Music of the Spheres

adult learning, Aristotle, art, color Wheel, Creativity, Faith, Holy Spirit, Horeb, Icarus, Imagination, nature, Painting, Prayer, Pythagorean Cosmology, Silence, Spirituality, vision

One of my favorite hymns growing up in the church was “This Is My Father’s World,” by Maltbie D. Babcock, a Presbyterian minister. Written in 1901, to the tune Terra Beata, or Blessed Earth, the song was originally a traditional English folk tune, but composer Franklin L. Sheppard arranged a variation specifically for this text. This hymn and “The Church in the Valley in the Wildwood” were my mother’s and my grandmother’s two favorites to sing. I loved them both also because of their location in nature.

This is my Father’s world,
And to my listening ears
All nature sings, and round me rings
The music of the spheres.
This is my Father’s world:
I rest me in the thought
Of rocks and trees, of skies and seas–
His hand the wonders wrought.

As Paul wrote in Romans 1:20—

“Ever since the creation of the world (God’s) eternal power and divine nature, invisible though they are, have been understood and seen through the things (God) has made.”

Tracing history backwards from the 1st CE, the Pythagoreans (active from the late 6th to the mid 5th century BCE) thought the music of the spheres was an ethereal harmony produced by the vibration of the celestial spheres.

Aristotle said the Pythagoreans believed things are numbers or they are made out of numbers by noticing more similarities between things and numbers than between things and the elements, such as fire and water, as adopted by earlier thinkers. The Pythagoreans thus concluded things were numbers or were made of numbers. Therefore, the principles of numbers, the odd and the even, are the principles of all things. The odd was limited and the even was unlimited.

Aristotle criticized the Pythagoreans for being so enamored of numerical order that they imposed it on the world even where it wasn’t suggested by the phenomena. Thus, appearances suggested there were nine heavenly bodies orbiting in the heavens but, since they regarded ten as the perfect number, they supposed there must be a tenth heavenly body, the counter-earth, which we cannot see.

Pythagoreans presented the principles of reality as consisting of ten pairs of opposites:

1. limited—unlimited

2. odd—even

3. unity—plurality

4. right—left

5. male—female

6. rest—motion

7. straight—crooked

8. light—darkness

9. good—bad

10. square—oblong

In art we have similar categories which we use to create dynamic images. If our painting is all of one value—all white, all black, or all middle value—it lacks visual interest. We are drawn to images which have contrasting values covering multiple values. As with everything, too much of a good thing can become a bad thing! In medicine, a small dose of Botox can make wrinkles disappear, but a large dose could poison a person. As I tell folks, some things require experts, not DIY practitioners.

The Middle Path is safest and best—
Unknown Artist: The fall of Icarus., Fresco of the Third style from Pompeii, 50—75 CE. (H. 35.5, W. 34.5 cm.),
London, British Museum.

I’ve probably mentioned before my encounter with the Hostess chocolate cupcakes. When I realized I could buy a whole box for slightly more money than a package of two tiny cakes, of course my starving art school student budget sprung for the box. That’s when I ate chocolate cupcakes for breakfast, lunch and dinner. By the end of that box, I was cured of my chocolate cupcake desire for a very long time. This is a classic case of “too much of a good thing,” or “knowing when to stop.” The Greeks recognized the need to curb human behavior of our “all or nothing” thinking by prescribing the idea of the Golden Mean, or “nothing to excess.” I definitely went to excess on my cupcake journey.

Mies van der Rohe’s Tugendhat Armchair was designed for the Tugendhat House in Brno, the Czech Republic in 1929 and is one of several different furniture pieces designed for the home of Greta Weiss and Fritz Tugendhat. In the design of the home, Mies designed nearly every detail down to the furniture used. He also prescribed the placement of each furniture piece in the home to maintain spatial composition.

Mies van der Rohe, whose architecture and furniture design exemplified his style, “less is more,” never reduced his work to nothing. His work was faithful to the new industrial materials of steel and glass being used in skyscrapers. Our excess in art is never to nothingness, but we don’t over elaborate or over decorate, just for the sake of filling the space.

So, what do we do and how we proceed? When faced with the challenge of all we see before us, what do we select to make our images? I believe this is where the creating Spirit comes into play, for we can walk past a tree all day long, but on a certain day, the tree comes alive for us. When Moses was herding his father-in-law’s sheep out in the wilderness, his mind was on the sheep, his current family, and his past life and deeds. Scripture doesn’t tell us how long the bush burned on that mountain before Moses noticed it and said, “I must turn aside and look at this great sight, and see why the bush is not burned up.” (Exodus 3:3)

Likewise, we walk past inspiring images daily when we’re preoccupied with our day-to-day concerns. We also have difficulty finding time to create because others want our attention first. One of my seminary professors lectured us in class about taking time to keep our spiritual lives front and center as we moved through school and our church appointments. She said our spouses and children would want to be first, plus our congregations also would want to be first. We’d most likely want to put our careers first to get a bigger steeple or to please our supervisors. However, if we put anything or anyone before God, our spiritual lives would suffer, and like dominos, everything else would fall also. “Many are called, but few are chosen,” as Jesus says in Matthew 22:14.

In art as in life, we need to be deeply rooted in the life of the Spirit. I can tell when I’m going through the motions, but I keep on painting, for I figure I’ll at least learn something from my adequate work, so I’ll be found ready when the creative Spirit strikes. Sometimes I’m more present to the cares and concerns of this world and my work suffers for it. Other times, I’m under the creating power of a Greater Power and my work is altogether more inspired because of that energy. We’d all be more vigorous and creative in our everyday lives if we spent more time in prayer, contemplation, and searching the scriptures to hear God’s voice speak in the silent corners of our hearts and minds.

Last week, only Mike and I showed up for art class. Everyone else was either tied up with doctor appointments or at home with rehab or otherwise occupied. Mike and I explored making different colors with the 8 Color Prang Watercolor Set. We can make interesting colors by combining the complementary colors or the tertiary colors. Mike’s first landscape painting got the energies of his competing needs out of the way.

As in journaling, we often need to make a habit of writing our thoughts so our deepest feelings can get expressed. He began a second painting with more focus on the goal of mixing new colors.

I started my painting with the circles by using yellow watercolor to outline intersecting circles of the same size on my paper. Then I mixed some primary colors together, some secondary colors together and some tertiary colors together. I painted different sections of the overlapping circles. Some of the paint I thinned to a wash, and others I laid on fully. When I got home, I painted in the background, allowing some areas to be a wash and other parts to be thicker.

Music of the Spheres: Creation Energy, acrylic

I finished at home an acrylic painting, which explores some of the same themes as the watercolors we’ve worked on in class. In this I used various material with different textures for my spheres. One of the circles is more three dimensional because it’s from a handmade cloth mask left over from the pandemic. I painted parts of it, also. The background has lines of “energy” all about.

While the Pythagoreans attempted to see unity and harmony in the creation in numbers, our Judeo-Christian faith recognizes God as creator of nature and nature revealing the Creator. One of the best texts to understand this distinction is 1 Kings 19: 11-13, in which Elijah meets the LORD on the mountain at Horeb:

(God) said, “Go out and stand on the mountain before the LORD, for the LORD is about to pass by.” Now there was a great wind, so strong that it was splitting mountains and breaking rocks in pieces before the LORD, but the LORD was not in the wind; and after the wind an earthquake, but the LORD was not in the earthquake; and after the earthquake a fire, but the LORD was not in the fire; and after the fire a sound of sheer silence.

When Elijah heard it, he wrapped his face in his mantle and went out and stood at the entrance of the cave. Then there came a voice to him that said, “What are you doing here, Elijah?”

No one has ever heard the music of the spheres, and the voice of God arrives in the sound of sheer silence. Perhaps that “polar opposite” of the Pythagorean’s world view was on to something after all. If we’re very quiet and still, we may hear both the music of the spheres and the voice of God in the great silence.

Joy and peace,

Cornelia

This Is My Father’s World | Hymnary.org

https://hymnary.org/text/this_is_my_fathers_world_and_to_my

Counterfeit Version of Botox Found in Multiple States | FDA

https://www.fda.gov/drugs/drug-safety-and-availability/counterfeit-version-botox-found-multiple-states

Pythagoreanism (Stanford Encyclopedia of Philosophy)

https://plato.stanford.edu/entries/pythagoreanism/

Great American Eclipse Paintings

adult learning, art, Creativity, Faith, Great American Eclipse, Imagination, inspiration, Love, Ministry, nature, Painting, photography, salvation, Spirituality, vision

After the Great American Eclipse, I’m reminded once again how great and wide is the love of our God. We say, “Our God,” as if we could own or possess the one who holds us, since God is beyond our knowing or possession. We can own a boat, a house, or a work of art. In the bad old days before the Civil War in America, people once owned other human beings. We fought a mighty conflict so our nation could be made up of free people, all of whom have equal rights. Unfortunately, not all have equal opportunity.

In America, we are so privileged, we often look at most everything through red, white, and blue lenses. We don’t take off our “American eyes” to see as God sees. To make this point, the Great American Eclipse actually began over the Pacific Ocean, so perhaps whales and sea birds would have been the first to experience it. When the eclipse reached land in Mexico, those in Mazatlán saw it before anyone in Texas did. I have lived in Texas, so I know they like to be the “first, best, and biggest” in everything, so they’ll ignore the fact this eclipse actually was seen by others first.

We don’t need to be first or best to deserve God’s love and providence. God proves God’s love for us every day the sun rises and sets. God gives us the rain in its season and grass for the herds to feed upon. We don’t have to exclude others to get God’s love, for God’s love is wide enough to include all. A God, who can call an entire universe into being with just a word, has the infinite resources to love all fully and completely. We are the finite ones, having limited resources and understanding, who find the need to limit God’s love to a few.

We tend to think in human terms of competition, in which one person gets a blue ribbon or a trophy and everyone else is a “loser.” That’s the Rickey Bobby of Talladega Nights school of theology. God made the entire universe, even tiny Pluto, which our astronomers demoted from planet status to a dwarf planet in the Kuiper Belt. Just because we relegated Pluto to a minor status doesn’t mean God diminishes God’s love, care, and concern for God’s creation.

Bill Maxey: Total Eclipse at Hot Springs AR

When we have the opportunity to view an awesome event of creation, such as a total eclipse of the sun, we have to consider ourselves privileged to be alive and part of God’s care. When the moon fully covers the sun and darkness falls upon the face of the earth where you stand, the cool air touches your skin, and your heart burns within. The excitement and rush of energy is so great I had to shout! I’ve heard some people cry. I guess I’m an exuberant sort.

On 20 August 1892, “The Times” published an article by Kipling, “Half-a-Dozen Pictures”: it was one of a series of travel articles called From Tideway to Tideway. The article described a visit to an art gallery and Kipling’s reflections on the failure of most painters to match the beauty and vitality of the world around them. He offered some attractive verbal sketches of his own, though it wasn’t part of his purpose to contrast the approaches to nature of writers and painters. His main concern was to urge artists of all kinds to get out and see the world for themselves: (Letters of Travel 1892-1913 p. 40):

Now, disregarding these things and others – wonders and miracles all – men are content to sit in studios and, by light that is not light, to fake subjects from pots and pans and rags and bricks that are called “pieces of color”. Their collection of rubbish costs in the end quite as much as a ticket, a first-class one, to new worlds where the “props” are given away with the sunshine. (Letters of Travel 1892-1913 p.77).

Eight days later, the same article was published in the New York Sun. This time it closed with the untitled poem ‘When Earth’s Last Picture is Painted…’ which changed the article’s emphasis from an exhortation to artists to become travelers and pioneers, to what sounds very much like a manifesto for realism in art:

“And only Rembrandt shall teach us, and only Van Dyck shall blame:

And no one shall work for money, and no one shall work for fame,

But each for the joy of working, and each, in his separate star,

Shall draw the Thing as he sees It for the God of Things as They are!”

Four years later, Kipling changed the first line of that stanza to:

“And only the Master shall praise us, and only the Master shall blame,”

Kipling, the son of an artist, knew the true joy in life comes from one’s dedication to whatever work is in hand, and the task of the Artist is to convey to others the excitement and wonder of an expanding world. By changing the last line from artists’ names to the Master, Kipling heightened the spirituality of his poem. The artist’s task isn’t merely to render a faithful image of the landscape or person before them, but to bring forth all the inner energies and personality they see and feel.

Cornelia DeLee: Memory of the Last Great Eclipse, acrylic on canvas, 12” x 24”

This is why we don’t copy nature, since it’s three dimensional and we have a two-dimensional surface on which we make our marks to represent what we see. Perspective is our visual language to fool the eye into believing our flat surface has depth. Often we paint abstract shapes and colors because these are the best means to convey our emotions about an experience. Photography captures one way of seeing, but painting can render emotions with brush strokes and colors.

Cornelia DeLee: Door to Another Reality in the Eclipse, acrylic on canvas, 18” x 24”

I subscribe to a wonderful poetry series by Steve Garnaas-Holmes, which I receive daily. This poem’s theme of universal love spoke to me as I felt the in-flooding joy of God’s creating power during the Great American Eclipse:

I have other sheep that do not belong to this fold. I must bring them also, and they will listen to my voice. —John 10.16

We think we’re being open-minded
when we include “all of us,” Protestant and Catholic,
Orthodox and Coptic, as if we see the whole landscape.
But the pasture and the Shepherd are far greater than that.
Believer, unbeliever and other-believer alike
are all shepherded, each in their own language.
And still there are more, and more other, sheep.
Like, well, sheep.
Do not the deer and otter, whale and fungus
follow the Shepherd faithfully?
Is not the bird migrating its continents shepherded as well?
Christ is not the partisan figurehead of a religion,
Christ is the infinite embodied grace of God,
the Shepherd of all Creation,
who leads rivers to the sea and winter into spring
and each of us into life.
So there are still other, and more “other,” sheep.
For Copernicus isn’t done with us yet:
we admit the sun doesn’t revolve around the earth,
but we still think God does.
No, little one: we are in a small corner.
Yet even the far galaxies,
the trillion trillions of stars and their planets,
and yes, their doubtless forms of life,
are also under the calm eye of the Shepherd,
and follow the Shepherd’s voice.
All of us, Baptist and Sufi, fish, bug and bird,
earthling and alien, village and nebula, all are one flock. One.
And, behold, even on the remotest planet
in the farthest flung galaxy—like ours—
or the most desolate spot in a life like yours,
under the loving gaze of the Shepherd who seeks out the one,
there is no one who is not at the center.

May you each find joy in your working, each in your separate stars, and draw the Thing as you see It, for the God of Things as They are!

Not only can God watch the sparrow, but also all the many suns and planets of creation.

Joy and peace,

Cornelia

When Earth’s last picture is painted – The Kipling Society

When Earth’s last picture is painted

Steve Garnaas-Holmes: Unfolding Light
www.unfoldinglight.net

Total Eclipse of the Heart

adult learning, arkansas, art, Astrology, cosmology, Creativity, Faith, Great American Eclipse, Imagination, inspiration, Light of the World, Love, mystery, nature, Painting, photography, shadows, Spirituality, Travel, Uncategorized, vision

In the Bonnie Tyler song, “Total Eclipse of the Heart,” her rock and roll soul pines for a young man as she sings:

“Every now and then

I know there’s no one in the universe

As magical and wondrous as you.”

Love struck teen heart ballads tend to elevate the beloved to a high pedestal, while hymns lift the praises of God to the highest heavens. If we look at John Wesley’s Notes on the New Testament, one of the doctrinal standards of the United Methodist Church, his commentary on 2 Corinthians 4:6 (KJV) is instructive:

“For God, who commanded the light to shine out of darkness, hath shined in our hearts, to give the light of the knowledge of the glory of God in the face of Jesus Christ.”

We might be more familiar with this verse in the NRSV, a more modern translation, which wasn’t available in the middle of the 18^th century:

For it is the God who said, “Let light shine out of darkness,” who has shone in our hearts to give the light of the knowledge of the glory of God in the face of Jesus Christ.

Bailey’s Ring, from an earlier total eclipse over the South Pacific Ocean

Wesley’s commentary in his Notes on this text is succinct:

For God hath shined in our hearts—The hearts of all those whom the God of this world no longer blinds.
God who is himself our light; not only the author of light, but also the fountain of it.
To enlighten us with the knowledge of the glory of God—Of his glorious love, and of his glorious image.
In the face of Jesus Christ—Which reflects his glory in another manner than the face of Moses did.

What do the Total Eclipse of the Heart and Paul’s words to the Corinthian community have to do with art and faith? We’ve just experienced, what was for most of us, was a once in a lifetime experience. The last time a total solar eclipse was visible across the entire continent was in June 1918, when a total solar eclipse was visible from Washington to Florida, according to the US parks service. Nearly 100 years passed until this present Great American Eclipse.

At the 1878 total eclipse, Maria Mitchell led the Vassar College eclipse party, an all-female expedition from that pioneering women’s institution, which came to Denver in an era when science was a male bastion. Even higher education was deemed risky for the “fairer sex.” In 1873, the prominent Boston physician Edward H. Clarke had warned in an incendiary book titled “Sex in Education,” that the recent push for female colleges and coeducation could undermine women’s health by taxing their brains and causing their reproductive organs to atrophy — leading to “a dropping out of maternal instincts, and an appearance of Amazonian coarseness and force.” Nearly 150 years later some men still concern themselves with outmoded and 19th century views on women’s health concerns.

I drove over four hundred miles to Kentucky in 2017 for the prior Great American Eclipse and got to stay home to see this second Great American Eclipse in my own front yard. Some folks couldn’t have been bothered about this current grand event, while others were convinced God was informing America of her impending doom. Moreover, multiple conspiracy theories abounded, none of which came true, of course. For instance, the world didn’t come to an end and our cell phones still work. Even the electric grid held up, even though the sun didn’t shine for all of a few minutes as the shadow traveled at over 1,600 miles per hour as it raced along the path of totality. This wasn’t even Y2K, which we all remember was a nonstarter at least and a dud at best.

In art class Friday Tim and I talked about the experience of this celestial event. We humans often elevate our own importance when we measure ourselves against one another and the works of our hands. When we go out into nature, we’re faced with the grandeur of God’s creation, especially when we visit the Grand Canyon or Niagara Falls. In Psalms 19:1, we read:

“The heavens are telling the glory of God; and the firmament proclaims his handiwork.”

We see the beauty of nature and feel a warmth in our hearts. Our spirits soar. This intimacy with nature is one of the reasons we send our children to our United Methodist Church Camps, not just because they’ll have a great Christian experience, but because they’ll have that faith experience in nature with trusted leaders. I still remember my adventures and experiences in nature at those camps as part of my spiritual journey.

Even in seminary, when I was having difficulty with some of my courses, I could go for a walk on the campus under the tree lined walks and search the skies for hopeful signs. Sometimes I saw the towering cumulus clouds in the Texas sky as a sign God was with me “in the cloud by day.” In those times of difficulty, even the cloistered realm of preparation seemed like a wilderness journey, but I was glad for a guide.

Bill Maxey, from Nebraska, taken at Hot Springs, AR.

When I was actively serving as a pastor, sometimes I just had to get away. I’d drive until I found some nature, a national park, national forest, or some fields outside of town. If it was a hot summer, I looked for some deep woods and cool shade to shelter me. In the cool spring, I drove until I found flowers. Maybe this is why I retired to a lake in a national park. I don’t need a big house, since I’d rather go out into nature instead.

Totality on Lake Hamilton, with sunset in the west, outside the path of totality

It was the heat of summer in 2017, so you’d think I’d remember the temperature drop right before the eclipse was halfway through. This year I was on Lake Hamilton, and the breeze off the lake combined with the cooler air was decidedly noticeable. When we entered totality, the lights on the Highway 70 bridge and at Bubba Brews automatically came on. The distant sky in the southwest, outside the path of totality, looked like a summer sunset. My neighbors and our visitors from afar were cheering.

Bill Maxey: multiple exposure of the Great American Eclipse, 2024

Not everyone can make an artwork that expresses their emotions as well as the shapes of the image. We can learn the rules of perspective and color, but then we have to learn to let our heart rule our head. This is what I call an “artistic leap of faith.” When we were young, we accepted the basic ideas of Christianity. As we got older, life happened, and we might have begun to struggle with our childhood beliefs not being equal to our adult needs. If we keep our childlike faith, we risk losing our faith. If we are able to wrestle with our faith and find a new and more mature faith, we can handle the major challenges of later life. As Paul says in 1 Corinthians 13:11-12—

“When I was a child, I spoke like a child, I thought like a child, I reasoned like a child; when I became an adult, I put an end to childish ways. For now we see in a mirror, dimly, but then we will see face to face. Now I know only in part; then I will know fully, even as I have been fully known.”

Tim’s Partial Eclipse painting using red, blue and brown to build the sky

Tim experimented with mixing colors to get richer depth. Using the Prang watercolor palette, he mixed the red, blue, and brown to get the black sky of the eclipse event. The red orange of the sun has some brown in it too. He layered the colors with multiple strokes, with a nod to Van Gogh. He worked from a photograph I brought. I pulled many of them off the internet, and many of my friends sent me some too.

I worked on an image I’d taken from my iPhone. I had placed one of my eclipse glasses over the lens and was wearing another pair. It wasn’t that easy to get the sun lined up with all that blocking! My image looked a lot like a fried egg or an eyeball. I used several jar lids to get the circles painted cleanly. My dark sky is red, blue, and violet. The shape of the corona was not distinct, due to the quality of my camera. NASA has a very high-resolution image, which breath taking. Our tax dollars at work are bringing great scientific research and development to benefit us in everyday life, such as solar panels and heart implants.

NASA: High Resolution Image of the Total Eclipse

Thomas Merton, in No Man is an Island, in a chapter called “Being and Doing,” wrote—

“We cannot be happy if we expect to live all the time at the highest peak of intensity. Happiness is not a matter of intensity but of balance and order and rhythm and harmony. Music is pleasing not only because of the sound but because of the silence that is in it: without the alternation of sound and silence there would be no rhythm.”

I was a bit exhausted after all the excitement of this big event. I’d met new people from three different states, visited around our patio, and been gifted crystals that had been dug from Mt. Ida and “energized by the eclipse.” I’m not a crystal person, but I understand from those that are these crystals are “special.” I was feeling every bit of my new age as the calendar flipped over for another year.

Bourbon Codex: Aztec priestly document recording astronomical observations: eclipse

But today is another day, I had a night to sleep, and we had fun in art class. As long as we find joy in life, we know we’re alive. Our joys aren’t just collections of peak experiences, but some are the joy of the assurance of God’s enduring presence in our later lives when our youthful vigor has left us. We need to remember just as the moon eclipses the sun, once it passes, it also reveals the sun’s glory. One day this Bible verse from Philippians 3:21 will be true for each one of us, who has a heart full of love for God and neighbor:

“He will transform our humble bodies that they may be conformed to his glorious body, by the power that also enables him to make all things subject to himself.”

Joy and peace,

Cornelia

Bonnie Tyler – Total Eclipse Of The Heart Lyrics | AZLyrics.com

https://www.azlyrics.com/lyrics/bonnietyler/totaleclipseoftheheart.html

John Wesley: Explanatory Notes on the New Testament (With Active Table of Contents) [Kindle Edition], first published 1757

John Wesley: Wesley’s Notes on the Bible – Christian Classics Ethereal Library—online free edition of this book

https://ccel.org/ccel/wesley/notes/notes.toc.html

The Solar Eclipse Is the Super Bowl for Conspiracists | WIRED

https://www.wired.com/story/solar-eclipse-conspiracies/

Solar Eclipse 2017: Sun and moon put on celestial performance – CBS News

https://www.cbsnews.com/news/2017-eclipse-dazzles-million-watch-celestial-performance-sun-moon/

Thomas Merton—“No Man is an Island” in a chapter called “Being and Doing” [TMHI]: 1955

A Woman in Eclipse: Maria Mitchell and the Great Solar Expedition of 1878

https://undark.org/2017/08/17/wilo-maria-mitchell-astronomer-eclipse/

NASA: Benefits Stemming from Space Exploration

https://www.nasa.gov/wp-content/uploads/2015/01/benefits-stemming-from-space-exploration-2013-tagged.pdf?emrc=ca90d1#:~:text=Overcoming%20the%20challenges%20of%20working,information%20technology%2C%20and%20industrial%20productivity

Eclipse T-Shirts

adult learning, art, Children, cosmology, Creativity, Faith, Good Friday, Great American Eclipse, Habits, Icons, Imagination, incarnation, inspiration, mystery, nature, Painting, Philosophy, Spirituality, vision

Friday in art class we painted our own unique designs on t-shirts for Monday’s Total Eclipse of the Sun. Anticipation of an event is characteristic of young children, while adults often feel over saturated with the early build up of attention given to an important event. By the time it gets here, we go, “Wow, what a letdown.” Children, who have fewer years of experience and anticipation comparison, can still marvel at the alternate reality of the total eclipse.

In the sixth century BCE, Anaximandros believed “the moon has a false light and is illuminated by the sun, and the sun isn’t smaller than the earth and it is pure fire.” The Greeks in 290 BCE knew the moon was unlike the sun. Anaximenes wrote it “didn’t shine with its own light, but with the reflected light of the sun,” as Eudimos wrote in his book History of Astronomy. The Chinese also studied the skies and stars. They used bones heated in fires to divine messages from their deceased ancestors as early as the 12^th century BCE.

Chinese oracle bone depicting lunar eclipse of 12/27-28/1192 BCS.

The Death of Jesus in the Synoptic Gospels has the record of an eclipse occurring during the time of the crucifixion. John’s Gospel, which comes from a different source, doesn’t mention this time of darkness.

Egon Schiele, Crucifixion with Darkened Sun, Oil on Canvas, 1907.

When it was noon, darkness came over the whole land until three in the afternoon. ~~ Mark 15:33

From noon on, darkness came over the whole land until three in the afternoon. ~~ Matthew 27:45

It was now about noon, and darkness came over the whole land until three in the afternoon, while the sun’s light failed; and the curtain of the temple was torn in two. ~~ Luke 23:44-45

When Jesus had received the wine, he said, “It is finished.” Then he bowed his head and gave up his spirit. ~~ John 19:30

Yet the Gospel of John tells us more about the miracles of Christ and his dual nature (both human and divine), so that we might believe and have everlasting life through him. New Testament scholar Ernst Käsemann is correct when he says of the Fourth Gospel: “Judged by the modern concept of reality, our Gospel is more fantastic than any other writing of the New Testament.”

Bruce Metzger, noted New Testament scholar and lead translator of the NRSV said, “The more often you have copies (of biblical texts) that agree with each other, especially if they emerge from different geographical areas, the more you can cross-check them to figure out what the original document was like. The only way they’d agree would be where they went back genealogically in a family tree that represents the descent of the manuscripts.[104]

Tim’s Eclipse T-shirt: very simple due to his rehab from arm surgery. He uses his arm until it hurts and then he rests. We do what we can, not what we can’t.

We modern folks are used to looking at the world through the eyes of science and education. We look for repeatable patterns and consistent evidence. We have “grown up minds” with calendars, schedules, to do lists, and multiple people who make demands on our time. Often, we are thinking about our next meeting or chore before we even finish the one we’re currently working on at the moment.

We aren’t practicing Brother Lawrence’s admonition to “Practice the present moment.” Our constantly chiming cell phones don’t help us be present, even though we could set our notifications to silent. Indeed, we’re never present or still enough to know the peace of the God whose name means “I AM.”

Lauralei’s Eclipse T-shirt: experimenting with fabric paint

What is “reality?” How can we know the present moment and come closer to God? With the advent of photography people began to think super realism in painting was preferred to some degree of emotional expression. Today, with the introduction of Artificial Intelligence, we can make computer generated photos and paintings that go beyond our wildest dreams! This means our new generations may likely begin using tactile materials and hand-built techniques to create future art works. Instead of fantastic other worlds, they might find their inspiration in the environment or in social justice concerns.

Gail W’s Eclipse T-shirt: first stage in class. She came with a design in mind and brought her sewing chalk also.

Gail W’s Eclipse T-shirt: the finished product.
Some of our inspirations are too grand to be completed in a few hours. We need to have the desire to carry the effort forward to meet our goal.

As with the icon, the artwork is only a reflection of the image which is painted. The icon isn’t holy, but the person depicted is holy. As the writer of Hebrews 1:3-4 says:

“He is the reflection of God’s glory and the exact imprint of God’s very being, and he sustains all things by his powerful word. When he had made purification for sins, he sat down at the right hand of the Majesty on high, having become as much superior to angels as the name he has inherited is more excellent than theirs.”

I didn’t get a photo of Mike’s “Crawford Law Eclipse T-shirt.” Work called and he had cats to herd. He was generous as usual to bring fabric paints for the group to share. We used old newspapers inside our T-shirts to keep the paint from bleeding through to the backside. We had an opportunity to share stories and eat my birthday doughnuts which Tim blessed me with.

Cornelia’s Eclipse T-shirt: I collapsed all the moments of occlusion into three, so I could finish in one sitting.

If we take time to practice our art, we may realize our own works may be only a reflection of the glory of what we saw, but we we can continue to practice our skills in prayer, for God will bring us ever closer to perfection if we commit our work to God’s glory.

Leonardo da Vinci: Study of the technique for observing solar eclipse, Codex Trivulzianus, 1487–1490

Also, Marilyn, who was working with some other ladies of the church on the potato bar posters, had brought the warm-gooecrescent roll-cream cheese-vanilla-cinnamon-sugar dessert. If you ever have a chance to put this into your mouth, you will be transported into an alternate reality. This is the stuff from which dreams and visions arise! If you eat it, and you merely remark, “Good,” my thought is you’re dead to this world or you’ve lost your sense of taste. The child in me screamed for MORE!! The adult in me will see if I can reduce the calories with no depreciation in taste.

Paul Nash: Eclipse of the Sunflower, 1945

I hope we get a break from the clouds on the Great American Eclipse Day. The last one I traveled to in 2017 was very impressive and worth the journey. Watch it on television if you can’t be outside. Only look at the sun with certified eclipse glasses. Some experiences are such that we can only say “Awe!” And we may want to stop time forever, but time will march on, for we can’t move the sun either forward or backwards. No matter how important we are, we aren’t gods, and we aren’t even Time Lords. If we manage to grasp only a portion of the holiness and beauty of God’s creation in this one event, we will better experience the joy of the passing glory of our God:

“When I look at your heavens, the work of your fingers, the moon and the stars, that you have established, what are human beings that you are mindful of them, mortals that you care for them?” ~~ Psalm 8:3,4 (NRSV)

View of the Great American Eclipse 2017 at
Lake Barkley through a pinhole

Joy and peace,

Cornelia

Eclipses and the Ancient Greek Philosophers

By H. Rovithis-Livaniou and P. Rovithis

https://articles.adsabs.harvard.edu/cgi-bin/nph-iarticle_query?bibcode=2007ASPC..370..115R&db_key=AST&page_ind=0&data_type=GIF&type=SCREEN_VIEW&classic=YES

How Ancient Humans Studied—And Predicted—Solar Eclipses | Scientific American

https://www.scientificamerican.com/article/how-ancient-humans-studied-and-predicted-solar-eclipses/

Historical Reliability of the Gospels, Encyclopedia MDPI

https://encyclopedia.pub/entry/29465

https://handwiki.org/wiki/Religion:Historical_reliability_of_the_Gospels

104. Strobel, Lee. “The Case for Christ”. 1998. Chapter three, when quoting biblical scholar Bruce Metzger

In Memoriam: Bruce M. Metzger (1914-2007) | Bible.org

https://bible.org/article/memoriam-bruce-m-metzger-1914-2007

Bruce Metzger was the master of several ancient and modern languages and ended up teaching at Princeton for 46 years after he received his PhD there. As one of the editors of the standard Greek New Testament used today and the senior editor of the NRSV, his scholarship has proved to be almost impeccable. His specialty was New Testament textual criticism, the field whose primary goal is to ascertain the wording of the original text. Many considered him the finest NT textual critic of the 20th century. His death in 2007 left giant footprints for the next generation to come.

Paul Nash, British Military artist, died in 1946 of complications from asthma. He didn’t see the total eclipse, but knew of it and was very connected to nature.

Read about him in A landscape of mortality | Tate

https://www.tate.org.uk/art/artists/paul-nash-1690/landscape-mortality

Map of the 1945 eclipse: SE1945Jul09T.gif 1,121×1,452 pixels

Time Travel and Iconography Experiments

adult learning, art, Creativity, Faith, Hagia Sophia, Holy Spirit, hope, Icons, Imagination, inspiration, Leonardo da Vinci, Medical care, Painting, Pantocrator, renewal, Spirituality, Turkey, vision

Every once in a while, I like to go on journeys. Sometimes they’re actual trips, such as my recent vacation over spring break to visit family down in Texas, but other times I like to “time travel.” The best way to time travel today, since I don’t have access to a DeLorean, is to study history. Buckle your seatbelts, we’re in for a ride through Christian and art history.

Right before spring break, our art class tried some experimental techniques with chalk, watercolor pencils, and pan watercolor with brushes. I also brought some images from the beautiful church of Hagia Sophia of the ancient capital of Constantinople, which I brought home from a pilgrimage I made several years ago.

The church was sponsored by the first Christian emperor Constantine, so it has exceptional mosaics and frescoes decorating all its surfaces. We each chose an image to use as a starting off place and went from there. Inspiration comes not only from what we see, but from the materials we use. Combining new images with new materials can bring new directions.

Desis Icon, Hagia Sophia, Constantinople, Turkey

Our primary images were the archangel Michael, the enthroned Christ, the decorative jewel designs, and the cross. All of these designs figure in prominence in Hagia Sophia or the Basilica of Holy Wisdom, the primary seat of Christianity in the Eastern Church during the Byzantine era.

Unknown Artist: Moschophoros, The Calf Bearer, 165 cm high, Limestone, 570-560 BCE, Acropolis Museum, Athens, Greece.

Early Christian art took its themes from contemporary Greco-Roman subject matter, but repurposed it for its own religious significance.

The Good Shepherd, the Catacomb of Priscilla, Rome, Italy, 250–300 CE, adopts the standard form of Apollo statues.

The archangel Michael was connected in the 4th CE with Constantine as a divine messenger and intermediary between heaven and earth. Michael was not only the guardian angel of the nation of Israel, but other nations have adopted his protection also. In this same century one of the doctors of the early church, St. Basil of Caesarea, known as “the Great,” said:

“Beside each believer stands an angel as protector and shepherd, leading him to life.”

Constantine felt the presence of the mediating angelic hand in his vision of the cross in the sky at the Milvian Bridge, at his baptism, and in his role as Emperor of the Eastern Christian Empire. Constantine was actually baptized twice: once to cure him from leprosy and again on his death bed. In the early days of Christianity, various sects prevailed and the doctrine of one baptism as sufficient for all times hadn’t yet taken hold. After all, it’s not the water, the place, the church, the location, or the priest that makes a baptism effective, but the work of God through the Holy Spirit. As Ephesians 4:4-6 says,

“There is one body and one Spirit, just as you were called to the one hope of your calling, one Lord, one faith, one baptism, one God and Father of all, who is above all and through all and in all.”

Constantine’s Vision of the Cross: Bibliothèque nationale de France, Illustrated painted parchment Greek manuscript (879-883 AD) of the homilies of Gregory of Nazianzus in the Bibliothèque nationale de France.
(BnF MS grec 510) folio 440r.
https://gallica.bnf.fr/ark:/12148/btv1b84522082/f891

Constantine’s first cross apparition took place at the beginning of his military campaign in Italy. The young emperor realized that the tyrant Maxentius, who controlled Rome at that time, had set a trap at the Milvian Bridge over the Tiber. Fearing his rival’s machinations, Constantine had sought the aid of the God worshiped by his father, Constantius Chlorus (r. 305–6). While he marched on to a field together with his troops, he saw the sign of the cross revealed in the afternoon sky, shinning brighter that the sun, alongside an exhortation inscribed “by means of a starry form: By this you shall conquer, Constantine!”

Note the use of common materials in Mike’s work. The circle is the same size as a foam plate, the cross from the table decorations fits just inside it, and he embellished the outer and inner spaces with a bilateral and balanced design. He’s getting more skilled to “eyeball those proportions” from across the room. Plus, he enjoys making these designs.

The ancient writers Eusebius and Euthymios both mention the emperor’s troops also witnessed this miracle. The significance of the vision was subsequently clarified by Christ, who appeared to Constantine in a dream advising him to carry a cross-shaped banner before his armies in order to defeat Maxentius.

Byzantine hagiographical works, or the writings about the lives of saints, name this apparition of the cross as a decisive step toward Constantine’s conversion to Christianity. This first episode is part of a faith narrative, which runs through the tale of Constantine’s leprosy and his miraculous healing through his first baptism, which was officiated by Pope Silvester.

The depiction of Pope Sylvester in the church decoration, a leading figure in the iconography of Roman popes in Byzantine art, deserves special comment. Sylvester was born in Rome and was pope between 314 and 335, succeeding pope Miltiades. Both the Latin and Orthodox rites honor Silvester as a saint and the patriarchate of Constantinople commemorates him on 2 January. The fictional account of his life, Actus Silvestri, written in the 4th-5th century, records the story of his curing Constantine of leprosy and then baptizing him.

It was during this first baptism Constantine had another vision which converted him to Christ. Constantine’s baptism is narrated in the Greek Life of Silvester in a verbatim translation of the story by Zonaras. Having recovered his health by means of the sacramental bath, the now Christian basileus (king) donned a bright garment and “said to the bystanders that he had felt a hand: It had stretched out from above and touched me while I was descending into the font.”

The visualization of St. Michael’s involvement in Constantine’s baptism has no direct precedent in Byzantine and Balkan iconography. Similar descriptions appear in the shorter ninth-century vita of the hierarch and in the lives of Constantine. In the “Guidi” legend, the emperor’s confession is specifically addressed to the pope: “Servant of God, as I was standing in [the water] of the holy baptism, I felt a hand touching me and cleaning the sickness of the flesh.”

Unlike the hagiographical account by Zonaras, this fragment from the “Guidi” vita is not attested in the manuscript culture of the East-Carpathian environment. Even if it doesn’t include this passage in the section on Constantine’s baptism, the encomium (eulogy) by Patriarch Euthymios contains an allusion to the motif of God’s hand:

Upon waking up from the dream in which SS Peter and Paul offered him the cure of baptism, the emperor dismissed the pagan healer ( ) who attended him and said that: “(…) from now on, I need no human help, for the hand of God Almighty ( ) helped me.” Although it anticipates the king’s baptism, this statement is merely a symbolic reference to the divine power which came to Constantine’s aid, not a description of a miracle occurring during the ceremony.

The Slavonic translation of the Life of Silvester by Zonaras remains the only account that constitutes a plausible narrative background for St. Michael’s involvement in the scenes at the Romanian churches of Rădăuți and Bălinești. We don’t know if these fresco designers used a specific copy somehow related to the manuscript at the Neamț monastery. Yet once it had been integrated into the liturgy, the legend of Pope Silvester might have developed an independent circulation through storytelling. Perhaps the local audience interpreted Constantine’s confession about the divine hand that touched him in the water as a sign of the ethereal presence of the Archangel as pictured in the compositions of Constantine’s baptism.

*Creation: The Nuremberg Chronicles* (1493), written by Hartmann Schedel and illustrated with woodcuts by Michael Wolgemut

Perhaps these tales seem strange to our modern scientific minds, colored as we are by notions of “pictures, or it didn’t happen!” We want proof, repeatable and documented evidence, not just some such nonsensical woo-woo about visions and dreams. After all, we are more likely to think these voices could be drug induced or anxiety provoked, but we aren’t so familiar with God speaking to mortals, as it was back in the days when the boy Samuel was ministering to the LORD under Eli:

“The word of the LORD was rare in those days;
visions were not widespread.” (1 Samuel 3:1)

We aren’t big on either voices or angels, but God does still work in supernatural ways. While some may see prayer as supernatural healing, others may see God’s healing hand at work in guiding doctors, nurses, and caregivers to bring people to get the medical attention that brings them to better health. God gives us the heart for healing and compassion for the suffering, which then sets us out to discover new medicines and treatments for dread diseases. These wonderful advances would appear as magic to those from a century ago, or even a few decades before.

Take the miracle of cystic fibrosis advances. In the 1980’s, the life expectancy for a CF patient in the United States was only 12 years and 20 years in Canada. By 2017, with new medications and therapies, the median life expectancy for CF patients was 47. Because new medications and improved treatment of respiratory infections and other complications have extended the predicted life expectancy of CF patients to almost 50 years, some are now living well into their sixth and seventh decades. I call this a miracle, even if others call it mere “science.” It means I have a grand nephew who likely will have a full lifetime and even enjoy his own children.

Humanists will give all the glory to the human creature. They are self-made men and women in love with their own creation. People of faith will give all the glory to God for the gifts of their hearts, minds, bodies, and spirits. We have been given much, so we give much to others.

Just as the earliest Christian art works repurposed secular and mythological Roman themes, so later Christian art used Greco-Roman mythological imagery. The angels are based on the female winged victories, such as the famous Nike of Samothrace. In the early fourth century, angels suddenly appeared as figures in Christian iconography, usually without feet and dressed in garments of a white pallium over a tunic. This was a large rectangular cloak worn over a tunic, as worn by Greek philosophers and religious teachers. In the earliest Christian art works, angels were depicted as wingless, but wings became normative by the fifth century. By the High Middle Ages, angels were more elegantly garbed (depending on their station in the hierarchies) and appeared to be androgynous.

The first known Christian depiction of winged angels does not appear until this splendid 4th century marble ‘Prince’s Sarcophagus’. It was discovered after a fire in Sariguzel, near Istanbul in the 1930s

The word for Angel, mal’akh in Hebrew and angelos in Greek, simply means messenger, which is the job description of the Angel, who acts as an intermediary between humans and God. The Bible never says angels have wings, but we all imagine angels with wings. Perhaps we assign them wings because angels can travel from the “heavens above to the earth below.”

Egypt’s Red Monastery, The church of Anba Bishay and Anba Bigol

The church of Anba Bishai and Anba Bigol, known as the Red Monastery, is the most important extant early Christian monument in Egypt’s Nile Valley. It’s one of the most significant historical sites of the period in the Mediterranean region. Created in the 4th and 5th CE, this fine painted Coptic Christian image of Christ surrounded by angels has survived multiple restorations of the church building.

Leonardo da Vinci: Annunciation, 1472, oil on canvas, Uffizi Gallery, Florence, Italy.

Although the principle of angels being sexless continued, later renaissance artists presented them as male figures with fashionably delicate facial features and long hair, dressed in contemporary garments (making them more approachable to the common era). As the lines between the angelic spheres became blurred, along with the renaissance adaptation of classical Greco-Roman art, plump little children with wings began showing up in Christian art. We know these as cherubs.

Cornelia’s Watercolor Angel from Hagia Sophia

I used a mix of pastels and watercolor on this painting, working from a 1.5-inch square image of the Archangel Michael. The contrast of light and dark shows up in the naturalist wings and hair, with the glowing and reflective gold mosaic pieces.

Regarding his rank in the celestial hierarchy, opinions vary. St. Basil in his homily Angels, as well as other fathers, place St. Michael over all the angels. They say he is called “Archangel” because he is the prince of the other angels. Christian tradition gives St. Michael four offices:

To fight against Satan.
To rescue the souls of the faithful, from the power of the enemy, especially at the hour of death.
To be the champion of God’s people, the Jews in the Old Law, the Christians in the New Testament.
Therefore, he was the patron Saint of the Church; he is considered to be the protector of Christians against the devil.

Christ between St. Peter and St. Paul, Catacomb of Sts. Marcellinus and Peter on the Via Labicana, Rome, 4th CE.

This image of Christ on the Throne, dating to the 4th century, shows Michael between St. Peter and St. Paul. It was painted in the Catacomb of Sts. Marcellinus and Peter on the Via Labicana in Rome, located near a villa that used to belong to Emperor Constantine. Below the main figures of the painting—Jesus, Peter and Paul—we find Gorgonius, Peter, Marcellinus, and Tiburtius, four martyrs who had been buried in that catacomb, and are depicted as they point to the Lamb of God on his heavenly altar.

Zeus: Archaeological Park of Campi Flegrei at the Castle of Baiae on the Gulf of Naples, Italy

The enthroned Christ follows the thematic form of Zeus, king of the gods, seated on his throne. A good example is statue from the Archaeological Park of Campi Flegrei at the Castle of Baiae on the Gulf of Naples. This statue of Zeus Enthroned is a 29-inch-high marble statue dating to the 1st century B.C. and is likely of Greek manufacture.

It was inspired by the colossal gold and ivory statue of the god at the temple of Zeus at Olympia made by sculptor Pheidias in 430 B.C. It was one of the Seven Wonders of the ancient world. Just as the angels were repurposed from the Nike victory statues, so the Christ Enthroned statues were re-envisioned from the ruler of the gods and humans statues. Art and artists can be put to work for whoever is in power at the moment. We need to eat and pay bills in every age.

Zeus: fresco, 62-79 CE, Casa dei Dioscuri, Pompeii (VI, 9, 6-7, atrio corinzio 37), Museo Archeologico Nationial, Italy.

A lovely fresco from Pompeii, found in the House of the twins, has a glowing red background and shows Jupiter or Zeus, the king of the gods, seated on his throne. A sphere lies beside him, an eagle at his feet, and a rectangular base is at his feet. In the same manner, the icon of the enthroned Christ places his feet on a rectangular base, representing his lordship over the four corners of the world.Gail W used the pastels in the clothing and background.

From one of the royal figures, Gail S chose one of the jeweled embellishments for her focus. Gail enjoys ordered designs, so finding an image with a regular pattern was right up her alley. The outer circle with an inner square is divided along the diagonals by red lines, as if the cross were tilted on its side. The circle and square give unity to the design, as does the monochrome cross. The triangles are balanced by colors. The outer blue rim holds it all together. Gail tried the watercolor pencils out along with the pan watercolor washes.

While nothing is ever new in art, we artists keep reimagining the old patterns in new ways. After all, the basic elements of design never change, but we see the world with fresh eyes in every generation. Using our hands to create restores us and recreates us by reducing our anxieties and giving us a sense of accomplishment. We each serve the God of beauty and joy as God reveals God’s self to each of us. Doing any creative work with our hands is good for the mind, spirit and soul.

As our hand grows in competency with the media and our eye is better able to discern shape and patterns, we come under the Holy Spirit’s inspiration of creating power and we make art! We may start from the ancient wisdom, but then we go onto find the wisdom for today. After all, God is always in a rebuilding mode, for that which God created, God will preserve:

“When you send forth your spirit, they are created;
and you renew the face of the ground.” ~~ Psalms 104:30

Joy and Peace,

Cornelia

Diane Apostolos-Cappadocia : Why Ukraine Calls Upon Michael the Archangel, Christianity Today, April 12, 2022, https://www.christianitytoday.com/ct/2022/april-web-only/michael-archangel-ukraine-kyiv-patron-saint.html

Saint Mamas at Exeles: An Unusual Case of Ritual Piety on Karpathos
Katsioti, Angeliki; Mastrochristos, Nikolaos. Arts; Basel Vol. 12, Iss. 4, (2023): 176. DOI:10.3390/arts12040176
Saint Mamas at Exeles: An Unusual Case of Ritual – ProQuest https://www.proquest.com/docview/2856776246?sourcetype=Scholarly%20Journals

The Historical Evolution of CF Treatments and Understanding
https://cysticfibrosisnewstoday.com/news/cf-treatments/

Life Expectancy with Cystic Fibrosis (CF)
https://www.nationaljewish.org/conditions/cystic-fibrosis-cf/life-expectancy

ARCHANGELS MICHAEL AND GABRIEL
https://www.stjohnarmenianchurch.org/archangels-michael-and-gabriel/

Archangel Michael
https://www.etd.ceu.edu/2023/dumitrescu_andrei.pdf

A Prayer to End All Suffering

art, crucifixion, Deesis Icon, Easter, Faith, Good Friday, grief, Healing, hope, Icons, incarnation, inspiration, Lent, Painting, Prayer, renewal, Spirituality, Strength, suffering, vision

I don’t don’t know about you, but I don’t willingly sign up for pain or suffering. Pollen season isn’t my friend. I could do without all this yellow and green stuff clogging my brain cells and my lungs. As I cough and die, swill decongestant tonics, and huff my asthma inhaler, I wonder if this particular cross bearing has to be on my things to do list every Lenten season.

Mid 10th CE ivory Deesis Icon, Metropolitan Museum of Art, NYC

As Jesus turned his face towards Jerusalem, he knew his fate was certain. His message began to change, as he told his followers in Luke 14:27, “Whoever does not carry the cross and follow me cannot be my disciple.” Of course, not all were ready to hear or to follow, for some had obligations at home, and others weren’t yet ready to live the itinerant life. Many today don’t answer the call to ministry because they can’t see the long unknown road ahead. Only those willing to walk by faith and not by sight will journey off, trusting in God’s providence, mercy and grace.

Earliest sculpture panel of the Crucifixion, Maskell Passion Ivories, 420-430 CE, one of four carved panels of a sarcophagus, British Museum, London.

I used to say, “Give me a few months and I can whittle any group down to size. I can prune with the best of gardeners—all I have to do is read actual scripture!” I figure if folks want to get mad, they should take it out on the original writers. Blaming the messenger is useless. As the apostle Paul says:

“For the message about the cross is foolishness to those who are perishing, but to us who are being saved it is the power of God.” (1 Corinthians 1:18)

The oldest icon of the Crucifixion of Christ, Greek Orthodox Holy Monastery of St. Catherine, Mount Sinai, 8th CE

The ancient crucifixion icons glorify the triumph of the Incarnate God and his victory over death, which is the consequence of our fall; that fatal moment in the garden of Eden when Adam and Eve chose to desire to be like God, even though they had only the image, but not the ability to be gods themselves. Icons of the crucifixion represent Christ who, fully human and fully divine, takes on death so humanity no longer has to die. Christ conquers death by being a suffering servant, he becomes a victorious king.

Mary from the Hagia Sophia Deesis mosaic

Most of us would rather jump to the Bible’s Victory story and skip its Victim sections because we live in an age which validates the strong and successful, while denying the worth of the weak and wounded. Easter and Palm Sunday are more triumphant celebrations than the sonorous and somber Foot-washing Maundy Thursday and Good Friday Vigils. Yet without suffering, would we have cause for rejoicing? Would we even know the meaning of joy without some pain in our lives? Everyone has some pain in their life, whether it’s the pain of an unrequited love, the loss of a child stillborn, a divorce, a war wound, a frenemy wound, or some other brokenness.

Mary knew early on her child of destiny would bring her both joy and pain, as all mothers discover soon enough. Luke records in 2:34-35,

“Then Simeon blessed them and said to his mother Mary, “This child is destined for the falling and the rising of many in Israel, and to be a sign that will be opposed so that the inner thoughts of many will be revealed—and a sword will pierce your own soul too.”

Deesis. Top center front panel of the Harbaville Triptych. Ivory. Ca. 940-960 CE. Musée du Louvre, Paris.

Many today only want to show the happy times in their hyper-curated lives on social media. As a result, “Keeping up with the Joneses” gets harder all the time. With Facebook’s constant encouragement of “you may know algorithms,” we’re encouraged to add more friends to our circle. We’re exposed to too many families of that surname, when once we only knew a few who lived in our own neighborhoods. If all these Jones folks are always smiling widely for the camera, we might be tempted to ask, “Why don’t I feel like smiling also?”

I know people who don’t read newspapers, watch the news on television, or even listen to the snippets on the radio. “Too much bad news!” They too don’t want to hear of the suffering, the plight of the weak, or face their seeming impotence to do anything about it. We are weak people. We are not strong, no matter how often we quote passages like Philippians 4:13—

“I can do all things through him who strengthens me.”

Richard Rohr, in The Enneagram, A Christian Perspective, says, “It is the things that you cannot do anything about and the things that you cannot do anything with that do something with you.” Suffering and prayer are what truly transform us, if only we don’t waste time looking for someone to blame.

13th CE Hagia Sophia Mosaic, Istanbul, Turkey

So far, no one person has been able to stop the Russian invasion of the democratic nation of Ukraine, but plenty of people are holding up an aid package that would help this small country fight this battle at great cost to life and limb. The Ukrainians suffer and America dithers. We seem to think our leaders have infinite powers, as if they were gods, but we forget all people are only human and have only the image of god, but no huma has either the power or the glory of the true God.

Unknown Ukrainian Artist: The Deesis, Icon, Tempera, silvering on gesso-grounded two-piece fir-wood panel, engraving, carving; 1735, h 114, w 84, d 9, National Art Museum of Ukraine.

So far, no one person has been able to keep either Hamas or Israel from wreaking havoc on each other. My daddy used to say, “you can’t make a silk purse out of a sow’s ear.” After years of teaching and pastoring, I’d throw my two cents in: “we can lead a horse to water, but we can’t make it drink.” As long as people are invested in retribution, they will return suffering for suffering. The sad truth is people who have never processed their own suffering will cause suffering for others as well as for themselves. The children will cry. And the women will cry. But now the men are crying too.

Late Roman Magical gem; intaglio; green-brown jasper; oval; bevelled edge on side B, 2nd-3rd CE, British Museum, London.

No one has a magic wand to eliminate suffering or harm. In ancient times, the image of the crucified Christ was used as a magic charm to keep the wearer from harm. Some people today wear a cross for the same reason; it’s a fashion statement, a good luck charm, and a symbol of their faith. Instead of a charm, we offer acts of prayer and mercy.

Hagia Sophia Deesis Mary icon 2024, finished

We don’t just cry for the fact of the sufferings we endure, or for the sufferings of others, but we cry out in our suffering to the only one who can hear us, heal us and make whole our broken hearts and homes. We cry out to the God, who created all of us in God’s own image out of the dust of an obliterated and bombed out land. We cry out to the God who brings rains in their seasons to a land parched by climate change and ruined by reckless use of natural resources. We cry out to the God who raised God’s son from the dead, even as people everywhere bury their own dead sons and daughters from the wars fought by nations and non-state actors who wrestle for power in tiny slivers of contested territories.

Christ and the Apostles in the Heavenly Jerusalem, apse mosaic, early fifth century, Rome, Santa Pudenziana.

We can see in this image a dramatic transformation in the conception of Christ from the pre-Constantinian period. In the Santa Pudenziana mosaic, Christ is shown in the center seated on a jewel encrusted throne. He is surrounded by apostles, biblical women, and symbolic images of the four gospel writers. The ideal landscape is the New Jerusalem, or the Heavenly Kingdom. This image was created after Constantine’s victory and conversion to Christianity. Prior to this, Christian art repurposed Greco-Roman themes of the Good Shepherd and the Apollo Sun god.

Unknown Artist: Plaque with Christ flanked by the Virgin and Saint John, late 19th–early 20th century (Byzantine style), Cloisonné enamel, gold; 6 9/16 x 5 9/16 x 1/16 in. (16.6 x 14.1 x 0.1 cm); Metropolitan Museum of Art, NYC, Gift of the Estate of Mrs. Otto H. Kahn, 1952, Accession Number: 52.54.1

The Byzantine Empire was fond of the Deesis Icon, which has Christ in the center bounded by the Virgin Mary and the Precursor, John the Baptist, on either side. They both entreat the Lord in prayer. This was one of the most widespread middle Byzantine icon types. The name comes from the Greek δέησις or “supplication,” which in Byzantine art, describes a representation of Christ enthroned and flanked by supplicants, such as the Virgin Mary, St. John the Baptist, or other saints and/or angels. Images of the deesis often appear on an iconostasis, or the screen separating the altar from the people. The subject matter traditionally represents the first witnesses to Christ’s divinity, the Virgin and Saint John, who came to be seen as holy figures who would act as intercessors with him on behalf of humanity.

The Deesis. End of the 17th century. Northern Russia. Wood, gesso, tempera. Found from the village Nizhnyaya (Dolgovitsi), Tarnoga Raion, Vologda Oblast. Collection of Nikolai Kormashov.

Nikolai Kormashov, an Estonian artist and collector, who collected and restored a great collection of 15th-20th century Russian icons during his lifetime said, “That which is not destined to perish, announces itself again and again, to attest to elusive spiritual beauty and the light of truth.”

The truth is all people of every country and culture in every age will suffer, but God isn’t removed and distant from our pain. God, through the incarnation of the Son, has experienced our human suffering from the birth pangs of Christ’s birth to the hunger, thirst, and weariness of his itinerant earthly preaching. Not only this, but God through God’s Son knows the heartbreak of betrayal and insult, the sting of the whip, and the pain of death on a cross.

The light of truth for the Easter season is this: in the midst of darkness and death, God raised his Son to light and life, so we too might lose the chains of sin and death and live to light and love. As the people of prayer, we ask for the gift of hope to give light to those in darkness and a helping hand to those in need.

Joy and peace,

Cornelia

Relief plaque icon, depicting the Deesis Crucifixion with full-length figures of the Virgin on the left and St John on the right, Late Byzantine (13 thc). Materials: Steatite – Gold

Greek déēsis entreaty, equivalent to deē-, variant stem of déesthai to beg + -sis-sis

Leonid Ouspensky: The Meaning of Icons, revised edition, St. Vladimir’s Seminary Press, Crestwood, NY, 1999, p. 180.

DEESIS Definition & Usage Examples | Dictionary.com
https://www.dictionary.com/browse/deesis

Saved Sanctity: Icons from the Collection of Nikolai Kormashov – Art Museums
https://www.lnmm.lv/en/art-museum-riga-bourse/exhibitions/saved-sanctity-icons-from-the-collection-of-nikolai-kormashov-437

Image— The oldest icon of the Crucifixion of Christ at the Greek Orthodox Holy Monastery of St. Catherine on Mount Sinai is an extraordinary testament to the intricate relationship between the Greco-Roman art heritage and early Christian iconography. This invaluable artifact offers a unique glimpse into the artistic and cultural milieu of the time, highlighting the exchange of ideas and the shared history that shaped the development of Christian art in 8th CE. See following link for comparison of early Roman and Christian art.

http://employees.oneonta.edu/farberas/arth/arth212/post_constant_conc_christ.html

Nick Haslam: The Body Keeps the Score: how a bestselling book helps us understand trauma – but inflates the definition of it

https://theconversation.com/the-body-keeps-the-score-how-a-bestselling-book-helps-us-understand-trauma-but-inflates-the-definition-of-it-184735

It’s Not Under Control!

adult learning, art, Attitudes, bottles, brain plasticity, Cezanne, Creativity, failure, Family, Fear, Healing, Lent, Marcus Aurelius, Painting, perspective, Ralph Waldo Emerson, renewal, risk, samuel Beckett, shadows, Stress, Super Bowl

All things will renew themselves in good season, yet we have only the present moment before us. We can’t live in the past, nor can we control the future. We have to recognize even our present moments aren’t always in our control, as we witnessed in the big Super Bowl game last Sunday.

Random Actions Often Determine the Outcomes of Sporting Events

Who would ever believe a punt would hit a receiving teammate’s foot, and suddenly become a live ball? Then get recovered by the Chiefs for a quick touchdown? If you think you can control your circumstances or the actions of others, just watch the NASCAR races at Daytona this weekend. The wonder is they don’t wreck in every turn, but only occasionally during the 500 mile race on Sunday.

Cezanne Watercolor “Mont Sainte-Victoire (La Montagne Sainte-Victoire vue des Lauves)”( 1902–06) by Paul Cézanne. (The Museum of Modern Art, New York/Photo © 2021 MoMA, NY)

Watercolor is more difficult medium to manage than acrylic paints because it’s wetter and refuses to dry as quickly as we want to paint in that same area. It’s not being obnoxious; it’s just being its own true self. Cezanne used watercolors to think out his ideas beforehand, and then worked in oils. Often, he tossed aside the watercolor work, sometimes even leaving it out in the landscape which he’d just painted. He’d learned all he could from it and now was ready to paint his new image, but not a copy of the original painting. This mountain shows up in sixty of Cezanne’s artworks.

Paul Cézanne: La Montagne Sainte-Victoire, 1888, oil, The Stedelijk Museum, Amsterdam.

The stoic philosopher and Roman Emperor Marcus Aurelius wrote a series of meditations on life. In one he speaks of all life experiences as being the same. This attitude keeps him from getting too high or too low about what happens in his life. He takes it as it comes. Even death, which some fear as a loss, doesn’t bother him, for if he isn’t bothered about the present, he can’t be bothered about losing that too. Marcus Aurelius wasn’t a Christian, but his quest for equanimity is admirable. Take life as it comes and worry not:

“First, that all things in the world from all eternity, by a perpetual revolution of the same times and things ever continued and renewed, are of one kind and nature; so that whether for a hundred or two hundred years only, or for an infinite space of time, a man see those things which are still the same, it can be no matter of great moment. And secondly, that that life which any the longest liver, or the shortest liver parts with, is for length and duration the very same, for that only which is present, is that, which either of them can lose, as being that only which they have; for that which he hath not, no man can truly be said to lose.”

When we work in watercolor, we have to take what the watercolor gives us. While we can plan, design, and control the outcomes to a certain extent, watercolor often goes its own way. If we work over the whole surface, rather than noodling around in one little space like a puppy sniffing a single spot while out on its morning constitutional walk, we get more done, just as the puppy is more likely to get its “business” done.

One of the reasons we work in a new medium is for the challenge. In school, when I was bored, I’d take notes in class by writing upside down. When that got too easy, I began using my left hand to write upside down. This was a true challenge! I didn’t have any ingrained pathways in my brain for left-handedness, much less the upside-down images. I was truly bored, however, so I struggled on until I got serviceable images. This was the year in which I went to art school as a midyear junior and was taking a freshman level history course.

Tim has voluntarily switched to his left hand because he will have surgery on his right side, which will knock out his ability to use that arm for several months as he recovers. This is a good effort for his non dominant hand. You can tell he focused on the scoop, for it has the most detail. Training our alternate hand to do the work of our dominant hand requires resetting the brain to prefer the new hand. If you try brushing your teeth with your other hand, you’ll see exactly how strange it feels to use a different hand. This is because you have no well-worn pathways in your brain circuitry that makes this routine effort possible.

The fancy pants word for this is neuroplasticicy. We meet this concept with stroke survivors who do physical therapy to rewire their brain connections to make new pathways so they can speak, write, or walk. Everyone who tries a new game, learns a new language, or tries a new hobby also builds new pathways in their brains. Be learners for life, if you want to keep your mind healthy.

Our still life was challenging today. It had solid shapes, a clear bottle, and a metal scoop. Not only were there multiple colors, but textures and transparency also. Gail has had several years of drawing under her belt, so she was able to render the perspective of the still life well. Note the clear blue bottle, which has a wonderful oval bottom. The lemons and limes are distinct also. The grey shape is an antique scoop, sans the handle.

In 2008, J.K. Rowling spoke at the Harvard commencement exercises, telling the graduates, “Talent and intelligence never yet inoculated anyone against the caprice of the Fates.” Because we don’t know what tomorrow will bring, taking care for today is the best preparation for the future. Rowling studied the Classics at Harvard, a subject most people would consider useless for this modern era. Yet after a divorce, as a single parent working for Amnesty International, she began writing her wizard novels. Harry Potter is now part of our cultural heritage.

As Jesus said in Luke 12:25-26–

“And can any of you by worrying add a single hour to your span of life? If then you are not able to do so small a thing as that, why do you worry about the rest?”

Worry is stressful, for sure, and it’s an example of “bad stress,” along with traumatic events, such as adverse childhood experiences (ACE), disease, divorce, and death of a loved one. We also endure “good stress,” as when we challenge ourselves to lift heavier weights, cook a new recipe, or learn a new language. As Ralph Waldo Emerson wrote in his 1841 essay Heroics, paragraph 14:

“The characteristic of a genuine heroism is its persistency. All men have wandering impulses, fits and starts of generosity. But when you have chosen your part, abide by it, and do not weakly try to reconcile yourself with the world. The heroic cannot be the common, nor the common the heroic. Yet we have the weakness to expect the sympathy of people in those actions whose excellence is that they outrun sympathy, and appeal to a tardy justice. If you would serve your brother, because it is fit for you to serve him, do not take back your words when you find that prudent people do not commend you.

“Adhere to your own act and congratulate yourself if you have done something strange and extravagant, and broken the monotony of a decorous age. It was a high counsel that I once heard given to a young person, —”Always do what you are afraid to do.”

When I was in high school, the ancient Latin teacher, who had taught my daddy when he went to school, tossed out the challenge, “No one has ever made 100% on my final Latin exam.”

I bit on that challenge like a starving dog bites on a bone, even if it has no scrap of flesh remaining on it. I made flash cards and studied for an hour every night before bed, I was so determined to be the exception to the rule. On the test, I got all the Latin correct, but lost ½ point for misspelling an English word. I never followed up on her retirement, but I fully expect her record remained unblemished. Also, I’m still spelling challenged. I’m thankful for SpellCheck in our writing apps.

Gail W. paid attention to the still life and took care to lay down a close image in a pale wash before she began to add darker washes of color. Her left lime is most successful, with at least six shades of green and yellow in the shape. I also like the highlight on the central lemon. These two images capture the essence of the watercolor medium. Her perspective on the bottle bottom indicates it sits well on the cloth.

Failure teaches us what we don’t know, so we can improve the next time. This is what we call resilience. When I taught art, my students had to find three things they did well in their work before they named anything they needed help on. This was to build up their confidence. For some of them, just making a mark on the page was a start. If we fear making a mistake, we can sketch in a pale-yellow wash. This is very forgiving, like a whisper in the wind. If it’s not quite right, the next few marks may be nearer our desired outcome.

This Is Fine—Leave Me Alone, I’m Having a Crisis

Our mindset is what controls how we react to events in our lives. As one of my friends would remind me, “Not everything is a hair on fire moment.” Of course, when I was a young teen, the least slight or distress caused me to fling myself over my bed in a paroxysm of sobs, wailing loudly, “I’m going to die!” My parents would look at each other and shrug, “What boy is it now?” Fifteen minutes later I’d be in the kitchen looking for a snack, having cried my eyes out, and now I was on to the next thing. As I had more experiences, I learned to roll with the moment. Sometimes you need to wait for the next wave to rise before you take your ride. God’s timing is always right, for our experiences, both the failures and successes, prepare us for what comes next in our lives.

I had some of the same perspective problems as everyone else, especially with the base of the bottle. Actually, it’s a challenge to get a “transparent three-dimensional object on a flat surface” to appear as if it’s actually sitting on a flat surface in two dimensions. Learning some shading techniques and remembering a round bottle bottom becomes an ellipse helps to bring off this sleight of hand. I got my paint too dark on the front of the bottle base and had to let it dry so I could come back in with some clear water and an almost dry brush to pick up the color. This gave me the highlight I needed.

When I got home, I noticed my eyesight seems to be going amiss with my increased age. Lately I’ve not been careful to paint my verticals straight. Either I’m being lazy, or I’m tilting my head as I look at the subject. Maybe my neck injury has something to do with it. I duplicated the photo and used the Apple Pencil to straighten up the bottle and even up its symmetry. I also touched up a few of the lemons and limes. Maybe I’m still the puppy that likes to noodle around and sniff about until I can wrest all I can get from a work. This way I learn all I can from it. Like a kindergartner, if my work ends up a huge grey blob, I can say, “That was a great learning experience!”

My grandmother, who painted portraits and still lifes, kept a saying written on the back of an envelope, near her easel: “Ever tried. Ever failed. No matter. Try again.” She passed in 1970. Years later, Samuel Beckett, in his 1983 story, Worstword, Ho wrote:

“Ever tried. Ever failed. No matter. Try again. Fail again. Fail better.”

We need to be like great artists and athletes, or the Michelin chefs who just keep trying, falling short, until they get close enough to qualify for their stars. Persistence makes all things possible, and if we “fail,” we’re only getting closer to perfection.

I hope for you a blessed Lent,

Joy and peace,

Cornelia

Emperor of Rome Marcus Aurelius: Meditations, XII https://books.apple.com/us/book/meditations/id396136148

Neuroplasticity: re-wiring the brain | Stroke Association

https://www.stroke.org.uk/effects-of-stroke/neuroplasticity-rewiring-the-brain

10 Brain Exercises to Help Boost Memory

https://www.everydayhealth.com/longevity/mental-fitness/brain-exercises-for-memory.aspx

Neurobiological and Systemic Effects of Chronic Stress – PMC

https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5573220/

“Try Again. Fail Again. Fail Better”: Beckett’s unlikely Mantra – Goethe-Institut Los Angeles – USA

https://www.goethe.de/ins/us/en/sta/los/bib/feh/21891928.html

The Project Gutenberg eBook of Essays, by Ralph Waldo Emerson

https://www.gutenberg.org/files/16643/16643-h/16643-h.htm#HEROISM

Lifetime of Learning

adult learning, art, Cezanne, cognitive decline, Habits, John Ruskin, Transfer of Learning

“Transfer of Learning” is a concept in which anything learned in one situation or environment can be applied in another. When I taught art, I would have my students use mathematics and fractions when they cut mats to present their work for exhibition. “Why do we have to use math in art?” they whined, “We’re never going to use it in our lives again.”

“Are you going to buy a house, a car, or shop for clothes or groceries? How will you know you’re getting a good deal?” They got out their pencils and rulers, even though they hated fractions.

This was decades ago, before “Train for Today’s Workplaces” became a mantra among some politicians. The only problem with training for today is the ever-changing nature of the modern workplace, which can make skills obsolete in a mere two years. Executives believe nearly half of the skills that exist in today’s workforce won’t be relevant just two years from now, thanks to artificial intelligence. However, human creativity will always be needed to guide AI. Folks who want white collar jobs today will need to buy into continuous learning, since the current job market will require ever changing skills.

Step 2: add some thin washes to build up the solid surfaces

We’ve all heard the saying, “Jack of All Trades vs Master of None,” but this might be the best possible scenario for our modern world. In our highly professionalized society, we all want the best physician and the top-notch lawyer on our case. Not everyone has the goods to acquire their services. We get the best we can afford. This is the capitalist society in which we live. In a utopian society, the poorest among us would get the same high quality medical care as the President of the United States.

Step 3: add details once surface is dry enough the paint won’t bleed. Doing background while waiting for objects to dry allows you to tighten up the edges of the objects.

“Those who can’t, teach” is a misconception, similar to the Jack of All Trades. Art Teachers can’t stick only to their specialty, but also must offer the gamut of skills from drawing to painting, paper cutting to plaster sculpture, clay pottery to cloth dyeing, and even more multimedia experiences. They have to be able to reach students with a wide range of talents, interests, and expertise, as well as encourage those who are ashamed of their work. Plus, they need to convince the talented to work and improve so they fulfill their promise.

This background discussion brings me to our class’s second experience in watercolor. I noted some instances of Transfer of Learning I can point out when we meet again.

When we paint a house, we dip our brush in a bucket of paint, apply it to the wall in one stroke, and then go back to the bucket for another dip. We don’t keep wiping the same spot on the wall over and over trying to make this one spot look better. In fact, the damp brush is just picking up the paint off the wall! Move along and cover the wall.

Don’t take your eye off the ball. If you want to catch a ball in any sport, you have to track it into your hands or the mitt. I noticed the ones who looked up, drew, looked, drew, checked, drew again, adjusted, and drew some more, had closer proportions in their drawings.

Measure twice, cut once. This is similar to the above sports metaphor. I learned it in the art school wood shop when I was cutting wood for my stretcher strips. Using the thumb or a brush to note the proportions of the still life objects and comparing them to the proportions of your own work helps get an accurate drawing. Check once, measure, check again, measure, and then cut. Air drawing or visualization helps to imagine the proportions before drawing the lines. Drawing lightly so you can draw over the less appropriate shape is an example of measuring twice, and cutting once.

Sheep will eat the grass down to the roots, but goats will move on. Actually, I have zero experience with sheep and goats. My shepherd experience is limited to leading a congregation, none of whom could be accused of being either sheep or goats. I only know this fact from Bible Study lessons, and no one rents out sheep to clear a pasture of weeds, but they use goats because goats are smart enough to move on. In art, we need to take a lesson from the goats and move on to another section of our painting to let our colors dry, so we can avoid our colors running into each other.

Our group isn’t training for a new occupation, but keeping a challenge on our plates is a good idea for anyone of any age. Whether you’re trying new recipes or learning to play an instrument or taking up an exercise routine, whatever change you make in your life is important. Doing creative writing or crafts or arts is especially crucial for keeping our brains healthy, for these activities build new pathways in our brains. As we age, having redundant brain pathways is important to keep our minds healthy.

Participation in arts interventions have been linked with improving cognitive function and memory, general self-esteem and well-being, as well as reducing stress and other common symptoms of dementia, such as aggression, agitation, and apathy. According to the National Endowment for the Arts, the interventions which promote social interaction, have multiple psychosocial benefits. While none of our group are experiencing these effects, participation also staves off the same symptoms. Researchers found visual arts programs reduced depression, improved socializing, and increased self-esteem among participants.

Expressive arts activities also help individuals relax, provide a sense of control, reduce depression and anxiety, encourage playfulness and a sense of humor, as well as improve cognition and self-esteem. Making art also nurtures spirituality and reduces boredom. Art also can reflect the emotional and cognitive condition of the artist.

Watercolor with Prang Oval 8 Student Palettes

In the classes I teach, I encourage each person finding their own voice, rather than copying my style. In the art education classes I took in college, the goals of teaching were for students to recreate the closest replica of the teacher’s model, as they followed the instructional steps to the letter.

I’m thankful I never had those teachers growing up, but by the 1980’s, regimented lesson plans were all the vogue. When I began to teach, I gave certain boundaries or requirements for each lesson, such as the use of certain color schemes or coiling verses slab built in clay sculpture, but the rest was left up to each student’s creative interpretation.

My principals were always surprised by the lack of discipline problems in my class, but when young people are given an opportunity to develop their imagination in a positive direction, rather than use it in negative behaviors, life is good. They especially liked the “hand-mouth pop quizzes” I would occasionally make them take, especially when they discovered cookies or chewing gum were involved.

Years later when I went to seminary, I constantly heard the refrain, “Will I be able to put this in my toolbox and use it in the local church?”

As a person who was preparing to be a fifth career pastor, I could only roll my eyes in silence. Every job I’d ever had prepared me for the ministry: renovating old apartments, teaching, preparing lesson plans, selling insurance, studying art history and painting, and learning how to renew and retrain my old skills for a new career. The idea of having a single toolbox that would never need new tools never crossed my mind. Seminary was where my skills to be a lifelong learner were reinforced.

I was writing this on My Daddy’s birthday. He would have been 105 if he’d lived so long. He always maintained an interest in archaeology until Parkinson’s and dementia robbed him in his late 70’s of his memories and his brilliance. He would take us on arrowhead hunting field trips on Saturdays when we were children. Armed with a cooler of lemonade and sandwiches from home, we’d go out to the countryside to walk in a farmer’s newly plowed field, with his permission of course.

In his early retirement, he enjoyed giving tours to school children at the LSUS campus Pioneer Heritage Center and driving the church bus to the food pantry to pick up the monthly food rations for distribution to the neighborhood. Staying active, engaged, and eating a healthy diet are other ways we can keep our minds building new neurons.

One of the interesting research opportunities in art and the brain is the question of whether neurodegenerative brain disorders will show up in an artist’s body of work. The progressive loss of neurons causes changes in the brain, which leads to a number of symptoms, from altered multi-sensory processing to difficulty moving and using one’s body, to subtle changes in mood, emotions, personality, social interactions; to major, disabling cognitive and behavioral impairments. Although we currently only offer art therapy for the elderly, perhaps we ought to be emphasizing the arts from earlier ages and integrate it into all of our studies to help everyone develop limber learning skills to last for our lifetimes.

Joy and peace,

Cornelia

Half Of All Skills Will Be Outdated Within Two Years, Study Suggests

https://www.forbes.com/sites/joemckendrick/2023/10/14/half-of-all-skills-will-be-outdated-within-two-years-study-suggests/

National Endowment for the Arts Study: “Research Gaps and Opportunities for Exploring the relationship of the Arts to Health and Well-Being in Older Adults,” Published by the national endowment for the Arts Office of Research & Analysis

Click to access Arts-and-Aging-Building-the-Science.pdf

Pioneer Heritage Center

https://www.lsus.edu/community/pioneer-heritage-center

Can we really ‘read’ art to see the changing brain? A review and empirical assessment of clinical case reports and published artworks for systematic evidence of quality and style changes linked to damage or neurodegenerative disease

Physics of Life Reviews 43 (2022) 32–95

Introducing Watercolor Painting

adult learning, art, brain plasticity, Cesanne, Children, cognitive decline, color Wheel, Faith, Imagination, John Ruskin, Painting, perfection, quilting, renewal, United Methodist Church

Our art class has worked in acrylic paint for several years, but toward the end of last year, they expressed an interest in learning about watercolors. I said, “Sure, we’ll do that. It’ll build on the color theory you already know, but you’re going to have to learn to plan ahead and learn not to rush to overwork one area. Transparencies are the mark of watercolor, so leaving your painting underworked is better than overdoing it.”

I was met with silence. Then laughter. “What the heck! We’re up for it! Bring it on!”

I love this group. They’re always up for a challenge. I think they’ve bought into my philosophy we aren’t going to be perfect, but we’re always going to learn from everything we do. As a teacher, I reminded parents their children wanted to engage with the medium to learn how far they can mix the colors before the image becomes a dark gray smudge. Then they might even push it even further until it’s solidly black. If you ask a child about their story, they might say, “The family took shelter in the house, but the storm came and blew it all away.” The story would evolve as they pushed the medium to the maximum. They learned the limitations on that day and wouldn’t go as far the next day. The process, not the product, is important.

Young children aren’t ready to draw subject matter from life but prefer illustrating stories from their imagination. They use symbols, rather than attempt to construct two dimensional designs to represent three dimensional objects. Somewhere around age 11 to 14, children begin to try to construct a realistic world in their art. While their drawings at this stage display the use of value, perspective, and light, children are extremely critical of their own success. They consider their drawing only as good as the level of realism they achieve, and they’re easily frustrated. Most people quit making art works about this age, so even as adults, their “functional artistic age” is somewhere between 11 and 14.

When my mother was teaching ceramic classes at her church, she once complained to me how her students, all senior citizens, were like “spoiled children, who each needed to have their own fresh jar of glaze to paint from.”

I asked if she was putting all the new paint jars out in the workroom, or if she kept them hidden in the supply closet. You might have thought I’d just pulled the clouds back from the sun from the way her face lit up.

“Of course! I should have thought of that! I’ll just pour out the colors they need and tell them that’s how it’s going to be. They can share.”

Paul Cézanne: The Park of the Chateau Noir with Well, 1904, graphite and watercolour, Private Collection

The old masters didn’t teach their students light, dark, shading, values, perspective, color mixing, temperature, or any other aspect of the art trade until the apprentice reached around age 10 or so. The rule when I was growing up was a child had to be able to write in cursive. That rule won’t work today, but another hand-eye coordination achievement will take its place.

It takes a while for me to know a new student’s nature, so I can give them the appropriate nurture. Some of my students will go ahead and do exactly what they want to do anyway because they have to see for themselves. They have a high tolerance for “learning,” and “experimentation.” Other students need to be kept from these excesses, because they can’t stand “failures.” Some students need to creep up to the edges of failure in order to progress, since they are so fond of being in control. Gaining the confidence to let go and let the medium have its way will be a growth opportunity which watercolor offers. Other students I can leave well enough alone, and come over when I sense they’re at a struggle point. I can recognize this when they quit working or begin to sigh loudly as they push back from their work area.

I’ve actually had some grownups in art classes cry because they couldn’t master a technique on the first go around. I always expected at least one child in my kindergarten class to shed a few tears when they were first learning to cut on the fold, but didn’t “hold the fold” when it was time to cut. I can repeat this rhyme, ask them to check, and then cut, but at least one will hold the open edges, which leads to two half pieces. I always have to remind them I’ve been practicing this skill longer than they’ve been alive. One day they’ll get good at it also. Effort will pay off. The same encouragement goes for adults, though most of them are too proud to shed tears.

For our first class, belated as it was due to the recent weather and my brief hospitalization for a small blood clot at the turn of the year, we chatted about the difference between acrylic and watercolor painting. Acrylic painting is more forgiving, since we can paint over our less precise marks. We saw some Cezanne watercolor landscapes to see how a real master draws and paints.

Paul Cezanne: Le cruchon vert, watercolor, 1885/1887, Louvre, Paris.

Watercolor’s luminosity depends on the sheet on which it is painted, for its brilliance is a balance between transparent washes of pigment and the light bouncing off the bright paper back to the viewer’s eyes. At first, Cézanne worked much as he did in his oil painting, applying the watercolor densely, filling in underlying pencil outlines, covering the paper completely, and highlighting with white gouache. Later he thinned his watercolor and laid down veils of color, incorporating blank paper for highlights. He often applied watercolor to dry, semi-absorbent paper, creating layers of crisply defined brushstrokes with ridges of pigment at their edges.

Our class, because they are used to the dense pigments of the acrylic paints, painted much like the early Cezanne gouache works. It takes a while to learn a new medium, especially one so radically different from their prior experiences. But just as it takes time to learn, it also takes time to unlearn! Ask my golf coach about changing my swing sometime. We’ll get the hang of it eventually.

After checking out the master, we then worked on mixing the secondary and tertiary colors from the primary colors from our Prang 8 Color palettes on our 140-pound watercolor paper (not sketchbook paper, which is thinner and will buckle under the slightest bit of water).

I was still on painkillers for my shingles, so my painted circle never quite closed itself. Instead, it was more of a rainbow, an image of hope after all this rain and my health troubles. My secondary colors looked like rainbow mushrooms popping up from the rainbow. The wetness of some areas bled into some of the colors, giving me the tertiary colors. I had a bit more success working the wet in wet in the blue grey cloudy sky.

One of our new students, Gail W., imagined her color wheel as a flower in a field. Tim W. focused on the colors as patterns. I had the sense I was looking at a portion of a quilt in progress. While we had the color wheel as an image, we weren’t bound to recreate a wheel.

Tim B. Always has a unique viewpoint, so his color wheel is moving through space. Mike used some pastel colors in addition to the Prang colors to experiment with the difference between them. He’s used to thick paint with his acrylics, so allowing more water to flood the surface and allow the light to bounce back through the paint will allow his painting to glow more brightly.

Gail S. finished out her wheel in good form. She has good transparency of paint and mixing of colors of the three sets of colors on the wheel. Gail typically paints with thinner washes in acrylics, so her technique in that medium passes over easily to watercolors.

As a first start, we’re on the way. Next week we’ll try a small still life. I hope to be in less pain, so I’ll have more of my brain cells available, or at least they’ll be within hailing distance. I have some great Cezanne still life watercolors to share. A still life will test our drawing skills and our painting skills both. The Victorian art critic John Ruskin said, “No good work whatever can be perfect; and the demand for perfection is always a sign of a misunderstanding of the ends of art.”

Mike’s color wheel with Prang and opaque watercolors

We aren’t being graded, so when I say “test,” no one ever fails. We only find out what we’ve learned and what we need to improve upon. Trust me, “we’re all going on to perfection, by the grace of God.” After all, this is a United Methodist art class. If I may quote Ruskin again, “The highest reward for a person’s toil is not what they get for it, but what they become by it.” By this he means, art changes us. Art also opens new horizons, allows us to overcome challenges, imagine new solutions, eases our stress, finds companionship, learn resilience, appreciate culture, and develop new skills. At every age, art builds confidence, teaches us compassion for ourselves and others who try new things, and helps us keep an optimistic attitude. I personally believe art keeps our inner child alive and well. May God renew you daily in joy.

Joy and Peace,

Cornelia

Drawing Development in Children: The Stages from 0 to 17 Years https://www.littlebigartists.com/articles/drawing-development-in-children-the-stages-from-0-to-17-years/

John Ruskin—The Stones of Venice

A Guide to Cézanne’s Mark-Making and Materials | Magazine https://www.moma.org/magazine/articles/589

Cezanne’s Watercolor Pigments. https://cool.culturalheritage.org/coolaic/sg/bpg/annual/v14/bp14-09.html#:~:text=C%C3%A9zanne%27s%20watercolor%20technique%20allowed%20the,before%20application%20to%20the%20paper.

What’s the Point of Suffering?

art, city, Creativity, inspiration, Israel, Megiddo, Painting, righteousness, Solomon’s Temple, suffering

I’ve visited the Holy Land twice, and I’m always surprised how small this country is. So much history and events of our faith happened here, yet the land isn’t much bigger than Vermont. This land is a place of great suffering, marked by the historic sites of Masada, Megiddo, and Golgotha. It’s also the place of great joy, as evidenced in the Church of the Nativity in Bethlehem, the Church of the Holy Sepulcher in Jerusalem, and the Western Wall of the Temple in Jerusalem.

When we speak of the Holy Land, we include the ancient kingdoms of Judea and Israel, as well as modern day Palestine. The modern state of Israel was formed in 1948, as a homeland for diaspora Jews, who are the ones whom conquering foreign nations had exiled from their homeland over the centuries.

The history of the Hebrew people has been marked by suffering. As Deuteronomy relates, they are a “people holy to the LORD your God; the LORD your God has chosen you out of all the peoples on earth to be his people, his treasured possession. It was not because you were more numerous than any other people that the LORD set his heart on you and chose you—for you were the fewest of all peoples” (7:6-7).

They endured slavery in Egypt, wandering in the wilderness until they entered the promised land, and then were at the mercy of stronger nations who wanted to control the trade routes, which intersected inside the borders of Israel.

The earliest diaspora was the Babylonian exile in 586 BCE, plus a later exile to Alexandria, Egypt, in the 1st century BCE. That first exile was marked by the trauma of the Jews’ loss of Solomon’s Temple and their residency in the holy city. They’d always depended on these two as permanent and a source of God’s special protection. However, their failure to honor God completely negated this protection. In the exile, the people learned how to live as God’s chosen people by studying God’s word, keeping the law, and separating themselves from the Gentiles.

About five million Jews lived outside of Palestine during the Roman era, but most of them lived within the confines of the Roman Empire. Even before the destruction of the Jerusalem Temple in 70 CE, diaspora Jews outnumbered those who lived within the bounds of the territory of the Holy Land.

Western Wall of Temple, Men’s prayer area nearby and Women’s area in distance, 2019

After World War II, with the Nazi massacre of over 6,000,000 Jewish individuals of all ages and sexes, this Holocaust ignited the desire within those others who shared with Jews the same values they represented in the world. Social justice and compassionate assistance to the weak stood in the way of Hitler’s regime, for he believed Jews opposed the Nazi natural order, which was the powerful exercise unrestrained power on behalf of the superior white race. In Hitler’s view, any restraint on the exercise of white power would inevitably lead to the weakening, even the defeat, of this master race. (We hear echoes of this heretical view in the current replacement conspiracy, which claims migrants are poisoning the blood of our nation.)

Harvard Center for Geographic Analysis: Comparative Size of Israel and Occupied Territories to State of Vermont (11,200 square miles to 9,200 square miles)

An entire book in the Old Testament is dedicated to the question of suffering, especially the question of do the righteous suffer. Under the retribution theory of justice, a good person should not suffer, and a sinful person deserves suffering. However, all of us know infants born with dread physical conditions, who obviously haven’t had a chance to sin. In the Old Testament view, his parents’ sin would have caused his suffering, but Jesus reminds us in John 9:3–

“Neither this man nor his parents sinned; he was born blind so that God’s works might be revealed in him.”

Ossip Zadkine’s The Destroyed City (1951) is a man without a heart and is dedicated to the city of Rotterdam, destroyed by the Nazi Luftwaffe.

The book of Job reminds us suffering happens to all of us, and how we react to it is evidence of our transformation into the image of God. Do we seek mere retribution, or will we let suffering transform us? This is a moral question for us today, especially in our suffering adverse society. Yet, we’ll let those on the margins suffer, while we avoid suffering ourselves. The 31st chapter of Job lists the acts of a righteous man who cares for the widows, orphans, and strangers in his land, yet he suffers. But Job is no quitter, even if he is a complainer. He asks God, “Why do the righteous suffer?”

The Gaza Strip, where all the fighting between the Israeli army and the Hamas militants is currently ongoing, is slightly more than twice the size of Washington, DC., our nation’s Capitol. The Capitol is 68.35 square miles, while the Gaza Strip is just shy of 139 square miles. As a comparison, Little Rock, Arkansas, is 123 square miles in area. Little Rock has a 2024 population of 200,546. Compare this with the two million people live in the Gaza Strip. After living in rural Arkansas most of my ministry, I find Little Rock crowded. The Gaza Strip is 10 times more crowded than our state capital.

Why do I mention this? When a tornado rips through a town or a city in Arkansas, it causes damage on a large scale to those people in that area. Because we don’t have densely populated areas, our suffering is limited to a few. This doesn’t discount their particular suffering, but it does mean suffering is limited, for which we can be thankful. When 2,000 pound bombs drop on high rise dwellings, numerous people are made homeless, and the possibility of injuries is high. Perhaps we don’t see this suffering because it’s in a distant land, or because some of the injured call god by another name. If we can’t recognize human suffering as the suffering of another child of God, we’re losing our ability to see the world as God sees God’s world.

The famous Banksy’s Armored Dove of Peace, the painting of a peace dove wearing a flak jacket. The dove is painted on a wall near the separation wall between Bethlehem (Palestinian Territories) and Israel. Nov. 18, 2023

Rebuilding Gaza will be a massive undertaking because Israel’s bombardment has caused mass destruction. Current estimates are at least a half million Palestinians in the enclave won’t have a home to return to when the war ends, according to the UN aid office. By the end of 2023, about 1.9 million people had been displaced, or nearly the entire population, some more than once, as people moved in search of safety. Because of bombing, by the end of 2023, about 65,000 housing units across Gaza Strip have been destroyed or rendered uninhabitable. In addition, over 290,000 housing units had been damaged, according to the Government Media Office in Gaza. Officials estimate many more will be unable to return immediately due to the level of damage to surrounding infrastructure, as well as the risk posed by of Explosive Remnants of War.

The Greek Orthodox Church of Saint Porphyrius in Gaza, believed to be the third oldest church in the world, was hit by missiles as hundreds of Palestinians sought shelter there during a Israeli missile strike in its war against Hamas.

Currently residents in Gaza are facing famine, for the existing World Food Program ready-to-eat food options are falling short of meeting people’s crucial caloric needs. Bread, made from fortified flour, holds the potential to address some of the unmet requirements for essential vitamins and minerals, which the current ready-to-eat baskets fail to provide. Moreover, providing bread as a no-cook food option is crucial when households lack the means to cook meals. Thus, incorporating bread into aid provisions is not only as a practical solution, but also is a key strategy to fulfill immediate nutritional needs.

Children try to get food relief in the southern Gaza Strip city of Rafah, on December 31, 2023.

I first visited the Holy Land in 2000, just before the intifada of 2001. At the time, the Gaza Strip was under Israeli control. Following the 1948 Arab-Israeli War, Egypt administered the newly formed Gaza Strip; Israel captured it in the Six-Day War in 1967. Under a series of agreements known as the Oslo Accords signed between 1993 and 1999, Israel transferred to the newly created Palestinian Authority (PA) security and civilian responsibility for many Palestinian-populated areas of the Gaza Strip as well as the West Bank.

After June 2007, when HAMAS took over the Gaza Strip, Israel and Egypt have enforced tight restrictions on movement and access of goods and individuals into and out of Gaza. Fatah, another political movement, and HAMAS have since reached a series of agreements aimed at restoring political unity between the Gaza Strip and the West Bank but have struggled to enact them. Therefore, Egypt and Israel have maintained border control over the Gaza Strip, determining who and what enters or leaves.

Since Hamas’ surprise attack on the music festival and the settlement nearby, not only have the Jewish people suffered harm due to 1,200 immediate deaths but also the continued terror of those held captive by the Hamas terrorists. Some say Christ suffers only for those who go on to have faith in his saving work on the cross. I was asked once on an Emmaus walk, “Are we saved when we profess our faith in Christ, or when Christ died on the cross for us?”

Byzantine Mosaic apsidal, San Clemente, Rome

They were surprised when I answered, “Yes.” It’s not an either-or question. After all, Christ died once, for all, as an act of saving grace. God raised him from the dead to make him the first of many to cast off the chains of sin and death. When we, centuries later, profess our faith in Christ, we accept his suffering on our behalf and his resurrection as our promise of a life to come. As Christians, we often base our world view on our claim to the promises of God, but we forget Christ’s death and resurrection is a promise to all people, even to those who haven’t professed faith in Christ. As the writer of Hebrews (1:8-9) once said:

“Now in subjecting all things to them, God left nothing outside their control. As it is, we do not yet see everything in subjection to them, but we do see Jesus, who for a little while was made lower than the angels, now crowned with glory and honor because of the suffering of death, so that by the grace of God he might taste death for everyone.”

As I worked on my painting, it went through several iterations. First it stayed close to the map of the ruins of Megiddo, which I painted in yellows. Megiddo is the site of the battle to end all battles, and the place where the forces of good meet the forces of evil. Because Israel is on the crossroads of many trade routes, nations have always met there to contest for dominance. I left many scar scribbles on the canvas to represent the destroyed walls of the ancient city. As is my usual practice, I hung up my canvas to live with it awhile, but the longer my painting hung on my wall, the more unsatisfied I was. I can always tell when my inner vision isn’t meshing with finished work. When I took the work down, I flipped it 180 degrees and repainted it in red, for the bloodshed of this most recent war. As I painted out most of the scribbles, I saw the cross appear out of the image. By destroying the remnants of destruction, I had simplified the image down to its essence.

In all things, the cross is crucial. We moderns don’t understand suffering or pain. We deny it, reject it or medicate it with something that keeps us from feeling it. My personal medicinal choices are ice cream and chocolate. If I can combine them in one substance, so much the better! A recent bout with the shingles this past December had me consuming both foods for medicinal relief. Other people use wine, TikTok, or another medication of choice to escape from emotional or physical pain.

The winter of my discontent, brought by Mayhem

Revenge is is a dish best served cold because if we take revenge in the heat of the moment, we’ll over do our response and won’t know when to stop. If we wait, cooler heads will prevail, and a more limited response will likely be our action. Less damage, and less mayhem, but we humans don’t seem to be built this way. Those who have suffered will often return suffering in kind as a “hair of the dog cure.” This is why abuse and family violence is generational. The ancient Hebrews practiced the BAN, or a primitive religious practice of dedicating for destruction an entire group of people and their possessions to the LORD. This was done to cleanse the land and keep the Hebrew people pure from idolatry. Paul had Deuteronomy in mind when he wrote in Romans 12:19—

“Beloved, never avenge yourselves, but leave room for the wrath of God; for it is written, “Vengeance is mine, I will repay, says the Lord.”

While the western world has the crusade mentality, which is similar to the extreme ban, we also have the just war theory. Modern wars are fought by democracies mostly with this mindset, for the international community is in agreement the ends should justify the means. Unfortunately, terrorists don’t agree and fight according to their own extremist beliefs. We have to ask ourselves what happens to us when we adopt their policies and inflict extreme suffering on civilians to the point of causing starvation and homelessness by destroying their homeland. If we act the same as those whom as we despise, have we become them instead? We lose the moral high ground when this happens. It’s time to draw back and reconsider our motives and our methods: how can we be just, compassionate, and holy, as God is holy? Otherwise, we’re suffering for nothing or causing others to suffer meaninglessly.

When we read scripture, God’s Holy Spirit should work in our hearts and minds to make a change in us to confront and conform us into God’s holy nature. If no change happens, we need to ask God to open our hearts and minds to be conformed to God’s Holy Spirit. If it’s painful to read scripture, remember Christ suffered for us. Many of us can’t read the scriptures to be transformed, for change is difficult and painful. However, staying the same is also difficult and painful. (Maybe this is why only 10% of Americans read their Bible daily.) I find God has compassion on those who suffer, especially those who do so while “working out their own salvation in fear and trembling.”

Remember God has compassion and is near to the broken hearted,

Joy and Peace,

Cornelia

Gaza Strip – The World Factbook
https://www.cia.gov/the-world-factbook/countries/gaza-strip/

Hostilities in the Gaza Strip and Israel | Flash Update #85 | United Nations Office for the Coordination of Humanitarian Affairs – occupied Palestinian territory
https://www.ochaopt.org/content/hostilities-gaza-strip-and-israel-flash-update-85

Holocaust | Definition, Concentration Camps, History, & Facts | Britannica
https://www.britannica.com/event/Holocaust

Little Rock, Arkansas Population 2024
https://worldpopulationreview.com/us-cities/little-rock-ar-population

Ban – Encyclopedia of The Bible – Bible Gateway
https://www.biblegateway.com/resources/encyclopedia-of-the-bible/Ban

Report: 26 Million Americans Stopped Reading the Bible Reg…… | News & Reporting | Christianity Today https://www.christianitytoday.com/news/2022/april/state-of-bible-reading-decline-report-26-million.html

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A Prayer to End All Suffering

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Lifetime of Learning

Introducing Watercolor Painting

What’s the Point of Suffering?

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