the times, as people of faith have worked out what the faith means. The earliest years involved many of our great doctrines, but that doesn’t mean they’re fixed in concrete. As we revisit them in new contexts and with new insights, we might find fresh expressions of older ideas.

Much has been made over the years of Christian tradition of God the Father and the maleness of the Holy Trinity. Some say this was to separate Christianity from pagan religions, which had both sexes in their pantheon. The doctrine of the trinity also has roots in Greek philosophy. Inspired by the Timaeus of Plato, Philo read the Jewish Bible as teaching that God created the cosmos by his Word (logos), the first-born son of God. By further emanation from this Word, God creates all that there is by means of his creative power and his royal power (conceived of both as his powers, and yet as agents distinct from him) giving him, as it were, metaphysical distance from the material world.

Arian Heresy (The Son is a Creature)
Several hundred years later, in accordance with an earlier subordinationist theological tradition, Arius taught the Son of God was a creature, made by God from nothing a finite time ago. Some time around 318–21 CE, a controversy broke out, with Arius’ teaching opposed initially by his bishop Alexander of Alexandria (d. 326). Alexander examined and excommunicated Arius. Numerous churchmen, adhering to subordinationist traditions about the Son rallied to Arius’ side, while others who favored theologies holding to the eternal existence of the Son and his ontological equality (of the same substance and nature with the Father) joined his opponents. The dispute threatened to split the church, and a series of councils ensued, variously excommunicating and vindicating Arius and his defenders, or their opponents. Each side successively tried to win the favor of the then-current emperor, trying to manipulate imperial power to crush its opposition.

Council of Constantinople
By the time of the council of Constantinople (381 CE), an anti-subordinationist reading, vigorously championed by Alexandrian bishop Athanasius (d. 373) had the upper hand; homoousios was understood as asserting the Father and Son to not merely be similar beings, but in some sense one being. While it stopped short of saying that the Holy Spirit was homoousios with the Father and Son, the council did say that the Holy Spirit “is worshiped and glorified together with the Father and the Son”, and added in a letter accompanying their creed that the three share “a single Godhead and power and substance” (Leith 1982, 33; Tanner 1990, 24, 28). Over the ensuing period the same sorts of arguments used to promote the divinity of the Son, were reapplied to the Holy Spirit, and eventually inhibitions to applying homoousios to the Holy Spirit evaporated.

Icon of the Holy Trinity, also known as Abraham’s Hospitality

From the standpoint of later catholic orthodoxy, a key episode in this series occurred in 325, when the Emperor Constantine (ca. 280–337) convened a council of bishops and decreed the Father and Son were homoousios (of the same substance or essence). Arius and his party were excommunicated. The intended meaning of ousia here was far from clear, given the term’s complex history and use, and the failure of the council to disambiguate it (Stead 1994, 160–72). They most likely settled on the term because it was disagreeable to the party siding with Arius. This new and ambiguous formula fanned the flames of controversy, as subordinationists and anti-subordinationists understood the phrase differently when signing on to it, and later argued for conflicting interpretations of it.

Athanasius and others in the prevailing party argued the salvation of humans required the Son and Holy Spirit to be equally divine with the Father. This kind of argument depends on various controversial models of salvation, such as the one on which salvation involves the “deification” or “divinization” of humans, which can only be accomplished by one who is himself divine (Rusch 1980, 22–23).

Despite shifting convictions about what salvation is and how God accomplishes it, this basic sort of argument remains popular—that if Christ and/or the Holy Spirit were not in some sense “fully divine”, then humanity couldn’t be saved by their actions. One of the most currently popular arguments is our forgiveness by God, an infinitely valuable being, requires an atoning sacrifice of infinite value. Hence, Christ has to be fully divine, as only a fully divine being has infinite value. Also, Christ must be fully human in order to save all of our humanness. This is usually stated as “Christ became human that we might become divine.”

The Athanasian Creed
By the sixth century the Athanasian Creed, written by an anonymous author, announced this image of the Trinity:

The Father eternal, the Son eternal, and the Holy Spirit eternal.  And yet they are not three eternals, but one Eternal.
As also there are not three incomprehensibles, nor three uncreated, but one Uncreated, and one Incomprehensible.  So likewise the Father is Almighty, the Son Almighty, and the Holy Spirit Almighty.  And yet they are not three almighties, but one Almighty.
So the Father is God, the Son is God, and the Holy Spirit is God.  And yet they are not three gods, but one God.

St. John Chrysostom
St. John Chrysostom, who lived in the 5th century CE, called Christ our “friend, and member, and head, and brother, and sister, and mother”.

St. Anselm
St. Anselm, the 11th-century Archbishop of Canterbury, prayed to “Christ, my mother” and called God “the great mother”.

Julian of Norwich
Julian of Norwich, an English recluse, in her 14th-Century Revelations of Divine Love says: “Just as God is our Father, so God is also our Mother”. She talks about “our precious mother, Jesus”. She speaks of the Trinity, usually described as Father, Son and Holy Spirit, in these terms: “Our Father desires, our Mother operates, and our good Lord the Holy Ghost confirms”.

Modern Worship
As for the language of church services, some British denominations have gone ahead of the Church of England into inclusivity. The Methodist Church introduced a new service book in 1999 which uses both male and female language for God, “our Father and our Mother”. The United Reformed Church agreed in 1984 to use inclusive language in all its publications and last year its General Assembly called on all URC congregations to use “inclusive and expansive language and imagery in worship”.

Also some parts of Judaism are exploring more inclusive language for God. In 1975, in the US, Naomi Janowitz and Margaret Wenig produced a version of the prayer book Siddur Nashim, which used female pronouns and images for God. In 1996, Gates of Repentance, the High Holy Day prayer book of Reform Judaism, was published, calling God “sovereign” instead of “king”, and “source” or “parent” instead of father.

William Blake: Newton

There has been no comparable movement in Islam, which is less open to this kind of reinterpretation. Christianity and Judaism, however, seem to be in the process of a major continuing realignment. This sea change is comparable to the shift a century ago when the familiar Newtonian world collapsed and Einstein shook the scientific foundations with his Theory of Relativity.

The shift from Newtonian to General Relativity
The old empires and European houses which had thrived for centuries had collapsed into conflict, paving the way for a new world to emerge. Similarly, Einstein’s theories had set the world of science at each other’s throats. As The Observatory said: “Many eminent men of science had refused to accept Einstein’s theory; this was probably due in part to the upsetting of old and ingrained ideas that it caused.”

By the time Albert Einstein had corrected his mathematical mistakes and published the completed theory of general relativity, World War I was in full swing. Afterwards, Germany was in shambles, and too wrecked to mount expeditions to the distant parts of the world where an eclipse in 1919 would be visible. In the midst of war, with no peace plans in sight, Sir Arthur Eddington and Sir Frank Watson Dyson plunged ahead to prove Einstein’s theory. The war ended, and they brought back photographic evidence of the shift of light from the stars during the eclipse, which Einstein had predicted.

General relativity abandoned Newton’s idea that gravity is a force pulling objects together. It reimagined gravity as a warping of time and space — a distortion in the fabric of the universe. According to the mathematics of relativity, light traveling through this distortion will change its path, accommodating the universe’s warps and wefts. The more massive an object, the bigger the distortion, and the more its gravity can bend light.

Newton’s theory of gravity made a competing prediction, worked out in detail by a German astronomer in 1801. His math suggested a shift only half as large, based on the notion that the force of the sun’s gravity would pull on the distant stars’ light particles.

Still, general relativity itself wasn’t immediately accepted. Some scientists had trouble understanding it. “The complications of the theory of relativity are altogether too much for my comprehension,” American astronomer George Ellery Hale confessed in a letter, which also celebrated the results from the 1919 eclipse. Others looked for alternative explanations for the moving stars, clinging to Newton’s vision of the universe.

However, Lick astronomers confirmed relativity again during the 1922 and 1923 eclipse observations in Australia and Mexico. Meanwhile, observations of the star Sirius B seemed to support another prediction, that the gravity of stars stretches the light waves they emit. Quasars, which send out powerful radio waves, also confirm Einstein’s theory of general relativity, for astronomers can measure how the sun bends those radio waves.

Read below an interesting poem, written by Sir Arthur Eddington, director of the Cambridge Observatory, who was a math prodigy and devout Quaker. Ready to be imprisoned as a conscientious objector, Eddington, like Einstein, believed in pacifism. He had acquired a copy of Einstein’s theory and was one of the few English-speaking scientists who had a thorough understanding of general relativity. He teamed up with Astronomer Royal Sir Frank Watson Dyson to persuade his nation in 1919 to put relativity to the test.

A Poem by Sir Arthur Eddington
Oh leave the Wise our measures to collate
One thing at least is certain, LIGHT has WEIGHT,
One thing is certain, and the rest debate —
Light-rays, when near the Sun, DO NOT GO STRAIGHT.

Discovery of The Dark Side
Now scientists believe only 5% of the universe is matter, but the rest of the universe is made up of dark matter and dark energy, both of which are hard to quantify. Yes, this is a sea change that rocks our fragile boats on the very large ocean of space. Once upon a time, we human creatures thought we had knowledge locked down, but now we’ve discovered once again, we know even less than Shakespeare did. We have the whole brave, new world before us, and may we be good enough to inherit it.

NOTES:

When does the Decade begin and end?

Athanasian Creed
https://carm.org/athanasian-creed-500-ad

Einstein and Relativity
http://discovermagazine.com/2019/may/why-it-took-the-1919-solar-eclipse-for-physicists-to-believe-einstein?utm_source=dsctwitter&utm_medium=social&utm_campaign=dsctwitter

Historic quotes
https://www.bbc.com/news/magazine-32960507

WHAT DID SHAKESPEARE KNOW ABOUT COPERNICANISM?
By ALAN S. WEBER
https://www.degruyter.com/downloadpdf/j/rjes.2012.9.issue-1/v10319-012-0031-x/v10319-012-0031-x.pdf

Arabic Numbers Poll
https://www.nytimes.com/2019/06/04/opinion/arabic-numerals.html?smid=nytcore-ios-share

Shakespeare: The Tempest

https://absoluteshakespeare.com/guides/tempest/commentary/act_v.htm

ICONS OF THE NATIVITY

adult learning, art, Christmas, Creativity, Faith, grief, Health, holidays, Icons, Meditation, Ministry, mystery, Reflection, Spirituality, vision, Work

Icon of the Nativity

What is the most important image of the birthplace of Christ? For some of us, it’s a stable filled with hay and animals, in which the Holy Family fill with divine light. For others, the essence is the Holy Family alone. For others, those who brought various gifts take prominence. The early icons describe a dark cave, similar to the tomb in which Christ was laid after his crucifixion. This shouldn’t surprise us, for his birth made him at-one-with-us, just as his death and resurrection made at-one-ment for us. If a picture is worth a thousand words, the icons are worth a million words, or a whole theological thesis.

The cave, manger, and swaddling clothes are indications of the kenosis (emptying) of the Godhead, His abasement, and the utter humility of Him who, invisible in His nature, became visible in the flesh for humanity’s sake, was born in a cave, wrapped in swaddling clothes, and thus foreshadowed His death and burial, in the sepulcher and the burial clothes.

Icon of the Burial of Christ

The icons are a window into the holy spaces, into the heavenly realm, or the spiritual world, whereas western paintings from the renaissance onward are representations of our three dimensional world on a flat surface. Icons have their own vocabulary and forms, so a wonder working icon from the 4th century would be copied over and over again into the present age. Modern icon painters would reinterpret the themes of the ancient icons, but until these images prove themselves to be “spiritual windows,” they’ll be mere paintings, but they won’t be true icons.

In the western world, we’re more likely to consider the narrative in traditional art, so the story details are as important as the design and color elements. Over the centuries the style changes with the artists,, but the main elements tend to stay the same.

Durer, Perspective Nativity

With the Renaissance, artists and their patrons were more interested in the humanity of Christ, as well as the human figure itself. The landscape gets rendered in all its glory, and the architecture of the towns calls us to take a walking tour through it. By the baroque period, artists create a full scale Broadway production scene on their canvases. A “cast of thousands” seem to heighten the importance of the event portrayed.

Rogier van der Weyden, Nativity with the Donor Pieter Bladelin

Our class worked these past two weeks on The Nativity. Gail’s memory of her family incubating a premature baby in a dresser drawer became her Jesus in the Manger. While this may sound strange to some folks, my great grandparents also nursed a premie in this same manner in rural Louisiana. Adding layers of color to her ground, as Rothko did in his color field paintings, was her goal. I failed to get another photo. She’s still working on it.

And they laid him in a dresser drawer, for he was too small for a crib

Mike was working on a shed and the sky. This was more exciting to him than anything else. The figures came later. I also failed to photo them.

First stage of the Nativity shed

He had a coworker pass away during this time. If his mind wasn’t in this work completely, I could understand. His vacation painting of the beach chair at sunset was more of what he can do when his mind is free and his heart is at peace.

Vacation is really great

When I’m sick, I have limited artistic ability. By this, I mean I have no spiritual sensitivity to the world. I can’t feel connected to the shapes, colors, or forms. I’m “dead to this world” as well to the world beyond this one. My hand feels like lead, and my one brain cell which hasn’t gone to Pluto is only working at 20% power. I don’t do sick well, for I take it as a great inconvenience, if not an insult to my nature. I have people to see and paintings to make. I may destroy this little work, but it does have the traditional icon themes of the cave and the swaddling clothes of the birth and death of Christ.

Nativity in a Nimbus

When we go back and sit before an icon, we’re struck by the silent voice of the image. We have a choice: we can dismiss this still, small voice, or we can pause and listen to the voice of God speaking to our heart. I hope we don’t race off to do yet one more of the many “got to do lists” of the Christmas season, but sit for a moment, with a hot cup of our favorite beverage and a little cookie, and mingle with the mystical voices from heaven. We will be choosing the better part, just as Jesus said to Martha, “You are worried and distracted by many things; there is need of only one thing. Mary has chosen the better part, which will not be taken away from her.” (Luke 10:38-42)

NOTES:

Best source for Icons: Ouspensky & Lossky, The Meaning of Icons

Rogier van der Weyden, Nativity with the Donor Pieter Bladelin, center panel of the Middleburg (Bladelin) Altarpiece, ca. 1445, oil on panel, 91 x 89 cm. Gemäldegalerie, Staatliche Museen zu Berlin, Berlin, inv. no. Nr. 535 (artwork in the public domain)