Snow Covered Landscape

art, Creativity, Faith, Imagination, nature, Painting, photography, texas, vision

The Last of Our Winter Snow

I covered up an old painting I didn’t care about, one of those “unsold inventory pieces,” which inhabit every artist’s storage areas. In the old days, artists would burn their least good works in the winter to stay warm. While we might want to see these works, artists burned them for a reason. They made better fires than art. We artists know art and we know what we like: excellence. If a work doesn’t meet our standards, we can destroy it and move on. Texans have been burning their furniture in the recent winter snowstorm, when their statewide power grid failed. They can always get new tables and chairs, but no one wants to lose fingers or toes.

I used to think my art was a precious thing, as if it were alive. Now I’m more discerning, for a work needs to hold together and still speak to me for a long time for it to be a “quality piece.” Since I’m still pushing the boundaries of an idea, sometimes my work falls short of my goals. Yet if I ever get to the point at which I’m just repeating techniques and forms, I won’t be enjoying myself. I’ll move on to something else, I’ll guarantee you for sure! I was born on a Thursday, and like all such children, I have far to go. I will most likely never stop searching for a better way to express my creative journey or my experiences in this world.

I’ve often wondered about the artists who find one style and work it out infinitely, as compared to those who develop and change over the years. I love the landscape, and have given priority to God’s creation in my own creative endeavors. I feel closest to God in nature and identity with God’s creative energies when I’m making my art. Making art becomes a spiritual experience for me, since it brings me into union with God. I’ve often wondered if the artists who refine only one style ever end up losing their sense of creative joy. While a gallery might find it easier to sell our products if they look like our previous work, artists have to decide if they paint for public approval and sales or for continuous, creative purposes. 

This decision is easier for those who have other means of financial support, but for the most part this has been the lot of artists over the years. A few well heeled families may  support their creative endeavors, but many others are the starving artists of legend. Most of us end up in the latter category, since we don’t work full time at either our art or our day job. We sacrifice for our muse.

So what does the spiritual life have to do with the life of an artist? Most people think artists spend their lives wantonly drinking in cafes until late at night. These are “artist pretenders,” since actual artists are called to the solitude of their workplaces and the silence of the moving spirit in the pushing and pulling of the media in which they work. If they command their materials, they produce one level of work, but if they surrender to the movement of the spirit, they enter into a dialogue with the work which comes to birth through their hands. In a sense, we cannot “make art,” but we “allow art to become a reality in our presence.”

For those who insist on “tackling their work” or “achieving mastery over a medium,” this attitude of surrendering before the canvas or artwork is difficult to understand. As Jason Nesmith, the captain of the fictional Galaxy Quest spaceship said, “Never give-up, never surrender.” This is such a trope of television writing, the movie makers had to poke fun at it. What’s sad is we confuse our spiritual life with the movies. Sometimes the best course is to surrender. When we realize we’re at the end of our ropes, we don’t tie a knot and hold on. We let go and let God. We quit trying to fix it and control it. We offer compassion to the broken, rest to the tired, refreshment to the hungry, and cheer to the downhearted.

Stage 1: fabric layer

So it is with a painting. It starts with an idea, in this case, I wanted to recycle old material into a new purpose.  I also wanted to revisit the aerial view of the lake area where I live, but with snow. I cut and sewed one afternoon until I had enough shapes to glue on my square canvas. You can see the tapestry elements as well as the old embroidery, which I think dates from the 1970’s.Then I set it aside to dry overnight.

Stage 2: first layer of painting

The next day, I used my acrylic paints to put the first layers on the canvas. I ended up with more warm colors than I intended, but the under layers were also warm reds and golds. I was losing energy and couldn’t feel the painting speaking to me any longer. This is “artist talk” for losing sensitivity to the changing field of colors on the surface. It’s similar to not being able to recognize the look of boredom on a conversation partner’s face while you go on and on with your tale. In the studio, you lose the work and elsewhere, you lose someone’s attention. When my blood sugar drops, I have to be careful, for I lose my receptiveness to the subtle movements of color and form. If I can no longer hear the work speaking to me,I know I need to stop and come back later.

Snow Covered Promontories on the Lake

The next day, I crunched about in the snow for about fifteen minutes, but under the fluff is ice, so I didn’t stay out long. My cozy condo is a better choice. I repainted most of the warm colors with cool blues and pinks, and highlighted the leaf shapes in the “forested area.” We have two large condominium projects near the lakeside and a large highway near the right side of the image. The rest of our landscape is snow covered trees. Once those odd warm areas calmed down, then I could hear again the brighter notes of red and gold against the violets and grays. The hard edges where the fabric joins together follows along the roadways for the most part.

Landscape from my Studio

After I completed this work, I hung it on the wall and compared it to one I’d done prior to this which has all the boathouses around our lakeshore area. I decided to repaint the water with the colors of the clouds of the sky. Now I’m happier with the painting because the same families of colors float over both the land and the water areas. It’s more unified.

Large Spring Boathouses

The good news is while I may not perfect my vision during my lifetime, for I’ll always see more I can do and my hand will surely fail to capture what my imagination can conceive, I’ll always have the assurance of God’s love:

“So we have known and believe the love that God has for us.
God is love, and those who abide in love abide in God, and God abides in them. Love has been perfected among us in this: that we may have boldness on the day of judgment, because as he is, so are we in this world. There is no fear in love, but perfect love casts out fear; for fear has to do with punishment, and whoever fears has not reached perfection in love. We love because he first loved us.
” ~~ 1 John 4:16-19

May God fill you with joy and peace,

Cornelia

Chapter IV: Income and Earnings

https://www.arts.gov/sites/default/files/Artists_and_Other_Cultural_Workers.pdf

A Matter of the Valentine’s Heart

adult learning, art, butterflies, Children, Creativity, Faith, Family, holidays, Imagination, john wesley, Love, Meditation, Ministry, nature, photography, Reflection, Spirituality, stewardship, United Methodist Church, Valentine’s Day, vision

Gail’s oldest grandson’s Valentine

The Greeks have a proverb: “The heart that loves is always young.” On this Valentine’s Day, and every day, may our hearts be always young. In art class this week, we had a pop up project making Valentine’s cards with mixed media. We brought photographs, glue, leftover scrapbooking materials, and assorted fabric scraps. If this were a pizza parlor, the menu item was “sweep the kitchen.” Eat it before it goes bad has been the source of many a recipe at Cornie’s Kitchen.

Gail’s granddaughter’s creation

Gail brought her grandchildren for their art enrichment opportunity, Lauralei also showed up, and even Brother Russ made an appearance. Mike had court duty and was making his mark at home. Almost all this group is able to manage on their own, with just some technical advice on the best use of the media selected or how to use a tool better. Giving people free reign to let their creative energies come out allows them to discover what’s on their heart.

The younger grandson’s valentine

The Bible uses the word “heart” primarily to refer to the ruling center of the whole person, the spring of all desires. The heart is the seat of the will, intellect and feel­ings. “Character,” “personality,” and “mind” are approximate modern terms for the Bible’s meaning of heart. Emotions are in the belly or bowels in the ancient worldview.

Lauralei’s Valentine

Jesus said in Mark 7:20-21, “It is what comes out of a person that defiles. For it is from within, from the human heart, that evil intentions come: fornication, theft, murder, adultery, avarice, wickedness, deceit, licentiousness, envy, slander, pride, folly. All these evil things come from within, and they defile a person.” We can relate to these various vices, for such is the stuff of the nightly news and the entertainment industry. The more lurid life gets, the more eyes and clicks a story gets. A normal story has to get a “click bait” headline just to get readers, whore then disappointed and angry their worst desires weren’t fulfilled. Some days I think we’re on a madcap race to the bottom of a cesspool, but I can’t let this thought corrupt my own heart and life. As my mama used to say, “One bad turn doesn’t deserve another in return. You have to be better than that.”

My people were Methodists. Our favorite Wesleyan standard for Entire Sanctification, “a heart so full of love for God and neighbor that nothing else exists,” is a goal we pursue, even as our Buddhist friends seek enlightenment.

“Only one book is worth reading: the heart,” said the Venerable Ajahn Chah, a Buddhist teacher of the 20th century. He taught with stories, as the great wisdom teachers often do.

“There are so many people looking for merit. Sooner or later they’ll have to start looking for a way out of wrongdoing. But not many people are interested in this. The teaching of the Buddha is so brief, but most people just pass it by, just like they pass through Wat Pah Pong (a monastery in Thailand). For most people that’s what the Dhamma is, a stop-over point. (Dhamma is the teachings of Buddha to  overcome dissatisfaction or suffering.)

Only three lines, hardly anything to it: Sabba-pāpassa akaranam: refraining from all wrongdoing. That’s the teaching of all Buddhas. This is the heart of Buddhism. But people keep jumping over it, they don’t want this one. The renunciation of all wrongdoing, great and small, from bodily, verbal and mental actions… this is the teaching of the Buddhas.

Brother Russ shows off his Valentine

If we were to dye a piece of cloth we’d have to wash it first. But most people don’t do that. Without looking at the cloth, they dip it into the dye straight away. If the cloth is dirty, dying it makes it come out even worse than before. Think about it. Dying a dirty old rag, would that look good?

You see? This is how Buddhism teaches, but most people just pass it by. They just want to perform good works, but they don’t want to give up wrongdoing. It’s just like saying ”the hole is too deep.” Everybody says the hole is too deep, nobody says their arm is too short. We have to come back to ourselves. With this teaching you have to take a step back and look at yourself.”

Like many of these wisdom teachings, they appear to focus on what we Christians call “works righteousness,” or an ethical way of living. The ancient proverbs remind us, “To do righteousness and justice is more acceptable to the LORD than sacrifice” (21:3). The original works were animal sacrifices, not the good works which flowed from a heart full of love’s desire to serve God and neighbor.

Gail left a space for a photograph

Another story from the same teacher:

“The Buddha taught that at this present moment, the Dhamma exists here in front of us. The Buddha sits facing us right here and now! At what other time or place are you going to look?

If we don’t think rightly, if we don’t practice rightly, we will fall back to being animals or creatures in Hell or hungry ghosts or demons. How is this? Just look in your mind. When anger arises, what is it? There it is, just look! When delusion arises, what is it? That’s it, right there! When greed arises, what is it? Look at it right there!

By not recognizing and clearly understanding these mental states, the mind changes from being that of a human being. All conditions are in the state of becoming. Becoming gives rise to birth or existence as determined by the present conditions. Thus we become and exist as our minds condition us.”

In art, we have a practice of first seeing things as they are. Once we know the world for what it is, we can create a visual representation of it (realism), or make a different take (abstraction). We can even ignore the world and only play with shapes and colors. Whatever route we choose, we still have to deal with the reality of the work under our hands. Any move we make has consequences, just as in real life our words and deeds affect the outcomes of the next shoes to fall. When we’re first working in a medium, we sometimes get carried away and lose the beauty. This is part of the learning process, for we have to know when to stop. This gives rise to the old adage “Less is more” in art, but not in love, for as the song says, “More love to thee, O Christ, more love to thee.”

Our rock and roll musicians keep cranking out love songs because love never dies. Here’s part of the chorus of Van Morrison’s “I Forgot That Love Existed” (2017):

“If my heart could do my thinking, and my head begin to feel,

I would look upon the world anew, and know what’s truly real.”

Perhaps we should be celebrating Valentine’s Day more often, or realize we’re a people created in the image of a loving God, so we should love not just our chosen beloveds, but also the other humans of God’s world, as well as God’s creation. We’re merely stewards of this green and blue planet for the generations to follow us. Our love for our progeny means we’ll want to hand over an inheritance we can be proud of and will allow them to nourish and care for generations afterwards.

In Memory: Love Never Dies

Let’s leave with a blessing from the bard of our age, Bob Dylan:

May God bless and keep you always

May your wishes all come true

May you always do for others

And let others do for you

May you build a ladder to the stars

And climb on every rung

May you stay forever young

Forever young, forever young

May you stay forever young.

May you grow up to be righteous

May you grow up to be true

May you always know the truth

And see the light surrounding you

May you always be courageous

Stand upright and be strong

May you stay forever young

Forever young, forever young

May you stay forever young.

May your hands always be busy

May your feet always be swift

May you have a strong foundation

When the winds of changes shift

May your heart always be joyful

And may your song always be sung

May you stay forever young

Forever young, forever young

May you stay forever young.

Joy and Peace,

Cornelia

Making the Heart Good

https://ajahnchah.org/book/Making_Heart_Good1.php#foot950

Dhamma Nature

https://ajahnchah.org/book/Dhamma_Nature1.php

Bob Dylan: Forever Young

https://www.azlyrics.com/lyrics/bobdylan/foreveryoung.html

Elizabeth Prentiss, More Love to Thee, 1856

https://hymnary.org/text/more_love_to_thee_o_christ

Palette Knife Flowers

adult learning, art, beauty, brain plasticity, Children, Creativity, Easter, Faith, flowers, Imagination, mystery, nature, Painting, purpose, renewal, righteousness, risk, Spirituality, Valentine’s Day, vision

The Very Last Leaf

Every blade of grass outside is a uniform tan, for winter’s pale light has sucked the life and green from its living cells. Each colder breeze separates yet another straggling leaf from a sleeping stick attached to the limbs of a hibernating tree. The sap won’t rise until mid February, when the days are warmer and the nights are still freezing. The ornamental pear trees lining the entry to my condo are beginning to bud, so I’m sure they’ll be covered with snow before Easter. I’m almost wishing for a good snow to change up the colors outside, to cause some excitement of a bread aisle clearing stampede, and the joy of eating pancakes at every meal “just because it’s a snow day.”

Instead, I’ve brightened my interior spaces with fresh flowers. This is an early reminder to all you lovers out there: Sunday, February 14 is Valentine’s Day. Be sweet to the special person in your life by bringing something beautiful or joyful into their life. Our art class has been working with the palette knife instead of the brush lately. This is a different tool to get the paint on the canvas. With the brush, we can make lines and broad strokes, as well as dots or blobs. With the knife, we have to pick up colors on the metal end, push and press with varied strength and wrist twists to get the paint to go where we want it and to mix at the same time.

Mike’s Flower Study

How does this happen? It’s magic! Or luck, or practice until you figure out how the paint feels under your hands. I can best describe it as being willing to do finger painting, but with a palette knife. We also have to let our adult mind go sit in the corner, while we let our five year old come out and play. Another way to think of this is to compare religion and faith. Religion has rules and boundaries for how to “do it right.” We spend most of our lives in this mode, trying to measure up to a severe standard, rather like the older brother to the prodigal son. In faith, we trust we’re enough and God’s mercy and grace are sufficient for us, so we yearn to please God even more. What we can do in love, for love’s sake, will bring the world into the love of God.

Gail’s Flower Study

This is why no one copies my art work, but goes on their own journey to find their own way of seeing. This is one of the hardest parts of making a painting, to isolate the primary forms and shapes, and then to set them in a space. As we look at a three dimensional world, we have to come up with our own visual language to write on a two dimensional surface. As we invent our own language, we’re creating a new vocabulary, grammar, and conjugations, which take some time for us and the world to understand. We don’t worry if we’re “good,” for we are painting these to grow our minds, stretch our boundaries, and by learning new skills, building new brain connections and endorphins. We get joy from our work, so it gets us through the doldrums of winter.

Cornelia’s first layer

There’s a wonderful poem by Robert Frost, of a bouquet of flowers, and two birds in winter:

Wind and Window Flower

Lovers, forget your love,

And list to the love of these,

She a window flower,

And he a winter breeze.

When the frosty window veil

Was melted down at noon,

And the cagèd yellow bird

Hung over her in tune,

He marked her through the pane,

He could not help but mark,

And only passed her by,

To come again at dark.

He was a winter wind,

Concerned with ice and snow,

Dead weeds and unmated birds,

And little of love could know.

But he sighed upon the sill,

He gave the sash a shake,

As witness all within

Who lay that night awake.

Perchance he half prevailed

To win her for the flight

From the firelit looking-glass

And warm stove-window light.

But the flower leaned aside

And thought of naught to say,

And morning found the breeze

A hundred miles away.

Cornelia’s Final Flowers

“Wind and Window Flower,” a poem written by Robert Frost, speaks of how we can sometimes love someone who can’t leave either the safety of their window sill or the prison of their cage. With this in mind, it’s best for the bird to fly on by in order to find true love or purpose somewhere else. Some of us will watch the cold world from a safe distance as it goes by, while others will leave our cozy homes and go out into the cold, sharp winds to seek another path. We may regret leaving the caged bird behind, but we have to go and find our highest purpose in life. I often wonder about the bird left behind, if the cage ever got too small or if security was more important. The fresh flowers won’t ever know the outcome of this story, for they’ll be gone before the week is out.

Even these small and insignificant works of the creator are not outside the care and concern of a loving God. As Jesus says in Matthew 6:26-33—

“Look at the birds of the air; they neither sow nor reap nor gather into barns, and yet your heavenly Father feeds them. Are you not of more value than they? And can any of you by worrying add a single hour to your span of life?

And why do you worry about clothing? Consider the lilies of the field, how they grow; they neither toil nor spin, yet I tell you, even Solomon in all his glory was not clothed like one of these. But if God so clothes the grass of the field, which is alive today and tomorrow is thrown into the oven, will he not much more clothe you—you of little faith?

Therefore do not worry, saying, ‘What will we eat?’ or ‘What will we drink?’ or ‘What will we wear?’ For it is the Gentiles who strive for all these things; and indeed your heavenly Father knows that you need all these things. But strive first for the kingdom of God and his righteousness, and all these things will be given to you as well.”

Rabbit! Rabbit!

brain plasticity, change, Children, chocolate, Civil War, coronavirus, Easter, Faith, Fear, Food, generosity, grief, Holy Spirit, Lent, Love, nature, pandemic, purpose, rabbits, Racism, renewal, salvation, sleep, Spirituality, Spring Equinox, Stress, Uncategorized, Valentine’s Day, Valentine’s Day, vision

Welcome to a Pandemic February—

1908 Vintage Nature Print

“Heraclitus, I believe, says that all things pass and nothing stays, and comparing existing things to the flow of a river, he says you could not step twice into the same river.” Plato quoted an older Greek thinker about life’s being constantly in a state of flux or change. We can’t dive into our rabbit holes at every quivering leaf or shadow of every cloud passing over the sun. We rabbits know the world is changing all the time, even if we don’t like it, but we still have to venture outside of our den and hutches to find tasty carrots and spinach leaves.

Fear of Change—

Yet some rabbits have a fear of change or fear of changing the order of things. This goes by another Greek word, Metathesiophobia. This is a new word for this old rabbit, so I guess I’ve modified a few brain cells in learning this. In fact, when we learn new words, we actually get happier! There’s even science behind this. In a study, “increased subjective pleasantness ratings were also related to new-words remembered after seven days. These results suggest that intrinsic—potentially reward-related—signals, triggered by self-monitoring of correct performance, can promote the storage of new information into long-term memory through the activation of the SN/VTA-Hippocampal loop, possibly via dopaminergic modulation of the midbrain.”

Even if we don’t understand the scientific jargon of that sentence, we know learning new things gives us a feeling of pride and accomplishment. We feel good about ourselves when we accomplish a new trick or master a new skill. Repeating the same experiences over and over leads to dullness,even if we find safety in the predictably.

If we were small bunnies, we’d never find the refrigerators in our homes, since they’d be covered up in our latest glorious art project. Every rabbit parent raves about their genius offspring, if they’re raising them right. We always want to catch our small ones doing something right and praise them for it. We’ll get more cooperation than if we’re always telling them NO, and GO TO YOUR ROOM.

I ask you, which rabbit among us doesn’t want to be happier in this world? Currently we’re in the midst of the worst crisis most of us have ever experienced. We rabbits need to name it and face it, rather than deny it, for this pandemic isn’t not going away anytime soon. This causes some of our bunny friends to find a “boogeyman lurking in every dark corner.” When I was young, my parents scared me, or scarred my memories, over my messy closet.

Fancy Dress Up Clothes

“You’d better clean up that pile of clothes in there, young lady! If you don’t, a rat might come crawling out of those clothes piled up on the floor!”

EEEK! I was so frightened, I untwisted an old metal coat hanger and stood outside my closet while I fished out my dress up play clothes, one article at a time. If a rat were to come out with them, I wanted a running head start. I was on my own in art school over a decade later before I could sleep with the bedroom closet open. This was a long standing fear to shake. Not everyone can put aside their fears and coping mechanisms, however.

I’ve had rabbit friends who get up in the middle of the night to make sure their closets are neatly arranged, with all the shoes in the right boxes and all the clothes facing the same direction on the hangers. I have no such anxiety, for I hang my clothes up and don’t worry once I’ve done it. I have other tasks to tackle. Uninterrupted sleep is a worthy goal for rabbit health. Plus I have other creative tasks to engage me, and I’m learning new things every day. In any event, I know my salvation won’t be impaired by this failure to act on my part, just as it won’t be earned if I keep a perfect closet.

Change is moving swifter than the atmospheric river that’s currently dumping rain and mudslides on the Pacific coast and ice and snow on the Atlantic coast. Atmospheric rivers are long, narrow regions in the atmosphere—like rivers in the sky—that transport water vapor, according to the National Oceanic and Atmospheric Administration. Drastic swings from extremely wet to extremely dry and vice versa will be nearly twice as likely, occuring on average once every 25 years, by 2100. Dramatic swings are becoming more common and will continue to do so in the coming decades thanks to man-made climate change.

Presidents’ Day—

Of course climate change isn’t the only change we’re dealing with in February.

Today we have one holiday to celebrate Abraham Lincoln and George Washington. Back in this rabbit’s kitten days, we had two holidays for these two presidents, but the times change and the holiday became popularly known as Presidents’ Day after it was moved as part of 1971’s Uniform Monday Holiday Act, which was an attempt to create more three-day weekends for the nation’s workers.

At the time, Congress thought setting three day weekends would end employee absenteeism. Today the coronavirus pandemic has put most white collar workers out of the office and many blue collar workers out of a job. Until we get this pandemic behind us by vaccinating as many of our people as possible and continuing safe practices, we won’t get back to any semblance of normal any time soon. This virus hunts a host, and it’s sure to find a rabbit to use as its own personal Petri dish.

Super Bowl LV—Next Super Spreader Event?

On the first Sunday in February, the big game goes down. While the 7,500 health care workers who’ll be the stadium attendees will be following COVID protocols, the fans at home remain susceptible to infection. A recent Seton Hall Sports Poll collected answers from 1,522 adults spread all over the country from Jan. 22-25. That data shows 25% of respondents said they would gather with people outside of their home (defined as those who aren’t roommates or cohabitants) to watch the game. Sixty-four percent of respondents said they would not attend a gathering and 11% said they weren’t sure.

Among avid fans however, 40% of that group said they would indeed gather with members outside of their household. The CDC doesn’t recommend holding these types of gatherings, especially if they are inside and last for the duration of the game. The Super Bowl will be played in Raymond James Stadium in Tampa and is scheduled for Sunday, February 7, with a 6:30 p.m. ET kickoff, with an estimated game length of four hours, not counting the additional four hours of preliminary extravaganza programming.

Chocolate Strawberry Footballs

I’ve always gathered the various rabbits who live in my condo building for the game festivities. It’s a good opportunity for us to socialize and since everyone always waits for “someone to take charge,” I just step up. We won’t do it in person this year, however, for we rabbits can best observe safely the whole shebang from the comfort of our couches and Zoom or find other other media connections with our loved ones and friends so we can have a real party next year.

Super Bowl LV Firsts—

There are new changes to the Super Bowl this year. Amanda Gorman, the inaugural poet, will recite an original poem before Super Bowl LV, as part of both the in-stadium pregame ceremony and the TV broadcast. The poem will honor three everyday heroes who have been chosen as honorary game captains by the NFL. These people include Trimaine Davis, a Los Angeles teacher who fought to secure internet access and laptops for his students amid the pandemic; Suzie Dorner, a Tampa nurse who managed the COVID ICU at Tampa General Hospital; and James Martin, a Marine veteran who has helped veterans and their families connect virtually through the Wounded Warrior Project.

Gorman isn’t the only pregame excitement. Miley Cyrus will perform as part of the TikTok Tailgate event for the Health Care Heroes. This will also be televised. Then there’s the The Pepsi Super Bowl Halftime Show, which is the most-watched musical performance of the year, with more than 104 million viewers tuning in to last year’s show. The rhythm and blues artist known as The Weekend (Abel Makkonen Tesfaye) will be the featured performer.

The Weekend

 “The Weeknd has introduced a sound all his own. His soulful uniqueness has defined a new generation of greatness in music and artistry,” said Shawn JAY-Z Carter. “This is an extraordinary moment in time and the Pepsi Super Bowl LV Halftime Show is going to be an extraordinary experience with an extraordinary performer.” This rabbit has been listening to his oeuvre on Apple Music, and I’m quite excited to hear the show. It ought to be a bang up program with no wardrobe malfunctions.

JAY-Z and his company, Roc Nation, have worked over the past year on the selection of artists playing the Super Bowl Halftime Show as the league’s official Live Music Entertainment Strategists. The partnership aims to “nurture and strengthen community” through music and support the NFL’s Inspire Change social justice initiative, and also has Roc Nation serving as a co-producer of the Super Bowl Halftime Show. 

GRAMMY-nominated artists Eric Church and Jazmine Sullivan are set to pair up for the first time to sing the National Anthem as part of Super Bowl LV pregame festivities. Grammy-award winning artist, H.E.R., will join the pregame lineup with her rendition of America the Beautiful. In addition, on behalf of the National Association of the Deaf (NAD), Warren “Wawa” Snipe, acclaimed Deaf rapper and recording artist, will perform the National Anthem and America the Beautiful in American Sign Language. For Super Bowl LV, the National Anthem will be arranged and produced by Adam Blackstone.

Sarah Thomas

“Sarah Thomas will made history again as the first female Super Bowl official,” NFL EVP of football operations Troy Vincent said. “Her elite performance and commitment to excellence has earned her the right to officiate the Super Bowl. Congratulations to Sarah on this well-deserved honor.” She will be a down judge on a seven-person crew of distinguished game officials. You go girl!

This is just one more change for a world that spins 360 degrees daily and moves around the sun on its invisible circular river which it completes every 365 1/4 days. Our planet never stays in in one place as it courses through the unseen river of time in the heavens, but we see ourselves think we have a fixed place in the universe. If we observe nature, the rising and setting of the sun moves along the horizon line as the seasons change and it rises higher into the sky during the summer than the winter. These changes are part of our ordinary life, and give a structure and rhythm to our days and time upon this world.

Champions in a Championship Game

Speaking of firsts, the Chiefs are trying to become the first team in 16 years to win back-to-back Super Bowls. The last team to do it was Tom Brady’s 2003-04 New England Patriots. Tom Brady is set to become one of four quarterbacks to start a Super Bowl for multiple teams and he could join Peyton Manning, who is currently the only quarterback in NFL history to win a Super Bowl start with multiple teams. So while the seasoned champion with a brand new team goes against a young champion trying to make the magic happen two years in a row, we should have a good game, rather than watching it for the commercials.

In other firsts, the Super Bowl is almost always the top rated TV show for audience numbers. Only the final episodes of M.A.S.H. and Cheers have ever pushed it to number two. The commercials are first class also. CBS’s asking price of $5.5 million per 30-second spot is merely the cost of reserving the requisite airtime; after production expenses, ancillary social-media investments and agency fees are accounted for, the actual outlay for a single Super Bowl ad can swell to $20 million. That’s a lot of rabbit feed.

We won’t see the Budweiser Clydesdales for the first time in 37 years, for the company will be focusing on supporting Covid vaccine awareness education spots instead. Other companies related to restaurants may be missing due to lower sales and profits, but this gives other companies an opportunity to take their place. The pandemic has changed our economy in many ways. Avocados are in demand because we rabbits eat our salads at home, not in a restaurant. This is good for grocers, but bad for cooks, wait staff, and restaurant owners.

While parts of our economy are currently staggering along, the middle class and poor are lagging behind, as if they had chains and a huge millstone binding their bodies. Nearly 12 million renters will owe an average of $5,850 in back rent and utilities by January, Moody’s Analytics warns. People would go to work, but the businesses are either closed or the parent needs to stay home to school the child. Unpaid rents affect landlords, and roll on to the bankers who hold those notes.

The Census Bureau’s Household Pulse Survey, launched in April 2020, has provided nearly real-time weekly data on how the unprecedented health and economic crisis is affecting the nation. Nearly 24 million adults—11 percent of all adults in the country— reported that their household sometimes or often didn’t have enough to eat in the last seven days. Adults in households with children were likelier to report that the household didn’t get enough to eat: 15 percent, compared to 9 percent for households without children. Hunger in America or food insecurity is linked to a greater chance of cardiovascular mortality in counties throughout the U.S. Researchers believe if the pandemic goes on long enough, more people will begin to die of hunger or famine related circumstances than the disease itself.

Some want to spend a little and let it “trickle down,” but my grandmother rabbit always said that was “penny wise and pound foolish.” After WWII, American generosity rebuilt Germany, the home of the Nazi enemies. If we rebuilt the country of our enemies, I wonder what keeps us from rebuilding our own land? We need a Marshal Plan for America.

St. Valentine’s Day—

Be my valentine! XXOOXX

As a small bunny, I fondly remember classroom Valentines Day Parties, mostly because I got to decorate a shoebox as my “Valentine Mailbox” and enjoyed all the dime store paper valentines from my bunny friends. Mostly I really enjoyed the pink icing on the chocolate cupcakes and those Necco candy hearts with their pithy, saucy, love quotes. In this pandemic world of Zoom classrooms, gone are class parties, valentines for everyone, and a special gift for the teacher. As a former teacher, my hope is we can get our school teams vaccinated and get our little bunnykins back in a communal setting, so they can learn socialization skills as well as educational materials.

Ash Wednesday—

Some grieve about this year as if it’s lost year, and it’ll never be gotten back. This is true, however, there’re other great crises our little bunnies went through in our history, through no fault of their own. The Civil War was one, for it disrupted some youth we wouldn’t let have keys to a car today. One of my grandfather bunnies dropped out of school in the eighth grade to work on the railroad when his own father left home. He made sure his own little bunnies got their education, even if he didn’t get his.

Just because we have a twelve year program for public school doesn’t mean we have to finish it in that length of time. If we have a large monkey wrench thrown into our best laid plans, we might need to cram those twelve years into thirteen years. If we live to seventy-nine years, the average life span in America, this extra year is only 1/79 or 1% of our lives. We spend more time than this sleeping, since we spend about 33% of our lives asleep. No one seems to grieve about this broad swath of time in bed in fact, more of us rabbits are trying their best to get either more or better sleep! Perhaps we need to reframe then way we look at some of these problems to reduce our anxiety about them. Then we’d have more strength to cope with the day to day struggles, which are real and difficult.

Ash Wednesday is moveable feast day, so its date varies. It depends on when Easter is celebrated, and that too is dependent on the lunar calendar. My old daddy rabbit had this ancient piece of lore memorized: “Easter is always the first Sunday after the first full moon after the spring equinox.” While we may be able to move certain holidays around the calendar, Easter and its connected rituals of faith, Ash Wednesday and the forty days of Lent, move every year.

Because of coronavirus protocols, the hands on imposition of ashes by pastors, priests, or worship leaders will change in this pandemic year. Some churches will sprinkle ashes upon people’s heads, while others will give out packets of ashes for self imposition. The ashes are a traditional sign of humility. We may ask, if the ritual changes, is it as effective as it once was? The better question to ask is, “Does the ritual save us or does the power of God’s Holy Spirit flowing through the moment change us for the better?” Sometimes we put too much emphasis on the outward and visible elements, rather than the inward and invisible experience of God at work in us.

The Constant in the Midst of Change—

In the midst of a world intent on stoking our fears to a fever pitch, some of us rabbits find ourselves pulled down the proverbial rabbit hole into vast conspiracy theories, which purport to connect unlikely coincidences, but actually push anti-Semitic, far-right or white-supremacist ideology. Some of these ideas are as old as the Middle Ages, while others came from Russia and got passed into the American milieu during the first Red Scare in the 1920’s.

One of the worst examples is “The Protocols of the Learned Elders of Zion,” a classic of paranoid, racist literature. Taken by the gullible as the confidential minutes of a Jewish conclave convened in the last years of the nineteenth century, it has been heralded by anti-Semites as proof that Jews are plotting to take over the world. Since its contrivance around the turn of the century by the Russian Okhrana, or Czarist secret police, “The Protocols of the Learned Elders of Zion” has taken root in bigoted, frightened minds around the world.

When the world is in chaos, fearful rabbits look for a demonic figure to blame, when they should look instead to a positive source of power and strength. Fear paralyzes us, but the power of God sets us free to change our world for the better.

Bierstadt: Merced River, Yellowstone Valley

God is our refuge and strength,

a very present help in trouble.

Therefore we will not fear, though the earth should change,

though the mountains shake in the heart of the sea;

though its waters roar and foam,

though the mountains tremble with its tumult.

~~ Psalms 46:1-3

May you make enough small changes every day to get new wrinkles in your brain, rather than on your brow.

Joy and Peace,

Cornie

Intrinsic monitoring of learning success facilitates memory encoding via the activation of the SN/VTA-Hippocampal loop | eLife

https://elifesciences.org/articles/17441

HISTORY: Presidents’ Day—History, Date & Holiday

https://www.history.com/topics/holidays/presidents-day

Poll: Despite pandemic, 25% will attend gatherings to watch Super Bowl 55 between Chiefs, Buccaneers

https://www.usatoday.com/story/sports/nfl/super-bowl/2021/01/27/super-bowl-55-poll-attend-gatherings-coronavirus-pandemic/4281143001/

2021 Super Bowl Halftime Show: The Weeknd to Perform | Entertainment Tonight

https://www.etonline.com/the-weeknd-to-perform-2021-super-bowl-halftime-show-156259

Eric Church, Jazmine Sullivan to sing national anthem at Super Bowl LV; H.E.R. to sing America the Beautiful

https://www.nfl.com/news/eric-church-jazmine-sullivan-to-sing-national-anthem-at-super-bowl-lv-h-e-r-to-s

Increasing precipitation volatility in twenty-first-century California | Nature Climate Change

https://www.nature.com/articles/s41558-018-0140-y

A Hoax of Hate: The Protocols of the Learned Elders of Zion

https://www.adl.org/resources/backgrounders/a-hoax-of-hate-the-protocols-of-the-learned-elders-of-zion

Super Bowl 2021 numbers to know: Patrick Mahomes and Tom Brady both have NFL records on the line – CBSSports.com
https://www.cbssports.com/nfl/news/super-bowl-2021-numbers-to-know-patrick-mahomes-and-tom-brady-both-have-nfl-records-on-the-line/

Millions of Americans are heading into the holidays unemployed and over $5,000 behind on rent. Hefty bills will come due in early 2021 for rent and utilities. Economists warn many unemployed families won’t be able to pay without more stimulus aid from Congress. By Heather Long

https://www.washingtonpost.com/business/2020/12/07/unemployed-debt-rent-utilities/

Tracking the COVID-19 Recession’s Effects on Food, Housing, and Employment Hardships

https://www.cbpp.org/research/poverty-and-inequality/tracking-the-covid-19-recessions-effects-on-food-housing-and

Link between food insecurity and cardiovascular death found

https://www.medicalnewstoday.com/articles/link-between-food-insecurity-and-cardiovascular-death-found

Painting Mandalas after Carl Jung

adult learning, art, beauty, Carl Jung, Creativity, Faith, Healing, Holy Spirit, Imagination, mandala, Meditation, Ministry, mystery, nature, Painting, Spirituality, Stress, vision

In 1938, Jung had the opportunity, in the monastery of Bhutia Busty, near Darjeeling, of talking with a Lamaic rimpoche, Lingdam Gomchen by name, about the khilkor or mandala. He told the famous psychologist , “the true mandala is always an inner image, which is gradually built up through (active) imagination, at such times when psychic equilibrium is disturbed or when a thought cannot be found and must be sought for, because it is not contained in holy doctrine.” (Psychology and Alchemy, Princeton University Press, 1993, paragraph 123.)

Today, in 2021, over eighty years later, a lot of folks must have their psychic equilibriums out of kilter. They look for certainty in an uncertain world. They seek a savior in a frail human being. They make war to bring about their peace. Whatever angers and fears stir their soul, they act on them, to the detriment of the common good. They are like unbridled, runaway horses, stampeding to a cliff edge without awareness of the consequences of the fall.

The mandala is a graphical representation of the center or the Self. It is unique to each person and would be different from day to day. Jung believed the circle invited conflicting parts of our nature to appear and allowed for the unification of opposites in order to represent the sum of who we are. He found this sense of wholeness was reflected in the lives of his patients, as he was able to trace the progression of an individual’s psychological recovery by correlating it with the coherence of the mandalas they drew. Jung believed making the mandalas over time would help a person gain insight into their Totality or their Wholeness, or “True Self,” as we say today. Totality or Wholeness is the psychic stage in which the union of the unconscious with the consciousness has been achieved. It is the final aim of Jung’s psychotherapy.

The Self was a term coined by Jung and reflected the Hindu Upanishads and its depiction of the higher personality, or atman. It’s considered to be the central archetype of the collective unconscious and serves as the organizing principle of the individual personality. The most familiar way the Self can make its presence known in Jungian work is through dream imagery, but this isn’t the only way. Another possibility, and one which had a particular fascination for Jung is the mandala.

A Variety of Passion Flower

For Jung, the individual consciousness is only the flower and fruit of a season that grows out of the perennial rhizome under the earth, and it finds itself better attuned to the truth when it takes the existence of the rhizome into account, for the root system is the mother of all.” This imagery begins to unfold in the mandala imagery. We can imagine a half circle below the earth, where the seed is planted just below the ground, and another half circle above the ground, where the flower will blossom, and then recall the Christian symbolism in the parable of the fertile soil in Luke 8:1-15, which states at the end of this section, “This is the meaning of the parable: The seed is the word of God.”

Passion Flower Mandala

In art class, we worked for several weeks at the beginning of the year on our personal mandalas. Since each of us have unique personalities and come from different experiences, we each create a different design. After all, as the Psalmist says to God in 139:14, “I praise you, for I am fearfully and wonderfully made. Wonderful are your works; that I know very well.” Gail designed her mandala in the form of a Passion Flower, a wild vine of various colors, with a circular crown in the center. This form suits her background and service in the national parks system. She has an affinity for nature.

Jung knew he needed to maintain a balance between his inner and outer worlds by whatever means, whether it was by painstaking anamnesis (the remembering of things from a supposed past existence), creative activity, and yoga activities or by any other means. He knew his family and patients depended on him, so even though he was in personal crisis, with an unconscious that could have “driven him out of his wits,” he maintained through his obligations of the here and now. Jung was also aware of the possibility of being whirled around by “the winds of the sprit”, since he had observed his colleague, Nietzsche, who “lost ground under his feet because he possessed nothing more than his inner thoughts.” Jung described Nietzsche as being possessed by it, rather than him possessing it, and so succumbed to exaggeration and unreality. To Jung this was horrible state, for he aimed for this life and this world.

Of the things that kept his balance, creative activity, which would manifest in his active fantasies and paintings, allowed Jung to become certain he had to delve into these primordial experiences himself, in order to be able to help his patients. If he had gone through it, he may be able to bring the light of understanding to the existential darkness that his patients experience. He could be a spiritual guide, so to speak. This is why he spent time creating the mandalas from his own experience.

Free Form Mandala

Mike’s mandala was created from his inner imagination. His legal work is with persons who are either in trouble with the legal system or need the legal system to bring justice to their cause. Sometimes this is an all day marathon in the courthouse. Keeping all these people, their situations, and the details of the law organized might require a lot of psychic energy. Mike went with a free form design, a choice that might have been a very relaxing and refreshing change from his daily life.

Mandala is the Sanskrit word for circle, but it’s a very special kind of circle. As a magic circle, it encompasses the circumference (perimeter) and the center, but not just ordinary space. The mandala has become a word that is synonymous with sacred space. The very presence of mandalas in the world remind the viewer of the sacred in the universe and in oneself. In some of India’s earliest and most important pre-Buddhist philosophical texts, the mandala already signifies a sacred enclosure and is at times understood to mean a place created for the performance of a particular ritual or practice, or for the use of a great teacher or mystic.

Creation of Plants

Structurally, the mandala is a combination of a circle and a squared form, usually a variation on a cross. Designs that integrate the circle and a four pointed theme, or one in which the circle is squared represent a mandalic space, or a geometric symbol of life. The four points can symbolize time and space, the equinoxes and solstices, or the four seasonal turning points in the year. In terms of space, it is the four directions. The circle with no beginning and no end is a symbol for the eternal whole which contains time and space. Jung stated that the mandala is the archetype of wholeness, relating it to the Self. He thought a mandala revealed “the center of personality, a kind of central point within the psyche, to which everything is related, by which everything is arranged, and which is itself a source of energy.” Others have stated, a mandala ‘‘expresses the totality of the psyche in all its aspects, including the relationship between (a person) and the whole of nature.”

Therefore, the mandala is one of the image archetypes that often emerges spontaneously when people are in the healing process, either in artwork, or in dreams. Creating mandalas has been found to help the physical healing process as well when they are used in conjunction with meditation. In dreams, mandalas show up in many ways in imagery that shares its geometry or meaning, such as a flower, a square in a village or town, or a fountain. Jung encountered several common symbols when he or his patients drew and interpreted mandalas. These included circular or egg-shaped formations, flowers or wheels, circles within a square or squares within circles. He frequently saw the number four or its multiples in mandalas, which was often represented by squares, crosses or suns or stars with four or eight rays.

Spiritual Winds Mandala

Mandala work is very useful in therapy. Art therapists generally simply draw a circle, or have the client draw a circle, and use that as the start of the mandala. This creates an inner and an outer space. If we remember the principle of balance and repetition when we begin to add the shapes to our mandala, we’ll discover its power to unify and center our own energies. In spiritual traditions throughout the world, mandalas focus and reflect the spiritual content of the psyche for both the creator and the viewer. Jung believed that creating mandalas offered a “safe refuge of inner reconciliation and wholeness,”providing a sacred space into which we can invite the Self. He also noticed that creating mandalas had a calming, focusing effect on his patients’ psychological states.

Chapel of St. Zeno

We also see examples of mandala in all the ancient cultures, even in Christianity in designs with animal images representing apostles (and the zodiac), such as the small Chapel of St. Zeno, off the right aisle of the Basilica of Santa Prassede, which was built as a mausoleum for Paschal’s mother Theodora. It’s the only chapel in Rome entirely lined with mosaics. It is an extraordinary sight, as this chapel has the only 9th century Byzantine mosaics in Rome.

For Christians, the Self is a a complicated and mostly negative notion. We usually use the notion in a negative sense, as in “selfish, thinking of our personal needs, rather than the good of the community.” As Philippians 2:3-4 reminds us, “Do nothing out of selfish ambition or vain conceit. Rather, in humility value others above yourselves, not looking to your own interests but each of you to the interests of the others.” This doesn’t wipe out our individual needs, however, for we’re also called to “Love our neighbor as our self.” How can we love our neighbors if we can’t honor and love our Self?

This is why we Christian believers can find benefits from introspection and spiritual guidance with the help of a trained person. We shouldn’t take this journey alone, for we need someone with experience who can help us to “test the spirits,” as it were. Above all we should remember the words from Colossians 3:9-11—

“Do not lie to one another, seeing that you have stripped off the old self with its practices and have clothed yourselves with the new self, which is being renewed in knowledge according to the image of its creator. In that renewal there is no longer Greek and Jew, circumcised and uncircumcised, barbarian, Scythian, slave and free; but Christ is all and in all!”

Our search for the True Self is a quest to be renewed in the image of God and conformed to the nature of Christ. As Paul wrote to the Philippians (3:12-14)

“Not that I have already obtained this or have already reached the goal; but I press on to make it my own, because Christ Jesus has made me his own. Beloved, I do not consider that I have made it my own; but this one thing I do: forgetting what lies behind and straining forward to what lies ahead, I press on toward the goal for the prize of the heavenly call of God in Christ Jesus.”

Jung Mandala for Awakening

A mandala is easy to draw. All you need is a circle and a straight edge, if you’re into perfection. You can do the work freehand if you like. The mandala doesn’t force you into any forms. You make the mandala from your own gut. It will change from day to day and week to week. This too is part of the mandala experience. You can cut it out of paper, use crayons, pencils, ink, or even make it on your computer. If you want to doodle the design on the side of a page, consider it a sketch from your inner spirit, responding to the Holy Spirit, who is calling out to you.

Chapel of Saint Zeno
https://www.atlasobscura.com/places/chapel-of-saint-zeno

Claudia Bader: Labyrinth & Mandalas
https://www.claudiabader.com/labyrinth-mandalas.html

Carl Jung: Mandala
https://www.carl-jung.net/mandala.html#google_vignette

David Miller, Ph.D.: MANDALA SYMBOLISM IN PSYCHOTHERAPY: THE POTENTIAL UTILITY OF THE LOWENFELD MOSAIC TECHNIQUE FOR ENHANCING THE INDIVIDUATION PROCESS, The Journal of Transpersonal Psychology, 2005, Vol. 37, No. 2
http://www.atpweb.org/jtparchive/trps-37-02-164.pdf

Anne Cutri: Carl Jung’s Red Book: Mandala as Transformative Integration of the Psyche
Dr. Heerboth, Personality Psychology, Mercyhurst University
https://www.academia.edu/40481201/Carl_Jung_s_Red_Book_Mandala_as_Transformative_Integration_of_the_Psyche

MACHIEL KLERK: Mandalas: Symbols of the Self – Jung Society of Utah
https://jungutah.com/blog/mandalas-symbols-of-the-self-2/

Energies of the Labyrinth

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The word labyrinth comes from the Greek labyrinthos and describes any maze-like structure with a single path through it. It’s different from an actual maze, which may have multiple paths intricately linked. Etymologically the word is linked to the Minoan labrys or ‘double axe’, which is the symbol of the Minoan mother goddess of Crete. The actual word is Lydian in origin and most likely came to Crete from Anatolia (Asia Minor) through trade. Labyrinths and labyrinthine symbols have been dated to the Neolithic Age in regions as diverse as modern-day Turkey, Ireland, Greece, and India among others.

Labyrinths or mazes may have served to help the ones who walked them to find their spiritual path by purposefully removing them from their common understanding of linear time and direction between two points. As one traveled through the labyrinth, one would become increasingly lost in reference to the world outside and, in doing so, might unexpectedly discover one’s true path in life.

On New Year’s Day, I was reading my Twitter feed and came across this image of a seaside labyrinth. The comment was, “My #oneword for 2021 is downwind. After walking the labyrinth today with turns both against & with strong wind, I realized how limitless 2021 can be with the help of those who push me forward and not the wind pushing against me. This year, I’ll ride the momentum downwind.”

Twitter photo—My #oneword for 2021 is downwind

The theme of the labyrinth leading to one’s destiny is intricately linked to the Greek myth of Theseus and the Minotaur. The Minotaur lived at the heart of the labyrinth on the island of Crete, whose king required the people of Athens to send a tribute of fourteen youths annually. Once they entered the Minotaur ‘s labyrinth, they never returned. Theseus defeats the beast and saves his people, but loses his father to suicide because he fails to remember to change the color of his sails on his return trip as a sign of his victory. There’s even more dysfunctional family relationships, but that’s a story for another day. Suffice it to say, the ancient gods were wont to interfere with the lives of arrogant humans who failed to defer to the gods and instead acted as if they were masters of their own destiny.

Theseus and the Minotaur: Attributed to the Tleson Painter, ca 550 B.C., Attic Black Figure Kylix, Toledo Museum of Art, Toledo

Greek tragedy deals with the sweeping themes of love, loss, pride, the abuse of power and the fraught relationships between humanity and the gods. Typically the main protagonist of a tragedy committed some terrible crime without realizing how foolish and arrogant she or he had been. After slowly realizing the error, the world crumbles around the hero. The tragic hero must be essentially admirable and good. The fall of a scoundrel or villain evokes applause rather than pity. Audiences cheer when the bad guy goes down. We feel compassion for someone we admire when that character is in a difficult situation. The nobler and more admirable the person is, the greater our anxiety or grief at his or her downfall.

This idea survives to this day in the proverb, “The bigger they come, the harder they fall.” In the 5th C BCE, in the founding work of history known as the Histories of Herodotus, we find the statement: “It is the gods’ custom to bring low all things of surpassing greatness.” An earlier expression, “Pride goes before destruction, and a haughty spirit before a fall,” is found in the Proverbs (16:18). These date from 700 BCE to the fourth century BCE (1:1-9:18).

In a true tragedy, the hero’s demise must come as a result of some personal error or decision. The tragic or fatal error, or fatal flaw of the protagonist that eventually leads to the final catastrophe is known as hamartia, or missing the mark. It’s a metaphor from archery, and literally refers to a shot that misses the bullseye. There’s no such thing as an innocent victim in a tragedy, nor can a genuinely tragic downfall ever be purely a matter of blind accident or bad luck. The tragic hero must always bear at least some responsibility for his or her own doom. In Greek tragedy, the gods may interfere, but they don’t determine our destiny. Likewise, human events and actors may put detours across our path, but though the gods may intervene on our behalf, we can still snatch defeat from the jaws of victory in a true Greek tragedy.

Theseus killing the Minotaur of the Cretan labyrinth. Ariadne, possibly, looks on from the right. Attic black figure vase, Late 6th, early 5th century BCE. (Archaeological Museum, Milan).

The labyrinth is a symbol for change, for it’s the place of transformation. In the myth, Theseus must enter a maze no one knows how to navigate, slay a flesh eating monster, and return to the world above. Theseus accomplishes this, but still retains his youthful flaws until he is changed by his father’s death and he’s forced to grow up and assume adult responsibility. His experience in the labyrinth offered him an opportunity to change and grow but, like many people, Theseus resisted until change was forced upon him.

The medieval labyrinth is a unicursal labyrinth, with a single, circuitous but clearly delineated path. It’s an image encompassing both shared and individual experience, for we don’t walk the path alone, but we share it with fellow travelers. The unicursal labyrinth is distinguished from a multicursal labyrinth (or maze) by having only a single (though winding) path to its center. While a maze may have little or no symmetry and may not even have a center, a medieval labyrinth usually has both. The great medieval labyrinth on the floor of France’s Chartres Cathedral is one of the most famous unicursal labyrinths.

Chartres Cathedral Labyrinth from Above

Carl Jung, the famous Swiss psychologist, saw the similarity between medieval, Christ-centered mandalas in manuscripts and rose windows, the mandalas of his patients, and the mandalas he created. Jung believed his own mandalas “helped him maintain his psychic equilibrium” and believed “everything points toward the center,”so that he found “stability” and “inner peace” even during the war era.

Jung: Mandela

Medieval labyrinths, and all their variations, including the classical design of which the medieval style is an outgrowth, now appear across the United States in settings ranging from churches and parks to hospitals and museums; they may be painted, tiled, paved, woven into a carpet, constructed of canvas, or cut into a lawn. They’re usually designed to be walked on. Over the last quarter century, the medieval labyrinth has entered public consciousness as a “blueprint for transformation” rather than “an oddity,” as it was at one time. I can remember at least one of my fellow clergy asking if “this wasn’t so kind of new age hooey I was getting into.” Moreover, labyrinths aren’t limited to meditative and ritual use; they also appear in secular and recreational settings and are often noteworthy for their ornamental or artistic value.

Lavender Garden Labyrinth

While each one of us walks the same path, no one has the same experience on the labyrinth. We’re all on the same journey, but we’re traveling on a different part of the path. We entered at a different time, or we came to the labyrinthine journey at a different period of our spiritual journey. Some of us will move slowly, while others will hustle along the way. If we came with troubles and worries, we may have been looking for THE ANSWER. The labyrinth isn’t a one armed bandit. We don’t put our money in, pull the handle, and get a payout. The walking is instead an opportunity for reflection, a time to give our selves to the service of God, and set aside our pride.

We enter into the community of faith on the path

I’ve walked on the labyrinth on different occasions and had different experiences, since I’ve been “residing in different inns along my spiritual journey” during the years as I make my rounds about the sun while I live on this planet earth. I’ve been to the holy land twice, and been to Greece and Turkey to walk in the footsteps of Paul to see the churches he planted across the Mediterranean. I spent a summer in Italy during art school, while living in a small town and taking field trips to see the historic sites nearby. I took an interterm during graduate school to visit London and visit all the museums I could devour in that short time, along with some excursions to the seaside. Still, I’ve yet to see Stonehenge, and I’ve not seen Paris.

The question is, do we walk the labyrinth as a tourist going to a destination, expecting to stamp our passports, bring back photos, and buy souvenirs, or do we go expecting to meet Christ along the way? On the tour groups, folks sort themselves fairly soon into subgroups. The ones who want to go quickly to the site, give it a once over, take a few photos, and hit the souvenir shops before they have a coffee or a drink, will find each other and share their daily haul as they relax and wait for the stragglers to roll in. The stragglers come in two groups: the ones who took their time, and the ones who took the wrong turn and got lost. Thankfully, I didn’t get lost as I often do here at home! My notorious ability to take the wrong turn and my poor map reading skills are legend. The virtue of group travel is we leave no one behind.

While each person enters the labyrinth alone, others may also be on the path also. When we meet another, we perform a silent dance of giving way, first one to another, then the other to the one. Two can’t be in the same lane at the same time, but we can “dosie do” to let one another pass on by. This is life in community, where we share the spaces and the journey. When we walk the path of the Labyrinth, we enter a space/time/continuum. This is where up/down, left/right, and forward/backward all exist in one time dimension. Time passes differently inside the Labyrinth, for the twisting path appears to take us first directly toward the center, but just as we approach it, we are forced to follow the path directly away from the center instead. Then we wander around the outer edges of the labyrinth until suddenly, we arrive at the center. If we think we’ll never reach the promised land, we’ll find ourselves suddenly cast upon its shores as a Jonah spewed from the belly of a big fish. What seems like three days of darkness in a labyrinth may only be thirty minutes. Clock time gives way to God time on the journey.

Energies of the Labyrinth

Thus we enter into the timeless paths of all the pilgrims walking before us, those who never made their way to the holy land, but found the holy in the land in which they lived. The labyrinth has a way of uniting all the time of the past, the future, and the now into one dimension. In this way, when we walk the labyrinth, we enter into the kairos time of God, as opposed to the chronos time of humanity. No longer are “on the clock,” but we walk in the appointed and opportune time for us to experience the holy.

If we’re surprised, and emotionally disconcerted as we walk these twisting paths, it’s because we discovered we had no control over how soon we could get to our destination. We can stay in the center and be humbled by this awareness, but often we act like tourists instead. We get our passports stamped after an appropriate rest, and head back home. As heroes who’ve been to the center, we journey back to the outer world as changed people, ready to bring new truths and understanding back to the world. If we are like the Greek heroes of old, however, our tragic flaw will be living for ourselves only and forgetting to do good to all.

The energies of the labyrinth aren’t self-contained to the paths or to those who walk it. It is a holy space, so like the energies of space time, in which space and time are relative, observations depend on the viewer’s speed. If we rush through the labyrinth, we don’t have the same opportunity to meet Christ on the road to Damascus, as Paul did, and have an opportunity to change our lives. We need to drag our feet a bit, as the grieving disciples did on the road to Emmaus, so we might have the privilege of recognizing Christ in the central act of blessing the bread when they invited him to stay with them at the end of the journey.

The hurried life isn’t for the contemplative person, so even those whose lives are given over to getting many things done can benefit from a quiet time now and then. Otherwise, we can become the heroic Theseus who depends upon his own power, rather than giving credit to the powers of the gods, for all his great deeds. This is why his arrogance and pride is his undoing, even though he had a transformative experience in the labyrinth. Not until much later did he process this experience and grow from it.

When I began my painting, I started out with the actual forms, in homage to the many walks I’d participated in over the years. Soon I thought of burying the image, and uncovering parts of it, as if it were an archeological dig in process, but I only buried the outer edges. Then the idea of energies of the innumerable pilgrim walks percolated up into my consciousness and I began to paint the intersecting colored arcs. While I lost the paths, I was painting my emotional experience of the walking. I’ve been on quite a journey this past year, even though I’ve gone nowhere, due to the covid pandemic. Confined to home, I’ve longed to journey elsewhere, but the labyrinth is a journey anyone can take safely without fear of a monster who devours human tributes. I’m looking forward to the new year and new works, and perhaps some actual journeys. God bless everyone. Thanks for reading this.

Joy and Peace,

Cornelia

Labyrinth – Ancient History Encyclopedia by Joshua J. Mark
https://www.ancient.eu/Labyrinth/

Elements of greek tragedy and the tragic hero
https://www.slideshare.net/cafeharmon/elements-of-greek-tragedy-and-the-tragic-hero

Mary Hackworth—“The One and the Many: The Significance of the Labyrinth in Contemporary America,” Journal of Jungian Scholarly Studies Vol. 9, No. 3, 2014
https://jungianjournal.ca/index.php/jjss/article/download/44/37/74

The Labyrinth Society: The Labyrinth Society: Directions to Make a Labyrinth
https://labyrinthsociety.org/make-a-labyrinth

How to Make a Canvas Labyrinth for $200
https://pinkpaganpriestess.wordpress.com/2012/11/30/how-to-make-a-canvas-labyrinth-for-200/

Histories of Herodotus
https://www.gutenberg.org/files/2707/2707-h/2707-h.htm

What is Space Time?
https://www.livescience.com/space-time.html

What Makes a Real Christmas?

art, Children, Christmas, coronavirus, Creativity, Faith, Family, Food, grief, holidays, Icons, Imagination, Love, mystery, pandemic, poverty, Spirituality

I was cleaning up my condo Sunday afternoon because the Pandemic restrictions have caused my housekeeping to need some intensive care. Between all the various projects I’ve done and my new paintings, plus the seasonal change requiring my closet revamp, I realized I haven’t seen the top of my table in months. Since I’m not receiving visitors, I really don’t have to worry about this, but even I can only live with so much disorder and clutter.

When I was in seminary, my roommate and I would make a pact: no cleaning during exam week and ice cream runs every night. Amazingly, some compacts are easily kept, and studying for finals was less stressful because of our sweet rewards. A little chaos for a short period of time isn’t a problem, but months or years of confusion and neglect can bring about disaster.

I realize chaos is the norm for many people during the holidays, even if we’re not attending parties at work, or visiting with relatives or friends. We still have other rituals to indulge, especially if we have children. One year I stopped to list out all the experiences I remember which make up an ideal Christmas. I never imagined the list would be so long, or that my parents worked so hard to make the season wonderful for us children. As you read this list, feel free to add your own traditions to the list.

Natchitoches Christmas Lights
  1. Writing Santa a letter
  2. Traveling to Natchitoches to see the Christmas lights
  3. Pizza and Car trip to see the Christmas lights in town
  4. Hanging Christmas lights on the house
  5. Finding the perfect Christmas tree
  6. Decorating the Christmas tree
  7. Making Christmas decorations
  8. Making popcorn and cranberry strings for the tree
  9. Family ornaments
  10. Watching the bubble lights
  11. Hanging the Christmas stockings
  12. The brass Angel chimes
  13. Finding a thorn bush for a gumdrop tree
  14. Eating ribbon candy from the jar at my nanny’s home
  15. Candy lifesavers in a book
  16. Special foods, such as Ham and yam, and the green bean thing
  17. Christmas breakfast of biscuits and strawberry jam
  18. Drinking from the Santa mug
  19. Christmas plates and mugs
  20. Making fruitcake cookies and cakes
  21. Wrapping and hiding presents
  22. Dreaming while reading the Sears catalog
  23. Holiday visits
  24. Visit to Santa Claus
  25. Gifts from Santa, rather than from the parents
  26. Christmas candlelight service at church
  27. Children’s Christmas pageant and choir concert
  28. Special music
  29. Nativity scenes
  30. Staying up late to assemble toys
  31. Never enough batteries
  32. Stocking stuffers
  33. New red robe or pajamas
  34. Christmas letters from all our friends
  35. A vain hope for snow
  36. Wreath on the door
  37. Wrapping paper everywhere
  38. Handing out presents
  39. Opening presents
  40. Teacher gifts
  41. Making a Christmas list
  42. Dropping hints
  43. Candles in the window to guide the wise men
  44. Advent wreath candles
  45. Advent calendars
  46. Pine cones
  47. Caroling from house to house, mostly off key
  48. Parties
  49. Christmas clothes and Sox
  50. Garish Christmas sweaters

At this rate, I’d have to accomplish 1.7 per day to get all 50 done in between Thanksgiving and Christmas Eve. Like any big project, no one does it all at once. We always divided it up into smaller, achievable experiences, some of which extended over the whole season, and others we did once a week. How we managed to cram a dozen of these into each one of the four weeks before Christmas is beyond me. These days my work ethic is on furlough and if it ever returns, I’ll probably send it on vacation rather than let it clock back into work. I do lead a simpler life now.

My Christmas Tree Today

Any month of 30 days can be converted to one of these units:

  • 2,592,000 seconds
  • 43,200 minutes
  • 720 hours
  • 4 weeks and 2 days or
  • 8.20% of a standard year

These past nine months of COVID, with its quarantines, terrible toilet paper, and bad haircuts have been exacerbated by the illnesses and deaths of friends and family we’ve known and loved. With over 3,000 Americans dying from this disease daily, celebrating a real Christmas as we once did, seems unconscionable. Those of us who’ve lost a loved one look for any light in these dark days. Like Frodo, we might say, “I wish it need not have happened in my time.”

“So do I,” said Gandalf, “and so do all who live to see such times. But that is not for them to decide. All we have to decide is what to do with the time that is given us.” (J.R.R. Tolkien, The Fellowship of the Ring).

When I think of my life of seven decades plus, I remember when I was a child, every one of those two and a half million seconds before Christmas seemed to stretch out to eternity. Just as the three months of summer flew by like an icicle on a hot stovetop, the one month between Thanksgiving and Christmas moved slowly, as if I were watching a stalactite grow imperceptibly across the centuries. Maybe this is why my parents organized this magnificent list of projects to keep us children from whining over and over, “Is it Christmas yet?”

Christmas tree skirt from the 1950’s

I’ve never understood how they managed to teach us deferred gratification. After all, every single day in the month prior to Christmas had some sort of activity, and some of those projects extended over the whole season. One year mother decided to bead a skirt for the tree. She bought a “Twelve Days of Christmas” kit, which contained the white felt skirt, a green fringe, and multi colored felt squares imprinted with the patterns. As we worked each night, we filled each design with brightly colored sequins. Some of these early days were so heavy they had no fabric showing. As Christmas came closer and our project was as yet unfinished, we began to limit our decorating. We also were running out of colored beads and sequins by this time.

Handmade Stockings on an Antique Sideboard

Another year mother made new stockings for us kids, with our names on them. She also sewed a small bell on these so our early arising would wake her up. For the first grandchild, she had more time on her hands. That stocking was fully embroidered and had no warning bell. Of course, it hung at my home, so mother and daddy didn’t have to worry about any early bird interrupting their beauty sleep.

My parents did have a rule that we kids needed to wait until the crack of dawn before we entered the room where the tree was. If we got up earlier, and we almost always did, we took our pillows and covers into the dining room. Our old house had French doors separating the dining room from the living room. We’d pile our bedding down close to these doors and look through the bottom window into the magic darkness of the corner where the Christmas tree stood guard over mysterious packages wrapped in seasonal colors.

“What do you think that big one is?” My brother would whisper.
“It’s probably clothes,” I’d reply, “you know those rectangular packages are usually pajamas or pants.”
“Gross!”
I’d giggle and he’d elbow me in the ribs.

All three of us would strain and crain to see the indistinct shapes back under the lower branches of the fir tree. Until the first light came into the window beside the tree, we could only imagine the treasure hidden there. In our eager efforts and earnest desire to meet the rising sun, we often fell back asleep dreaming of Christmas morning. We’d awaken when our parents began their morning coffee ritual, which usually happened in bed, but on Christmas, they drank their caffeine on the couch and watched our joy, as we unwrapped the presents from Santa Claus.

None of us children were ever hungry on Christmas morning, at least not until we’d discovered the answer to all the questions we’d asked in the dark of night. Once those were revealed and our curiosity satisfied, we could turn our appetites to breakfast. Someone always gave daddy a good jam and biscuit gift in a wooden tub, so it was our go to meal for breakfast. We didn’t eat biscuits often, so they were a treat with huge dripping globs of melting butter. We’d go to one of the grandparents’ homes for lunch soon afterwards, so we didn’t need a big meal.

As I think back on these 1950’s Christmas memories, I was too young to know about the hunger and poverty of others. I do remember the poliovirus and the vaccine in my arm. There was the nuclear threat of the Cold War era and I lived in the time of the McCarthy Hearings and the John Birch Society. This is also the time of Brown vs. Board of Education and the Civil Rights Movement. My parents may have instituted all these seasonal home grown activities not only for us children, but also for themselves. If they were busy with “Christmas,” then they were focused on a spiritual journey and not on the chaos of the world.

Icon of The Creation of the Stars

When my daughter was small, I began buying her Christmas in August, because that’s when I got my first paycheck as a schoolteacher. I bought one little thing at a time, and put aside a little more money on a couple of larger gifts in layaway. I wasn’t going to buy anything for myself, but the choir at my church gave me a ham and a little love offering so I could have a bright red blouse for Christmas. I recalled the year after my marriage, my husband gave away some of our wedding gifts as Christmas presents “to keep up appearances.” We shouldn’t have to lie to the ones we love, especially at Christmas, but not everyone can live with the truth. Christmas isn’t about the gifts we give to one another, but about the gift God gave to humankind.

Creation of Light

Sometimes it seems like our world has gone mad, and folks can’t tell a truth from a lie. My daddy used to say there were folks who’d say the sun was shining even when it was pitch black outside. I’d shake my head in disbelief, but I hadn’t been out in the world as much as he had. Even if we now live in a world gone crazy, we can take comfort in these true words from the gospel of John (1:1-5)—

In the beginning was the Word, and the Word was with God, and the Word was God. He was in the beginning with God. All things came into being through him, and without him not one thing came into being. What has come into being in him was life, and the life was the light of all people. The light shines in the darkness, and the darkness did not overcome it.

Icon of the Nativity with Visit of the Magi

Charlie Brown Clay Stars

adult learning, arkansas, art, Astrology, CharlieBrown, coronavirus, cosmology, Creativity, Faith, Family, grief, Healing, holidays, Imagination, Israel, Ministry, ministry, nature, pandemic, Spirituality

“Close Encounters of the Third Kind” might best describe my and Gail’s latest adventure at the Oaklawn art class. Pinterest Fail is another synonym for our latest escapade. If my daddy were to describe the result, he’d say, “Close, but no cigar.” That’s a quintessential American expression, which is little used elsewhere in the English-speaking world. The first recorded use of “close, but no cigar” in print was in Sayre and Twist’s publishing of the script of the 1935 film version of Annie Oakley: “Close, Colonel, but no cigar!” I’m very fond of these ancient phrases, which are daily passing from the common parlance, even as new words are invented. These were our first attempts at this craft, so our learning curve resembled the same disastrous, steep ascent of the daily Covid infection chart.

The 1977 movie title “Close Encounters “ was derived from a classification of close encounters with aliens as set forth by the American UFO researcher J. Allen Hynek. Close Encounters of the First Kind refer to the sighting of a UFO. Physical evidence of a UFO are classed as Close Encounters of the Second Kind. Actual contact with an alien is a Close Encounter of the Third Kind. Therefore, our air dried cornstarch, salt, and baking soda clay objects, which should have looked neat, crisp, and clean, instead came out more like visitors from another planet, whose embodied boundaries were disintegrating in an inhospitable atmosphere.

Yes, I blame the recipes, which said “warm water,” rather than naming an actual temperature. Just as science projects and recipes for bread need accurate measurements and temperatures for success, so does cornstarch clay. Gail mentioned her clay began to heat up under her hands as she worked it. Mine never did, but I had to add rock salt to my mix because I ran out of table salt. Don’t do this! The salt crystals won’t melt and I had chunks in my finished pieces. The proportions of the recipe I used are equal amounts of each ingredient, so if you have just a limited amount of one, measure it and give the others to the main bowl in the same amount.

Bowl with Ingredients

Once the dough looks like mashed potatoes, don’t eat it. Instead, turn it out on parchment or waxed paper and knead it a bit. Then use a rolling pin to get the dough about ¼ inch thick. Use cookie cutters to get your shapes. Put them on a clean, flat surface, such as the back of a sheet pan. Take a plastic straw to put a hole in the upper part of the cutout. This works best if the shape is a touch dry, since the damp dough will close up. The hole is for the string hanger. The rolling pin might need flouring with corn starch if it sticks to the clay.

I also took some leaves and twigs from the bushes on the church property to use as embossing. I put these down on the cutouts, gave them a rolling pin once over or twice, maybe three, and made sure not to over flatten the shape. You could also use a decorative rolling pin as the last roll to make an all over pattern if you like that idea. A patterned doily or a scrap of lace would make a good pattern also.

Natural Decorations

When class was over, we cleaned our mess up with hot water and paper towels. I let the water run in the sink to make sure any small remains were washed far down the pipes. All the big scraps should be thrown in the trash. When I got home, I wasn’t in the mood to let these air dry for days and days. They already looked like they belonged on Charlie Brown’s Christmas tree, so I put them in the oven at 200F.

Water boils at 212F, so at 200F these shapes would be slowly drying out. I baked them on a cookie sheet for 30 minutes on each side. I did notice a bit of toasting in places, but I planned on painting these, so I don’t think it matters. I did lose the points off a few stars, but in this year of the Pandemic, perhaps some of us may be able to identify with the brokenness and vulnerability of these imperfect objects. We may want everything and everyone to be perfectly normal, but standard operating procedure isn’t on the menu for this year’s Thanksgiving or Christmas. We’re all suffering in one way or another, just like these ornaments.

Broken Stars

I didn’t preheat the oven, for the clay objects don’t need to be shocked into a different temperature. We don’t preheat a kiln before we fire clay pottery, but raise the whole to the same temperature at one time. Of course, if you’re making a recipe with flour, yeast, or eggs, and you need your concoction to rise, you do need a preheated oven. Otherwise, just put the food into a cold oven and let your nose tell you when it’s done. Preheating is a waste of energy if you don’t need it for the recipe. These clay pieces will be hot when you remove them from the oven. Let them cool until you can pick them up without dropping them like a hot potato (a metaphor from the 1800’s).

Painted Star and Bells

I did take a sharp paring knife to the edges to smooth them out. Yes, I didn’t like the raggedy look. You can’t do this cleanup roughly or with big whacks. This is the fine tuning of your shape. I used to help a porcelain doll maker back in my home town. I would sand the final shape of the doll baby’s faces, hands, and feet for her to paint. She appreciated my work because I would keep the anatomical details correct and give the little faces individual personalities. Portraits in porcelain aren’t that easy, but I wouldn’t rush to finish. If we’re always on to the next task, we might miss the opportunity to meet God in the work we’re doing in the moment.

Right now in this current crisis, most of us are limiting our time out and about. If we go to the grocery store, we find our goods and get out. I do the self check out or scan and go wherever I am so I don’t have to stand in lines. I do miss the interaction and chats I used to have with folks. I decided recently even if I were masked, I would begin to speak to others. So far on each outing, at least one person has shared their feelings of grief or loss, which are a result of this pandemic. Because we are forced to limit our contacts, we’ve also lost our opportunities to share our daily joys and our challenges. If we don’t use our words, we’ll lose them. We need time to share our lives and be a community for one another, since we’re all in this together. These are God moments in which we can be a blessing to others, as well as to receive a blessing from them.

This loss of conversation will be even grimmer if our loved ones pass on during this pandemic, for their memories will cease to be available to the younger generation, and their stories will no longer be shared. As these old ones age, and their frailties become like the imperfect points on my Charlie Brown stars, we realize we won’t have them much longer. Even more so, we’ve come to realize this pandemic spares neither the young nor the full of life, as more and more of our friends are struck by this disease. Any one of us could become a Charlie Brown Christmas star at any moment. I have family members who’ve had it, friends who’ve died from it, and my heart goes out to all who suffer with it, especially those who have lost their incomes because of it.

Those who now deal with the persisting side effects of this disease don’t get near the encouragement or assistance they need in their recovery, since the rest of us are too worn down from self care and from caring for those who’re newly ill. Even the health care workers, first responders, and essential workers who have to keep the rest of us safe, well fed, and secure are struggling under the long term stressors of this pandemic. We have a responsibility to care for them so they can keep going under duress. All these folks need a sign from us that they aren’t forgotten.

Christmas Tree Star

Unique stars have always been a herald or sign of unusual events to follow. The gospel of Matthew (2:1-2) records the visit of the magi, astrologers from the east, to King Herod:

In the time of King Herod, after Jesus was born in Bethlehem of Judea, wise men from the East came to Jerusalem, asking, “Where is the child who has been born king of the Jews? For we observed his star at its rising, and have come to pay him homage.”

These foreigners recognized the sea change about to happen in the world, for soon earthly kingdoms would recede in importance, and the powerful would lose their sway. If they could see this sign in the sky, we have to wonder why no one in Israel was considering what the star’s arrival signified. Perhaps the learned priests knew, but didn’t want to tell King Herod the bad news:

Thus says the LORD,
who gives the sun for light by day
and the fixed order of the moon and the stars for light by night,
who stirs up the sea so that its waves roar—
the LORD of hosts is his name:
If this fixed order were ever to cease
from my presence, says the LORD,
then also the offspring of Israel would cease
to be a nation before me forever.
(Jeremiah 31:35-36)

Of course, today most of us no longer believe the stars and planets affect our daily lives, nor are we “born under a bad sign,” as the blues players sing. Once we clean up the Thanksgiving meal, many of us will turn our thoughts to the holiday season. I’ll remove the last of the autumnal gourds and bring out a few winter seasonal objects every week until New Year’s. As the seasons change, we note the changes in our world. If the days are growing shorter and darker, we ourselves can still be lights in the world, as Paul wrote to the Philippians (2:14-15):

Do all things without murmuring and arguing, so that you may be blameless and innocent, children of God without blemish in the midst of a crooked. and perverse generation, in which you shine like stars in the world.

Multiple Layers of Gold and Silver Acrylic Paint on the Ornaments

Even if we’re Charlie Brown stars, our lights will be a beacon of hope for all the world to see.

Joy and Peace,
Cornelia

Air Dry Clay Recipe Using More Baking Soda (better recipe)
https://mamapapabubba.com/2016/02/16/homemade-air-dry-modelling-clay-aka-baking-soda-clay/

Reasons to Preheat the Oven
https://www.epicurious.com/expert-advice/do-i-really-need-to-preheat-the-oven-article

Lifelong Learning

art, bottles, brain plasticity, Children, Creativity, flowers, Imagination, mystery, nature, Painting, renewal, vision

Leonardo da Vinci is the ideal Renaissance man: a supremely gifted painter, scientist, inventor and polymath. Da Vinci has been widely regarded as one of the world’s greatest minds, whose extraordinary talents included painting, mathematics, architecture, engineering, botany, sculpture, and human biology. He once said,

There are three classes of people:
Those who see.
Those who see when they are shown.
Those who do not see.

When small children draw, they first make experiments with whatever medium they have in hand. They’ll put their whole body into it, cover the entire page, and sometimes even eat the materials. Even though they’ve been given a limited arena to explore, such as a sheet of paper, if you turn your back, kids will want to see how the crayons or paint work on a wall, on their bodies, or on the family pet. Parents think of this as more cleanup work, but it’s just another learning experience for the children. The pandemic may have brought this lesson home to roost in more than one home.

Family and House

Later on, children make symbols for the objects in their world. This is why all early grammar school art looks very similar: the blue line across the paper’s top represents the sky, the yellow sun blazes in an upper corner, a house has exactly one door and two windows, and the ground is green grass. Once a child is 9 to 11 years old, they begin to draw realistically, and over the next few years a child will develop their eye for accurate color and detail.

Sometimes children get the idea they have no artistic ability, and develop a bad case of the “I can’t do this-itis.” When I taught art, I had kindergartners cry when they couldn’t cut out a snowman perfectly on the fold. “Oh, sweetie, no one cuts it perfect the very first time! The first time is just for practice. Let’s see what you were doing that got you two pieces instead of one.”

I knew they were holding the cut side, rather than the folded side, when they made made their cut, but they needed hands on instructions to get the lesson. “Oh, look, you need to hold the fold in your hand, and cut on the flappy sides. That’ll give you the whole piece. Try that while I watch.”

It’s just amazing what happens when the scales fall off their little eyes! In the book of Acts (9:17-18), Ananias laid his hands on Saul and said, “Brother Saul, the Lord Jesus, who appeared to you on your way here, has sent me so that you may regain your sight and be filled with the Holy Spirit.” And immediately something like scales fell from his eyes, and his sight was restored. When we find the magic key to unlock the storehouse of hidden knowledge, all the possibilities of the world beyond us seem to be close at hand. It only takes a few successes to gain confidence.

Once young people get up to middle school age, they begin to sort themselves into “groups.” Those who think they’re Michelangelo’s and Leonardo’s heir apparents often think they only need to do a minimum of work, since their native abilities exceed the best efforts of the less talented students. In mandatory art classes, everyone needs to work under the same grading system. Otherwise systemic structures would always prefer and rank higher those students who had the benefit of prior training, cultural experiences, and native talent.

I always leveled the playing field by grading on heavily on the work ethic, the amount of improvement, and then gave the finished product only 25% of the overall total. This meant if Michelangelo goofed off, but dashed off a winning project, he’d most likely fail the first grading period. His parents would get his mind straight and then his art works would begin to improve by leaps and bounds.

Jasper Johns: Order and Disorder.

Likewise, the students who never had a chance at succeeding in art class could give their best efforts, seek to solve the assignments, and discover they could improve! It was as easy as A—B—C—Attitude, Behavior, and Consequences. If we began with a positive attitude, we made positive actions, and got good grades and improving art works. Plus we began to feel good about ourselves. If we kept a negative attitude, we wouldn’t try, we’d goof off, be slow to improve, and get a bad grade. Why feel bad about yourself when everyone else was having a good time in art?

The fancy name for this process is brain plasticity. Our brains can form new information and structures, not only when we’re young, but also as we age. The brain is a muscle, which we can exercise. If we stop exercising our mental skills, we don’t just forget them: the brain map space for those skills is turned over to the skills we practice instead. You might ask, “How often must I practice tennis, guitar, or math to keep on top of it?” This is the question about brain plasticity, since you’re asking how frequently you must practice an activity to make sure its brain map space is not lost to another. The simple word for this is “Use it or lose it.”

Today we live in a world in which many children don’t get to explore a wide variety of interests. Some of this is because our schools have focused on teaching just the basics, so art and music get shuffled off to the outermost edges, or dropped if finances get tight. We live in a more structured world than fifty years ago, so children don’t often interact with their environment unless they’re camping or on a field trip. Many don’t play sports because teams are competitive, time consuming, and don’t allow children to have outside interests. I’m not sure why we want children to become professionals too early in life, when they could be exploring the world in all its vast wonder instead.

Maybe this is why as adults we come back to discover our true selves and take up a hobby we never thought we’d ever try. We have to drop our preconceived notion that our abilities and success in one area of our lives will mean we’ll quickly progress in a new field. Some have said we need 10,000 hours of practice to attain excellence, but others say it depends on the field. Deliberate practice is only a predictor of success in fields that have super stable structures. In tennis, chess, and classical music, the rules never change, so you can study up to become the best. If we were to start up a brand new business , we might need to break some of the rules.

Leonardo da Vinci wrote in his notebook,
“Shadows which you see with difficulty, and whose boundaries you cannot define… these you should not represent as finished or sharply defined, for the result would be that your work would seem wooden.”

We sometimes see with difficulty, and our hand isn’t yet fully connected to our eye, so the boundaries of our shapes don’t match what we see, but we find joy in the act of painting. We keep looking ever more closely, increasing our powers of observation, and training our hand to follow our eye. Some of this is keeping a memory in our mind long enough to put the image on the surface, and the other part is to still the mind of extraneous thoughts so we can hold that thought for the few seconds it takes to make the line.

Leonardo was a lifetime learner.

We do this for our mental health, to keep our neurons fresh and our brains challenged by the problems of representing color, shadows, light, and space. We approach our art work as if we’re little children eager to discover a new way to describe our world. Each time we set brush to canvas, we grow, if only in humility.

Gail brought us some beauty berry bushes. Unlike nearly every other fruiting shrub in North America, beauty berry flowers and fruits in clusters along its stem at the leaf joints, rather than on a separate fruiting stem. Flowers are clustered sprays of pinkish-white tiny blossoms that appear in mid to late summer. Berries are a bright, intense purple, tightly packed in balls of fruit along the stem. The berries are edible when they’re deep purple, but they require lemon juice and sugar to make a good jelly.

The leaves can be used in nearly every way to fight insects: you can crush them and rub them on yourself for a quick fix, you can make an infusion and dip your clothes in it, you can distill out the essential oils and combine them with other plants to make a bug spray… it all works. And it’s not just folklore, either. In 2006, scientists at the USDA’s Agricultural Research Service working at the University of Mississippi isolated three chemical compounds from beauty berry leaves— callicarpenal, intermedeol and spathulenol. All three proved highly effective as repellents for mosquitoes, biting flies, ticks, fleas, and other pests. Later studies confirmed their findings, and actually proved callicarpenal to be more effective than DEET at repelling insects, without the harsh side effects. The last hurdle is making the process financially feasible.

Very nice Beauty Berries

I brought another of my antique 1930’s glass vases from my grandmother’s house. Filled with water, the stems appear distorted underwater and don’t line up with the stems above water. This proved more difficult to paint, so I suggested to Gail a way to simplify the leaves. If the basic yellow shape were filled in first, then the shades of green could go next, leaving thin streaks of yellow for the veins. This is easier than painting a thin yellow line. A thin red edge could highlight certain areas to get the shadow. This takes a steady hand and controlled breathing. Hurrying to get somewhere fast won’t get it done. She paid close attention to the berries and their highlights.

Mike had an errand of mercy to attend to, so he made an appearance and left to help someone who was in trouble. Trouble is just another word for the opportunity to be the hands of Christ in the world. Anytime I had interruptions in my daily plans, I always knew God’s plans were superseding my well planned calendar.

Sunlight on an Antique Vase of Beauty Berries

My little still-life has all the autumn colors. Gail brought in a variety of branches and a red sumac also. We only have about 90 minutes to paint after I show some examples and have time to cleanup afterwards. Therefore, I choose to simplify the subject before me. I decide what is most important and necessary to convey the image, to set it into the space, to give it a mood, and to let it speak. If there’s an air of sadness about it, it’s because I painted it on the anniversary of my daughter’s death. If there’s a mood of mystery within it, the changing season is one of harvest and celebration. The earth gives forth its bounty, then goes into a form of rest, until it rebirths itself in the springtime.

If we’re going to paint not only the subject before us, but also share our true selves in the finished work, we need to become as little children who put their whole selves into their work. Although I’d hope we would have learned by now not to eat the paint.

Next Friday we’re going to make decorations for the harvest season. Mike is bringing in leaves, branches, and spray paint. I’m bringing a drill, glue guns, wire cutters, and wire. If you’re coming to make a wreath or mantle piece, bring your “autumn stuff,” as well as a wreath or log. Please wear a mask.

Until next time, Joy and Peace,
Cornelia

Children’s Art Stages
https://www.d.umn.edu/artedu/Lowenf.html

Edible Beauty Berries
https://www.sarcraft.com/news/american-beautyberry

The Brain That Changes Itself—brain plasticity
Stories of Personal Triumph from the Frontiers of Brain Science NORMAN DOIDGE, M.D. https://www.brainmaster.com/software/pubs/brain/contrib/The%20Brain%20That%20Changes%20Itself.pdf

Still Life with Bottles

adult learning, apples, art, bottles, Creativity, Faith, Ministry, Painting, picasso, renewal, shadows

One of the best genres of painting is still life: it doesn’t move, it never gets tired, and it never fusses about sitting in one place for a longtime. It’s only drawback is it might rot if you take too long to do your art work. Most of us won’t have this problem, since we’ll either take a photo of the piece or go on to paint something else before that happens.

Jan Davidsz de Heem: Still Life in Glass Vase

Still life painting as an independent genre or specialty first flourished in the Netherlands during the early 1600s, even though parts of earlier paintings paid detailed attention to flowers or fruit within the whole. The rise of still life painting in the Northern and Spanish Netherlands, mainly in the large city trade centers, reflected the increasing urbanization of Dutch and Flemish society, which brought with it an emphasis on the home and personal possessions, commerce, trade, learning—all the aspects and diversions of everyday life. These still lifes featured imported flowers and fruits plus expensive objects such as Chinese porcelain, Venetian glassware, and silver-gilt cups and trays, all of which were usually rendered in a glistening light and with a velvety atmosphere.

Cezanne: Bottles and Apples

A noted Flemish master of the 17th century, Jan Davidsz de Heem, enjoyed combining multiple flowers from different seasons along with ears of corn, a spider, a ladybird, ants, and butterflies in a glass vase on a slate ledge with red currents, a violet, a snail, and a caterpillar. Photorealistic paintings like this were in vogue then, but as the years rolled on, modern artists began to explore other directions. Cezanne retains the luxurious drapery of earlier still life paintings, but simplifies the forms of everyday objects. He’s the father of the cubist painters, represented by Picasso’s bottle still life.

Picasso: Cubist Still Life

Another artist shows us how to handle the reflection of the background in a glass vessel. Matisse freely paints the colors and shapes of the plants, the window, and the bright goldfish plus all the highlights from the light sources. He even lets some of the white of the unpainted canvas show throughout his work to add to the feeling of airiness.

Matisse: Goldfish

A current painting from Pinterest is a quieter and more sedate rendering of the goldfish theme. The overall drawing is good, but it lacks energy. There’s no vibrancy in the light coming through the window and the shadows on the goldfish are too dark. Muting the values of the colors toward grey and brown will decrease the “pop” of a painting every time.

Artist Unknown: Goldfish Bowl

We also looked at a painting of a clear bottle with lemons in the background. Objects behind a glass will often be displaced by the surface, just as water also shifts the position of anything underwater. We’ve tried bottles and jars before, but this is the first time we’ve focused on them entirely. As a collector of ancient and odd things, these are old beer and soda bottles I’ve found over the years. They aren’t THAT old, with the oldest being about 1905. They’re all mould blown and have distinctive air bubbles and seam lines.

One is from the bottling company of my hometown, the Star Bottling Company, which first produced the Uncle Joe and Aunt Ida soft drinks, before becoming part of the Coca Cola bottling family in 1904. Before the Coca Cola Company created a line of flavored drinks, most of the bottlers created their own brands, with orange, root beer, strawberry, grape and fruit-flavored drinks. Because they weren’t allowed to put them in bottles with the “Coca-Cola” script, the bottlers developed their own “flavor bottles.”

The writing on many of these bottles indicated they were property of the local Coca Cola bottling company. Collectors can find an enormous variety in flavor bottles, and most are very inexpensive to collect. Mine are of the nondescript, ordinary variety, but I have fond memories of the experience of finding them. Plus the excitement of a field trip to the bottling plant, which both got us out of school for a morning and introduced us to the wonders of industry.

Shreveport bottling plant

The earliest known man made glass date back to around 3500 BCE, with finds in Egypt and Eastern Mesopotamia. Discovery of glassblowing around 1st century BCE was a major breakthrough in glass making. Archaeological findings in Egypt and Eastern Mesopotamia indicate the first manufactured glass dates back to 3000 BCE. The oldest fragments of glass vases found in Mesopotamia date back to the 16th century BCE and represent evidence of the origins of the hollow glass industry. Beside Mesopotamia, hollow glass production was also evolving in the same time in Egypt, in Mycenae (Greece), China and North Tyrol (now part of Austria). The first glassmaking manual from the library of the Assyrian king Ashurbanipal (669-626 BCE) dates back to around 650 BCE.

Because glassmaking was slow and costly, it was luxury item and few people could afford it. Around the end of the 1st century BCE, Syrian craftsmen discovered the new technique of “glass blowing.” This revolutionary event made glass production easier, faster and cheaper, so that glass, for the first time, became available to ordinary citizens. The tools and techniques of glass blowing have changed very little over the centuries.

The Romans traded glass across the vast RomanEmpire and beyond. They were the first to use glass for architectural purposes when clear glass was discovered in Alexandria around 100 CE. Venice was the center of the glassmaking craft.

The art of glass making flourished during the Roman Empire and spread across Western Europe and the Mediterranean. Glass was one of the most important items of trade beyond the borders of the Roman Empire. The Romans were the first ones who began to use glass for architectural purposes, when clear glass was discovered in Alexandria around AD 100.

THREE ROMAN GLASS VESSELS
C. 1ST-4TH CENTURY A.D.


Other examples in the image above of the Roman expertise in glass blowing include a pale green bottle, with the four-sided mould-blown body with rounded shoulder and tapering cylindrical neck, the wide strap handle attached to the shoulder and curved under the lip, 5¾ in. (14.5 cm.) high; a pale green jug, the squat spherical body with diagonal ribs, a pinched handle attached to the flaring neck with trailed ring, 4¾ in. (12 cm.) high; and a pale yellow unguentarium, 4 5/8 in. (11.8 cm.) high. These were from an auction lot at Christie’s.

A flourishing glass industry was developed in Europe at the end of the 13th century when the glass industry was established in Venice by the time of the Crusades (1096-1270 CE). Despite the efforts of the Venetian artisans who dominated the glass industry to keep the technology secret, it soon spread around Europe. Eventually all the great gothic cathedrals of Europe would have stained glass curtains or large windows of colored light illuminating their interiors.

Because stained glass is translucent, we see both the color and the light. When we paint with acrylic colors, the light reflects back from the pigments in the binding medium. In watercolor, the white paper adds brightness since the colors are transparent. This means we have to “fool the eye” and use highlights plus color values near to the background colors to give the illusion of clarity.

Artist Unknown: Blue Bottle

Gail is getting good at analyzing the shapes and setting them down on a small canvas during our short class period. This still life had both the extra solid apple and the very clear bottles in contrast. It was more challenging than it sounds. How do you balance the heavy with the light, the solid with the transparent, and the cool blues with the warm reds? Adding a strong background color helps tie the two together.

Gail’s Apple and Bottles

Another way to bring everything together is to ignore the apple all together, as Mike did. This is called artistic license. He included the red in a cloth crossed by another golden fabric. He uses multiple viewpoints, for the base of the bottles are on one plane and the tops are flipped forward. I don’t know if he changed position or just sat up straighter when doing the bases. I also gave him one of my brushes to use in class, since he’s been using the same one forever. He wants to paint a straight line, but is using a round brush. He needs to take a lesson from Tim, the Tool man Taylor, and “use the right tool for the right job.” Of course we all know that means the one with “more power!”

Mike’s Bottles

“Here, use this flat edge artist’s brush. I think you’ll like it.”
“Wow, it really paints a smooth edge.”

“Yep, I been suggesting you get a better brush, but you keep using the old one. I finally decided you needed to experience what a real brush feels like in your hand.”

“If I go in the store, do I need a special license to buy a real artist’s brush?”

“They’ll take your money. That’s the only license you need.”

He laughed. I’m glad he has a sense of humor. We’ve been doing this class for about two years now. It takes us a while to learn from each other. We have to learn how to be transparent and open to one another, much as a clear glass bottle is open to light shining through it. The greatest challenge for any of us as adults is accepting any instruction or critique at all. In seminary, I always opened my tests and papers after I repeated my mantra, “I am not my grade.” If I got a good score, I didn’t let it go to my head, but worked even harder on the next effort. If I didn’t score well, I took that grade as an opportunity to define my arenas of insufficient knowledge. I could work on that for the next time.

Cornelia’s Bottles and Apples

As we read in the scriptures, the apostle Paul writes:
All scripture is inspired by God and is useful for teaching,
for reproof, for correction, and for training in righteousness,
so that everyone who belongs to God may be proficient,
equipped for every good work.

~~ 2 Timothy 3:16-17

If we weren’t willing to be transformed, why would we read our Bibles or attend to the teachings of God’s holy word? If we let the good word go in one ear and out the other, and it never makes an impact on our hearts, minds, or lives, we’re dead in our faith. We’re called to have a living faith, one full of hope, and actively bring that same hope to our hurting world.

Johnny Nash, who recently passed away, had the number one song on Billboard’s Hot 100 song list in 1972, called “I can see clearly now.”

I can see clearly now the rain is gone
I can see all obstacles in my way
Gone are the dark clouds that had me blind
It’s gonna be a bright (bright)
Bright (bright) sunshiny day
It’s gonna be a bright (bright)
Bright (bright) sunshiny day

I think I can make it now the pain is gone
All of the bad feelings have disappeared
Here is that rainbow I’ve been praying for
It’s gonna be a bright (bright)
Bright (bright) sunshiny day
It’s gonna be a bright (bright)
Bright (bright) sunshiny day

Look all around, there’s nothing but blue skies
Look straight ahead, there’s nothing but blue skies
I can see clearly now the rain is gone
I can see all obstacles in my way
Gone are the dark clouds that had me blind
It’s gonna be a bright (bright)
Bright (bright) sunshiny day

It’s gonna be a bright (bright)
Bright (bright) sunshiny day

It’s gonna be a bright (bright)
Bright (bright) sunshiny day

Oh what a bright (bright)
Bright (bright) sunshiny day

I hope you have a bright, bright, sunshiny day,
Cornelia

Johnny Nash
https://www.lyrics.com/lyric/33799733/Johnny+Nash/I+Can+See+Clearly+Now

History of Glass
http://www.nissinkglass.co.uk/info/history-of-glass

Historic Bottle Website
https://sha.org/bottle/

Manufacturer’s Marks and Other Logos on Glass Containers
https://sha.org/bottle/pdffiles/ALogoTable.pdf

Star Bottling Company
https://www.fohbc.org/wp-content/uploads/2013/01/UncleJoBottling.pdf

Body and Mold Seams
https://sha.org/bottle/body.htm

Read about an early bottle filling machine here
https://books.google.com/books/about/The_Brewers_Journal_and_Barley_Malt_and.html?id=9hwxAQAAMAAJ