I walk on Thursday evenings in the historic downtown district of Hot Springs, Arkansas. Most of our buildings are from our salad days of the Victorian period and early 20th century. We are building new construction, such as this new Regions Bank Tower, which will replace the one directly behind my back. I often leave my car under this overpass while I huff and hustle my way up to the cold spring at the entry to the mountain route to the observation tower. From there I walk past historic hotels, small and large, until I get to the site of the old Majestic Hotel, which burned to the ground in 2014. If I turn around for the start again, I can put in nearly 2 miles on a good evening. Even if I’m the last to finish, I’m still faster than the ones who never started.
Our creative and spiritual lives are like my walking discipline in my downtown, which is both dying and being renewed. I notice some shops have closed, but new ones have taken their place. These aren’t all tourist shops, but some are tradesmen serving the needs of downtown dwellers. Each of us needs to take care of our long term needs, not just our whim wants.
For our spirit, paying attention to our relationship with God through silence, contemplative study of scripture, and service with the poor will help ground our identity in God rather than in our own self. In our creative work, keeping the disciplines of our trade can be important. By this I mean, remembering to draw, to use color, value, to work a series, or to explore a subject fully. If we write, we pay attention to the skills of this craft, or if we are musicians, we never neglect our scales or any other skill sharpener in our toolbox.
Sometimes we get to the place in our lives when everything burns down to the ground. Like the storied Majestic Hotel, once a home to professional baseball players during spring training and mobsters down for the gambling, our life as it is won’t stand up to the elements or to the vissitudes of fate. A stray cigarette or a frayed wire takes the whole building down, along with all its memories and its derbis inside.
Sometimes we too have to start from scratch by making a fresh start. Yes, saving a historic treasure would be nice, but sometimes not very cost effective because the structure isn’t sound. Then it’s best to turn our back on that old life, grieve for it, and find a new hope and a new vision for the future. “If only we had done something with it 30 years ago!” Yet the will wasn’t there, was it? We can’t turn back the hands of time.
In 1992, I answered God’s call to ministry. I spent twenty-two years away from my original calling, art. When my health took me out of parish ministry, I took up painting again in 2009. Five years in my studio relearning color, value, shape, composition, and emotion has felt like burning down a great old edifice and building a new one in its place. To date I’ve stayed close to the subject, except for the color. Lately I’ve felt constrained by those boundaries, and I’ve moved to s freer brushstroke. Will it stick? I’m enjoying it, but I feel emotionally exhausted afterward. I’m tearing down a boundary and am about to climb over a barricade. I’m excited about this adventure, even if it tastes of danger.