Megiddo at the Crossroads of History

911, Academy for Spiritual Formation, Apocalypse, art, Astrology, Faith, Healing, hope, Imagination, inspiration, Israel, Megiddo, Painting, pandemic, purpose, Spirituality, vision

Archeological Remains of Tell Megiddo

On a visit to the Holy Land, I walked in the ruins of Tell Megiddo and also climbed the hills above the Jezerell valley. From this vantage point, I could imagine the great battles of nations warring to conquer land and control trading routes. Megiddo lies at the crossroads and therefore in the crosshairs of international politics, both in ancient and current times.

 

Valley of Megiddo

The plains of Megiddo, the breadbasket of Israel, also were known as a great battleground in ancient times. Egypt came more than once to fight the kings of Israel and Judah. The world’s earliest recorded battle occurred here between Syrian princes and Pharaoh Thutmosis III (ca. 1469 BC). Judah’s king Josiah was fatally wounded when he confronted another pharaoh, Neco II, near Megiddo ca. 609 BC (2 Kings 23:29-30). Although Megiddo is only mentioned in the Old Testament, the New Testament refers to it once in Revelation 16:16 as Harmagedon (mountain of Megiddo), the final site of the battle between the forces of good and evil at the end times of the age. Of course, scholars have different interpretations of when these “end times” are at hand.

 

Map of First Recorded Battle

The final book of the Greek New Testament is ΑΠΟΚΑΛΥΨΙΣ ΙΩΑΝΝΟΥ, or the Apocalypse of John. The word apocalypse means “disclosure of truth, instruction, or reveal, disclose, uncover.” It especially refers to Jewish and Christian writings of 200 BCE to 150 CE, which are marked by pseudonymity, symbolic imagery, and the expectation of an imminent cosmic cataclysm in which God destroys the ruling powers of evil and raises the righteous to life in a messianic kingdom.

Chariot Sculpture at Megiddo Battlefield

I remember a presenter on an Academy for Spiritual Formation retreat saying she had difficulty saying the prayers in the psalter, for the psalms of lament meant nothing to her, since she had no griefs to bear. Her spiritual adviser reminded her, “We pray these prayers for others, not just for ourselves alone.” As an artist of faith, I sense the needs of the world: it’s longings, fears, hopes, and dreams. I don’t always paint “art for art’s sake.” Certainly the conflict our beloved United Methodist Church has been experiencing lately factored into this “end times vision,” for too many on both sides of this dispute have resorted to calling the other “evil.”

Megiddo: Bronze Version

I felt called to paint the landscape of Megiddo in these recent weeks. Beginning in mid August, I was working on several paintings using Google map views of the landscape around the ancient site, with inspiration from my personal photos from my visit several years ago. I struggled over it, with the colors changing from bright to earthen tones. I left it alone for a time, to look at it and take time to live with it. Doing this allows me to see if I got too interested in noodling about making different colors, rather than considering the whole area as one unit. It didn’t take long before I came to the conclusion I didn’t have unity in my work. I had no overarching focus. My life has been like this for a while, with multiple distractions.

Megiddo: Blue Version

In our broken and fallen world, I find people today are in a rush to run to the extremes. Cooler heads don’t always prevail. The moment disorder rears its ugly head, folks run around like Chicken Little screaming, “The sky is falling! The sky is falling!” They might as well scream, “The end times are here!” I’m reminded of the Y2K hysteria with everyone panicking about filling up their cars for fear the gas pumps wouldn’t work, getting cash in case the credit cards wouldn’t swipe, and buying generators for fear the grid would crash (computers not able to recognize all those zeros). As I recall, my antique VCR kept recording on schedule, and the local Walmart took back loads of panic purchases in January.

The latest outbreak of hostilities in Israel and the Gaza Strip have added to the apocalyptic atmosphere and thinking of those who are given to extremes of thought. America has sent two of its eleven aircraft carriers into the Mediterranean Sea as a deterrent to all the other nations to rethink their plans to join the fighting now going on. For the apocalyptic thinkers, this is a sign of “It’s going down!” For those of us who have calmer heads, we realize the United States is the only one of six countries with more than two of these floating armed cities. Every other country has a single one only.

General Eisenhower (R) confers with French generals French 1st Army Corps Headquarters November 25, 1944 Ranking allied leaders look over a situation map outside of French 1st Army Corps Headquarters.

It’s been the habit of American presidents and their advisers in the gamut of crises since World War II to move aircraft carriers around as a “Geopolitical Chess Piece” to demonstrate American concern, resolve, or outright anger. Because carriers are operate on the high seas where permission to move is not needed from other countries, and because they carry their own fuel, weapons, and maintenance, they’re ready on arrival at the scene of a crisis to deliver power. Moreover, since modern U.S. carriers are large and imposing, and have been unchallenged on the seas, they “show the flag” to great effect. They provide excellent “visuals.” In fact, if one carrier doesn’t do the job, sending a second with several attendant ships along is a sign of “we mean business.”

Since this is a habit, and not a novel occurrence, it’s not the sign of the end times. As the gospel of Mark records in 13:7-8:

“When you hear of wars and rumors of wars, do not be alarmed; this must take place, but the end is still to come. For nation will rise against nation, and kingdom against kingdom; there will be earthquakes in various places; there will be famines. This is but the beginning of the birth pangs.”

Benjamin West: Death on a Pale Horse, oil on canvas, 1817, Pennsylvania Academy of the Fine Arts

Will these carriers be used for their traditional purpose—a floating airfield—and will our military aircraft and service personnel actually join in the actual combat operations in the MidEast? That seems unlikely, given the Just War principle taught in American War Colleges. The moral concept of Just War begins with a good reason to go to war. A reasonable cause is to right a wrong, recover stolen property, or self defense. Not liking someone isn’t a good reason to go to war.

The just war must be fought proportionately to the harm that was done to the aggrieved. Today, if someone were to insult you or cut you off in traffic, honking your horn is acceptable, but shooting a pistol isn’t. That’s a disproportionate reaction to the harm, or an unjustified assault. Responding in anger usually leads to regret, but our emotions often get the best of us.

I remember my first year in the classroom. I was making a grand total of $8,250 a year—the extra $250 was for my master’s degree—and the school wanted to know if I wanted this pittance in 10 or 12 checks. “Oh, make it ten! I’ll figure out summer some how.” The first day of class in 1982, I had well over fifty students in the high school sign up for art because the former teacher had taught elementary lessons to the older students: she had fifty ways to draw turkeys. I brought the principal in: “This isn’t going to work. Let’s get half of them in another class.” He was good with that.

This was a country school. Most of the kids would marry right after graduation. Many of the seniors already had jobs, so young art teachers weren’t high on their respect list. I was fortunate to have taught in an inner city school back in the Northeast where the boys play ice hockey. Like an aircraft carrier sent to the Mediterranean Sea, sometimes I’d have to throw my short body into the middle of two factions who were about to throw punches. These boys were usually over six feet tall, so there was no likelihood I’d ever get hit, but just my presence would cause them to reconsider and pull their punches.

Just because we send war ships to the Mediterranean doesn’t mean we want to wage war. We Americans have a track record of showing up to keep wars from breaking out all over. World leaders know how our military is trained and the rules by which we engage in conflicts. This is why as a person of faith, each of us has to search our hearts to discern how we respond in times of conflict, whether that’s a war or just a disagreement with our neighbors.

In addition to a just cause, we must have the right intentions, the possibility of success, and enter a conflict only as a last resort. Those who follow the Just War Principles aren’t “trigger happy,” but are inclined to gather community support, decide their limits ahead of time, seek to resolve the conflict in other ways first, and if that fails, then enter the fray. The USA didn’t enter WWII until the 1941 surprise attack on Pearl Harbor, even though the war in Europe had been going on since September 1, 1939, when Germany invaded Poland. Up to that time we were supporting Great Britain with armaments.

A plan for after the fighting is done

Theologically speaking, scholars are of two minds: the end times are already here or the end times have yet to come.

1. The end times are already here—Scholars who believe this understand Matthew 24:6-8 as an ongoing event, which began with the ascension of Christ:

“And you will hear of wars and rumors of wars; see that you are not alarmed; for this must take place, but the end is not yet. For nation will rise against nation, and kingdom against kingdom, and there will be famines and earthquakes in various places: all this is but the beginning of the birth pangs.”

For some, the tribulation will happen beforehand (pretribulation), while others believe this suffering will occur after the return of Jesus (post tribulation). I remember as the year 2000 approached, many of the faithful were excited about the camera facing the Mount of Olives in Jerusalem, since this was the place from which he ascended, therefore it would be the place from which he would return. Daystar Ministries setup the camera so “everyone could see it firsthand.”

We humans tend to think our Gods are small, even if we ascribe to them “infinite powers.” We don’t realize the power of an almighty who can interrupt and reveal all of the past to be nothing but dust and introduce a new age with his appearance. No one will need a computer or video screen to view the in-breaking return of the messiah. Everyone around the world will hear the thunderclap at one moment in time, and the flash of lightning accompanying his appearance will brighten even the darkest night. This day will be overwhelmingly bright. Most of us will hide our eyes so we won’t be blinded by the brilliance of a thousand suns.

The Jesus Cam will most likely melt when Christ does return, but his return wasn’t on the first day of 2000. That wasn’t the millennium anyway, but a year early for the math challenged hopeful. It was also the year 1420 for the Muslims and 5760 for the Jews, so who’s counting matters anyway, since numbers aren’t what God depends on, nor the stars (astrology).

Durer: The Four Horsemen

2. The end times are yet to come—While pandemics, stock market crashes, and rumors of war may all sound apocalyptic, the Temple at Jerusalem has yet to be rebuilt. Complicating this task is the Dome of the Rock, a major Islamic holy site built on the same location. A Pew Research Center study in 2010 found most Americans believed war, terrorism and environmental catastrophes were at least probable by the year 2050. Nearly six-in-ten (58%) saw another world war as definite or probable; 53% said the same about the prospect for a major terrorist attack on the United States involving nuclear weapons. An even higher percentage (72%) anticipated the world would face a major energy crisis in the next 40 years. This fits with the theme of “apocalypse as the collapse of environment or society.”

Other characteristics of the apocalypse include:

1. Literal battle between physical armies under supernatural leadership—These are battles of extremists, who are convinced they have a holy calling to fight. The Crusades were fought as “Christ’s army against the infidel.” Their purpose was to restore the Christian holy sites in the Middle East and resanctify them for holy Christian worship. This mentality doesn’t respect the humanity of the enemy. The war may have a just purpose, but not be fought with just means: eradication of the enemy is unjust.

2. Holy wars against non-believers—This is an unjust war, fought with unjust purposes, with excessive force, and seeks to exterminate the enemy, who are reduced to non-persons because they don’t share the same belief system. When opposing sides can’t recognize the common humanity of one another and rage rules decisions, the lust for blood feeds upon itself. Shakespeare said it best when Marc Anthony came upon the body of the just assassinated Julius Caesar in Act 3, scene 1:

And Caesar’s spirit, ranging for revenge,

With Ate by his side come hot from hell,

Shall in these confines with a monarch’s voice

Cry “Havoc!” and let slip the dogs of war,

That this foul deed shall smell above the earth

With carrion men, groaning for burial.

My final reworking of Megiddo includes streaks of rockets in the dark night sky and swirls of chaos which churn the world’s peoples, just as Ate, the Roman personification of recklessness and folly incites the passions of Caesar’s bereaved followers. We don’t know when Christ will return, no matter how many may prophesy or calculate the date. As Jesus said to his disciples in Matthew 24:36,

“But about that day and hour no one knows, neither the angels of heaven, nor the Son, but only the Father.”

This present darkness is only momentary, for if we’re in the end times, we also have a promise we can hold on to in Matthew 28:20—

“Remember, I am with you always, to the end of the age.”

Joy and Peace,

Cornelia

 

 

Armageddon / Harmagedon – CDAMM

https://www.cdamm.org/articles/armageddon

 

Aircraft Carriers by Country 2023 – Wisevoter

 

Public Sees a Future Full of Promise and Peril | Pew Research Center

 

 

Robert C Rubel: The Future of Air Carriers

https://digital-commons.usnwc.edu/cgi/viewcontent.cgi?article=1551&context=nwc-review

 

Rubel, Robert C. (2011) “The Future of The Future of Aircraft Carriers,” Naval War College Review: Vol. 64 : No. 4 , Article 4. Available at: https://digital-commons.usnwc.edu/nwc-review/vol64/iss4/4

 

Case Study: Just War Doctrine

https://www.scirp.org/journal/paperinformation.aspx?paperid=122406

 

Messiahcam at Y2K

https://www.theguardian.com/world/2000/jan/01/jamesmeek

 

‘Cry ‘Havoc!’ And Let Slip The Dogs Of War’: Speech & Analysis

https://nosweatshakespeare.com/quotes/famous/cry-havoc-let-slip-dogs-war/

Brookdale Community College Eisenhower Collection

https://www.brookdalecc.edu/center-for-world-war-ii-studies/the-meserlin-gallery/witnessing-history/

Left to right, French 5-star General De Lattre De Tassigny, commander 1st French Army; U.S. Lieutenant General Omar Bradley, commander, 12th Army Group; French 4-star General Marie Emile Bethouart, commander 1st French Army Corps; U.S. Lieutenant General Jacob L. Devers, commander, 6th Army Group; and General Dwight Eisenhower, Supreme Allied Commander.

Texture Paintings

adult learning, Aristotle, art, autumn leaves, beauty, brain plasticity, cognitive decline, Creativity, flowers, Holy Spirit, Imagination, Leonardo da Vinci, Painting, renewal, Uncategorized, vision

Leaf Textures

I don’t do wine painting classes. Since I teach in a United Methodist Church, our Wesleyan temperance tradition holds sway: we serve no alcohol. However, out in the world beyond there are classes where everyone drinks wine and paints the same image. They’re out for fellowship purposes more than for art, but these classes serve to get people started in the basic techniques of the media. Students copy the teacher’s model painting, often working along as the teacher instructs the class. This is the “show and tell” style of teaching, which usually results in most students’ works approximating the teacher’s example.

Wine painting classes: One Lion to Rule Them All

College art education classes often are taught this way, but art classes in art schools are never taught like this. Why you might ask? Because art schools exist to help students find their own voice, for they know copying another’s style only diminishes a student’s true voice. The creative spirit within each of us is unique,
breathed into us by a holy God. Ecclesiastes 12:7 reminds us at our end, “the breath (Spirit) returns to God who gave it.” If art students are copying any art works, their teachers are humble enough to send their students to the masters first, or to life itself.

Laguna College of Art and Design art class

Art, like golf, is a humbling experience. In both we’re always playing against our handicap: we want to be “Perfect,” but we weren’t given the means to accomplish this goal without God’s grace. We go on to perfection by degrees, with the help of God, if we don’t get lazy and take the shortcuts, as the Adam and Eve, Prodigal Son, and many other great stories tell. As Jesus reminds his followers in Matthew 23:11-12—

“The greatest among you will be your servant. All who exalt themselves will be humbled, and all who humble themselves will be exalted.”

Why is it difficult to draw from life? Or for that matter, to really look hard at a painting to copy it? From an early age, most of us are taught it’s impolite to stare. In some cultures, even looking directly into the eyes of another person as you speak is unacceptable behavior. I know my parents taught me to look at them when I was in trouble, even when I wanted to look down in shame. I had to face their anger. While I didn’t enjoy it as a child, it prepared me as a teen for hateful comments from my peers, and as an adult for discrimination in the workplace. I could look people in the eye and call them out. This is likely why our early teenage children roll and flutter their eyes at us when we call them to account. They “look at us” without “looking.” And why we say, “Look me in the eye!”

19th century humorous postcard: The Artist’s Studio

We also have thoughts running through our heads: our to do lists, our concerns about our friends and loved ones, as well as the woes of the world stage. The more we learn to focus on the present moment in which we find ourselves, the better off we are. I find when I can pay attention to my colors, patterns, and how they come together on the canvas, I forget everything else.

I have some artist friends who always have a glass of wine in the studio, since it helps them relax. I think they just like wine. I’m a coffee lover, but too much caffeine makes my hand jittery, and too much wine would make my hand sloppy. I personally believe in moderation in all things, but then I’m sold on Aristotle’s “golden mean,” or the “Goldilocks zone,” where

“at the right times, about the right things, towards the right people, for the right end, and in the right way, is the intermediate and best condition, and this is proper to virtue.”

We barely avoided the 15th government shutdown since 1981, but we now have a House majority without a Leader due to a few extremist members. These Republican Party members who are “pirates who take no prisoners and make no compromises” might want to catch up on their ancient philosophical reading before chaos ensues. Sometimes life imitates art: if you have MAX, you can watch Michael Cain in “Our Flag Means Death.”

Little Vase of Flowers

All creativity improves with either time or wine. Both allow you to loosen up and not control what happens but go with the flow of what happens on the canvas, instead of forcing the paint to go where you want it to be. I have canvases which began in one direction and ended up in quite another. I can only say my original idea was rejected by the painting in progress, for I had to “listen to what the painting wanted to become.” As Psalms 104:30 says:

“When you send forth your spirit, they are created;
and you renew the face of the ground.”

In case you’re wondering, the “ground” of a canvas is the white primer, so it’s not a stretch to say, God’s Spirit works through us to renew the face of the “ground.” Some texts translate this as the “earth,” and God’s Spirit also works through us to restore and renew our planet to health after all the damage from industrial pollution and man made climate changes.

Leonardo da Vinci, the Renaissance genius, claimed, “There are three classes of people: Those who see. Those who see when they are shown. Those who do not see.” We can all learn to see. How we learn to see takes time and effort. This is why I always talk about some examples of good art before we begin our work. I know most people haven’t seen the masters, so getting images in mind is important. A little art history lesson never hurt anyone. Then I explain the project and we get to work. Stephen King, the noted author, says this about the creative experience: “Amateurs sit and wait for inspiration, the rest of us just get up and go to work.”

Tim’s Flower

In class we were using the flower arrangement which had been residing in the kitchen fridge for the past several weeks. I don’t know who to thank for it, but we put it back where we found it. Our group was given the key to use patterns and textures in the work.
Tim wants to learn to draw from life better, but he was struggling to get his proportions to scale. I showed him the trade skill of using a pencil or part of his hand to measure part of the object and compare its size to another part.

We give away our secret sauce recipe all the time! Everyone knows how to multiply with a ruler for a scale drawing, but that idea often doesn’t occur to them if they aren’t using it on a flat plane. If they have no real ruler, the idea of using an ordinary object as a measuring device also doesn’t enter our brains. This is normal, but once upon a time, we used our bodies to measure the work in progress: a cubit was the distance from the elbow to the middle fingertip and a hand-width was just that: the width of the four fingers. Over the years these were standardized to 18 inches and 4 inches. Horses are still measured in hands today, but we moderns measure in feet and meters rather than cubits.

Gail’s Texture Painting

Gail lined out some lovely patterns on her canvas and made good progress on her painting. She always gets a good plan and executes it.

Mike was glad to be back after doing renewal work/manual labor. This creative exercise of moving bold colors and strong patterns around his canvas was a welcome respite after all that physical activity. A mental challenge seemed welcome to him.

Mike’s Flowers

I had done a pattern piece in the week before, so I enjoyed painting the still life, and may use it as a study for something larger later.

Late 1800’s Levi Strauss advertisement

We finished up our works on the second session. Tim reworked the pumpkin drawing from an earlier time and Gail finished up her texture painting of the flowers. Mike dropped in with Van Gogh books before going out on an errand of mercy to rescue a young client. He was impressed with the amount of blue clothing the people wore in Van Gogh’s paintings. I reminded him the very denim jeans we wear first came from Nimes, France. We call these “jeans,” because the weavers in France were trying to imitate the techniques of Genoa, Italy, but failed, and made instead the sturdy fabric that’s blue outside and white inside. Hence, “jeane de Nimes.”

“I did not know that!” He exclaimed.

Art is for wondering, for seeing new things, for opening up our minds to new realities and new possibilities. Whenever we go beyond what we already know, we open a new brain pathway and create new connections between the neurons. This keeps our minds agile and staves off the worst aspect of aging: the pessimistic belief that nothing is new under the sun. If we keep the optimism of a child, for whom everything is the newest and best, we’ll keep a youthful heart and spread joy wherever we go.

Joy and Peace,

Cornelia

The ‘Golden Mean’: Aristotle’s Guide to Living Excellently —Philosophy Break
https://philosophybreak.com/articles/the-golden-mean-aristotle-guide-to-living-excellently/

Weights & Measures
https://www.jewishvirtuallibrary.org/weights-measures

History of Denim & the Origin of Jeans
https://www.hawthornintl.com/history-of-denim