The point of view determines the perspective of a work of art. One’s point of view, or preconceived bias, can determine how one sees the world and the decisions they make about the information that comes to them. If we think the world is a scary place, resources are few and won’t be enough for everyone, then, we’ll operate from fear and hoarding. If we believe God’s promises are faithful and God will indeed provide for our needs, then we’ll live in trust and hope, even as we order our lives to want less and enjoy simpler pleasures.
I always find it strange how the people in the Bible who have the greatest riches also have the most difficulty following Jesus. Matthew in 16:24-26 speaks to this topic in the section on “The Cross and Self-Denial:”
Then Jesus told his disciples, “If any want to become my followers, let them deny themselves and take up their cross and follow me. For those who want to save their life will lose it, and those who lose their life for my sake will find it. For what will it profit them if they gain the whole world but forfeit their life? Or what will they give in return for their life?
Of course, even in the 1st century AD, people wanted to have material possessions, a good income, and wealth stored up for the future. When Jesus said, “whoever does not take up the cross and follow me is not worthy of me,” (Matthew 10:38), he invited his followers to enter a despicable journey.
The Via Dolorosa isn’t named the Way of Grief for nothing. People walked it, bearing a heavy cross beam, on the way to an undignified death, a punishment reserved for criminals.
Yet Jesus transformed this ancient punishment into a means of redemption. He took a symbol of death and made it into a hope for new life. Because of this , the author of Hebrews 12:2 could write, “Looking to Jesus the pioneer and perfecter of our faith, who for the sake of the joy that was set before him endured the cross, disregarding its shame, and has taken his seat at the right hand of the throne of God.”
Now we can live the Easter promise written in Ephesians 2:12-18:
“Remember that you were at that time without Christ, being aliens from the commonwealth of Israel, and strangers to the covenants of promise, having no hope and without God in the world. But now in Christ Jesus you who once were far off have been brought near by the blood of Christ. For he is our peace; in his flesh he has made both groups into one and has broken down the dividing wall, that is, the hostility between us. He has abolished the law with its commandments and ordinances, that he might create in himself one new humanity in place of the two, thus making peace, and might reconcile both groups to God in one body through the cross, thus putting to death that hostility through it. So he came and proclaimed peace to you who were far off and peace to those who were near; for through him both of us have access in one Spirit to the Father.”
So we who live on this side of the resurrection have a joy to celebrate every day. For us the cross is a sign of victory over sin and death, and the evidence of new life and love God has for God’s world and God’s peoples. As we read in Colossians 1:19-20—
“For in him all the fullness of God was pleased to dwell, and through him God was pleased to reconcile to himself all things, whether on earth or in heaven, by making peace through the blood of his cross.”
December has snuck up on me like a racoon stalking a rabbit. Perhaps I ate too much of the Thanksgiving Feast, or maybe it was the homemade Italian Cheesecake dressed with cranberry sauce and maple pecans that did me in. It thankfully wasn’t the covid, for I had an appropriately socially distanced meal via Zoom, thanks to my niece in New Orleans and her mother in Texarkana. I’ve driven to New Orleans before, and it’s a hard eight hour trip, so I’ve always done it in two legs and made it into an easy jaunt instead. I spent the night in Vicksburg, Mississippi, to see the great Civil War battlefield there, and pay homage to those who fought to preserve the unity of the nation, even if my ancestors fought to keep other human beings enslaved. I also saw some of the grand plantation homes, which were built by slave labor. We don’t think of this history much, and I wasn’t taught it growing up, but it’s time for all of us to acknowledge all the hands who built this nation we call home.
My Decembers as a child growing up in the South were a time of waiting. I couldn’t make the clock hurry up no matter how hard I stared at it. My mother would remind me, “A watched pot never boils.” I’d grind my teeth. Hurry used to be my middle name. Now I seem to putter all day and never worry about it. I may be an aging rabbit, or maybe just a great-grandmother rabbit. Or I may have learned the wisdom of waiting, which is the lesson of the Advent season.
All small children endure the waiting at the end of the year, for the end of the year is full of holidays for many faiths. Today we’re all waiting for more normal times to return, so we can hug one another, kiss each other on the lips, and drink from the same cup without worrying about a dread disease. Waiting was so difficult for me and my brothers, we’d beg and cajole our parents to “Please, pretty please, just let us open one gift before Christmas!” We were the fortunate ones, for when our parents were children in the era of the Great Depression, they knew better than to ask for much. My daddy asked Santa Clause for an orange, boxing gloves, and a book for his older brother. Most of us today think we’d be bad parents if we gave our children only two items, but in the era of covid, when nearly 30 million people are out of work, we might need to readjust our priorities. Keeping a roof over our heads and food on the table could take priority, unless angels bring the gifts instead.
Today, I’m listening to Mannheim Steamroller play Christmas music. Tomorrow is the first day of meteorological winter and the Winter Solstice will be December 21. It’s a quiet time in the condo, for I’m alone with my decaf coffee and the furnace is keeping me cozy. One small joy I always look forward to is the opportunity to use my Christmas themed mugs for a whole month. I’ve put up the ordinary dishware and pulled down my collection of red, green, gold, and white cups. When I was young, I looked forward to the gumdrop tree and the Christmas cookies. Decorating and baking every weekend kept mother busy in the kitchen and me helping or getting my fingers in the icing bowl. I learned to share by helping my mom. I never liked her candied fruitcake recipe, however, or the fruitcake cookies. You can keep that to yourself. I think some traditions may need to die, and fruitcake is one of them, but my tastebuds don’t cater to sugared fruit anymore. Her pecan sandies were to die for, however.
If we approach the coming holiday season with anticipation for the small joys it brings, rather than thinking of the losses we’ve suffered, this December will be better for us by far. By this I mean, the tree isn’t the most important thing, for if it were, we’d worship the tree. We don’t worship the lights shining brightly, but the light which shines in the darkness. The presents aren’t the most important part of Christmas, for we don’t worship the gifts, but the gift from God.
While light has been central to many religions across the centuries, it becomes very important toward the end of the year when the days grow short. The Romans originally celebrated Saturnalia as a harvest festival, but then moved it to the middle of December, and changed its focus to a celebration of light, knowledge, and truth. They would gift dolls and treats of fruit, and light bonfires. It began as a home holiday, but became a public feast holiday in 217 BCE.
Another religious festival is the Jewish festival of Hanukkah, which celebrates the miracle of the oil and its burning for eight days, when only enough for one day was found. Jewish people celebrate their faith by lighting a menorah with nine candles: one is the helper or attendant, and the others represent the days of the ancient miracle of rededication of the Temple after the Maccabean Revolt. Families always place the menorah in a window, so everyone will see it. As a special treat, families eat foods fried in oil, such as potato pancakes and doughnuts.
The tradition is one should spend time in close proximity to the Chanukah lights for, “We must listen carefully to what the candles are saying.” The flickering flames may be telling us the following:
1. Never be afraid to stand up for what’s right. Judah Maccabee and his band faced daunting odds, but that didn’t stop them. With a prayer on their lips and faith in their heart, they entered the battle of their lives—and won. We can do the same.
2. Always increase in matters of goodness and Torah-observance. Sure, a single flame was good enough for yesterday, but today needs to be even better.
3. A little light goes a long way. The Chanukah candles are lit when dusk is falling. Perched in the doorway, they serve as a beacon for the darkening streets. No matter how dark it is outside, a candle of G‑dly goodness can transform the darkness itself into light.
4. Take it to the streets. Chanukah is unique in that its primary mitzvah is observed in public. It’s not enough to be a Jew at heart, or even at home. Chanukah teaches us to shine outwards into our surroundings with the G‑dly glow of mitzvahs.
5. Don’t be ashamed to perform mitzvahs (individual act of human kindness), even if you will feel different. Rather, be like a menorah, proudly proclaiming its radiant uniqueness for all to see.
My daddy died one year and my mother died the next. I didn’t much feel like Christmas in my heart. When the Salvation Army representative came calling to the church office, I really didn’t have the energy to help reorganize another messed up program. Then the words of my mother entered my mind: “If you want to feel better about your situation, you should do something for someone in more need than you are.” I can’t say I grieved any less, but I felt better about that Christmas, for I knew I was called to share my blessings with others. I could talk to all the service clubs in town and get them to ring the bells, including the high school service clubs. We made many people in that community able to pay their utilities and rent in hard times.
December 6 is Saint Nicholas’ feast day, the saint who most people know as Santa Clause. Saint Nicholas was the Bishop of Myra and endured the persecution of Emperor of Diocletian, who put so many priests, bishops, and deacons into prison, there wasn’t room for actual criminals. After his release, Nicholas attended the Council of Nicaea in 325 CE, before his death in 343. His generosity was legend, as was his concern for children, the poor, and anyone in need. Europeans celebrated the saint’s day and reserved the day of Christ’s birth for more sober, religious experiences.
Many people consider Christmas to be quintessential American holiday. When my daughter and I hosted a French exchange student chaperone, she raved about the American Christmas. “The English do the season well, but the Americans are the very best of all. I only wish I could be here in December!”
I laughed. I had too many memories of being up all night assembling Strawberry Shortcake Doll Houses or putting together my daughter’s new bicycle. I’ve always been directionally challenged when it comes to maps, but also when it comes to reading set up plans. I’ve never understood it, since I seem to be able to follow a recipe just fine, but mechanical things are a stumbling block to me. My memories of Christmas are from participation, not from observation.
The first Colonists, who were primarily Puritans and other Protestant reformers, didn’t bring the Nicholas traditions to the New World. As we celebrate the Christmas of today, we have a hard time thinking of the Puritan tradition which ignored Christmas altogether. Back in the 18th and 19th centuries, once the work was done, people would drink and become rowdy. Drunken mobs would roam the streets and scare the genteel classes afterwards. Even in the mid 19th century, Christmas was a regular workday. Christmas didn’t become a federal holiday until June 26, 1870, under President Ulysses S. Grant.
After the American Revolution, New Yorkers remembered with pride their colony’s nearly-forgotten Dutch roots. In 1773, New York non-Dutch patriots formed the Sons of St. Nicholas 1, primarily as a non-British symbol to counter the English St. George societies, rather than to honor St. Nicholas. John Pintard, the influential patriot and antiquarian, who founded the New York Historical Society in 1804, was the first to promote St. Nicholas as patron saint of both society and the city.
In January 1809, Washington Irving joined the society and on St. Nicholas Day that same year, he published the satirical fiction, Knickerbocker’s History of New York, with numerous references to a jolly St. Nicholas character. This was not the saintly bishop, but rather an elfin Dutch burgher with a clay pipe. These delightful flights of imagination are the source of the New Amsterdam St. Nicholas legends: the first Dutch emigrant ship had a figurehead of St. Nicholas; St. Nicholas Day was observed in the colony; the first church was dedicated to him; and St. Nicholas comes down chimneys to bring gifts. Irving’s work was regarded as the “first notable work of imagination in the New World.”
Another work of the American imagination is the “Visit from Saint Nicholas,” or “The Night Before Christmas,” a poem which still holds our interest. This poem centers around the family and the safe toys for the good little girls and boys, which Santa and his reindeer will bring to each snug and cozy house. This poem is in the public domain, so it’s available on the internet.
Christmas for many of us in years past has been like the Bunny 500: racing about the countryside as fast as we can to get as many of our to-do lists done. This covid Christmas, we might exchange our tradition of mass consumption for hot chocolate and communication. I’ve always enjoyed reading Dylan Thomas’ A Child’s Christmas in Wales. After two decades of ministry and multiple Christmas Eve candlelight services, I’ve always appreciated the quiet of the parsonage afterwards and the descriptive words rolling off this poet’s tongue. If the poem harkens back to a simpler time, it also reminds us of our lives before we were isolated from one another. As one who rarely saw snow on Christmas, I always enjoyed reading about the snowball fight against Mr. Prothero’s fire, and the Uncles and the Aunts at the meal. After a big day, Thomas said some words to the close and holy darkness and then he slept.
The light will come into the darkness and the darkness won’t overcome it. Two thousand years ago, even the parents of the holy child could find no place to spend the night but in a cave with animals. They had no crib for their child, but placed him instead in the manger. Their families in town didn’t come to visit, but angels announced his birth to shepherds in a field nearby. Strangers brought gifts from far away, but no one from his family was around to celebrate.
Maybe this is Christmas at its best, when we recognize the one who lives on the margin and isn’t included in the center of the social experiences. If your Christmas today isn’t what it’s always been, perhaps the gift of this Christmas present is the one you need.
May you and your bunnies celebrate this season of light and be a light in the darkness for those who think the dawn can’t come soon enough.
“Close Encounters of the Third Kind” might best describe my and Gail’s latest adventure at the Oaklawn art class. Pinterest Fail is another synonym for our latest escapade. If my daddy were to describe the result, he’d say, “Close, but no cigar.” That’s a quintessential American expression, which is little used elsewhere in the English-speaking world. The first recorded use of “close, but no cigar” in print was in Sayre and Twist’s publishing of the script of the 1935 film version of Annie Oakley: “Close, Colonel, but no cigar!” I’m very fond of these ancient phrases, which are daily passing from the common parlance, even as new words are invented. These were our first attempts at this craft, so our learning curve resembled the same disastrous, steep ascent of the daily Covid infection chart.
The 1977 movie title “Close Encounters “ was derived from a classification of close encounters with aliens as set forth by the American UFO researcher J. Allen Hynek. Close Encounters of the First Kind refer to the sighting of a UFO. Physical evidence of a UFO are classed as Close Encounters of the Second Kind. Actual contact with an alien is a Close Encounter of the Third Kind. Therefore, our air dried cornstarch, salt, and baking soda clay objects, which should have looked neat, crisp, and clean, instead came out more like visitors from another planet, whose embodied boundaries were disintegrating in an inhospitable atmosphere.
Yes, I blame the recipes, which said “warm water,” rather than naming an actual temperature. Just as science projects and recipes for bread need accurate measurements and temperatures for success, so does cornstarch clay. Gail mentioned her clay began to heat up under her hands as she worked it. Mine never did, but I had to add rock salt to my mix because I ran out of table salt. Don’t do this! The salt crystals won’t melt and I had chunks in my finished pieces. The proportions of the recipe I used are equal amounts of each ingredient, so if you have just a limited amount of one, measure it and give the others to the main bowl in the same amount.
Once the dough looks like mashed potatoes, don’t eat it. Instead, turn it out on parchment or waxed paper and knead it a bit. Then use a rolling pin to get the dough about ¼ inch thick. Use cookie cutters to get your shapes. Put them on a clean, flat surface, such as the back of a sheet pan. Take a plastic straw to put a hole in the upper part of the cutout. This works best if the shape is a touch dry, since the damp dough will close up. The hole is for the string hanger. The rolling pin might need flouring with corn starch if it sticks to the clay.
I also took some leaves and twigs from the bushes on the church property to use as embossing. I put these down on the cutouts, gave them a rolling pin once over or twice, maybe three, and made sure not to over flatten the shape. You could also use a decorative rolling pin as the last roll to make an all over pattern if you like that idea. A patterned doily or a scrap of lace would make a good pattern also.
When class was over, we cleaned our mess up with hot water and paper towels. I let the water run in the sink to make sure any small remains were washed far down the pipes. All the big scraps should be thrown in the trash. When I got home, I wasn’t in the mood to let these air dry for days and days. They already looked like they belonged on Charlie Brown’s Christmas tree, so I put them in the oven at 200F.
Water boils at 212F, so at 200F these shapes would be slowly drying out. I baked them on a cookie sheet for 30 minutes on each side. I did notice a bit of toasting in places, but I planned on painting these, so I don’t think it matters. I did lose the points off a few stars, but in this year of the Pandemic, perhaps some of us may be able to identify with the brokenness and vulnerability of these imperfect objects. We may want everything and everyone to be perfectly normal, but standard operating procedure isn’t on the menu for this year’s Thanksgiving or Christmas. We’re all suffering in one way or another, just like these ornaments.
I didn’t preheat the oven, for the clay objects don’t need to be shocked into a different temperature. We don’t preheat a kiln before we fire clay pottery, but raise the whole to the same temperature at one time. Of course, if you’re making a recipe with flour, yeast, or eggs, and you need your concoction to rise, you do need a preheated oven. Otherwise, just put the food into a cold oven and let your nose tell you when it’s done. Preheating is a waste of energy if you don’t need it for the recipe. These clay pieces will be hot when you remove them from the oven. Let them cool until you can pick them up without dropping them like a hot potato (a metaphor from the 1800’s).
I did take a sharp paring knife to the edges to smooth them out. Yes, I didn’t like the raggedy look. You can’t do this cleanup roughly or with big whacks. This is the fine tuning of your shape. I used to help a porcelain doll maker back in my home town. I would sand the final shape of the doll baby’s faces, hands, and feet for her to paint. She appreciated my work because I would keep the anatomical details correct and give the little faces individual personalities. Portraits in porcelain aren’t that easy, but I wouldn’t rush to finish. If we’re always on to the next task, we might miss the opportunity to meet God in the work we’re doing in the moment.
Right now in this current crisis, most of us are limiting our time out and about. If we go to the grocery store, we find our goods and get out. I do the self check out or scan and go wherever I am so I don’t have to stand in lines. I do miss the interaction and chats I used to have with folks. I decided recently even if I were masked, I would begin to speak to others. So far on each outing, at least one person has shared their feelings of grief or loss, which are a result of this pandemic. Because we are forced to limit our contacts, we’ve also lost our opportunities to share our daily joys and our challenges. If we don’t use our words, we’ll lose them. We need time to share our lives and be a community for one another, since we’re all in this together. These are God moments in which we can be a blessing to others, as well as to receive a blessing from them.
This loss of conversation will be even grimmer if our loved ones pass on during this pandemic, for their memories will cease to be available to the younger generation, and their stories will no longer be shared. As these old ones age, and their frailties become like the imperfect points on my Charlie Brown stars, we realize we won’t have them much longer. Even more so, we’ve come to realize this pandemic spares neither the young nor the full of life, as more and more of our friends are struck by this disease. Any one of us could become a Charlie Brown Christmas star at any moment. I have family members who’ve had it, friends who’ve died from it, and my heart goes out to all who suffer with it, especially those who have lost their incomes because of it.
Those who now deal with the persisting side effects of this disease don’t get near the encouragement or assistance they need in their recovery, since the rest of us are too worn down from self care and from caring for those who’re newly ill. Even the health care workers, first responders, and essential workers who have to keep the rest of us safe, well fed, and secure are struggling under the long term stressors of this pandemic. We have a responsibility to care for them so they can keep going under duress. All these folks need a sign from us that they aren’t forgotten.
Unique stars have always been a herald or sign of unusual events to follow. The gospel of Matthew (2:1-2) records the visit of the magi, astrologers from the east, to King Herod:
In the time of King Herod, after Jesus was born in Bethlehem of Judea, wise men from the East came to Jerusalem, asking, “Where is the child who has been born king of the Jews? For we observed his star at its rising, and have come to pay him homage.”
These foreigners recognized the sea change about to happen in the world, for soon earthly kingdoms would recede in importance, and the powerful would lose their sway. If they could see this sign in the sky, we have to wonder why no one in Israel was considering what the star’s arrival signified. Perhaps the learned priests knew, but didn’t want to tell King Herod the bad news:
Thus says the LORD, who gives the sun for light by day and the fixed order of the moon and the stars for light by night, who stirs up the sea so that its waves roar— the LORD of hosts is his name: If this fixed order were ever to cease from my presence, says the LORD, then also the offspring of Israel would cease to be a nation before me forever. (Jeremiah 31:35-36)
Of course, today most of us no longer believe the stars and planets affect our daily lives, nor are we “born under a bad sign,” as the blues players sing. Once we clean up the Thanksgiving meal, many of us will turn our thoughts to the holiday season. I’ll remove the last of the autumnal gourds and bring out a few winter seasonal objects every week until New Year’s. As the seasons change, we note the changes in our world. If the days are growing shorter and darker, we ourselves can still be lights in the world, as Paul wrote to the Philippians (2:14-15):
Do all things without murmuring and arguing, so that you may be blameless and innocent, children of God without blemish in the midst of a crooked. and perverse generation, in which you shine like stars in the world.
Even if we’re Charlie Brown stars, our lights will be a beacon of hope for all the world to see.
What is Real? What is True? What has Meaning for our shared lives in community? Is there an Authority for any of these questions, or are we all on our own when we try to figure out how to make sense of our world? The ancient Greeks were onto these questions long before the fateful day when Pilate asked Jesus, “What is truth?”
Today we have a branch of philosophy which studies how we know things. It’s called epistemology. The word comes from the Greek words episteme and logos. Episteme can be translated as knowledge, understanding, or acquaintance, while logos is often translated as account, argument, or reason. Logos also means word, saying, speech, discourse, thought, proportion, ratio, and reckoning. In some strains of Greek thought, the Logos was the rational principle which governed and developed the universe. In early Christianity, the Christ was the Logos or Divine Word through which God created and ordered the universe.
Normally, in ordinary conversation, we don’t throw around these fifty cent words, but prefer instead the nickel and dime ones of our fast food conversations. “How was your day?” We answer, “Fine,” but don’t pull up the deeper words of our emotions to share with the ones we love the most. Eventually we come to a quiet acceptance of togetherness, but perhaps also an inherent loneliness also. The isolation of this Pandemic has cut us off from sharing with others, so now we may feel this inner pain more acutely.
I personally miss the brief give and takes between the random strangers whom I meet in the grocery store or at the coffee shop. Just the opportunity to compliment a stranger or to help an elderly shopper find a product makes me feel good. Likewise, if someone does the same for me, I also feel better about myself. Making connections gives us a sense of community and unity in this trying time.
If we put on a brave face, smile, and say, “I’m fine,” are we being Real, True, or merely hiding behind what society has determined is the appropriate response to this time and place in which we find ourselves? Artists find themselves in this position every single time they approach a blank canvas, a lump of clay or a block of stone. “Am I going to do what all the artists before me have also done, or will I look at this in a new light and make an entirely new expression?” When the first Cubist paintings went on exhibit in France in 1911 at the Salon of the Independents, the people who attended were outraged, for the artists had broken every rule of “good painting,” which the attendees could see first hand in the other exhibits.
Cubism broke the plane of the canvas into an overall fractured space, rather than an attempt to render a three dimensional subject on a flat surface. It presented multiple viewpoints of the objects at once, rather than a single view. Picasso and Braque challenged the accepted representation of art: does art have to represent the world as we see it? Do we instead carry the ability to disassemble reality and reassemble it in a way that’s not limited to the dimensions of the real world? These artists were groundbreaking because they actively deconstructed the real form to illustrate the chaotic and puzzling side of the real world. For cubists, artists aren’t just people who paint beautiful things, but people who give others the chance to think about the world they’re living in through artistic expression.
Traumatic events like September 11th and this Pandemic also “disassemble our reality” and may cause us to reject it outright, hide from it, deny its impact, or find a way to make sense of a fallen and broken world. We can either become wounded healers or we can become wounded people who keep on wounding others. Nothing can take away the losses we’ve suffered, but we can learn to make use of our grief to help others get to better places in their own lives.
Art often serves as therapy for traumatized persons, as does journaling. This is because both are physical means of expression and both require focused breathing. I find I can’t paint when I’m agitated, but if I do a little cleaning of my palette and preparing of my work area, I begin to calm down enough to concentrate. With writing, I like using old fashioned pen and ink on paper to let the good ideas flow, but I can also tap, tap on the iPad if I have a well conceived idea beforehand.
If we let the thoughts inside of us come up to the surface, we can become aware of them and deal with them. Sometimes we don’t like these painful images that arise, for they remind us of old trauma and grief, which may depress or anger us. We need to look these feelings in the face for what they are: emotions only, but they aren’t the definition of our eternal Truth. These are mere moments in time, not forever moments, unless we choose them to be. As a person living with chronic depression, I had to learn how to think positively and stay appropriately medicated, as well as to do the healthy self care behaviors to enhance my ability for an optimistic outlook on life. We can be survivors, not victims. If I ruminated on my sad thoughts or anxious feelings, I wouldn’t be able to take positive steps forward. Learning how to refocus my thoughts took time and practice, but the effort was worth it.
Art pushes our boundaries outward, so we are more resilient when we meet struggles in the world. If we struggle and fail on a painting, we still learn from our work some lessons to apply on the next one. Art is a series of building up of failures until you get competency surrounded. One day your hand, eye, heart, and mind all click into one circuit. Suddenly your art looks like you seem to know what you’re doing. It has a voice unique to you and begins to speak to the world beyond. This is the moment when your inner spirit and emotions are at work, for you have enough technical ability to get the meaning across.
How long does this take before your work takes on its own personality? We all have it from the beginning, for we each have our own unique insight into the world built up from our past experiences. The better question we ask is “when does our work look good?” At this point we’re asking, “Is it Beautiful, Technically Competent, Engaging, or Appealing?” Sometimes we’re asking, is it commercially viable, or will someone buy it? If the test of great art is someone will purchase it, Rembrandt’s later works and most of Van Gogh’s oeuvre don’t make the cut. Yet, history proves these are museum worthy paintings. This means we don’t need to concern ourselves with this question, but we shouldn’t quit our day job anytime soon.
A recent study found if a family has an annual income of $100,000, a child is twice as likely to become an artist, actor, musician or author than a would-be creative with a family income of $50,000. Raise the annual income to $1 million and $100,000, respectively, and the stakes become even higher, with members of the first household nearly 10 times more likely to choose a creative profession than those from the second. Overall, for every additional $10,000 in total income, or pre-tax earnings of immediate family members, a person is two percent more likely to enter a creative field. This is why we see so few persons of color in the art world today, for historically their art was not only disparaged in early American history, but today people of color have lower median incomes than whites, partly due to systemic racism resulting from inequalities in education, but also lack of entry into home ownership due to redlining.
Art is like ministry: we don’t do it to get rich. We do it to live our best life. We do it because we have a need to express the deeper voice which we hear in the depths of our hearts and mind. It isn’t the call of the world, but the mysterious calling of the Divine Word, which we remember from John 1:1-5, was “The Word Became Flesh:”
In the beginning was the Word, and the Word was with God, and the Word was God. He was in the beginning with God. All things were made through him, and without him was not any thing made that was made. In him was life, and the life was the light of men. The light shines in the darkness, and the darkness has not overcome it.
When we make art of any kind, we reassemble a new reality, for we proclaim we’re living in the power of the creating God. We know we aren’t a god, but we share God’s image and God’s work of creation. Because of this, we can rebuild the broken world, heal the broken people, and show love and compassion to all we meet. For many of us who grieve or judge ourselves harshly, maybe self compassion and self love is the first reconstruction of our world we should work on. If we aren’t painting or sculpting, we can bake pies or cookies, keep gardens, grow flowers or veggies, or do any other life giving endeavors.
Art gives us an safe space and an opportunity to build a new world. If it doesn’t hang together, we can always paint over it and try again. Or we can start afresh on a brand new canvas. How many of us wish we could wipe yesterday from our memories? Or come to tomorrow clean and new? We can have hope, as Jeremiah 29:11 reminds us:
For I know the plans I have for you, declares the LORD, plans for welfare and not for evil, to give you a future and a hope.
April showers bring May flowers and Coronavirus containment orders. Everything we once knew about our worlds has been upended by the advent of this novel virus. Once we were proud of our abilities to master our planet and to wrest its unruly ways to our wills. Now we meet an invisible, but infinitely small agent that can weigh lay us from some hidden corner or passing person. I have friends who say they don’t want to go to the grocery store without their spouse or partner, for they don’t feel safe anymore. Then there’s the folks who run pell mell into the jaws of death, daring the virus to take them on.
From my rabbit hole, I wonder if the virus doesn’t affect the nervous system and cause some of us to act more fearful and others to act more foolhardy. I think the stress of looking at our four walls of our various hutches, being cooped up with our rabbit families, and dealing with teaching our bunny children their lessons is getting to us all. Maybe raises for those teachers are due in the next go round, now that we understand what they go through every day. The stress is getting to all of us, and even to this rabbit, who’s used to organizing my own time.
People laughed at me back in my seminary days when I brought my appointment book to school, but I blocked off all my classes, set aside time for study, time for meals, and I only worked a half day on Saturday. Sunday I did church and watched the Cowboys, back when they really were America’s Team. I’m retired now, but I still keep a calendar of projects. Since my two art shows got cancelled, I started making masks for those who’ll be opening up shop again soon. I keep up on my pages, my sci-fi spiritual blog, and I started a new painting series, “Postcards from the Pandemic.” I’m down to working about 30 hours a week now, but I’m almost as old as the dinosaurs. The young rabbits can work the long hours and they’re welcome to them.
This May won’t be like any May we’ve ever had before. Whatever model or image you have of the “merry month of May,” you should toss it out the window and let it smash to smithereens like a precious crystal vase dropped from the top of the Leaning Tower of Pisa. We won’t be traveling there any time soon, but if you can find a high up window, your fantasies about May will crash with a resounding clash. Then you can have a good cry about it or a stiff drink, whatever suits your fancy.
Just get your rabbit mind wrapped around this idea: San Antonio has cancelled its Cinco de Mayo celebrations and the Kentucky Derby won’t run on May 4, but has deferred this premier horse race to September 5, 2020. The Indianapolis 500, a Memorial Day tradition for 104 years, has been rescheduled for Sunday, Aug. 23. These events haven’t been cancelled forevermore. They’ve merely been postponed to a future date. We can bury the small grief of our delayed gratification, and look forward to a better time in the future.
NASCAR will be the first major sport to return to television, but without fans in the stands. NASCAR will resume its season without fans starting May 17, at Darlington Raceway in South Carolina with the premier Cup Series racing four times in an 11-day span. The revised schedule for now will only race at tracks within driving distance of the Charlotte-based race teams and in states that have started reopening.
Charlotte Motor Speedway will then host the Coca-Cola 600 on May 24 to mark 60 consecutive years of the longest race on the NASCAR schedule being held on Memorial Day weekend. The track in Concord, outside NASCAR’s home base of Charlotte, will then host a Wednesday race three days later. The teams won’t travel far, they won’t practice, they won’t qualify, they’ll wear face masks, practice social distancing, and the rules might be adjusted for pit stops, but when the green flag drops, those drivers will forget about these minor things because they have a race to win. Racing rabbits always go for the trophy, as in “Wreckers or Checkers! Baby, I’m using the chrome horn if you don’t get out of my way!”
Some holidays and celebrations won’t change, and we rabbits can be glad for this. I’ve often listed all the commercial holidays ginned up to advertise some food stuff or group, but not this May. My bunny nose sniffs a different wind in the air. In the interest of not working too hard, I’ve picked five good holidays and celebrations for May:
May 1—May Day—love and hope May 4—Star Wars Day—May the force be with you May 10—Mother’s Day—remember your mama! May 25—Memorial Day—honor those who died serving the USA May 25—Carry a Towel Day—homage to Douglas Adams’ Hitchhiker’s Guide to the Galaxy
Our age is seeking a new spring of life. May Day once marked the halfway point between darkness and light. It’s half way between the spring equinox and the summer solstice. In Ireland, the pre-Christian Celtic peoples divided the year into two main seasons: Winter and the beginning of the year, which fell on November 1, and the Midyear/Summer, which began on May 1. These two junctures were thought to be critical periods when the bounds between the human and supernatural worlds were temporarily erased.
Many of us have experienced thin times, when we feel the presence of God’s spirit with us more deeply than on other occasions. For me, this is more often when I’m in nature. The great dome of the sky, the clouds lit with the glow of the sun, and the liquid light overflowing and casting its glow on the land below. I can get lost in these thin moments and forget what I’m doing and where I am. If you meet a rabbit stopped for speeding on the highway, perhaps they were in a thin moment and not really a jerk.
There are also thin places, which are places of energy, or a place where the veil between this world and the eternal world is thin. A thin place is where one can walk in two worlds—the worlds are fused together, knitted loosely where the differences can be discerned or tightly where the two worlds become one. These are places which have been recognized over the ages as connected with the spiritual world. Often overlaid with the most recent god of the newest inhabitants, the place retains its spiritual energy. Many temples in the ancient world were built on the sites of even more ancient holy places, only to have churches built over them even later still.
In this era of Coronavirus, we might not be using our frequent travelers miles, so we could seek an alternative thin space. The holy icons are perfect for this, for since they’re a “window into heaven,” they’re by definition a “thin place.” They usually are given a designated place in the home, called the Red Corner, for the Russian word for red and beautiful are the same. Of course, we don’t pray to the icon, and the object isn’t worshipped, for that would be idolatry. We pray to the God of the saint represented, or to the Son of God, but not to the icon itself, which is merely an outward and visible reminder of the inward and invisible spirit which connects us all to what is good and holy and communal in our socially distancing world.
On May 4th, we can say, “May the Fourth be with you,” and remember the “Force is always with us,” for every time and place can be a thin place if only we rabbits would become aware the greater power beyond us is also operating within us, for “we have this treasure in jars of clay, to show that the surpassing power belongs to God and not to us” (2 Corinthians 4:7).
We all have Mothers, who gave birth to us. Some of us also have adopted mothers, mothers who raised us, mothers who formed us in the faith, or mothers who took us under their wing and taught us how to get along in the world. Mothers today don’t have to be women, but they do have to nurture and shelter. The church has been a great mother for centuries, nurturing the poor and the marginalized through the ministries of outreach to the neighborhood and the world. These ministries haven’t stopped just because of the coronavirus, but are increasing because of job losses, homelessness, and hunger. If you have the means to share with your local food pantry, please do. Hungry rabbits depend on us.
Memorial Day weekend was for a long time a pause to honor the nation’s war dead. Then it became a three day weekend for backyard barbecues and sporting events. As the toll from the novel coronavirus pandemic in America marches past the total of Americans killed in the Vietnam War, our holidays may take on a more somber nature. For other rabbits, who have an overripe case of cabin fever, a need to break loose in a wild debacle may override their common sense. I know my rabbit friends have good sense, so even if your state flings the doors wide open to “life as usual,” common sense and expert wisdom will prevail instead. Let others test the waters on this idea, and let them be the guinea pigs to see if the curve has actually flattened.
May 25 is also Carry a Towel Day, so if we have a towel, we won’t panic. As explained in the Hitchhiker’s Guide to the Galaxy, towels are “the most massively useful thing an interstellar hitchhiker can have.” A towel has both practical value, since it can be used for warmth, shelter, a weapon, and also strangely to dry one’s body. It also had psychological value, for if a non-Hitchhiker sees you with a towel, they’ll assume you’re fully stocked with other necessities as well. The lesson I take from this is while life is serious, I shouldn’t take myself too seriously. Humor will get a rabbit through the thickets and briars of this world better than struggling against the thorns and weeds. After all, angels fly because they take themselves lightly.
I will see you next month, when the June bugs fly. Until then,
Love, Joy and Peace,
Recipe for CLASSIC MINT JULEP for a delayed Kentucky Derby, best consumed while wearing a fancy hat or elegant jacket. This recipe is adapted from “The 12 Bottle Bar,” a fun, informative cocktail recipe book by David Solmonson and Lesley Jacobs Solmonson. To make simple syrup, pour one cup of granulated sugar or Splenda into one cup of water and slowly heat on the stove, stirring until the sugar/Splenda is dissolved. Plus a Handful of fresh mint leaves, 1 oz. simple syrup (2 tablespoons), and 2 oz. bourbon or rye, your choice (1/4 cup or 4 tablespoons).
Put the mint in a cup, preferably one made out of silver or some other metal that will keep things nice and cold, and muddle it by pressing it gently against the sides and bottom of the cup for a few seconds (use that muddler you got as a wedding present or the handle of a wooden spoon). This rabbit would use a spoon.
DO NOT MASH THE MINT. You just need to release the mint’s oils, which does not require a strenuous effort. Over-muddling will result in an overly bitter drink. Add the simple syrup. Fill the cup with crushed ice and add the bourbon. Stir gently for 30 seconds or so, until frost forms on the side of the drink. Add more ice if needed and garnish with another sprig of mint. If you don’t have metal cups, make it in any cup cup you have. The metal is traditional, however.
This is a stay at home beverage, or a split between two persons, since it exceeds the recommended one ounce per day consumption of alcoholic beverages. Enjoy responsibly.
For more information on some of the subjects mentioned above:
I carry my phone when I walk, so I always have a camera for the scenes of beauty which catch my eye. Since light is ephemeral and these moments are fleeting, catching them as they occur is important. When I come home, I often photoshop the image on my computer or in Instagram to get the emotions, which I experienced when I took the photo.
Winter Lake Reflections
Several winters ago, I took this photo. By the time I painted it this year, I was feeling more optimistic. Back then, I didn’t know if my daughter was alive or dead. I lived in hope, but I also was holding onto some fear, for I knew her drug addiction was going to be difficult to overcome.
The Cloud Rising
This is my most recent landscape. The cloud always reminds me of God’s appearance! Then I think of this verse in Job 38:34, when God asks Job, who’s been questioning God’s intentions and reasons—
“Can you lift up your voice to the clouds,
so that a flood of waters may cover you?”
Poor Job, he’s not God. And neither are any of us. We’d like to make sense of the senseless, right all the wrongs, put order to all the chaos, and make things the way they should be. Of course, if we were in charge, the world would have gone to hell in a hand basket much sooner than it has already.
Maybe we should reread Job 42:3—
‘Who is this that hides counsel without knowledge?’
Therefore I have uttered what I did not understand,
things too wonderful for me, which I did not know.
In our world today, many changes are happening. Some of us want things to be “the way they used to be.” This would make us feel better and be more comfortable with a known world, but God is always recreating God’s new world–
“For I am about to create new heavens
and a new earth;
the former things shall not be remembered
or come to mind” (Isaiah 65:17).
If we are people of faith, we can trust in our God, whose Son Jesus Christ is the same yesterday and today and forever (Hebrews 13:8). If Christ is the same, then God is the same, and so is the Holy Spirit. Does this mean our understanding of the Holy Trinity never changes? No, this means God’s love and mercy for us never changes! We think we can fall outside the bounds of God’s love, but this is only because we have short arms and can’t include all others within our embrace. Just as the water reflects the sky and earth above it, so we’re to reflect the attributes of the holy image in which we’re created and demonstrate the qualities of the heart and the same mind that was in Christ Jesus (Philippians 2:5).
Job, who was well respected and honored in his community, was enamored of his ability to assist others with their needs. He was a big man who used the blessings from God for good purposes. When he lost this status, he was upset. Once he met God face to face, he realized he’d been giving lip service to God, but didn’t actually know God. Many of us today know about God, but haven’t had an encounter or experience with the living God. We can’t reflect a love which we’ve never received, and we can’t share a forgiveness we’ve not known. Perhaps our first work is to seek God’s generosity for our own lives, so we can reflect it outward in the world toward others.
Most of us separate our lives into doing and being: we are creatures of comfort at times, and then we expend energy doing chores or work at different times. We live bifurcated lives, even if we’ve heard the admonition to “pray without ceasing” (1 Thessalonians 5:16), we work without prayer and pray without working. Then again, some of us have little connection with the spiritual at all, so we miss the mystery and the awe of the dimensions beyond this mundane world. We’re unable to see even the glory and beauty of the creation, since we aren’t connected spirituality to a life beyond this world.
Christ Overcomes the World
The iconographer is more than a painter or a writer: he or she is one who connects this material world with the spiritual world beyond. The icon is a window through which the heavenly and the earthly worlds communicate. It’s like a wormhole, of sorts, in sci-fi language, or a portal passage for direct communication. Of course, we can directly communicate with the Holy Spirit, but not being able to see the Spirit, we can see the icon’s representation of the image of Christ or a saint, and this helps us to focus our thoughts and prayers.
Some say a candle would suffice, or a text from Scripture, and I agree. Yet not everyone is able to live such a spare life, reduced of images, color, and beauty. Minimalism isn’t for everyone! This is why we have zen gardens as well as romantic English gardens. Some of us need architectural modernism and others like quaint country clutter. The icon tradition comes from the ancient church, for Luke was traditionally ascribed to be the first iconographer, as well as one of the first gospel writers. He painted Mary “the God-bearer” and Jesus.
Our art class is moving out of its comfort zone in the painting of icons. We can learn about the spiritual life in the art class every time we meet. In fact, every time we try something new or challenging, we learn about ourselves and the spiritual life. A close inspection of the gospels shows a Jesus who was always challenging the status quo. The only time he was comforting people was when they were dispossessed, marginalized, or disrespected. “Blessed are the poor…” was his first choice, not blessed are the rich or powerful!
When we are weak and powerless, when we struggle and fall short of success, and that will be. Every. Single. Day. In. Art—We are then most able to lean on the one who for our sakes became weak so we can become strong. Then we’ll come back and fail again and remember the times Christ stumbled on the rocky road to the crucifixion. What seemed like a failure to everyone gathered about, and didn’t make logical sense to wisdom seeking people, nevertheless served a higher purpose. By uniting all of our human failures and faults in one person, God could experience all of them in God’s own image, the icon we know as Jesus Christ.
If there’s any reason to attempt a Holy Icon in this modern world, we paint and pray to unite our work and spiritual into one. Usually only the clergy have this privilege, and they can too easily burn out if they do too much and pray too little. Lay people underestimate the amount of prayers necessary for effective work. The older I get, the more prayer time I need. Of course, work takes more out of me now, but I’m a refugee from the dinosaur age. I used to be an energizer bunny back in my fifties, but working thirty hours a week painting and writing is enough for me today.
Any art work, whether a landscape, portrait, or an icon, can be alive or dead, depending on how the artist approaches the work. If we draw the lines, fill in the colors, and never pay attention to the energy of the art itself, we’re just filling up time. If we’re thinking about our grocery list, what to make for dinner, or the errands we have to run, we aren’t on speaking terms with our artwork. On the other hand, if we’re paying attention, sharing in the conversation, listening to what our work is telling us, we can respond to the push and pull of the conversation. Our work will tell us what it needs if we’ll only listen to it. If we trust and listen to the Holy Spirit, we’ll paint a true icon, and the window into heaven will open for all who want to listen.
The life of one who pursues Art and Faith has many overlapping points. One of these is the search for perfection. The French artist Marcel Duchamp quit painting to play chess, saying he couldn’t create a greater work. However, he was still working on one last piece in secret in his studio. Artists are driven toward this ultimate prize, just as people of faith are called to grow towards perfection in faith and love.
The difference between perfectionism and Christian perfection is huge! The first seeks flawlessness in self, others, and in all things. I know people who get up in the middle of the night to rearrange the shoes in their closets. Shoes must not dance! While I do alphabetize my spice rack, I can leave my closet’s contents to party at will while I sleep all night. I learned from experience early on not to concentrate in any one area of my artwork, since all my many teachers drilled this lesson into my head. Overworked areas of wet paint also get muddy, for the colors blend together into a sad grey. Experience is a good teacher.
Christian perfection is a heart so full of love of God and neighbor nothing else exists. By definition, our hearts would be also full of love for our own selves, since we are made in God’s image. This is why in art class we use ABC: attitude, behavior, and consequences. Positive ABC gets praise, and negative ABC gets redirected to a better place. If we can reframe our attitudes, we can change our behaviors, and then we’ll have different consequences. Sometimes we need an attitude adjustment.
Art classes aren’t easy, but neither is the Christian life. We need to face our limitations, and this is humbling. We aren’t strong or powerful, nor have we achieved anything close to perfection in any part of our own life. This doesn’t make us bad people, but it does make us drop the false mask we’ve been wearing in the world. The best art will come from an open heart, or from transparency to God and others. We’re so used to hiding our true self from others, we think we can hide it from God also. Art will reveal our true self, however.
In Philippians 3:12-16, Paul talks about Christian perfection, so I’ll add some notes about the search for artistic perfection. In class we drew the negative or empty spaces of a wooden dowel construction I rigged up for the center of the table. I tossed in an extension cord for good measure.
Drawing the negative space is a new concept. Most of the time we’re outlining the object itself, but not focusing on the empty space. Then we wonder why our object looks cattywumpus. By drawing the emptiness, we end up with the positive figure. This is a backwards thought process. We’re so trained to look at the object, we forget the empty spaces are a design element also. Drawing the negative space helps us to find the true object in its actual location in three dimensions and translate this into a two dimensional space. This is a complex form of thinking, which is why age 9 or the ability to write in cursive has been the usual cutoff age for formal art training.
MIKE, negative image & DUFY, GATE
Not that I have already obtained this or have already reached the goal—by this Paul means Christian perfection, or having the full love of God and neighbor within our hearts. We artists will work all our lifetimes to achieve perfection. If we’re truly growing as artists, rather than just repeating variations on a theme, our style will change. Monet once destroyed multiple Waterlily canvases right before an exhibition, having deemed them inadequate for the show. We artists are our greatest critic. The day we’re satisfied is the day we begin to repeat ourselves.
GAIL, negative image & DUFY, Room with Window
but I press on to make it my own, because Christ Jesus has made me his own—of course, the Holy Spirit empowers this spiritual quest for complete love, or we’d never achieve this goal alone. I believe all persons have a creative spirit within them. If we’re made in the image of God, who is the creator and is creating all things new again, we must share this attribute in part. Moreover, I think of it as a spiritual gift, for we enter into the mystery of God when we let go of our ego’s organizational skills and allow a greater hand to move our own as we create.
Beloved, I do not consider that I have made it my own—the mark of a spiritually mature person is recognizing how far from the perfection of God all of creation will always be. Yet God can refine and renew any imperfection in our spiritual and physical lives. The consequences of our acts will stay with us, however.
At the end of a studio session, I sometimes tell myself, “I’ve learned all I can from this one. It’s time to go onto the next piece and do better.” I don’t expect a masterpiece every time. I do expect to learn from my mistakes. I own my mistakes! I’ll keep the work around for several months. If it doesn’t fall apart, I let it out to show. If it doesn’t sell in three years, I destroy it and move on. I can’t stay attached to it, although I once did. Now I see my work as an opportunity to share the beauty and joy of God’s inspiration with others. I’d be selfish to hoard it all to myself.
but this one thing I do—Paul stays focused on the ultimate prize, not just on the easy gains. “We have stress enough in our daily world, so why can’t we just come and be comfortable in our sanctuary or in our art class?”
If we were hot house tomatoes being prepared for the salsa factory, this might be an acceptable choice, but we’re human beings who’ll be tested and tried in the world beyond the security of our sacred spaces and quiet studios. We need controlled challenges, just beyond our reach, to strengthen us for the days ahead. Even the most famous artists will struggle with success, so having a goal beyond this world is important. The rest of us will struggle with failure and rejection, so we need to learn resilience and fortitude, and the strength of power available to us from on high.
forgetting what lies behind and straining forward to what lies ahead—most of us carry baggage from our earlier days when we made poor choices and did dumb stuff. If we don’t have several suitcases, we at least have a closet full of T-shirts from Been There Done That Land. In art, we eventually will make enough work to break out of our old patterns, or we can enter into a studio teaching environment and accelerate the process. The trained teacher gives positive criticism and guidance, just as we can give the keys to a novice driver with a licensed driver in the car. We could let the novice driver out on their own, but a cow pasture would be a safer choice for this unsupervised driving experience than a city street.
I press on toward the goal for the prize of the “heavenly” call of God in Christ Jesus.—the Greek word is “upward” call, or “higher” call. This call is more important than any other in our lives. If our only goal is to be a good person, but not loving person, we need a higher goal! Why are we satisfied with less when God is so much more of everything?
Let those of us then who are mature be of the same mind;—just as our challenge in faith is to always grow in grace and love, so our goal in life is to always grow and learn. What we fail to use will atrophy and die. If we don’t love from the depths of God’s inpouring and abundant love, our own ability to love will wither and die. Burnout is a spiritual condition first, then it becomes a physical problem. The ancient icon painters prayed as they “wrote” the images of Christ. If we offer up our time in the studio as a prayer to God, we will better connect to God’s deep well of hope and compassion, which can recreate our lives and the world.
and if you think differently about anything, this too God will reveal to you.—I happen to be a slow learner, but better a slow learner than one who never learns at all. Some of us need repeated lessons before the scales drop from our eyes, but once we see clearly, we’re zealous to convert the rest of the world. Once the flame of love burns brightly, it wants to spread and replicate itself. One light wants to set the other coals aflame. Still not everyone wants to set themselves on fire! They’re perfectly willing to watch someone else burn brightly and bask in their glow.
Price’s Law is a good example in real life. Price’s law describes unequal distribution of productivity in most domains of creativity. The square root of the number of people in a domain do 50% of the work. In a group of 100, 10 do 50% of the work and 90 do the other 50%. This seems to hold true in business and in volunteer groups. Some Elijahs love to work, but don’t know how to replicate their Elishas. They rob the future Elishas of the blessings of service.
In art everyone has to do their own work, and some have difficulty if the work doesn’t look as good as their neighbor’s efforts. Since everyone begins at a different point, each person improves from that beginning. Each has to be considered as an individual. No one is compared to anyone else, even in a graded system. Art is the best class of all, for if you work the whole class, turn in all your work on time, and meet the criteria of the project, you get an A. There is a “works righteousness” in the studio, even if we’re saved by grace in faith.
Only let us hold fast to what we have attained.—I find many folks want to quote this verse only, but not the whole of the Philippians text. They use it as an excuse to stand still without reflecting on their faith, which they inherited from their ancestors. Worse, they don’t read the Bible with a heart or mind open to the fresh winds of the Holy Spirit. Then they wonder why joy and peace are merely limited gifts in their lives. We prosper, not by material wealth, but in our relationships with one another and with God.
In art, we’d rather copy our teacher’s example and match it to the best of our ability, instead of coming up with solutions unique and personal to our own spirit. Thinking uses energy, but it also builds resourcefulness and new cognitive pathways, as well as increasing confidence.
The former is the standard teaching technique in most departments of education, but it has nothing to do with engaging creativity. Instead it assumes a single right answer, but the history of art is replete with multitudes of many answers and solutions to the questions of the moment. When we ask, “What is beauty, truth, and good in art,” we answer, “Across the years and with different artists in different cultures, it varies.”
With this in mind, as artists and people of faith, we can hold certain truths across all the years, artists, and cultures, but other truths may be variable. Certainly overworking the person and the painting hold true everywhere. Many of us hunger for approval from human sources, and work ourselves sick trying to please too many masters.
In art school I had several master teachers. One day I was drawing in an empty classroom. The department head came by and asked, “Who are you working for, me or Mr. Sitton?”
“I’m drawing,” was my noncommittal answer.
He returned a short while later to ask the same question and I gave the same answer. Not long after that, he popped his head into the door, pointed his pipe at me, and asked again, “Who are you working for, me or Mr. Sitton?”
By this time I was irritated to no end. I’d been polite twice, but this third time was too much! I snapped around on the stool and snarled, “ I’m working for myself, thank you! Now quit bothering me so I can draw in peace!”
He laughed as if I’d finally passed some rite of passage. “That’s what I wanted to hear you say the first time!” Some art lessons aren’t given in a class, and they aren’t about design and color, but about your calling and your purpose.
Who are you working for in this world: the praises of ordinary people, or the eternal voice of the master, who paints the dawn and sunset from a palette of glorious colors?
Famous artists throughout the ages have chosen apples for their still life paintings. Apples are known for sitting still, they have a long shelf life, and they work for cheap. Moreover, when the painting is done, they make an excellent pie. We can’t do this with our human models, since this involves non ethical principles such as “Do not take a human life or do not murder.” So, apples are good for starving artists everywhere.
In art class last Friday, the adult students learned even a simple apple and its shadows can be challenging, but the fruit of the quest is worth it. Integration of the object and the ground isn’t easy! If we focus only on the form, it’ll float like a butterfly above the ground. The shadow ties the form to the ground and tells us more about object’s shape and location in space. The line behind the objects determines the point of view. It becomes our horizon line, so we know if we’re looking above or below the objects.
We can use our brushstrokes can to shape the apple’s form too. Then if we use the same brush technique for our ground, we haven’t separated the object from the ground. We end up with the famous magic “cloak of invisibility,” which is great in a Harry Potter novel, but not so great if we want to separate our apple from the ground.
These are all areas of growth, however. As my old teachers all said, “There are no mistakes–only attempts to gain mastery over the techniques until you find your own voice.”
Next week we’ll look at negative space. So far we’ve been drawing the objects, but now we’ll look at the space in between them! Oh–who knew we’d pay attention to the empty spaces or they’d have so much meaning!
“Guard me as the apple of the eye; hide me in the shadow of your wings…”.
I’m at my annual conference for my church. I have a display of my art work up. I just sold this found object icon.
Icons are not just images of the Virgin Mary and the infant Jesus, but they represent windows into the holy dimension. They aren’t meant to be realistic renderings of the people or the landscapes as we think of western perspective and conventions.
I found all the materials either on the street while I was out for a walk, or at the grocery store. Yes, those are beer tops, a canning lid, a tag from a bag of Mississippi potatoes, and a crushed Mountain Dew can. Some would call these the debris of everyday life, or the castoffs of human activity. I’ve met people in my ministry who feel this way, and some of them come from fine families, but they’re going through a rough spot in their lives or careers. Others have lived on the margins of society most of their lives and don’t know any other way of being.
This icon foretells the miracle of the water changed into wine at the wedding at Cana. What was ordinary became extraordinary when Jesus entered the picture. We too are changed from our original condition into something very much more when Christ enters our life. We are his found objects, made into fine art. Everyone of us needs this change and transformation: some of us so we can meet the street people with compassion and others of us so we can be made whole again.