hope

Rabbit! Rabbit! Welcome to October

All Saints Day, art, Children, coronavirus, Creativity, Faith, Family, Fear, grief, Halloween, Healing, holidays, Imagination, Israel, pandemic, rabbits

The Pandemic killed Halloween Then and Now

Nearly a century ago, no one had “Pandemic Shuts Down Halloween “ on their bingo card. The Great Influenza Pandemic griped the nation back in 1918, so most Halloween celebrations were cancelled due to quarantines. At least 195,000 people had died of this novel disease in America by October, 1918. The CDC estimates about 500 million people—or a third of the world’s population—had come down with this killer virus. By the1920’s, at the end of the Pandemic, at least 50 million people died, with 675,000 victims in the United States alone.

USA Red Cross volunteers in 1918 flu epidemic
APIC / Getty Images

At the time, we had no vaccines to protect against influenza and no antibiotics to treat secondary bacterial infections. Many doctors and nurses were serving in World War I, so the civilian medical professionals around the world tried to control infections with nonpharmaceutical interventions such as isolation, quarantine, good personal hygiene, masks, use of disinfectants and limitations of public gatherings. An interesting side note is all the flu pandemics which have happened since — 1957, 1968, 2009 — are derivatives of the 1918 flu, according to scientists at the National Institutes of Health.

The world back then was falling apart on two fronts from the first world war and disease. People at home were dropping like flies. Bodies were stacking up like cordwood and were placed in mass graves. Then, as now, we rabbits, like people, can only take so much stress before we need to release it. Many of us are pots with tight fitting lids: as soon as we reach the boiling point, our lid begins to rattle and clatter. If the cook doesn’t remove the lid and stir down the goo inside, we’ll be an over flowing volcanic mess, much like my morning oatmeal I’ve neglected when I’ve had too little coffee. Then Halloween, with its ghouls, goblins, witches, and other demons of the dark, arrives like Washington Irving’s ghost of the Headless Horseman, which we meet in The Legend of Sleepy Hollow, written in 1820.

The Headless Horseman Pursuing Ichabod Crane (1858) by John Quidor

Flu Pandemic Inspired Fiction

H. P. Lovecraft was one of the great horror writers, famous for his zombies, which may have been inspired by the grisly experiences of the influenza pandemic. Providence, Rhode Island, Lovecraft’s hometown, wasn’t spared the pandemic’s ghastly atmosphere.

As one local witness remembered, “all around me people were dying… [and] funeral directors worked with fear… . Many graves were fashioned by long trenches, bodies were placed side by side.” The pandemic, the witness laments, was “leaving in its wake countless dead, and the living stunned at their loss” (letter by Russell Booth; Collier Archives, Imperial War Museum, London).

White Zombie: First Zombie Movie, 1932

Lovecraft channeled this existential horror into his stories of the period, producing corpse-filled tales with infectious atmospheres from which sprang lurching, flesh-eating invaders who left bloody corpses in their wake.

In his 1922 story “Herbert West: Reanimator,” Lovecraft created a ghoulish doctor intent on reanimating newly dead corpses. A pandemic arrives that offers him fresh specimens. This echoes the flu scenes of mass graves, overworked doctors and piles of bodies. When the head doctor of the hospital dies in the outbreak, Dr. West reanimates him, producing a proto-zombie figure that escapes to wreak havoc on the town. The living dead doctor lurches from house to house, ravaging bodies and spreading destruction, a monstrous, visible version of what the flu virus had done worldwide. Lovecraft wrote about a zombie super-spreader even before we knew such a thing existed. Who says “life sometimes doesn’t imitate art?”

Thriller: Zombie Dancers backing up Michael Jackson, 1983

Infection, Prejudice and the Viral Zombies

In other episodes and stories, Lovecraft’s proto-zombies suggest an additional thread of prejudice that runs through the zombie tradition, one fueled by widespread fears of contagion during the pandemic. Even before the outbreak, Lovecraft believed that foreign hordes were infecting the Aryan race generally, weakening the bloodlines. These xenophobic anxieties weave their way into his stories, as contagion and pandemic-soaked atmospheres blend into racist fears of immigrants and nonwhite invaders. We hear these same themes repeated today in our pandemic times by white supremacists and far right groups who want a sovereign nation within the land of the free.

Indeed, many of Lovecraft’s stories are unwitting templates for how prejudicial fears may be problematically amplified at moments of crisis. Such fears are evoked and often critiqued in later depictions of viral zombie hordes, such as the infectious monsters of Romero’s 1968 movie, “Night of the Living Dead” and the film’s subtle commentary on race, as when the white police force mistakes the main African American character for a viral zombie. Amazing how systemic racism persists in making “walking while black equate to viral zombie” even today.

Small Rabbits Fear Large Monsters

Lovecraft’s proto-zombies also provided a strange compensation for some of the pandemic’s worst memories. Like the covid-19 virus of today and the flu of the last century, these monsters consumed the flesh of the living, spread blood and violence, and acted without cause or explanation. Lovecraft assures his readers that these monsters are far worse than anything they saw in World War I or in the pandemic, the twin defining tragedies of his era. Unlike the virus, though, these literary monsters could be seen, stopped, killed, and reburied. Every decade seems to need its own monster or zombie, and Lovecraft offered his readers a version that spoke deeply to the anxieties of his moment.

Modern Fears Birth Modern Monsters

Our modern monsters are more in tune with the unimaginable horrors of our present world. In the 1950’s we had nuclear terrors, so our monsters were Godzilla and the Creature From The Black Lagoon. In the 1990’s, cloning was a scientific advance we knew could go amiss, so we had dinosaurs run amuck in Jurassic Park. Aliens have always been the most foreign of foreigners, so whether it’s the Thing from Outer Space or Invasion of the Body Snatchers, we can scream into our popcorn all afternoon long. If we don’t scream, everyone will know we’re one of the “pod people.” Even before cinema took over entertainment, Orson Welles’s radio broadcast of the H.G. Wells novel War of the Worlds caused mass panic among listeners who believed Earth really had been invaded by Martians on October 30, 1938.

Image Invasion of the Body Snatchers, 1956

Dangers of Dualistic Thinking

Maybe this is why we rabbits need structured experiences which bring us up to the edge of fear, but in a safe environment. We need to learn to deal with our feelings and emotions as they threaten to overwhelm us. We need reassurance we can handle the frightening experience. We don’t need to be thrown off a cliff, but tested appropriately. If we don’t deal with our inner fears, we’ll see a ghoul in every dark shadow. This is why movies today have ratings for age groups.

When I was young, I was certain monsters lived under my bed and in my closet. I couldn’t sleep unless my closet door was shut. I was in art school before I could leave that door open. Something clicked in my mind, or I realized I was now at the age of responsibility. If this were so, I needed to give up this childish fear of invisible monsters. It was time for me to be the monster slayer in real life.

My daddy had a fear of monsters all his life—he called them communists. As a member of the now discredited John Birch Society, he claimed there was a “commie in every breadbox.” We’re no different today, for we rabbits seem to need our own monsters in the world beyond us. If we can’t deal with the brokenness or fears within us, we’ll project it outward onto an outside “other” group. Just as we too often put certain rabbits on a pedestal and are shocked when they fall, we also put some rabbits in a pit and wonder why they can’t get out of it. We tell ourselves “they don’t try hard enough” or “they aren’t worthy enough,” but neither of these statements are true. People are individuals, so we can’t make conclusions about them as a group.

Mischief Abounds All Night

By the 1920s, Halloween in America had become synonymous with mischief, which young people used as an excuse to break windows or damage property. Mischief comes from the Middle English word meschief, or “misfortune,” which itself derives from the Old French meschever, “to end up badly.” In the U.S., mischief has a legal definition: “Criminal mischief” includes true vandalism, such as the defacement or destruction of property, but also includes fully reversible pranks, like toilet-papering a house. In some states, it covers even vanishingly minor annoyances, like ding-dong-ditch, or ringing the doorbell and running off before the homeowner can answer the door. In 1923, the police chief commissioner in Omaha, Nebraska, went so far as to designate the “city’s worst boys” as junior police officers on October 31 and relied on them to report criminal behavior in an attempt to curb vandalism.

The first known printed reference to “trick-or-treat” appeared in the Alberta Canada Herald on Nov. 4, 1927, according to the Smithsonian.

Modern Mischief Makers

I met two of my young students dressed in black garbage bags as my daughter and I returned from trick or treating one Halloween night. Their too guilty grins as they said hello and hid their hands underneath their costumes was a dead giveaway they were the likely culprits for the artistically draped toilet paper on my giant live oak tree. I let them pass on by and got my car keys to go visit their home, which was just up the street. After a drink and a chat with the parents, we agreed the boys would clean up my tree. My parents also were visited with this “sign of endearment” more than they liked when I was young. I imagine it’s still going on today.

Image of Other Outstanding Mischievous Vandals and Toilet Paper Trees

Reflections on a Non Traditional Halloween

While we grownup rabbits think our little bunnies are going to miss Halloween traditions, the smallest ones don’t know what is tradition yet and the older ones can understand why this year will be different. Trick or treating began in the USA after WWII, as a way to discourage mischief, for if the kids get candy, they’ll be less likely to wreck havoc. As far as long term memories go, I’ve stretched mine, and can remember only one neighborhood walk about. I was slowed by my Carmine Miranda costume, while my brothers ran two houses ahead. I was delayed by holding my fruited headdress on my head.

Another Halloween we had a party at home with apple bobbing, snack making, and games. This was probably due to a fear of poison or pins in candy bars. This fear comes around every year, but it seems to be an urban legend. I also remember attending a school haunted house and walking through the dark and spooky cloakroom. There I touched all sorts of icky, gooey substances purporting to be “brains, eyeballs, and assorted body parts.” I do remember I did everything I could to not be banished to that same cloakroom for bad behavior the rest of year. No sense tempting fate, for sure, my eight year old mind reasoned.

If this holiday is for four year olds to twelve year olds, I can only remember one third of the years. In the short run it seems important, but in the long life of a person, only a few extraordinary moments will rise to peak memory. If this isn’t a year for house to house galavanting, or trunk to trunk acquisitions of treasure, then we’ll use our creativity to make it special, for that’s what we do.

Carmen Miranda Fruit Hat

This Is Not the Apocalypse

We rabbits live in a world of apocalyptic scenarios, yet we have safer, healthier, and longer lives than people in any other point in history. Still we constantly imagine our whole world could all fall apart in a heartbeat. We take our worries and translate a lot of our anxiety into fears about our children. If we listen to the new or hang out on social media, we might get caught up in “doom scrolling.” This is the internet version of rubbernecking at a gory traffic accident. Halloween began as the dark and terrifying compliment to the following bright and glorious All Saints Day celebration of November 1st, when the faithful remembered the saints, martyrs, and ordinary believers who have touched the lives of all the living.

The World of the Living and the Dead Meet

In both these festivals, the world of the living and the dead is permeable and fluid. These two days help us meet our fears about death, the uncertainty of our world, and our inability to control the seeming chaos of a world spinning out of control. We look to fallible individuals today for the change we seek, forgetting that we ourselves need to become the change we want to happen. Moreover, we forget the power of faith and the purpose of our combined faith communities called to work for a just and better world, which reflects the heavenly world to come.

The prophet Isaiah (65:17-18) speaks of God’s glorious new creation:

For I am about to create new heavens
and a new earth;
the former things shall not be remembered
or come to mind.
But be glad and rejoice forever
in what I am creating;
for I am about to create Jerusalem as a joy,
and its people as a delight.

The promises for the Hebrew people in exile belong also to us today, for we find ourselves living in “exile from the life we once knew.” If we live in the past, we’ll always live in exile from the present. Perhaps we should choose to live in hope for a better future and spend our time in this now making that promise come true.

Carve a Bunny Pumpkin for Halloween

Pumpkin Dance
https://www.youtube.com/watch?v=v4IC7qaNr7I&app=desktop

Herbert West: Reanimator
https://www.hplovecraft.com/writings/texts/fiction/hwr.aspx

Vintage Halloween – What Halloween Was Like the Year You Were Born
https://www.countryliving.com/entertaining/g460/vintage-halloween/

The Sinister History of Halloween Pranks
https://www.theatlantic.com/national/archive/2012/10/a-sinister-history-of-halloween-pranks/264127/

American College of Emergency Physicians// 1918 Influenza Pandemic: A United States Timeline
https://www.acep.org/how-we-serve/sections/disaster-medicine/news/april-2018/1918-influenza-pandemic-a-united-states-timeline/

The Myth of Poisoned Halloween Candy
https://www.vox.com/science-and-health/2018/10/31/18047794/halloween-candy-poisoned-needles-pins-razors

‘The 1918 flu is still with us’: The deadliest pandemic ever is still causing problems today
The pandemic ended in the early 1920s, but the virus left its mark for the next 100 years.
By Teddy Amenabar
https://www.washingtonpost.com/history/2020/09/01/1918-flu-pandemic-end/

Your Halloween zombie costume may have its roots in the 1918 flu that killed 20,000 Philadelphians
https://www.inquirer.com/health/zombies-1918-flu-pandemic-philadelphia-20191030.html

The American Influenza Epidemic of 1918: A Digital Encyclopedia – Browse newspaper clippings
https://quod.lib.umich.edu/f/flu/browse/titles/h.html

Open Air Police Court, San Francisco, California, 1918 Flu Pandemic
https://www.cdc.gov/flu/pandemic-resources/1918-commemoration/historical-images.htm

Coronavirus Quilt

Ancestry, art, Children, Christmas, coronavirus, Creativity, Faith, Family, Fear, grief, Healing, Holy Spirit, Imagination, Ministry, purpose, quilting, renewal, Spirituality, vision

My family has a tradition of handcrafts and needle working skills, passed down from generation to generation, as do many Southern families. I admit I didn’t care much for the sitting still part when I was young, but I really liked the bright sequins and beads of the tree skirts we embellished with the symbols of the Twelve Days of Christmas. The first six days were overloaded, while the last few had only a sprinkle of sparkle stitched to the colored felt, but then we were coming in under the wire by Christmas eve and Santa wouldn’t visit our house if we didn’t get into bed as soon as possible. We just barely made it.

Antique Child’s Sewing Machine

Most of our projects didn’t have such a time limit, however. I remember learning to make doll clothes on a toy sewing machine before my mother trusted me on the electric machine. I made tiny tucks across the bodice of these outfits from the scraps of the materials my mother used to make my school clothes. My Nannie had an old foot powered sewing machine on her back porch. It was often hidden under piles of newspapers or canning jars resting on their journey to the garage out back. From her I learned to sew straight seams, unbeknownst to my mom. My small foot wasn’t able to power the treadle of the old machine very fast and I’d been warned within an inch of my life to keep my fingers a good distance from the needle. I was doing this sub rosa, and that added to my excitement, but my mother probably knew. I only thought I was doing something forbidden.

First Lesson

Soon after this, my mother decided I needed to learn to make simple clothes from a pattern. Not that I would do it unsupervised, but she did have a degree in home economics and a lifetime teaching certificate. I made one of those easy patterns with only a front, a back and a neck binding. Of course, I was too young to need to worry about darts yet, so this wasn’t the most difficult project in the sewing room. I did learn how to pin, cut, and sew with the right sides together so the seam would be on the inside.

Later I’d learn to hem my clothes. My mom always thought I sewed backwards. I suppose since she sewed in the opposite direction, I was backwards. I’ll blame this on my being a breech birth, for if I came into the world backwards, I can do things in an opposite manner if I want to. Sometimes it takes a person who sees the world from a different viewpoint than everyone else to help others make sense of the world, especially when the world isn’t in the order we’ve come to expect it to be.

July is the season of the year when active Methodist clergy move to new churches. I’d hear my friends say, “I’m going to hit the ground running and show them I’m ready!”

I’d nod my head, and reply, “I’m going to take my time, get to know folks, find out where they are, and what they need. Then we’ll figure out where we need to go together.” I was past the age of running anywhere, since ministry was my fifth career.

This pandemic has changed many of our rituals and routines. Gone are our potlucks and coffees, our get togethers and small group sessions. We now meet from afar and we’ve learned to like it, or else we live in isolation, and we’ve learned to endure it. I told a friend, “I’m blessed to be single, because if I get on my nerves, I’ve got no one to blame but me! If I get that upset with myself, I go down to the exercise room for a walk.”

As this pandemic has stretched out, I’ve come to realize treating it like a new appointment might be the best practice. Ministry is more of a marathon than a sprint, for we need to keep a steady pace for a long distance, rather than run fast for a short initial spurt. Throwing all our energies at it in the first few months, especially now when everyone is socially distanced, isn’t going to be the most effective use of our potency.

Antique Wedding Ring Quilt
Made by My Grandmother

This is where quilt making comes into play. Quilts can have a structured pattern or they can be various strips of cloth sewn together until they make a square or an entire top. Right now, we’re in crazy quilt land, while we wish we were in structured pattern quilt land. We have to make do with the materials we have at hand and make the most beautiful work with what we have. This is the creative work of the Holy Spirit, which binds the people together, no mater how separated and isolated the community is.

I pulled out some fabric from one of my boxes to make a patchwork pillow. I had no plan, for mostly I was distressed at the brokenness and sickness of our world. I thought if I stitched some strips of fabric together, I would find some order, and perhaps some beauty. Of course, I kept stitching and realized I had more than enough for a pillow, but not enough for another project. I looked at my plain jean jacket and thought it could be improved. I kept stitching, so soon I had enough for the jacket and yet another pillow! This is enough. I’m going to put up my machine and go back to my easel for a while.

Patchwork Pillow with Hand Stitching

I know I miss my friends and family, for they’re like the strips of cloth I’ve sewn together. I try to connect with them by writing my blogs and sharing my spiritual pages, so I can give a voice to the emotions others perhaps are feeling. I write because I’ve never been accused of saying too little, but more often of not knowing when to quit. That’s ok, for someone needs to put into words the feelings this pandemic is putting many of us through.

I hope you’re finding some creative project to do during this pandemic time. I suggest a journal, to write out your memories of your life before this strange time. We don’t know what our future will bring us, and the generations who follow us will wonder what an ordinary life was like back in the day. If we write about the pandemic itself, we may fail to touch the grief of what we’ve lost, and only write about our grievances of today. If we can find an opportunity to note the small blessings of each day, perhaps we can access our memories of our past lives also.

My granddaddy hung his dress jacket in the old wood chifforobe on that back porch where the antique sewing machine resided. The cabinet retained the aroma of his favorite chewing gum, even when he was gone from the house. I can still smell today the juicy fruit chewing gum my granddaddy always carried in his coat pocket.

I hope you’re finding moments of joy and peace amidst this time of pandemic and uncertainty. I’ve attached a poem at the end I think you might enjoy.

Cornelia

Patchwork Jean Jacket with Button and Antique Crochet Embezzlements

Memories are worthy treasures, as this poem reminds us. This is a true story, for the author finished the quilt in 2017. Her husband’s mother had started it and was about a third done with the quilting when she passed away in 1986.

Thirty Years
By Ruth Poteet

My closet’s free of a strange parolee,
coldly imprisoned for thirty long years;
gone with the rest of my walk-in’s debris,
I’d marked it “Goodwill” with cynical cheers.

Rescuing the box, my mind shifted gears.
And ready to face fair verdict instead,
a quilt, yet unquilted, moved me to tears.
At seventy-three I finished this spread.

It took just three weeks, while my fingers bled,
now “thirty years” rests proudly on my bed.

Ruth Poteet: Thirty Years

https://allpoetry.com/poem/12799690-Thirty-Years-by-Reason

Greenscapes from Downtown

arkansas, art, coronavirus, Creativity, Faith, Fear, Healing, Historic neighborhood, Meditation, nature, Painting, poverty, purpose, Reflection, renewal, Spirituality, trees, Work

Some say, “Art is never finished, but only abandoned.” I left my latest acrylic painting for a day, knowing I’d need to adjust some of the sky values, but I was beyond Monday’s melancholy mood. I remembered the sunset of my original experience, and wondered, “Is the end of one day merely the beginning of another? If so, sunrises and sunsets are just markers for us until we participate in eternity with god.” In age of coronavirus, I now think more about time and how we experience it. For me, the now and the present moment take on more importance than either the future or the past. As J. R. R. Tolkien, in The Fellowship of the Ring said:

“I wish it need not have happened in my time,” said Frodo.

“So do I,” said Gandalf, “and so do all who live to see such times. But that is not for them to decide. All we have to decide is what to do with the time that is given us.”

Not that my cloistered coronavirus days are slowly melting together like Easter Peeps in a microwave, or becoming desperate Survivor Island fare, as the young parents thought who once called me during the pink eye school closures.  These always seemed to follow directly on the heels of spring break, and parents would cry into the telephone, “How do you stand this All. Year. Long?” 

I’d laugh and remind them, “I always have a plan for the day, and a back up plan too.” Art classes depend on teaching basic skills at the start, so you can teach more difficult skills later. Hand and eye coordination is one skill, but the other more important achievement is the ability to trust one’s self. As an artist pushes forward, he or she can get comfortable and begin to repeat only what they know and what is safe. Of course, this is common to all of life, for we frequently eat the same foods at the same restaurants, take the same routes to work, and drink our favored brews. 

Finding a way to break through the wall of the routine is challenging. If we’re always progressing, we may move more quickly than our audience can appreciate us. Then we need to ask ourselves, what is the purpose of art and by extension, what is the purpose of our life? This is why having a pattern of work balanced with reflection is helpful, not only in the art life, but also in the spiritual life. When I speak of the art life, I mean any life engaged in production, industry, sales, or the economy. All could benefit from spending time in reflection, instead of hitting the ground running and always hustling. If we asked ourselves WHY more, and WHAT WILL THE CONSEQUENCES BE, we might be more socially responsible with our practices and care more for the earth which we’ll leave to our descendants.  It’s their inheritance and we shouldn’t exhaust it as if we were prodigal sons. 

These two paintings are the latest off my easel. The first is an empty lot across from the Transportation Depot in Hot Springs. From the depot side, all you can see is the line of trees on the horizon, but if you drive up Olive Street, you find the vacant lot parallel to the side of the historic 1914 Hot Springs High School. This building was renovated into lofts and apartments, both for government subsidized and market paying rentals. President Clinton attended this school and the property is currently for sale. The vacant lot once had a building of some sort on it, perhaps an elementary school, for I found concrete steps and the remnant of a flagpole. Today it’s gone to seed, and the wild grasses grow as they choose, until the city or some private party mows them down. 

Pandemic Landscape

I was there on a cool afternoon with a breeze blowing fair. The sun was over my back and I couldn’t see the depot for the tree barrier. Although I was “smack dab in the middle of the city,” I might as well have been out in the countryside. It may be a field of weeds to you or an eyesore awaiting development, but this city block serves a purpose in its ragged glory. These green places act as sinks to cleanse the air and regulate the water runoff. In more developed areas, neighborhood parks and people’s yards store very high amounts of carbon, which help reduce carbon emission levels in cities. This is a benefit of living in a smaller city, for the largest ones have sucked up all the green spaces and filled them in with concrete and steel.

Not only is keeping our yards green important, but instead of paving over an area, keeping green space and plants in a yard makes a difference because a property is part of a much bigger ecosystem and is part of that proven fabric of the city. By keeping your yard green, you provide your city with the ecosystem services that urban green spaces provide. Here are four little known ecosystem services that urban green spaces provide to cities:

  1. Urban Heat Island—the urban heat island effect has negative impacts on the health and efficiency of cities, including increased energy consumption, increased air pollutants and greenhouse gases, impaired water quality and compromised human health and comfort.
  2. Carbon Storage— backyard soils can capture even more harmful carbon emissions than soils in native forests or grasslands. Urban backyards and green spaces contribute to reducing carbon emission levels in cities, which makes air cleaner and healthier for its residents.
  3. Water Regulation—green spaces keep untreated water out of lakes and rivers, and let sewers work without backing up
  4. Economic Savings—green areas increase property values

The cluster of trees isolated in the ocean of grass are much like a family in the pandemic: tense, taught, tightly tucked together, and removed from all others to survive. We might all have days like this in our quarantine, and then we’ll have days when we want to reach out to others, in real life or virtually. Social distancing can quickly devolve into isolation and then into fear of going out of our homes. This has a name: agoraphobia or fear of open places. It’s a type of anxiety disorder in which you fear and avoid places or situations that might cause you to panic and make you feel trapped, helpless or embarrassed. You fear an actual or anticipated situation, such as using public transportation, being in open or enclosed spaces, standing in line, or being in a crowd. Just going on a Kroger run today can feel like a mission behind enemy lines. If our days take more energy from us than they used to, we need to adjust our expectations of how much we can get done, just as we slow down when it’s a 110 F in the shade during the summer. 

Sunrise or Sunset

This is possibly the reason after all these years, I’m still in the beginner class of the Pacer Clinics, but walking isn’t the skill I’m actually trying to improve. Becoming more aware of the present moment is an achievement level worth unlocking, so I’m practicing “opening myself to the holy.” We can find the holy in any moment of time, not just in those times set aside or designated as sacred. We all have different goals, and getting from one place to another in record time might not be the most important end result or best use of our time. 

Perhaps this pandemic has caused us to reassess our arbitrary borders between work, home, and worship, since many of us have been doing all three from one place. Can we say that only one time or one place or one day is more sacred than any other? Or should we look again and see all of our days and all of our ways are a sacred endeavor? If this is so, we have to check if our faith undergirds and empowers our daily acts, and not just once a week. Another way to express this is, “Do we live our Bible, or does it gather dust on the coffee table?”

And what of those essential workers who daily face the contagion? Can they still find any holy moments in these dread times?  Or are they so busy throwing themselves into the breach, they have no time to notice the still, small voice of god? When life is overwhelming, we often can’t hear God’s voice because the press of our problems pushes out all other inputs, even the hopeful spirit of god. We then have to trust if we take care of business, then god will take care of the outcomes. As the ancient voice of wisdom in Proverbs 21:31 says, “The horse is made ready for the day of battle, but the victory belongs to the LORD.” When our day is done, we can rest in god and restore our souls and health.

This pandemic has ripped the curtain off the hidden division in our culture. Those workers considered “essential” may be high or low wage earners, but the difference in resources they have to meet the difficulties of their new lives is eye opening. Nearly 60% of adult Americans live paycheck to paycheck, and what’s even more amazing is about 1 in 5 people earning over $100,000 annually also live paycheck to paycheck! If you owe your soul to Visa or MasterCard, you have an existential need to earn a living, and not just a calling to fulfill. It’s not because folks are squandering their resources, but the cost of living is high in many places, plus many have student debt, mortgages and car loans. In truth, some of us owe our soul to a plastic god because we have chosen to live too high, rather than to live a simple life. 

Now the pandemic has caused the greatest job dislocation since the Great Depression when 25% of the workforce lost their jobs. The latest unemployment rate is almost 15%, which is roughly double what the nation experienced during the entire financial crisis from 2007 to 2009. The most telling tale is 40% of the workers making less than $40,000 per year lost their jobs during this pandemic, according to the Federal Reserve. The lowest paid workers in the leisure and hospitality industry suffered the most. If we are looking at our lives and grumbling at our inconveniencies or loss of “freedoms to come and go at will,” perhaps we need to recover the simple joys of life: reverence in the silent moments when we’re in a cool and shady spot, joy for the sunlight dappling on autumn leaves, or the ever-changing reflections in a running brook. 

I was in a better frame of mind when I painted the sunset beyond the trees. The colors are lighter, and the spaces are more open. I can always tell when I’ve been sick, for even a sinus infection turns my energy and vision inward. In this work the trees bend toward one another and their leaf crowns unite in a yellow communal mass. They may be separate life forms, but they all are rooted in the same earth and nourished by the same water. As the prophet Jeremiah says in 17:8—

“He is like a tree planted by water, that sends out its roots by the stream,

and does not fear when heat comes, for its leaves remain green,

and is not anxious in the year of drought,

for it does not cease to bear fruit.”

May we all be like the trees planted by the refreshing streams of water, even during these drought times. 

Joy and Peace, 

Cornelia

OUR LIVES ARE A WORK IN PROGRESS

butterflies, Creativity, Forgiveness, home, Imagination, photography, renewal, salvation, Secrets, Uncategorized, vision, Work

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Greetings! You haven’t heard much from me lately because I’ve been writing a spiritual journey sci fi novel that I’m posting by chapters as a weekly serial on http://www.souljournieswordpress.wordpress.com. I invite you to visit me there. It isn’t a blog, however, it is a work of fiction: think DR. Who and The Way of a The Pilgrim.

This photo is my latest work. I’m in full spring mode doing a butterfly series! This is Stage 4: Blue Morpho– my most recent work on the easel. The outer wings have to become darker, that right wing with the white splotches is only in its first stage of paint and the background has been laid in, but not articulated.

As an artist I have to live with a work on my easel that is in various stages of completion. I make a sketch on the canvas, then I begin to paint. Even here I often realize that I’ve not drawn my subject well, so I change the form as I paint. Just because I drew it off kilter doesn’t mean I’m locked into coloring inside those lines. If I drew the lines, I can draw others. These lines aren’t “fixed!”

Just so, our lives aren’t fixed by the decisions we have made earlier in our lives. Others will try to tell us this. It’s true if you burn your bridges behind you, it’s hard to cross those bridges again.

However, creative people will find a way to swim the river or hire a boat to cross to the other side. The lack of a bridge doesn’t stop them from going back and making amends so they can start over again.

God is the great creator who is making all things new. God can give us a new heart, a new hope, and a new spirit. We can be in the process of being recreated like the Blue Morpho–from a crawling caterpillar to a quiet chrysalis and finally to a beautiful butterfly.