Perfection in Life and Art

adult learning, art, Attitudes, Creativity, Faith, Habits, Holy Spirit, Imagination, Love, ministry, mystery, Painting, purpose, renewal, Spirituality, Stress, vision

The life of one who pursues Art and Faith has many overlapping points. One of these is the search for perfection. The French artist Marcel Duchamp quit painting to play chess, saying he couldn’t create a greater work. However, he was still working on one last piece in secret in his studio. Artists are driven toward this ultimate prize, just as people of faith are called to grow towards perfection in faith and love.

The difference between perfectionism and Christian perfection is huge! The first seeks flawlessness in self, others, and in all things. I know people who get up in the middle of the night to rearrange the shoes in their closets. Shoes must not dance! While I do alphabetize my spice rack, I can leave my closet’s contents to party at will while I sleep all night. I learned from experience early on not to concentrate in any one area of my artwork, since all my many teachers drilled this lesson into my head. Overworked areas of wet paint also get muddy, for the colors blend together into a sad grey. Experience is a good teacher.

DELEE, negative image & Modern Sculpture

Christian perfection is a heart so full of love of God and neighbor nothing else exists. By definition, our hearts would be also full of love for our own selves, since we are made in God’s image. This is why in art class we use ABC: attitude, behavior, and consequences. Positive ABC gets praise, and negative ABC gets redirected to a better place. If we can reframe our attitudes, we can change our behaviors, and then we’ll have different consequences. Sometimes we need an attitude adjustment.

Art classes aren’t easy, but neither is the Christian life. We need to face our limitations, and this is humbling. We aren’t strong or powerful, nor have we achieved anything close to perfection in any part of our own life. This doesn’t make us bad people, but it does make us drop the false mask we’ve been wearing in the world. The best art will come from an open heart, or from transparency to God and others. We’re so used to hiding our true self from others, we think we can hide it from God also. Art will reveal our true self, however.

In Philippians 3:12-16, Paul talks about Christian perfection, so I’ll add some notes about the search for artistic perfection. In class we drew the negative or empty spaces of a wooden dowel construction I rigged up for the center of the table. I tossed in an extension cord for good measure.

DIANA, negative image & abstract sculpture

Drawing the negative space is a new concept. Most of the time we’re outlining the object itself, but not focusing on the empty space. Then we wonder why our object looks cattywumpus. By drawing the emptiness, we end up with the positive figure. This is a backwards thought process. We’re so trained to look at the object, we forget the empty spaces are a design element also. Drawing the negative space helps us to find the true object in its actual location in three dimensions and translate this into a two dimensional space. This is a complex form of thinking, which is why age 9 or the ability to write in cursive has been the usual cutoff age for formal art training.

MIKE, negative image & DUFY, GATE

Not that I have already obtained this or have already reached the goal—by this Paul means Christian perfection, or having the full love of God and neighbor within our hearts. We artists will work all our lifetimes to achieve perfection. If we’re truly growing as artists, rather than just repeating variations on a theme, our style will change. Monet once destroyed multiple Waterlily canvases right before an exhibition, having deemed them inadequate for the show. We artists are our greatest critic. The day we’re satisfied is the day we begin to repeat ourselves.

GAIL, negative image & DUFY, Room with Window

but I press on to make it my own, because Christ Jesus has made me his own—of course, the Holy Spirit empowers this spiritual quest for complete love, or we’d never achieve this goal alone. I believe all persons have a creative spirit within them. If we’re made in the image of God, who is the creator and is creating all things new again, we must share this attribute in part. Moreover, I think of it as a spiritual gift, for we enter into the mystery of God when we let go of our ego’s organizational skills and allow a greater hand to move our own as we create.

Beloved, I do not consider that I have made it my own—the mark of a spiritually mature person is recognizing how far from the perfection of God all of creation will always be. Yet God can refine and renew any imperfection in our spiritual and physical lives. The consequences of our acts will stay with us, however.

At the end of a studio session, I sometimes tell myself, “I’ve learned all I can from this one. It’s time to go onto the next piece and do better.” I don’t expect a masterpiece every time. I do expect to learn from my mistakes. I own my mistakes! I’ll keep the work around for several months. If it doesn’t fall apart, I let it out to show. If it doesn’t sell in three years, I destroy it and move on. I can’t stay attached to it, although I once did. Now I see my work as an opportunity to share the beauty and joy of God’s inspiration with others. I’d be selfish to hoard it all to myself.

but this one thing I do—Paul stays focused on the ultimate prize, not just on the easy gains. “We have stress enough in our daily world, so why can’t we just come and be comfortable in our sanctuary or in our art class?”

If we were hot house tomatoes being prepared for the salsa factory, this might be an acceptable choice, but we’re human beings who’ll be tested and tried in the world beyond the security of our sacred spaces and quiet studios. We need controlled challenges, just beyond our reach, to strengthen us for the days ahead. Even the most famous artists will struggle with success, so having a goal beyond this world is important. The rest of us will struggle with failure and rejection, so we need to learn resilience and fortitude, and the strength of power available to us from on high.

forgetting what lies behind and straining forward to what lies ahead—most of us carry baggage from our earlier days when we made poor choices and did dumb stuff. If we don’t have several suitcases, we at least have a closet full of T-shirts from Been There Done That Land. In art, we eventually will make enough work to break out of our old patterns, or we can enter into a studio teaching environment and accelerate the process. The trained teacher gives positive criticism and guidance, just as we can give the keys to a novice driver with a licensed driver in the car. We could let the novice driver out on their own, but a cow pasture would be a safer choice for this unsupervised driving experience than a city street.

I press on toward the goal for the prize of the “heavenly” call of God in Christ Jesus.—the Greek word is “upward” call, or “higher” call. This call is more important than any other in our lives. If our only goal is to be a good person, but not loving person, we need a higher goal! Why are we satisfied with less when God is so much more of everything?

Let those of us then who are mature be of the same mind;—just as our challenge in faith is to always grow in grace and love, so our goal in life is to always grow and learn. What we fail to use will atrophy and die. If we don’t love from the depths of God’s inpouring and abundant love, our own ability to love will wither and die. Burnout is a spiritual condition first, then it becomes a physical problem. The ancient icon painters prayed as they “wrote” the images of Christ. If we offer up our time in the studio as a prayer to God, we will better connect to God’s deep well of hope and compassion, which can recreate our lives and the world.

and if you think differently about anything, this too God will reveal to you.—I happen to be a slow learner, but better a slow learner than one who never learns at all. Some of us need repeated lessons before the scales drop from our eyes, but once we see clearly, we’re zealous to convert the rest of the world. Once the flame of love burns brightly, it wants to spread and replicate itself. One light wants to set the other coals aflame. Still not everyone wants to set themselves on fire! They’re perfectly willing to watch someone else burn brightly and bask in their glow.

Price’s Law is a good example in real life. Price’s law describes unequal distribution of productivity in most domains of creativity. The square root of the number of people in a domain do 50% of the work. In a group of 100, 10 do 50% of the work and 90 do the other 50%. This seems to hold true in business and in volunteer groups. Some Elijahs love to work, but don’t know how to replicate their Elishas. They rob the future Elishas of the blessings of service.

In art everyone has to do their own work, and some have difficulty if the work doesn’t look as good as their neighbor’s efforts. Since everyone begins at a different point, each person improves from that beginning. Each has to be considered as an individual. No one is compared to anyone else, even in a graded system. Art is the best class of all, for if you work the whole class, turn in all your work on time, and meet the criteria of the project, you get an A. There is a “works righteousness” in the studio, even if we’re saved by grace in faith.

Only let us hold fast to what we have attained.—I find many folks want to quote this verse only, but not the whole of the Philippians text. They use it as an excuse to stand still without reflecting on their faith, which they inherited from their ancestors. Worse, they don’t read the Bible with a heart or mind open to the fresh winds of the Holy Spirit. Then they wonder why joy and peace are merely limited gifts in their lives. We prosper, not by material wealth, but in our relationships with one another and with God.

In art, we’d rather copy our teacher’s example and match it to the best of our ability, instead of coming up with solutions unique and personal to our own spirit. Thinking uses energy, but it also builds resourcefulness and new cognitive pathways, as well as increasing confidence.

The former is the standard teaching technique in most departments of education, but it has nothing to do with engaging creativity. Instead it assumes a single right answer, but the history of art is replete with multitudes of many answers and solutions to the questions of the moment. When we ask, “What is beauty, truth, and good in art,” we answer, “Across the years and with different artists in different cultures, it varies.”

With this in mind, as artists and people of faith, we can hold certain truths across all the years, artists, and cultures, but other truths may be variable. Certainly overworking the person and the painting hold true everywhere. Many of us hunger for approval from human sources, and work ourselves sick trying to please too many masters.

In art school I had several master teachers. One day I was drawing in an empty classroom. The department head came by and asked, “Who are you working for, me or Mr. Sitton?”

“I’m drawing,” was my noncommittal answer.

He returned a short while later to ask the same question and I gave the same answer. Not long after that, he popped his head into the door, pointed his pipe at me, and asked again, “Who are you working for, me or Mr. Sitton?”

By this time I was irritated to no end. I’d been polite twice, but this third time was too much! I snapped around on the stool and snarled, “ I’m working for myself, thank you! Now quit bothering me so I can draw in peace!”

He laughed as if I’d finally passed some rite of passage. “That’s what I wanted to hear you say the first time!” Some art lessons aren’t given in a class, and they aren’t about design and color, but about your calling and your purpose.

Who are you working for in this world: the praises of ordinary people, or the eternal voice of the master, who paints the dawn and sunset from a palette of glorious colors?

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Madonna of the Cold Brew

art, Faith, Icons, Imagination, Ministry, ministry, poverty, Spirituality, United Methodist Church

I’m at my annual conference for my church. I have a display of my art work up. I just sold this found object icon.

Icons are not just images of the Virgin Mary and the infant Jesus, but they represent windows into the holy dimension. They aren’t meant to be realistic renderings of the people or the landscapes as we think of western perspective and conventions.

I found all the materials either on the street while I was out for a walk, or at the grocery store. Yes, those are beer tops, a canning lid, a tag from a bag of Mississippi potatoes, and a crushed Mountain Dew can. Some would call these the debris of everyday life, or the castoffs of human activity. I’ve met people in my ministry who feel this way, and some of them come from fine families, but they’re going through a rough spot in their lives or careers. Others have lived on the margins of society most of their lives and don’t know any other way of being.

This icon foretells the miracle of the water changed into wine at the wedding at Cana. What was ordinary became extraordinary when Jesus entered the picture. We too are changed from our original condition into something very much more when Christ enters our life. We are his found objects, made into fine art. Everyone of us needs this change and transformation: some of us so we can meet the street people with compassion and others of us so we can be made whole again.

TIME AND THE TWO CLOCKS

art, Christmas, Faith, Family, Healing, Imagination, Love, Meditation, Ministry, Philosophy, Pi Day, purpose, Retirement, Spirituality, Uncategorized, Work

On The Death of Stephen Hawking: March 14, 2018

With the death of the esteemed scientist Stephen Hawking on Pi Day, I wondered what do The Corpus Clock and the Banksy Rat Clock say about these artists’ concepts of time? All musings about chronological time lead me to ask, Does God experience time in the same way we mortals experience time? Is time the same for all persons? Do all people in the same event experience time in the same manner? What do we humans do with our time? Moreover, do people of faith have a particular calling from God to use time in a certain way?

We might fill a book with the fully fleshed out answers to all these questions, but let’s just sketch out a few points on each.

THE BANKSY RAT

The Banksy rat running in a 14th Street clock face, as if in a hamster wheel, is believed to be his first work in New York since 2013. One of Banksy’s trademark rats was found painted on the face of a clock adorning a building façade, on Pi Day, 2018, with the distinctive silhouette of the Empire State Building looming in the background. The clock in question adorns a former bank and post office at the northwest corner of Sixth Avenue and 14th Street in Greenwich Village. This building is currently slated for demolition.

Banksy seems to think time is a circular and continuous event, ever repeating, and perhaps monotonous. If the wheel goes nowhere, we can be very busy, but gain nothing for our efforts. Therefore our lifespan, the time we have on earth, is an exercise in futility. Do we know this, however? If we’re rats in a cage, do we have the cognitive awareness to perceive this? The good news is, we are more than rats, and for this I’m grateful.

Of course, pi/π is an irrational number and irrational numbers don’t repeat forever. If you write out the decimal expansion of any irrational number (not just π) you’ll find that it never repeats. That means that π is irrational, and that means that π never repeats. It also never completes, or comes out even, as my old third grade teacher Mrs. Dickey used to say, under the old math I learned in elementary school. In November 2016, y-cruncher, a computer for large calculations, took the value of pi out to 22.4 Trillion digits. I was always doing well to remember “yes, I have a number,” for my math classes.

Since Banksy’s Rat appeared on Pi Day, his wry humor might be evident in the rat race is never ending for all time. If it’s on a building meant for destruction, however, it shows he has hope for a change in this world and a creation of a new world. We need to take care to create a better world, rather than the same old world which we destroyed.

THE CORPUS CLOCK

The Corpus Clock, created in 2008 by the inventor and horologist John C. Taylor, doesn’t look like a clock. Its shiny gold disk features 60 notches that radiate from its center. Lights race around the edges of the disc, and a spherical pendulum swings slowly beneath it. The Corpus Clock has no hands or digital numbers, but has three rings of LEDs, which reading from the innermost ring show the hours, minutes and seconds. When an hour is struck, no bells chime, but chains shake and a hammer hits a wooden coffin. Time passes and we all die, a fact further represented by the Latin inscription underneath the clock, mundus transit et concupiscentia eius, meaning ‘the world and its desires pass away’.

The most eye-catching detail is the fierce-looking grasshopper sitting atop the disc. Taylor called it a “chronophage,” from the Greek for time-eater. Like a locust devouring the harvest, the chronophage opens its mouth. Ordinary clocks emphasize the cyclical nature of time. The hands, moving in a circle, always make it back to the same place and suggest if we lose track of time today, we’ll always have tomorrow. This, of course, is only partly true. As the chronophage reminds us, we can never regain lost time.

Weirdly, the pendulum of the Corpus Clock slows down or speeds up. Sometimes it stops, the chronophage shakes a foot, and the pendulum moves again. Because of that, the time display may be as much as a minute off, although it swings back to the correct time every five minutes.

“There are so many expressions in everyday life about time going fast, time going slow and time standing still. Your life is not regular; it’s relative to what’s going on,” Taylor said.

He noted Albert Einstein’s observation: “When a man sits with a pretty girl for an hour, it seems like a minute. But let him sit on a hot stove for a minute and it’s longer than any hour. That’s relativity.”

“Time is a destroyer. Once a minute is gone you can’t get it back.”

As a note of irony, Prof. Stephen Hawking, cosmologist and author of the global bestseller, A Brief History of Time, was due to unveil the clock at 5.45 pm, but in the end the curtain covering it didn’t fall until 5.59.55 pm.

Two theories of time

Actually, philosophers have multiple theories on time. Scientists hold a few more yet. Two of the main ways of looking at time are movement and stasis.

1. Time moves. The A-theory (or the process theory) holds that time moves from one point to another in a unidirectional line.

2. Time stands still. The B-theory of time (or the stasis theory) holds that time essentially stands still. B-theorists holds that the process of time is an illusion and time itself is rather static, or unmovable.

Does God experience time in the same way we mortals experience time?

God is absolutely timeless and exists beyond the scope of space-time. Since God’s not mortal, and not a created being, the laws of creation don’t apply to God. God is the creator, the uncreated one. We, who are the created ones, can’t experience time in the same way as God. In a sense, all time is the same for God. The past, the present, and the future are all the same for God, since all things seem as “now” to the one who is. We never say “God was,” except in reference to our own experience. For God, all events are always happening concurrently, as it were, with the present, and with all the possible futures.

We too can experience time, somewhat like God, in those moments when memories flood into our present experience, such as when a certain smell reminds us of a loved one, or a melody brings to mind old friends and old haunts. Even unpleasant associations can bring the past into the present for us. While we’d rather only have positive feelings and thoughts, at least we can know we are in the same mysterious time stream with God when our time sense begins to meld the past and present together. If we’re in the same space and time with God, we’re sheltered from any harm. If we relax in these times, we can put our focus on the God who’s cared for us before we were born and will carry us through any storm.

For us, in an excruciating time, we might sense time stands still, or moves as slow as molasses. Slow motion is a description of the telescoping or expanding sensation some of us feel. Actually, Time happens at the same speed, but our sensation or experience of it is different. The expression “Time flies when you’re having fun,” is an example of the how fast moving time is when you’re enjoying yourself. Ask a child how long it is till Christmas, then ask the parents the same question. The child says”Forever!” Mother or Daddy swears they need another month at least. My well worn Advent calendar had many little doors, which I opened daily as a child to help me count down the days until Christmas. My parents had crafts for us to make for the holidays to help pass the time and give our eager hands an outlet for our energy.

Is time the same for all persons?

I think most of us count time linearly, for we begin at our birth and count our days and years until our death. We see this life unfolding along a single line. If we were to view our lives from beyond this world, we might perceive our lives as a circular spiral which orbits around our sun as the sun makes its route around the outer edge of our galaxy. The first seems to be a straight line like a ship crossing an ocean, while the latter is more of a spiraling circle on a larger circle.

Most of us are just trying to make it to the weekend or to payday, so our concepts of time aren’t vast at all. If we think about time, it’s about quitting time, lunch time, coffee break time, or time for bed. Thinking ahead to vacation time or retirement is a future too far, so wrapping our minds around infinity or eternity is too great a stretch. God can see all our possible futures, for we all have choices and there are always events beyond our control which will affect us. Nothing is preordained or fixed, except God’s generous love and grace. If we could stand out beyond our galaxy and see our small world, I wonder if we would see our lives in a different manner?

Do all people in the same event experience time in the same manner?

If we come from different places and upbringings, we won’t take from an event the same experiences. When one person sees the flickering candles of a worship center and feels fear and shame, while everyone else feels joy and serenity, the pastor has to ask what’s wrong. The association for this person was from a cult with ritual sexual abuse on the altar. Yes, things like this happen, and thank goodness this person came out of that environment. Yet the same setting was a trigger for old memories, and an opportunity for compassion, prayer, support, and the offering of healing.

For those who found the experience uplifting, the time passed quickly. For the suffering, Time was agony, for it united the ugly past with the present. The present ministry of those who sat with her eased her pain until she could return into the present once again, and begin to have hope for a better future.

What do we humans do with our time?

Too often we overvalue work and undervalue relationships. As a city person pastoring in a country church, I often felt they didn’t value the work of ministry among the people, since God calls all to be priests (priesthood of all believers). My people felt I didn’t value relationships very much. Maybe we should have met each other in the middle. What we do with our time is more than being honest in our business dealings, doing good in our community, and being faithful to our spouse. It has to be more than giving a tithe to our place of worship. Are we rats in a hamster wheel, or mere cogs in a great industrial production machine? When we spend our time at work, have we lost it, and only get to live on the weekends or when we retire?

Does God call people of faith to have a purpose for our time?

If our time at work is only a means to an end, but the time spent there has no meaning at all, we might want to consider a career change. One person I know said, “It just wasn’t fun anymore.” Another’s eyes only lit up when she spoke about her work with the hospice patients, but she gave the pat answers to “how’s your church doing?” I knew before she did her call had changed. I taught school and sold Insurance before I became a pastor. Now I cook, paint, and write in my retirement years. I get to study anything that suits my fancy, which is perfect for one who’s a professional student!

What is God’s call for your life? It doesn’t matter what age you are, the time to answer it is now, at the present moment. Tomorrow you’ll be a day older, and this day will be long gone. It will be only a memory, but not for taking action. Like the chronophage, the monster which eats time, each moment is precious and worthy. Seize the Day! Do the work God’s got for you!

LINKS

Pi calculation records link: http://www.numberworld.org/y-cruncher/

Discussion on theories of time link: https://plato.stanford.edu/entries/time/

The Man of Sorrows

art, Creativity, Faith, Healing, Holy Spirit, Icons, incarnation, Love, Man of Sorrows, Meditation, Painting, Reflection, salvation, shame, Spirituality, Strength

Most of us try to put our best foot forward every day. If we have the means, we want to wear nice clothes for work and put on our “game face.” In private, we might “let it all hang out” and put on our sloppy clothes, but only if we’re staying inside. This is why the pajamas at Walmart memes persist as the walk of shame from sea to shining sea.

We like our art “pretty” also. Indeed, if it doesn’t match our current decorating theme, we don’t buy it. We want our art to fade into the wall and not interact with us. If this is our attitude, we aren’t candidates for an icon in our space. The icon is meant to open up a conversation with the viewer and with the Holy Spirit. The icon opens a window into the world beyond this reality, into eternity, in which the Holy Trinity and the communion of saints live forever. While the image itself isn’t Holy, what it represents is Holy. Therefore the icon is venerated, but not worshipped. Only God is worshipped.

Because most of us like our images beautiful, we prefer gold and silver over fading and flaking. We also like polished and pleasant more than brutal and broken. This is why most of us like Christmas more than Good Friday, even though both are necessary to understand at-one-ment and atonement.

The oldest icons often show the ravages of age. Centuries of use, with smoking candle soot and oils from many hands, have worn their surfaces raw. Many of us also show the scars of Time, but we also are the image of God, just as Christ is the living image of God. We are like the ancient icons, worn and weathered. If we were given an ancient holy icon, damaged by circumstances or desecrated by human hands, we would treat it with tenderness, reverence, and compassion. We wouldn’t pay attention to the damaged parts, or to the tragedy of the act of damage, but we’d focus on what is left of its beauty, not what was lost.

Only those who are rapidly aging may be able to understand this concept, or those who’ve suffered. Yet, the Man of Sorrows icon exists for those who know life isn’t always a bowl of cherries and even the best people will suffer. The suffering servant contradicts the promises of prosperity gospel, but the icon reminds us we aren’t alone when hard times strike.

The Virgin Hodegetria and the Man of Sorrows

This double-sided icon in the National Gallery of Art, in Washington, D. C., depicts two of the most influential images in Byzantine art. On the front, the Virgin Hodegetria (“she who points the way”) gestures toward the Christ child as the path to salvation.

The image derives from a venerated model, which was legendary. Saint Luke was the purported artist who painted the original from life in Jerusalem and others brought it to Constantinople in the fifth century. Pilgrims flocked to the Monastery of the Hodegon to revere the original icon, which was paraded weekly through the streets of the capital. Widely copied, it’s one of the most common types of images of the Virgin.

On the other side is the icon of Christ after the Crucifixion, laid out for burial with his arms at his sides. This is the earliest known panel painting of the Man of Sorrows, a name taken from an Old Testament description of the Messiah:He is despised and rejected of men, a man of sorrows, acquainted with grief (Isaiah 53:3).”

Called Akra Tapaneiosis (Ultimate Humiliation) in the Greek Orthodox Church, the subject originated in Byzantium in the 11th century in response to liturgical changes and became widespread in the medieval West. This icon dates from the last quarter of the 12th century.

The Kastoria icon imbues the traditional Virgin Hodegetria with heightened emotion found also in hymns and sermons, especially after Iconoclasm. Her sorrowful expression and furrowed brow suggest that she foresees her son’s death. On Mary’s grief at the Crucifixion, the ninth-century bishop George of Nicomedia wrote,Who will enumerate the arrows that penetrated her heart? Who will recount in words her pains that are beyond words?” His sermon served as the lesson on Good Friday when this icon was displayed during the church service commemorating Christ’s Crucifixion.

https://www.nga.gov/features/byzantine/virginmanofsorrows.html

PROMISE OF HOPE

arkansas, art, Christmas, Creativity, Faith, Icons, Painting, poverty, purpose, Spirituality, Stations of the Cross, Uncategorized

Today is an official snow day here in our town. While other parts of our state got up to 5 inches of the fluffy white stuff, we got a mere dusting. However, our temperatures fell into the low teens with wind chills in the single digits. Those of you from our northern states might think we’re silly, but our schools don’t have heating systems adequate for these temperatures and our school buses don’t have special tires for icy back roads. I’m not leaving for nothing!

Today is a good studio day, since the sunshine is bright here in my sixth floor home overlooking the lake. I’m working on a new icon of the entombed Christ. These take a common form of the figure in repose, with the eyes closed as if in sleep, but the viewer reads the image as the sleep of death. The compact body lacks all physical power, so the truth of death is real. Christ doesn’t pretend to die, but suffers death for all creation.

We in the western world have limited the new creation to humanity, but scripture speaks of a renewal of this world at the Great Day of the Lord:

“But, in accordance with his promise, we wait for new heavens and a new earth, where righteousness is at home.” ~~ 2 Peter 3:13

Too many today are waiting for God’s destruction of this world so they can get on to the better world beyond. Instead, the icon of the entombment calls us to grieve over this world and hear the Easter call to make it new and fresh again.

When Good Friday’s sadness leads us to the joy of Easter’s resurrection, we discover the same cycle works out in our own life also. Most of us want only to go from joy to joy, but we forget the power of suffering. The prophets saw suffering as an opportunity for change and transformation, as well as hope. If we meditate on the entombment icon, we’ll hear the call to bring hope to the poor, justice to the marginalized, and joy to the suffering.

If we go from Christmas to Easter, we’ll always celebrate the festivities and parades. If we never look at the flight into Egypt, we miss the refugee holy family bearing the gifts from the three kings. If we only eat the hot cross buns, we dismiss the suffering servants of every age and every continent. If we only celebrate our success and prosperity in Christ, we are complicit in the suffering of our world and our failure to be God’s co-creators in the New and better world.

As an artist, I’m always creating a “new thing,” so perhaps this is why God’s message about humanity’s role in caring for the world and our neighbors, no matter where they are, is important to me. This painting will look different when I put the blues and greens on it, but right now it looks like a blaze of sunshine! I hope you will be a ray of sunshine in your corner of the world today.

HOW DID A SAINT BECOME A SANTA?

art, Children, Christmas, Civil War, Faith, generosity, Icons, Imagination, Love, photography, poverty, purpose, Spirituality

Once upon a time, Bishop Nicholas of the Greek Orthodox Church was known for his charity to the poor and other good deeds. After his death, enough miracles in his name elevated him to sainthood. People began to give gifts to others in his name to celebrate his feast day, December 6th.

Later on, the gift giving at Christmas became more important. After Clement Moore’s 1823 Poem, A Night Before Christmas, the visit of “Old Saint Nick” came alive in children’s imagination. With Thomas Nast’s Illustrations during the Civil War era, Old Saint Nick transformed into Santa Claus.

Of course, even though the two were once one person, their personalities are different. Everybody loves Santa Claus. He embodies holiday cheer, happiness, fun, and gifts—warm happy aspects of the Christmas season. How do Santa Claus and St. Nicholas differ?

Santa Claus belongs to childhood;

St. Nicholas models for all of life.

Santa Claus, as we know him, developed to boost Christmas sales—the commercial Christmas message;

St. Nicholas told the story of Christ and peace, goodwill toward all—the hope-filled Christmas message.

Lorenzetti—Saint Nicholas giving gold to a poor family

Santa Claus encourages consumption;

St. Nicholas encourages compassion.

Santa Claus appears each year to be seen and heard for a short time;

St. Nicholas is part of the communion of saints, surrounding us always with prayer and example.

Santa Claus flies through the air—from the North Pole;

St. Nicholas walked the earth—caring for those in need.

Santa Claus, for some, replaces the Babe of Bethlehem;

St. Nicholas, for all, points to the Babe of Bethlehem.

Santa Claus isn’t bad;

St. Nicholas is just better.

We can actually keep the spirit of both Santa and the Saint all year long if we keep the joy of giving and receiving gifts to all, especially by giving to those who have less than we have.

If we keep the love of all persons in our hearts, then we’re loving as God loves us, for this is how the saints love the world. Even Santa loves all the world like this—really! Does any child ever get coal in their stocking? No! This is only a grownup threat to make the child behave. All children get a Santa gift, for the “Santas” in the community will make it happen, for they are the Saints who walk among us.

I want to thank the folks at the St. Nicholas Center for this idea. They have good resources for teachers for downloading. Check them out. I found the images on google search.

http://www.stnicholascenter.org/pages/compare-santa-st-nicholas/

Our Best Life Possible

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When I was young, I thought I had to be Wonder Woman in order to please my parents. You know, the perfect daughter, the smartest child, the best artist, and the best behaved of all their progeny. After all, I was the first born and the only girl, so I’d had my parents’ undivided attention for those crucial early years. I thought if I worked hard, I could overcome any obstacle, and make any situation better, just by my force of will.

This is magical thinking, however. It works for comic book heroes who live in hard edge black and white moral worlds, but we live in the real world of fuzzy grays and complex moral choices. My family history of long marriages wasn’t going to extend to my generation, for I could no longer live with my alcoholic husband. I felt less like Wonder Woman and more like a failure. I told my mother I thought she and daddy always wanted me to be “perfect to earn their love.”

She looked dumbfounded at me, paused a moment and spoke, “Honey, we only wanted you to do your very best at all times. We knew you had more in you that you hadn’t tapped yet!”

This is the moment I forgave my parents for my Wonder Woman complex and learned to live with her. Not every person has had my parents. Some parents have no dreams for their children, so we must dream for them and encourage them to be superheroes in our classrooms, in our neighborhoods and wherever we meet them.

Other parents lack imagination. They see their children repeating their own lives as good enough. Yet, they too only want the best for their children so if they can only imagine their life repeated for them, we shouldn’t fault these parents for their lack of imagination. They never lived in our age or times, nor in our bodies or minds! We children can become the best we can be, for our world is far grander than theirs ever was! We won’t always live up to the expectations of our parents or the plans they imagined for us, but we will be superheroes anyway.

My daddy once told me I was learning in high school chemistry what he studied in college chemistry classes. This is why your six year old nephew or niece can work your smart phone faster than you can! The world’s knowledge explodes now, doubling every year, but with the internet it will soon double every 12 HOURS!

We won’t need to learn all this information, or keep it stored in our minds, but we will need to know how to access it. Asking the best questions, knowing what is necessary, and the sense of discernment to winnow the good from the chaff will be what separates the best answers from the better, the good, and the ordinary ones.

My latest painting is a self portrait as “Wonder Woman during the Great American Eclipse.” I traveled to Kentucky to see this wonderful event at Land Between the Lakes. We can all be superheroes at every age and in every body shape. Just as the eclipse united all of America in the joy of celebrating a coast to coast mass experience provided by nature, we each have a divine image within us that unifies all of humanity as one, for we’re each made in the image of God. As the Jewish queen in scripture was reminded, “Who knows? Perhaps you have come to royal dignity for just such a time as this.” (Esther 4:14)

How we become the best persons is a matter of becoming a superhero or “coming to royal dignity for such a time as this!” We’ll always be fine tuning our spiritual lives, our education, and our professional achievements. Even when we retire, we’ll find engaging opportunities for service to others and self improvement both. Most likely our spiritual lives will deepen and our family and friendships will take on more importance. I hope you all seek your best life possible, beginning today.

Join me in being a Superhero! You can be a hero for someone who needs you today.

Joy and Peace, Cornelia

A FATAL DISEASE 

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“The biggest disease today is not leprosy or tuberculosis, but rather the feeling of being unwanted, uncared for, and deserted by everybody. The greatest evil is the lack of love and charity, the terrible indifference towards one’s neighbor…” 
~~ St. Theresa (Mother Theresa)

The biggest disease today isn’t covered by any medical plan–it is the lack of concern for the weak and vulnerable among us. The only medicine for this is a change of heart, so we begin to consider the needs of the poor, the disabled, and the ill as equal to the healthy, the rich, and those who can work. 

This medicine is a living faith, not a dead assent to beliefs! Can we look on the face of our brothers and sisters and see the face of God!?! Can we see the wounds of Christ needing to be healed!?! If we see only the money and the tax ramifications of the plans currently proposed by congress, we have a dead faith, for we aren’t working to care for the “least of these, my brothers and sisters, who are the Christ” we meet daily as we go about our journey. 

If our Sunday words are only for ourselves and not for the world also, if our Sunday words are only for our lives and not for the lives of others, and if our Sunday words are only for our lives, but don’t translate to our politics, we cannot say that we are living a fully Christian life. 

What is the medicine for this? Repentance and restitution. We must make a change in the way we live, the way we think, and in all the ways we act: our uses of money, our treatment of people, and our lifestyle choices. All must be governed by God’s all encompassing love. If God’s love flows into our hearts, let this same generous love flow out unimpeded. 

“Love one another, as I have loved you.” –John 15:12

Friendship and Art

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THANK YOU FRIENDS!

I can’t express to you how glad I am to be with people who understand the scriptures which underpin my art. Others appreciate the art itself, but not the faith walk behind it. Y’all get both.

Thank you again. As an extrovert, your affection and affirmation encourages me in my journey and in my spiritual practices. I would do my work anyway, but like everyone, I enjoy the sharing of our lives and our ministries across the years. This makes our annual conference a means of grace for me. I hope it does the same for you.

THE MOMENT BEFORE

I’m glad to report I’ve made two new patrons of the arts today. These paintings will go to new homes to bless those spaces and provide an island of peace or a place of spiritual focus for those who come into their presence. Also a former patron showed up to take home the silver PIETA.

The purpose of the icon is to open a window into the holy, so we can see the face of Christ more clearly and know the presence of God more nearly. If my art can do this for folks, then it is also a modern icon. Thank you for being part of ARTANDICON, my friends. I’ll be back at the arena Wednesday morning until noonish.

Joy and Peace, Cornelia.

WORK IN PROGRESS: Landscape 

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stage 3, unfinished acrylic painting, artandicon


This is on my easel right now. Last autumn on a warm and sunny day, I took an Instagram photo below of the woods near my home.  Maybe we’ll have one ofthose days   again, with no rain!

The photo above is  my most recent painting. I’m letting it set overnight, to see if I need to work it some more. A fresh eye will see better tomorrow. I’ve spent 4 hours on it today. 

Notice I didn’t paint all the trees in the foreground. Photographic truth is different from artistic truth. We know this is the same place by the line of the hill, the placement of the bushes in the background and the staggered line of trees in the foreground. If details are omitted, we don’t worry. If the colors are varied, we understand the artist is responding to the emotions of the landscape, rather than to the facts of the site. 

photo edited in instagram

In the same way, biblical truths may be operating in the parables and stories Jesus told us. For some people, the miracles themselves are mere “truth stories” which serve to open up the mysteries of God. For these people, science is how they understand their world, but God’s word is the way they understand how to relate to God and God’s creation. 
If they can hold this creative tension in their minds, it isn’t any different than seeing this painting as a true image of the place it represents. 

After all, as Jacob said when he woke from his sleep, “Surely the Lord is in this place—and I did not know it!” 
And he was afraid, and said, “How awesome is this place! This is none other than the house of God, and this is the gate of heaven.” — Genesis 28:16-17

The gates of heaven are all about us, if only we have the eyes to see them. We are always within the house of God. I find this awesome, life changing, and spirit filling. Recognizing God’s presence everywhere should change how we pursue our lives, our work and our relationships also.