Steps in drawing a Geometric Still Life: sketch, refined sketch, shadows, intense shadows and cast shadows
We are back in art class again on Friday mornings at Oakland United Methodist Church. Our first lesson is in solid geometry, but it’s not a math class. Art is more like learning a visual two-dimensional language to be able to render three dimensional objects on a flat plane. This isn’t as easy as you might think, but once you learn to see in perspective, you never can unsee it again. Art class is like an old fashioned one room schoolhouse, in which a teacher has students of varying ages and experience levels to instruct. I provide one lesson and modify it for each student according to their needs.
Gail S.—Pencil Drawing of Solid Geometry
The first day of class, I had three brand new students and one who has done this exercise at least three times before. Two others were out doing family obligations, just as I was missing in action last week due to attending my niece’s graduation ceremony for her MBA in Business Administration. Life and family watershed events are always important to make our presence known. The life of the artist is as important as the art itself. We aren’t just people who make beautiful objects for others, but people who make life beautiful by being present at their most important moments.
Vermeer: The Art of Painting, 1666-1668.
When we look at the painted floor in the Vermeer painting above, we know in our minds these stand for black and white square tiles. If we take a moment to closely observe them, we realize these are more like diamond shapes. This optical illusion is the result of perspective. Perspective comes in multiple forms. Linear perspective has one-point, two-point, three-point, and multi-point vanishing points. Aerial or atmospheric perspective uses color, clarity, and value as objects overlap each other and recede into the background. There’s also reverse perspective in which objects are larger as they grow more distant and foreshortening, in which nearby objects are emphasized.
Pop Tarts from the Pop Tarts Bowl Toaster Trophy in 2024
Can we teach all of this knowledge in a single two-hour lesson? Absolutely not. Michangelos aren’t turned out like pop tarts from a toaster. In the Renaissance era, a family would place a youth between the age of 7 to 14 with a master artist to learn the trade. This child would do the chores of the studio and learn to grind the pigments and mix paint. Then they would progress to drawing and composition. After a training time, they might get to do the backgrounds of the paintings or the landscape. After eight years, if they were any good, they would be entrusted with an entire commission. Then they would venture out on their own or take over from their master’s studio.
Cornelia—Purple Geometric Forms
I started taking art lessons when I was eight years old from the city parks and recreation art teacher on Saturday mornings, and then after school from a former art teacher in town. My grandmother was a portrait and still life painter. I have been taking or teaching classes for over seven decades. Art is not a skill or a product a person can ever perfect. It is more like a journey of faith, one in which we are always going on to perfection, but by the grace of God, will only be completed at our last day. Even at my age, I have more than a few “needs improvement works” left to create.
Tonya—Black and white Geometric Forms
The more you know, the more room for improvement you can find. I always ask students to first find three positive critiques of their work to praise before they begin to talk about their “improvement areas.” In this lesson, if they drew all three shapes, used two distinct colors for light and dark, and used up the space on the canvas, rather than drawing an inch tall image, those are positive points. Then they can point out their troubles.There’s enough negativity in this world. We need to overcome that in our own lives. What we learn on this canvas will carry over to the next one. Then we will find new opportunities for improvement yet again!
Marilyn—Geometric Forms in Aqua
No one who gets a significant health condition finds making a wholesale change overnight easy or achievable. This is why people who try extreme diets like Whole 30 that restrict too many foods discover they can’t stick with it or must continually start over. People looking to make lasting, healthy changes must start small and focus on progress over perfection, according to nutrition coach Brady von Niessen. “You start feeling so good about them that you can’t even imagine not doing them.” The same principle applies in art. Over time, a student’s skills will improve if they trust the process. Rome wasn’t built in a day!
Jeanne—Geometric Forms
Another important aspect of art class is relationships. Pierre Teilhard de Chardin said, “The most empowering relationships are those in which each partner lifts the other to a higher possession of their own being.” As a teacher, I try to help each person find their own creative voice, rather than trying to copy an idea of what “good art should look like.” Beginners in tennis don’t get to play on the same courts as Wimbledon or the US Open, or at least not at the same time as those who claimed the trophies! As Picasso once said, “It took me my whole life to learn to draw like a child.”
I consider this first class a success for each student. First, I got to hear some of their stories, which helps to build relationships. I got to hear their fears about not being perfect—none of us are perfect, but as United Methodists we are all going on to perfection in love by God’s grace and that’s the only perfection we concern ourselves with in art class. Can we love ourselves and give ourselves the grace to come up short? As the great Leonardo da Vinci said, “Art is never finished, only abandoned.”
I look forward to next week when we mix colors for the color wheel for the first time students. The returning students will get a lesson that uses geometry and mixed colors also. The more seasoned students project is a step up because they have more experience, so they have a greater challenge.
The one room art schoolhouse meets at 10 am on Friday mornings. It’s never to late to join.
One of my favorite icons is Andrei Rublev’s Holy Trinity because it not only has the theological theme of the Trinity, but also the message of hospitality to strangers. As Hebrews 13:2 reminds us,
“Do not neglect to show hospitality to strangers, for by doing that some have entertained angels without knowing it.”
This subject of this icon is the three angels for whom Abraham spread a feast in the wilderness where he and his barren wife Sarah lived while they tended their flocks. The angels appear with their walking staffs and sit at Abraham’s table set with a dish of food. In the background is a mountain, representing the wilderness and a tree, locating the scene at the oaks of Mamre.
Koulouris Iconography House: Saint George Greek Orthodox Church, West Bank Territory, Holy Land
Rublev’s palette is full of light with a predominance of gold, shining ochre, delicate shades of green, pink, and violet, and his inimitable sky-blue, too, in combination with the fine rhythm of lines and perfect composition. Altogether this produces an image of unearthly beauty and a heavenly harmony. This isn’t just a banquet in the desert wilderness, but a meal in the inbreaking moment in which we experience the timeless realm of heaven.
On earth, we count the minutes, days, and years, but in the company of God, we enter into the eternal and timeless experience in which God lives. Yesterday, today, and tomorrow are the same for the God who is known as I AM, for I AM lives always in the present and I AM is always becoming. There never was a time when the I AM was not. God always IS, even if we think God is not.
We may forget God, and our love may fail, but the steadfast love of the great I AM never fails because God’s love is, as the prophet Isaiah describes it (43:25):
“I, I am He who blots out your transgressions for my own sake, and I will not remember your sins.”
Copy of Rublev’s Holy Trinity, iconostasis at the monastery, 16th CE, St. Sergio’s Lavra, Russia.
Andrei Rublev painted the original icon in the Trinity-St. Sergius Monastery in either 1411 or 1425-1427. An artist made a copy of the Holy Trinity icon in the 16th CE. The Orthodox Church certified the Rublev Trinity as miraculous in 1626 and gave it a place of honor in the church, as well as metallic and jeweled embellishments. Over the next 500 years, artists restored the original Rublev icon several times. The early 1900’s saw two professional restorations: each one removed more layers of paint and lacquer until they revealed the original. The restorers decided hiding with a frame what was an “exclusive, in its worldwide importance, work of art” from the palette of Andrei Rublev was unacceptable.
Dating this important icon is more difficult than deciding its painter. Some think the icon was originally meant for the wooden Trinity Cathedral erected in 1411 and believe after the stone church was built, the congregation moved the icon there. Other art historians believe Rublev painted the “Holy Trinity” at the same time as his workshop painted the iconostasis in the new cathedral in 1425-27.
Rublev received a commission to paint this icon for the image of the Holy Trinity from St. Nikon of Radonezh: “an image for the Holy Trinity to be painted in his time, to venerate His Holy Father, St. Sergius the Wonderworker,” the monk who founded the monastery at Radonezh.
Since a cathedral dedicated to the Holy Trinity should have an icon of the Holy Trinity in it as its primary icon, the obvious choice was to select the best image that would convey the spiritual essence of the cathedral. This icon would embody the name of the Holy Trinity in color.
Icons have a purpose in worship, beyond mere mere beauty or illustration or teaching of doctrine. St. John of Damascus spoke in his “Apologies against Those who Decry Holy Images”, with which he addressed the Seventh Ecumenical Council calling on renowned painters for brave deeds, to set forth in their art the images of the Old and New Testaments, so that those who were not learned and could not read the Holy Scripture, would be able—by examining those stories—to enjoy the lives of holy men and their good deeds, for
“What the book does for those who understand letters, the image does for the illiterate; the word appeals to hearing, the image appeals to sight; it conveys understanding.” (Treatise 1.17)”’
Betsy Porter: Holy Trinity icon with Holy Communion
In other arguments against those iconoclastic believers, those who advocated instead for the use of images in worship reminded people the icon represents the truth of a spiritual reality. Some have compared the icon to a “window into heaven.” No one then or now worships the icon itself, but they do venerate the holiness of the person represented in the image. They hope to recognize the presence of God with them when they come to the quiet and stillness before the icon at their home altar and when they share in the presence of God in public worship in the sanctuary among the holy icons.
Abraham and the Three Angels, Mosaics in Santa Maria Maggiore, Rome (432-40 CE)
Theologically, the Western church has treated all three members of the Holy Trinity as coequal members, as seen in the mosaics of the 5th CE basilica of Santa Maria Maggiore. By placing all the heads on one level, or the use of isocephaly, the artist tells us the figures are equal in stature. Abraham is therefore lower than the heavenly visitors. Isocephaly is the art term which originates from the Greek words “isos” meaning “equal” and “kephalos” meaning “head”. We already know this word from our common knowledge: isosceles triangles have two equal sides and encephalitis is an inflammation of the brain, which is within our heads. (Sorry, old schoolteachers never die, but keep on explaining our 50 cent words; it must be that “back to school” time of year!)
Commercial Paper icon appliqué on wood panel “after Rublev,” but lacks the background architecture and has a substantial table without a cloth covering.
The Rublev icon has the heads of the three angels arranged in a triangle. They represent the Triune God. The center figure is slightly higher than the other two figures’ heads. This is because the Eastern Orthodox Church holds a slightly different view of the Holy Trinity. The incomprehensible God has indeed revealed God’s self in a manner that is incomprehensible.
All errors in trying to explain the Trinity come down to the following issue: we try to explain the living God, using a method of human thought—rational, natural, or philosophical—instead of witnessing to the reality and the truth of an encounter with the living God. To ask what God is, is the wrong question. Rather, who God is, is the primary question.
Prepratory stage
The answer is—God is Triune. We know God by God’s activity in the world, or energies, which we can see and can understand. In fact, all our understanding of God or what we say about God, comes from what God has done in the world, from God’s energies. The essence of God is still beyond our understanding, inaccessible to our understanding. If we could understand it, it would not be God, for God is beyond our understanding, as Isaiah 55:8-9 reminds us:
“For my thoughts are not your thoughts,
nor are your ways my ways, says the LORD.
For as the heavens are higher than the earth,
so are my ways higher than your ways
and my thoughts than your thoughts.”
Second day, making some corrections
Both the Western and the Orthodox Churches are in agreement as regards the unity of the Trinity as to the persons and their shared being. They also agree the Trinity isn’t three separate gods or three different revelations of one singular god. The Eastern Church and the Western Church did split over whether the Holy Spirit proceeded from the Son alone (East) or from the Father AND the Son (West).
Gaining on it, another studio day
The earliest creeds from the 4th CE didn’t even mention the Holy Spirit, mostly because the early church was combatting heresies about the nature of the Son (such as he was actually human, only appeared to be human, only parts were human, and other variations other than he was a full member of the Trinity and in Christ being fully human and fully divine).
By 381 CE in Constantinople, the creed included the words:
“And in the Spirit, the holy, the lordly and life-giving one, proceeding forth from the Father, co-worshipped and co-glorified with Father and Son, the one who spoke through the prophets; in one, holy, catholic and apostolic church.”
The first Latin council to add the phrase “and the Son” (filioque) to its creed was the 447 CE Synod of Toledo, Spain. The filioque formula was also used in a letter from the Catholic Pope Leo I to the members of that synod regarding opposition to a form of the fifth century manifestations of the Arian heresy which was prevalent among the Germanic tribes of Europe.
Stage 4, the draperies are taking the shape of the bodies
As football season heats up in the USA, we fight our culture wars on social media, not in the streets. The latest heresy for some is professional football teams now have male cheerleaders on the sidelines. The conservative rabble rousers destroyed their coffeemakers and burned their team jerseys in the past. Wearing paper sacks to maintain anonymity at the games is too yesterday. The recent announcement of the heroic and rugged Minnesota Vikings football team’s addition of two talented and athletic young male dancers is more than they can take. The keys of their favorite social media platform have been clicking and clacking. Radio waves are sizzling and heating up our already too sweaty summer.
Trinity, stage 5: two steps forward and one step back
The bishops at Toledo affirmed the Holy Spirit’s procession from both the Father and the Son to exclude the Arian notion of the Son being something less than a co-eternal and equal partner with the Father from the very beginning of existence. Street protests were common during this time over theological beliefs: the Catholics chanted, “There never was a time the Father was not a Father, the Son not a Son, and the Spirit didn’t proceed from both!” Against them, the Arians marched, “The Son was born, not begotten!” Exciting times, the late 5th CE.
Stage 6, details showing up
Several of our past GOP presidents were college cheerleaders, including Ronald Regan and George Bush. On a personal note, six decades ago, my big city high school in the Deep South had a tradition of boy and girl cheerleaders on a team of equal numbers to do exciting and complicated stunts. We were not aware of being “woke.” We were, however, always seeking to bring out the best of each person to reflect well upon our school and our city, which we represented.
Unfortunately, accusing the present NFL teams of being “woke” ignores American history, since the USA FEDERATION FOR SPORT CHEERING recognizes the first cheer in America as occurring on November 2, 1898 at the University of Minnesota, when student Johnny Campbell got up from the seats and took the field to lead the student body in a chant. If 127 years is too far back for people’s minds, we can turn to more recent history.
DeLee: Holy Trinity after Rublev, acrylic on canvas, 16” x 20”
Cheerleading is a metaphor for hospitality, which is one of the great attributes of the Holy Trinity. Hospitality is only possible where love resides and where community is experienced and practiced. Los Angeles led the way in 2018 by including two male dancers on their NFL Ram’s team. They were part of the Super Bowl LIII in 2019. Tryouts have always been “open,” but only women had shown up before. Like the strangers who showed up at Abraham’s tent, the cheer squad welcomed the men into the family and brought them under the protection of their group. When we practice hospitality, the “other” is no longer a “them.” The “stranger” becomes one of “us” because we reflect God’s loving nature to the vulnerable and we offer the bounty of our table to nourish their body and spirit.
I began working on this icon during social and personal distress. The social distress is obvious to anyone who reads a newspaper or watches a television newscast. Never have I seen so many professing Christians refuse to “love their neighbor as themselves,” or “do unto others as you would have others do unto you.” I don’t know how they sleep at night, for my own heart hurts for the pain inflicted upon the strangers who walk among us, who very well may be the Holy Trinity in earthly disguise. If we treat them like their next stop on their journey, only a few of us will walk away unscathed.
My personal distress comes from the blessing of living long enough, thanks to excellent medical care and the ability to live a structured, carefree life. As we age, medication affects us differently. My neurologist dropped the amount of my seizure medication, and my cardiologist upped my blood pressure medication. I was taking too much magnesium, so that was making me lethargic as well as lowering my blood pressure. Now that I’ve gotten stabilized, I feel a lot peppier.
Unfortunately, I began painting and drawing this icon while all this unwellness was going on. I can see “room for improvement,” as I always remind folks to say when critiquing their own art works. I have learned much from this time and have seen the icon in a new and closer light. I will come back to it again when I feel I’m more competent to give it my best.
A masterpiece always deserves the best we can offer, yet I rest secure knowing God has grace for those of us who are wounded, weak, or broken in any way. Whatever we bring in this time and place right now is the best we can offer upon God’s altar. God refuses no honest gift. If we spread peanut butter sandwiches on the table for the visitors as the offered feast because this is what we have, God will bless this gift.
The Holy Trinity of God lives in a loving community of self-giving hospitality and generosity within its unity of being. All three persons love, support, and care for one another in equal measure. As we humans would understand this: no one in the Trinity carries a heavier burden than another. In like manner, each person shares all the energies and work of the others.
The work of salvation may be through our faith in Christ’s work on the cross, yet it was the Father who sent the Son to redeem all creation and the Holy Spirit who brings us to the understanding of this saving grace. The whole work of God in Three Persons saves us if we have Trinitarian faith. And it is by the power of all the Holy Three we can stand against the hatreds and evils of this age.
Indeed, if we can offer any service well-pleasing to God, following the admonitions of Hebrews 13:1-2 would help all:
“Let mutual love continue. Do not neglect to show hospitality to strangers, for by doing that some have entertained angels without knowing it.”
Rublev: The Holy Trinity icon
Abraham’s angelic visitors blessed him and his wife Sarah with the promise of a longed-for son. We might learn to love our neighbors more if we shared our hospitality and opened our hearts to the people we meet. May you meet angels in your daily life and share whatever feast is in your pantry.
Joy and peace,
Cornelia
Andrei Rublev: Image of the “Holy Trinity,” The Tretyakov Gallery Magazine. Andrei Rublev painted the Holy Trinity icon, which is the central image in the cathedral’s iconostasis. One of the most famous Russian icons, he created it “in praise of St. Sergius.” The original is in the hall of Old Russian painting of the Tretyakov Gallery, in a special glass case with controlled humidity and temperature. In Trinity Cathedral you can see a copy of the icon to the right of the royal doors in the first (lowest) tier of the iconostasis.
Excerpts from Three Treatises on the Divine Images by St John of Damascus, translation and introduction by Fr. Andrew Louth, St Vladimir’s Seminary Press, 2003.
Home – Icons: Windows Into Heaven – LibGuides at Duquesne University: This is a reputable source for orthodox icon information via the Duquesne Library. Links to outside sources are broken. Reference books are available elsewhere.
Vikings Respond to Male Cheerleader Backlash – Newsweek—12 NFL teams are reportedly set to have male cheerleaders on their squads this season. The teams as the Vikings, Ravens, Rams, Saints, Eagles, 49ers, Patriots, Titans, Colts, Chiefs, Buccaneers and Panthers.
All things will renew themselves in good season, yet we have only the present moment before us. We can’t live in the past, nor can we control the future. We have to recognize even our present moments aren’t always in our control, as we witnessed in the big Super Bowl game last Sunday.
Random Actions Often Determine the Outcomes of Sporting Events
Who would ever believe a punt would hit a receiving teammate’s foot, and suddenly become a live ball? Then get recovered by the Chiefs for a quick touchdown? If you think you can control your circumstances or the actions of others, just watch the NASCAR races at Daytona this weekend. The wonder is they don’t wreck in every turn, but only occasionally during the 500 mile race on Sunday.
Watercolor is more difficult medium to manage than acrylic paints because it’s wetter and refuses to dry as quickly as we want to paint in that same area. It’s not being obnoxious; it’s just being its own true self. Cezanne used watercolors to think out his ideas beforehand, and then worked in oils. Often, he tossed aside the watercolor work, sometimes even leaving it out in the landscape which he’d just painted. He’d learned all he could from it and now was ready to paint his new image, but not a copy of the original painting. This mountain shows up in sixty of Cezanne’s artworks.
Paul Cézanne: La Montagne Sainte-Victoire, 1888, oil, The Stedelijk Museum, Amsterdam.
The stoic philosopher and Roman Emperor Marcus Aurelius wrote a series of meditations on life. In one he speaks of all life experiences as being the same. This attitude keeps him from getting too high or too low about what happens in his life. He takes it as it comes. Even death, which some fear as a loss, doesn’t bother him, for if he isn’t bothered about the present, he can’t be bothered about losing that too. Marcus Aurelius wasn’t a Christian, but his quest for equanimity is admirable. Take life as it comes and worry not:
“First, that all things in the world from all eternity, by a perpetual revolution of the same times and things ever continued and renewed, are of one kind and nature; so that whether for a hundred or two hundred years only, or for an infinite space of time, a man see those things which are still the same, it can be no matter of great moment. And secondly, that that life which any the longest liver, or the shortest liver parts with, is for length and duration the very same, for that only which is present, is that, which either of them can lose, as being that only which they have; for that which he hath not, no man can truly be said to lose.”
The Still Life in Our Classroom
When we work in watercolor, we have to take what the watercolor gives us. While we can plan, design, and control the outcomes to a certain extent, watercolor often goes its own way. If we work over the whole surface, rather than noodling around in one little space like a puppy sniffing a single spot while out on its morning constitutional walk, we get more done, just as the puppy is more likely to get its “business” done.
One of the reasons we work in a new medium is for the challenge. In school, when I was bored, I’d take notes in class by writing upside down. When that got too easy, I began using my left hand to write upside down. This was a true challenge! I didn’t have any ingrained pathways in my brain for left-handedness, much less the upside-down images. I was truly bored, however, so I struggled on until I got serviceable images. This was the year in which I went to art school as a midyear junior and was taking a freshman level history course.
Tim’s Painting
Tim has voluntarily switched to his left hand because he will have surgery on his right side, which will knock out his ability to use that arm for several months as he recovers. This is a good effort for his non dominant hand. You can tell he focused on the scoop, for it has the most detail. Training our alternate hand to do the work of our dominant hand requires resetting the brain to prefer the new hand. If you try brushing your teeth with your other hand, you’ll see exactly how strange it feels to use a different hand. This is because you have no well-worn pathways in your brain circuitry that makes this routine effort possible.
The fancy pants word for this is neuroplasticicy. We meet this concept with stroke survivors who do physical therapy to rewire their brain connections to make new pathways so they can speak, write, or walk. Everyone who tries a new game, learns a new language, or tries a new hobby also builds new pathways in their brains. Be learners for life, if you want to keep your mind healthy.
Gail’s Painting
Our still life was challenging today. It had solid shapes, a clear bottle, and a metal scoop. Not only were there multiple colors, but textures and transparency also. Gail has had several years of drawing under her belt, so she was able to render the perspective of the still life well. Note the clear blue bottle, which has a wonderful oval bottom. The lemons and limes are distinct also. The grey shape is an antique scoop, sans the handle.
In 2008, J.K. Rowling spoke at the Harvard commencement exercises, telling the graduates, “Talent and intelligence never yet inoculated anyone against the caprice of the Fates.” Because we don’t know what tomorrow will bring, taking care for today is the best preparation for the future. Rowling studied the Classics at Harvard, a subject most people would consider useless for this modern era. Yet after a divorce, as a single parent working for Amnesty International, she began writing her wizard novels. Harry Potter is now part of our cultural heritage.
As Jesus said in Luke 12:25-26–
“And can any of you by worrying add a single hour to your span of life? If then you are not able to do so small a thing as that, why do you worry about the rest?”
Worry is stressful, for sure, and it’s an example of “bad stress,” along with traumatic events, such as adverse childhood experiences (ACE), disease, divorce, and death of a loved one. We also endure “good stress,” as when we challenge ourselves to lift heavier weights, cook a new recipe, or learn a new language. As Ralph Waldo Emerson wrote in his 1841 essay Heroics, paragraph 14:
“The characteristic of a genuine heroism is its persistency. All men have wandering impulses, fits and starts of generosity. But when you have chosen your part, abide by it, and do not weakly try to reconcile yourself with the world. The heroic cannot be the common, nor the common the heroic. Yet we have the weakness to expect the sympathy of people in those actions whose excellence is that they outrun sympathy, and appeal to a tardy justice. If you would serve your brother, because it is fit for you to serve him, do not take back your words when you find that prudent people do not commend you.
“Adhere to your own act and congratulate yourself if you have done something strange and extravagant, and broken the monotony of a decorous age. It was a high counsel that I once heard given to a young person, —”Always do what you are afraid to do.”
When I was in high school, the ancient Latin teacher, who had taught my daddy when he went to school, tossed out the challenge, “No one has ever made 100% on my final Latin exam.”
I bit on that challenge like a starving dog bites on a bone, even if it has no scrap of flesh remaining on it. I made flash cards and studied for an hour every night before bed, I was so determined to be the exception to the rule. On the test, I got all the Latin correct, but lost ½ point for misspelling an English word. I never followed up on her retirement, but I fully expect her record remained unblemished. Also, I’m still spelling challenged. I’m thankful for SpellCheck in our writing apps.
Gail W.’s Painting
Gail W. paid attention to the still life and took care to lay down a close image in a pale wash before she began to add darker washes of color. Her left lime is most successful, with at least six shades of green and yellow in the shape. I also like the highlight on the central lemon. These two images capture the essence of the watercolor medium. Her perspective on the bottle bottom indicates it sits well on the cloth.
Failure teaches us what we don’t know, so we can improve the next time. This is what we call resilience. When I taught art, my students had to find three things they did well in their work before they named anything they needed help on. This was to build up their confidence. For some of them, just making a mark on the page was a start. If we fear making a mistake, we can sketch in a pale-yellow wash. This is very forgiving, like a whisper in the wind. If it’s not quite right, the next few marks may be nearer our desired outcome.
This Is Fine—Leave Me Alone, I’m Having a Crisis
Our mindset is what controls how we react to events in our lives. As one of my friends would remind me, “Not everything is a hair on fire moment.” Of course, when I was a young teen, the least slight or distress caused me to fling myself over my bed in a paroxysm of sobs, wailing loudly, “I’m going to die!” My parents would look at each other and shrug, “What boy is it now?” Fifteen minutes later I’d be in the kitchen looking for a snack, having cried my eyes out, and now I was on to the next thing. As I had more experiences, I learned to roll with the moment. Sometimes you need to wait for the next wave to rise before you take your ride. God’s timing is always right, for our experiences, both the failures and successes, prepare us for what comes next in our lives.
Cornelia’s Watercolor
I had some of the same perspective problems as everyone else, especially with the base of the bottle. Actually, it’s a challenge to get a “transparent three-dimensional object on a flat surface” to appear as if it’s actually sitting on a flat surface in two dimensions. Learning some shading techniques and remembering a round bottle bottom becomes an ellipse helps to bring off this sleight of hand. I got my paint too dark on the front of the bottle base and had to let it dry so I could come back in with some clear water and an almost dry brush to pick up the color. This gave me the highlight I needed.
Cornelia’s Drawing over the Watercolor
When I got home, I noticed my eyesight seems to be going amiss with my increased age. Lately I’ve not been careful to paint my verticals straight. Either I’m being lazy, or I’m tilting my head as I look at the subject. Maybe my neck injury has something to do with it. I duplicated the photo and used the Apple Pencil to straighten up the bottle and even up its symmetry. I also touched up a few of the lemons and limes. Maybe I’m still the puppy that likes to noodle around and sniff about until I can wrest all I can get from a work. This way I learn all I can from it. Like a kindergartner, if my work ends up a huge grey blob, I can say, “That was a great learning experience!”
My grandmother, who painted portraits and still lifes, kept a saying written on the back of an envelope, near her easel: “Ever tried. Ever failed. No matter. Try again.” She passed in 1970. Years later, Samuel Beckett, in his 1983 story, Worstword, Ho wrote:
We need to be like great artists and athletes, or the Michelin chefs who just keep trying, falling short, until they get close enough to qualify for their stars. Persistence makes all things possible, and if we “fail,” we’re only getting closer to perfection.
Our art class has worked in acrylic paint for several years, but toward the end of last year, they expressed an interest in learning about watercolors. I said, “Sure, we’ll do that. It’ll build on the color theory you already know, but you’re going to have to learn to plan ahead and learn not to rush to overwork one area. Transparencies are the mark of watercolor, so leaving your painting underworked is better than overdoing it.”
Transparent Watercolor Model
I was met with silence. Then laughter. “What the heck! We’re up for it! Bring it on!”
I love this group. They’re always up for a challenge. I think they’ve bought into my philosophy we aren’t going to be perfect, but we’re always going to learn from everything we do. As a teacher, I reminded parents their children wanted to engage with the medium to learn how far they can mix the colors before the image becomes a dark gray smudge. Then they might even push it even further until it’s solidly black. If you ask a child about their story, they might say, “The family took shelter in the house, but the storm came and blew it all away.” The story would evolve as they pushed the medium to the maximum. They learned the limitations on that day and wouldn’t go as far the next day. The process, not the product, is important.
Young children aren’t ready to draw subject matter from life but prefer illustrating stories from their imagination. They use symbols, rather than attempt to construct two dimensional designs to represent three dimensional objects. Somewhere around age 11 to 14, children begin to try to construct a realistic world in their art. While their drawings at this stage display the use of value, perspective, and light, children are extremely critical of their own success. They consider their drawing only as good as the level of realism they achieve, and they’re easily frustrated. Most people quit making art works about this age, so even as adults, their “functional artistic age” is somewhere between 11 and 14.
When my mother was teaching ceramic classes at her church, she once complained to me how her students, all senior citizens, were like “spoiled children, who each needed to have their own fresh jar of glaze to paint from.”
I asked if she was putting all the new paint jars out in the workroom, or if she kept them hidden in the supply closet. You might have thought I’d just pulled the clouds back from the sun from the way her face lit up.
“Of course! I should have thought of that! I’ll just pour out the colors they need and tell them that’s how it’s going to be. They can share.”
Paul Cézanne: The Park of the Chateau Noir with Well, 1904, graphite and watercolour, Private Collection
The old masters didn’t teach their students light, dark, shading, values, perspective, color mixing, temperature, or any other aspect of the art trade until the apprentice reached around age 10 or so. The rule when I was growing up was a child had to be able to write in cursive. That rule won’t work today, but another hand-eye coordination achievement will take its place.
It takes a while for me to know a new student’s nature, so I can give them the appropriate nurture. Some of my students will go ahead and do exactly what they want to do anyway because they have to see for themselves. They have a high tolerance for “learning,” and “experimentation.” Other students need to be kept from these excesses, because they can’t stand “failures.” Some students need to creep up to the edges of failure in order to progress, since they are so fond of being in control. Gaining the confidence to let go and let the medium have its way will be a growth opportunity which watercolor offers. Other students I can leave well enough alone, and come over when I sense they’re at a struggle point. I can recognize this when they quit working or begin to sigh loudly as they push back from their work area.
Cutting on the Fold
I’ve actually had some grownups in art classes cry because they couldn’t master a technique on the first go around. I always expected at least one child in my kindergarten class to shed a few tears when they were first learning to cut on the fold, but didn’t “hold the fold” when it was time to cut. I can repeat this rhyme, ask them to check, and then cut, but at least one will hold the open edges, which leads to two half pieces. I always have to remind them I’ve been practicing this skill longer than they’ve been alive. One day they’ll get good at it also. Effort will pay off. The same encouragement goes for adults, though most of them are too proud to shed tears.
For our first class, belated as it was due to the recent weather and my brief hospitalization for a small blood clot at the turn of the year, we chatted about the difference between acrylic and watercolor painting. Acrylic painting is more forgiving, since we can paint over our less precise marks. We saw some Cezanne watercolor landscapes to see how a real master draws and paints.
Paul Cezanne: Le cruchon vert, watercolor, 1885/1887, Louvre, Paris.
Watercolor’s luminosity depends on the sheet on which it is painted, for its brilliance is a balance between transparent washes of pigment and the light bouncing off the bright paper back to the viewer’s eyes. At first, Cézanne worked much as he did in his oil painting, applying the watercolor densely, filling in underlying pencil outlines, covering the paper completely, and highlighting with white gouache. Later he thinned his watercolor and laid down veils of color, incorporating blank paper for highlights. He often applied watercolor to dry, semi-absorbent paper, creating layers of crisply defined brushstrokes with ridges of pigment at their edges.
Our class, because they are used to the dense pigments of the acrylic paints, painted much like the early Cezanne gouache works. It takes a while to learn a new medium, especially one so radically different from their prior experiences. But just as it takes time to learn, it also takes time to unlearn! Ask my golf coach about changing my swing sometime. We’ll get the hang of it eventually.
After checking out the master, we then worked on mixing the secondary and tertiary colors from the primary colors from our Prang 8 Color palettes on our 140-pound watercolor paper (not sketchbook paper, which is thinner and will buckle under the slightest bit of water).
Cornelia’s psychedelic mushroom rainbow
I was still on painkillers for my shingles, so my painted circle never quite closed itself. Instead, it was more of a rainbow, an image of hope after all this rain and my health troubles. My secondary colors looked like rainbow mushrooms popping up from the rainbow. The wetness of some areas bled into some of the colors, giving me the tertiary colors. I had a bit more success working the wet in wet in the blue grey cloudy sky.
Gail W’s Flower
One of our new students, Gail W., imagined her color wheel as a flower in a field. Tim W. focused on the colors as patterns. I had the sense I was looking at a portion of a quilt in progress. While we had the color wheel as an image, we weren’t bound to recreate a wheel.
Tim W’s quilt patterns
Tim B. Always has a unique viewpoint, so his color wheel is moving through space. Mike used some pastel colors in addition to the Prang colors to experiment with the difference between them. He’s used to thick paint with his acrylics, so allowing more water to flood the surface and allow the light to bounce back through the paint will allow his painting to glow more brightly.
Tim B’s flying color wheel
Gail S. finished out her wheel in good form. She has good transparency of paint and mixing of colors of the three sets of colors on the wheel. Gail typically paints with thinner washes in acrylics, so her technique in that medium passes over easily to watercolors.
Gail S’s transparent color wheel
As a first start, we’re on the way. Next week we’ll try a small still life. I hope to be in less pain, so I’ll have more of my brain cells available, or at least they’ll be within hailing distance. I have some great Cezanne still life watercolors to share. A still life will test our drawing skills and our painting skills both. The Victorian art critic John Ruskin said, “No good work whatever can be perfect; and the demand for perfection is always a sign of a misunderstanding of the ends of art.”
Mike’s color wheel with Prang and opaque watercolors
We aren’t being graded, so when I say “test,” no one ever fails. We only find out what we’ve learned and what we need to improve upon. Trust me, “we’re all going on to perfection, by the grace of God.” After all, this is a United Methodist art class. If I may quote Ruskin again, “The highest reward for a person’s toil is not what they get for it, but what they become by it.” By this he means, art changes us. Art also opens new horizons, allows us to overcome challenges, imagine new solutions, eases our stress, finds companionship, learn resilience, appreciate culture, and develop new skills. At every age, art builds confidence, teaches us compassion for ourselves and others who try new things, and helps us keep an optimistic attitude. I personally believe art keeps our inner child alive and well. May God renew you daily in joy.
What is the purpose of an art class? Why does anyone learn to speak a foreign language or take up a craft or sport they’ve never attempted before? We must want to explore some unknown universe or get out of our comfort zone, or as my old favorite television series would announce weekly, “to boldly go where no one has gone before.”
Light of the World Icon: Stencil effect
There are art classes and then there are Art Classes. Just as we shouldn’t make up our minds about a subject or a food until we experience it directly, we can have an open mind about a novel event, rather than rejecting it out of hand. Many of us have lived our lives under judgmental circumstances, dealing with rejection and disappointment at not being the best. “Talladega Nights: The Ballad of Ricky Bobby,” the NASCAR themed film of redemption and finding one’s purpose in life, stars Will Ferrell, whose father crippled him with this tragic life message:
“If you ain’t first, you’re last. You know, you know what I’m talking about?”
Near the end of the movie, Ricky Bobby learns this all was just crazy talk:
Ricky Bobby: Wait, Dad. Don’t you remember the time you told me “If you ain’t first, you’re last”? Reese Bobby: Huh? What are you talking about, Son? Ricky Bobby: That day at school. Reese Bobby: Oh hell, Son, I was high that day. That doesn’t make any sense at all, you can be second, third, fourth… hell you can even be fifth. Ricky Bobby: What? I’ve lived my whole life by that!
According to Baseball Reference, Ruth’s 183.1 career WAR — combining his value as a hitter and pitcher — is the highest all time, well ahead of Walter Johnson’s 164.8. For reference, the highest mark among active players is Albert Pujols’ 99.6 WAR.
We call this living out a “bad script” our ancestors have written for us. We see it all the time in the movies and on television. We read about it in novels and in comic books. For the most part, people don’t change their wicked ways, but get the consequences they’re due. The bad suffer and the good prosper. Or we read fairy tales in which the good little children get rewarded, or the unjustly treated ones are raised up, like Cinderella. These are the popular stories, but not the biblical tales. The book of Job calls this “retribution theology” into question, as does Jesus in the New Testament.
Annie French (1872 – 1965) Scottish: Cinderella and the Ugly Sisters, About 1900 – 1910, Pen and ink, watercolour and gold paint on vellum paper, 23.50 x 21.50 cm, Scottish National Gallery of Art.
In the Bible, God sends prophets, not only to call the people to account (critique their actions or behavior), but to offer the hope of a better future if they return to God and God’s ways (positive changes in behavior). In this way, a good art teacher is like a biblical prophet, who offers both positive and negative critique on the artwork. The teacher also offers “hope” or suggestions on how to improve the work. Teachers aren’t telling the person they don’t measure up, only that they need more time invested in making art to be able to bring their own artistic vision into reality.
Mike on Being the Light in the World
If we expected babies to chew steak from the moment of birth, the world would be a lonely place. If we expected these same babies to get up right away and “bring home the bacon” to buy their own steak and potatoes, they’d starve. Babies aren’t meant to walk before they crawl, nor or they chewing meat before they drink milk or pablum for a year or two.
Bacon Cake: Oh, Baby! I hope that’s REAL BACON!!
Someone who comes to art class should always come to learn something more, no matter how much they already know. I’m always learning new ideas and techniques. The act of making art is always an act of exploring new territories. We also grow by sharpening one another. Folks in the class are always excited to see how each other approaches the subject each week.
Mike’s May 2022 class work shows he’s been learning some things.
Only the apocalyptic writers in Scripture had a fixed view of the future. For them, God had given up on humanity. We humans were too far gone, too broken, and had destroyed God’s world beyond our weak means to repair it. Their only hope was for God to create “a new heaven and a new earth, for the first heaven and the first earth had passed away, and the sea was no more.” (Revelation 21:1)
Gail went the extra mile with Cri-Cut lettering
Of course, this isn’t a prediction of a certain time, but it’s a future hope for all times. It’s the hope all we creative people have every time we face a blank canvas, a pile of found objects, or a bag of scrap cloths. We also do this when we pull together a dinner before we go to the grocery store, and we take some of this and that which we have in our cupboards and refrigerators. We’re going to make something new! We do hope the Spirit of God descends to make this an inspired concoction! And if it doesn’t work out, we always know our salvation isn’t at stake over a single random supper creation. If I’m hungry enough, I’ll eat anything. Or there’s always peanut butter and jelly sandwiches.
Leftover Doughnuts and Sausage Bread Pudding Bunt Cakes
I was reading Richard Rohr’s Enneagram commentary on the American people. He says America is a nation of Threes: competitive, striving, always looking for success and improvement. When we hit a down cycle, and economics tells us we always have ups and downs in our economy, Americans act like we’ve been insulted. This doesn’t happen to us—to others maybe—but not to us! We’ll look both for a scapegoat and a savior, but never realize these conditions are a natural part of life.
Always be the best YOU. There’s never going to be another one just like YOU.
Likewise in groups, we’re always judging who got more, who has the most status, who’s preferred, and who’s on the out. We’re even liable to self-select to be on the outer group if we believe we won’t measure up, just to spare ourselves the shame of being found wanting. Joyce Rupp has a great poem about this very topic:
WE CAN LOVE THE IMPERFECT SELF If I wait to be perfect before I love myself I will always be unsatisfied and ungrateful.
if I wait until all the flaws, chips, and cracks disappear I will be the cup that stands on the shelf and is never used.
Magic Teacup Cake from Alice in Wonderland
If we’re faithful scripture readers, we know God never chooses the best persons to do God’s work. When we were children, we saw these characters as heroic figures, just as we saw our parents as great and invincible. The Old Testament records how Moses was a murderer, Joshua was afraid, Amos was a lowly shepherd, and David was an adulterer. Not exactly Perfect Role Models, but transformed people can do God’s mighty deeds if they let God work God’s purpose through their lives.
This word doesn’t mean what the headline writer thinks it does.
In Art Class, we don’t reject “poor work.” We aren’t a factory producing widgets. We have other goals: art appreciation, learning about colors, learning to see more clearly, developing a creative mind, and developing drawing skills. Art is a unique visual language, so learning how to render a three-dimensional form onto a two-dimensional surface takes some time and practice. Developing our own voice is the step beyond mastering the basics of artistic vocabulary. As I used to tell my parents at back-to-school night, just enjoy whatever your child brings to you! If you leave your “critical parent” at home, and bring your “inner child” to Art Class, life is way more fun!
Mike’s Christmas Card Collage
We’re currently on holiday sabbatical at Oaklawn UMC, but classes will return in the new year. We meet in the old Fellowship Hall at 10 am to noon. We always have coffee, and on occasional days, a tasty treat. Our class will begin working in watercolor beginning on January 5, 2024. I don’t charge for the class instruction, but each person should bring their own supplies. Supplies needed are:
Prang Oval 8 watercolor paint set with brush
Prang Oval 8 watercolor paint set (containing brush)—on line at Walmart and Amazon. This has best color and pigments. I found a prime deal on Amazon for $3 each if you buy 3, free shipping.
Watercolor paper pad 9” x 12” or larger (90 lb or heavier)
Tall plastic container for water (iced tea glass size plus)
Babe Ruth’s Top 10 career statistics— Shohei Ohtani produced 9.1 total WAR during his spectacular two-way campaign in 2021. Even he maintained that level of performance for 20 consecutive seasons, he would still be 1.1 WAR short of matching Ruth. https://www.mlb.com/news/babe-ruth-s-top-10-career-statistics-c163792958
My most recent studio work explores my memories of my pilgrimage to the ancient ruins of Tel Megiddo. Why am I interested enough to make an entire series of drawings and paintings of this site, which I visited over two decades ago? First, the city was continuously occupied from the 7th or 6th millennium BCE, with the ancient tel generally left untouched and intact since its decline and subsequent abandonment around the 4th century BCE. The tels at Megiddo, Hazor, and Beer Sheba all have retained their authenticity and each have acquired the characteristic conical shape with a flattish top, protruding above the surrounding countryside. These three tels are now UNESCO Heritage Sites.
Megiddo: Marks and Memories
Excavations at Tel Meggido have uncovered about 26 layers of settlements dating back to the Chalcolithic period, or the early Bronze Age, about 5,000 years ago. Other sources say 30 layers exist at Tel Megiddo. The first four layers have been identified. This site was a Canaanite city, an Egyptian fortress, a Chariot City during Biblical times, and a prominent Assyrian and Persian city. King Solomon ruled the city in its prime in the 10th century BCE.
Megiddo: First Recorded Battle in History
The city has seen more battles than any other location in the world because of its location at the crossroads of the ancient world. The first written reference to Megiddo also happens to be the first recorded battle in history: a detailed account of the 1479 B.C.E. invasion of the Egyptian Pharaoh Thutmose III. When King Thutmose III of Egypt conquered Megiddo 3,500 years ago, the pharaoh left with, among other things: 1,929 head of cattle, 2,000 goats, 20,500 sheep, 204 horses, 200 army uniforms, and 502 bows. Megiddo is also the first recorded use of the composite bow and the first body count. All details of the battle come from Egyptian sources — primarily the hieroglyphic writings on the Hall of Annals in the Temple of Amun-Re at Karnak, Thebes (now Luxor), by the military scribe Tjaneni. Megiddo is also the site of a large chariot stable complex, called Solomon’s Stables, even though we now know they were built by Solomon’s successor King Ahab during the 9th century B.C.E.
Megiddo: Blue Version, Motions and Moods
Fortress cities sit on the 10 acre summit of Megiddo Hill or Tel Megiddo, rising 21.33 meters (about 70 feet) above the valley. Megiddo is located in the Lower Galilee region of northern Israel. Its critical location dominated the Aruna Pass (Wadi Ara or Megiddo Pass), which was the entrance to one of the few passes through the Carmel Mountains. Megiddo controlled the Via Maris, the main route between Egypt and Mesopotamia, also known as the Egyptian Way of the Sea. Christians regard this area as “Armageddon,” where the final Biblical battle between good and evil will occur.
Circular altar-like shrine from the Early Bronze Age at Megiddo. (Credit: Hanay)
The early Bronze Age temple compound at Megiddo is unparalleled for its number of temples, the continuity of cult activity and the record of ritual activity. The late Bronze Age palace is the most elaborate in Israel, and one of the best in the Levant. For the Iron Age remains, the elaborate orthogonal town plan of Megiddo has few parallels in the Levant. All three tels have impressive remains of their underground water catchments systems, which demonstrate sophisticated and geographically responsive engineering solutions to water storage. Megiddo is significant because the entire sequence of the Bronze Age and Iron Age is not only represented and excavated, but radiocarbon dated.
Megiddo: Moonlight Cityscape
Those are the travelogue statements. When on pilgrimage, one place full of stones begins to look like another after many days on the bus. Even though I was keeping notes of my journey in my paper journal, by the second week, I was hitting information overload. Each and every place was of the utmost importance, but my body was feeling the stress of constant traveling on a bus as well as the lack of good sleep from a different bed in a new hotel every single night.
Only strong coffee, lots of water, and eating three good meals a day were keeping me going. I was so excited during my pilgrimage, I was in an altered state of mind for weeks after my return home. Time slowed down and I could see more clearly for a long time. I would swear I could see individual oxygen molecules in the air, even though in my rational mind I knew this wasn’t possible. Pilgrimage is a spiritual journey, not a tourist trip of checking off various sites to say “I’ve been there and done that.” Even when surrounded by a “great cloud of witnesses” both physical and immaterial, I always knew I was walking on holy ground.
Megiddo: Motions and Moods, number 2
What does it mean to walk in the places where people have lived and died? Especially where they have clashed violently in war? The last time Americans fought a war on our home front was the Civil War. That internecine conflict was a horrific wound on our nation, an injury that hasn’t yet healed for some. I know my own daddy still carried the scars of his ancestors who fought on the battlefield to preserve slavery. He never understood why I thought that was a bad choice and why I worked to undo the damage of the war’s legacy on all Americans.
Cannon at Shiloh National Military Park
While traveling back home from viewing the Great American Eclipse, I met a man at Shiloh National Military Park, a Civil War memorial battle field. He visits these historic sites to pray for the deceased. He was from New Orleans, Louisiana, and believed those who died a violent death still wandered about, since their souls weren’t at peace. I don’t know if I believe this, but it gave him comfort to pray for the release of the hate and violence people can store up in their bodies and spirits and cause them to war upon one another.
I can say on that autumn day while I walked those killing fields, I felt the somber mystery of death and life, dignity and indignity as I walked about the silent hills and valleys. No longer do we hear the crack of the rifle or the thunder of the cannons. Rain has washed away the blood from the grassy knolls and pastures. Sunlight has dressed the wildflowers in beauty. If not for the explanatory signage, I’d never know about the extraordinary happenings at Shiloh National Military Park.
Perhaps I’m painting these historic sites of conflict because we are in a time of strife, not only abroad but at home. The actual shooting wars are going on beyond our shores, but conflicts at home are no less serious. I’m heartbroken by the devastation of the Ukrainian homeland by the Russian aggressors, and remember the ongoing tussle over the Temple Mount by the various faiths of the world. If there’s conflict beyond us, likely there’s conflict within our our own groups. The outer world usually reflects our inner world.
The stress of our United Methodist Church becoming the “Untied Methodist Church” has been rough on me. I’m carrying my stress in my neck and shoulders so much I’ve pinched the nerve to my pinky and ring fingers. They are now numb. I’m now in physical therapy for this. Medication and relaxation exercises will certainly help. One of my condo residents prayed for a “miracle cure” for me. My theology typically considers “miracles” to be reserved for situations beyond the usual care of physicians, but I know lay people use “miracles” more loosely than we clergy. Nevertheless, I appreciated their well meaning prayer for my healing. After all, God cares for both small and large problems, as Jesus reminds us in Luke 12:24,
“Consider the ravens: they neither sow nor reap, they have neither storehouse nor barn, and yet God feeds them. Of how much more value are you than the birds!”
Moonlight over Megiddo, number 1
I look at that second painting and compare it to the first painting I completed. While I attempted to keep the surface flat, I got involved in the recreation of the old city in my imagination. I connected the moonlight outside with the lamplight inside. I also added an abstract figure in the foreground. The red marks don’t work for me anymore,so I’m likely to destroy this art work. The second one I may keep, only because I learned some new colors and was brave enough to experiment with colors I don’t normally use.
Megiddo #3
In this final work, I chose only a portion of the satellite image. This allowed me to eliminate the areas which were causing me problems in the earlier works, especially the large, repeating curves. Although I’m back to my favorite yellow—I confess to being a Van Gogh fan—I used a greater variety of tints, rather than painting straight from the tubes.
Pablo Picasso once said, “Painting is just another way of keeping a diary.” If our outer world is in conflict, this drama will wash over into our inner world. It will show up in our dreams, our health, our relationships, and in other parts of our lives. If we think the late pandemic and current politics have broken relationships or distressed families, imagine what this has done to our churches. Most people go to church as an escape from this drama, hoping to find a sacred place where everyone is Imitating Christ’s Humility:
“If then there is any encouragement in Christ, any consolation from love, any sharing in the Spirit, any compassion and sympathy, make my joy complete: be of the same mind, having the same love, being in full accord and of one mind. Do nothing from selfish ambition or conceit, but in humility regard others as better than yourselves”(Philippians 2:1-3).
Unfortunately, all people bring their imperfect selves to Christ. Although Christ forgives our old sins, our sin habits remain. Most of us forget this. As an artist, I understand better than anyone the process of “going on to perfection” is both a gift of the Holy Spirit and our own work. While God could gift perfection completely, most often it’s a cooperative endeavor. This is why the studio product is sometimes a thrill, but other times a disappointment. Yet even in the disappointments, we can learn from our mistakes. We might need to “mistake a bunch of times” until we get focused on a new direction. We have to trust the process. Canvas is cheap. It can be reused or recycled. Plus, our salvation isn’t impaired by our detours in the studio.
Yet too often we’re hung up on the product as a reflection of our personal value or worth. If we are hurt, damaged, ill, broken,or harmed in any way, art is a therapeutic exercise for us. Monet tied the brushes to his hands when his arthritis made holding the brush too difficult. His later paintings also had freer brushwork. He could have quit, but he adjusted his expectations and his style to keep creating. As Monet once said, “I’m never finished with my paintings; the further I get, the more I seek the impossible and the more powerless I feel.” Degas was fond of saying, “Only when he no longer knows what he is doing does the painter do good things.”
If we’re in the safe, but shallow waters of certainty, we’re unlikely to grow to the deeper depths of either the spiritual or artistic realms. Most of us are afraid to cast off the anchors that keep us bound close to well known shores. We want to hear the praise of the crowd, and if we sail off for the unknown horizon, we will leave those familiar voices of the crowd’s approval behind. We can only discover the new world by leaving the old one behind, by risking a journey in faith others are not willing to undertake. Sometimes we may need to get out of the boat and risk walking across the water to meet Jesus who calls us to meet us in the midst of the strong winds and high waves.
I don’t worry about these feelings anymore, for I know they will come up, I’ll meet them, and then I’ll let them go. Our feelings of the moment are not the feelings of forever. Only one is the same yesterday, today and forever—the Lord Jesus Christ. The rest of us are still a work in progress.
September marks the return to order and organization, since the summer for most of us meant a relaxation of rules and schedules. “Vacay mode” of late mornings, pajama days, and snack meals are now a fading figment of our fevered frenzies. I remember these days all too well. My little girl threw a conniption fit one morning as I hurriedly dressed her so we wouldn’t be late for her pre-k class and my teaching assignment at the same school. We dashed out of the house, I locked her in the car seat, and flew to my workplace. I delivered her to the precare room and made a beeline for my art shack.
Two Types of Teachers
Later on at lunch, her teacher informed me I’d brought my fussy child to school without panties. Oops! Luckily, all the children were required to have a spare change of clothes “just in case of emergency.” Saved by those who are more organized than most. My art classroom always had the paint organized by rainbow colors, the scissors numbered, and shelves labeled. The moral of this annecdote is, “Innanimate objects are easy to organize; people not so much.” Murphy’s Law also comes to mind: “Anything that can go wrong will go wrong,” and Murphy’s First Corrollary: “It will cause the most damage possible.”
For Bunnies, maybe…
In the “No Pants Scandal,” of four decades ago, only my pride was injured. I’m not as organized or as perfect as I thought I was. This brings me to a little chat on appearances vs. our true selves. Our “false self” wants to appear organized, on top of things, spiritual, magnanimous, and virtuous. We’d like to be “perfect” in thought and deed. Yet the more we try to attain perfection or to act perfectly, the more likely dark, hateful, or mean thoughts arise from the depths of our hearts. We see this is our dualist world view, which divides our world into pure evil or pure good. The book of Proverbs reminds us, “Pride goes before destruction, and a haughty spirit before a fall” (16:18). It’s always better to admit, as I did, “I didn’t have a great morning and she wasn’t cooperative. I’m surprised we got here at all.”
Welcome to September 2023
Speaking about regular and organized, our earth is about to have another equinox on September 23, 2023, at 1:50 am CDT. The Fall Equinox happens yearly on or around September 22nd. The date of the fall equinox is variable because the 365 day Gregorian calendar doesn’t match up perfectly with the position of Earth in its orbit around the sun. When we add the leap year, the equinox date also changes. While the September equinox usually occurs on September 22 or 23, it can very rarely fall on September 21 or September 24. A September 21 equinox has not happened for several millennia. However, in the 21st century, it will happen twice—in 2092 and 2096. The last September 24 equinox occurred in 1931, the next one will take place in 2303. This rabbit won’t be around for any of these rare events, so don’t send me an invite.
Rabbits on the Playground
The September 29 full moon occurs at 4:57 AM CDT. It’s called the Harvest Moon in some years, or the Hunter’s Moon in other years. Technically, the Harvest Moon, which is the Anglo-Saxon name, is the Full Moon closest to the September equinox on September 22/23. The Harvest Moon is the only Full Moon name determined by the equinox rather than a month. Most years, it’s in September, but around every three years, it falls in October. We also know this September full moon as the Corn Moon from the Native American tribes harvesting their corn in this time. Other names for this month’s full moon are Celtic and Old English names: Wine Moon, Song Moon, and Barley Moon.
E. Irving Couse: Harvest Moon
Just as summer’s laissez-faire moments will give away to school and work routines, so the onset of autumn and the fall equinox herald another change. You might not yet recognize it over the insistent hum of your air conditioning system or feel it due to the heat waves rising from the black asphalt of your company’s parking lot, but autumn is just around the corner.
ERCOT Service Zones cover most of Texas
Don’t look at your utility bill just yet, and don’t pack your bags for Texas. I talked to my brother down there who has his AC set to “stun”—he said when the bill comes, “It will stun him a second time.” Texas doesn’t belong to the national energy grid, but to ERCOT, the Electric Reliability Council of Texas. It’s not connected to the two major electrical systems of the lower 48 states, but has its own grid to avoid federal regulation. When Thomas Edison started the first electric power plant in Manhattan in 1882, he set off a gold rush of independent power companies. During WWI, they began to unite and even more joined after WWII.
Don’t Mess With Texas
Texas takes seriously its “Don’t mess with Texas” rhetoric. Only on rare, catastrophic instances has it briefly joined either the American or Mexican utility grids. While Texas is a large state with rich energy resources, the USA is larger. When extreme weather events happen, energy costs rise. Rates can vary wildly as a result. The economic lesson is ERCOT is Dollar Store trying to outbid the Walmart of the national grids who can share energy with those in need.
Thomas Nast: The Lightening Speed of Honesty, 1877
Speaking of nations, on September 7, 1813, the United States got its nickname: Uncle Sam. Samuel Wilson from New York, a meat supplier to the US Army, stamped his barrels with US for United States. The soldiers began calling their rations “Uncle Sam’s,” a name the local newspaper noted, which began to spread and soon became the personification of the federal government. Thomas Nast (1840-1902) popularized the image of Uncle Sam. In Nast’s evolving works, Uncle Sam acquired the white beard and the stars-and-stripes suit we associate with the character today. The satirical cartoon of yesteryear’s dithering Congress is apropos of our modern chambers, which can’t seem to come a reasonable compromise to get the people’s business done by funding our country’s basic needs.
Columbia, The Gem of the Ocean
Over a century before Uncle Sam, Columbia was an idealized feminine figure that personified the new nation of America. She was created in 1697 when Chief Justice Samuel Sewall of the Massachusetts Bay Colony wrote a poem that suggested the American colonies be called Columbina, a feminized version of Christopher Columbus’ last name. Over 70 years later, the name evolved further when former slave, Phillis Wheatley, wrote an ode to George Washington invoking Columbia in 1775. Born around 1753, Phillis Wheatley was the first black poet in America to publish a book. She was listed among the enslaved persons at Mount Vernon. You can read her amazing poem here:
Over time, the image of Columbia became a symbol for American ideals during wars, such as the American Revolution, the War of 1812, and World War I, as well as the subject of political cartoons and literary works. With her liberty cap and patriotic shield, Columbia stood as the spirit of the country. We even see her name, image, and likeness in modern industry in the Columbia Broadcasting System or CBS, as well as in the seat of our national government, the District of Columbia.
Well Done Labor Poster
Uncle Sam also has honored workers on Labor Day, which we celebrate on September 4th. Many rabbit families treat this three day weekend as the last hurrah of summer. Let’s remember those essential workers who serve and protect the rest of us while we barbecue in our backyards and national parks. The first Labor Day “parade” in 1882 was a strike. Workers marched en masse from New York City Hall to Union Square to protest terrible working conditions during the Industrial Revolution. Workers, including children as young as five years old, labored in unsafe factories, farms, mills and mines for 12 hours or more per day, seven days a week, often without breaks, fresh air or even clean water.
Credits: NASA’s Goddard Institute for Space Studies
This map shows global temperature anomalies for July 2023 according to the GISTEMP analysis by scientists at NASA’s Goddard Institute for Space Studies. Temperature anomalies reflect how July 2023 compared to the average July temperature from 1951-1980.
Only 5 States Provide Heat Relief Laws for Workers. Arkansas doesn’t protect workers from dangerous heat inside or outside.
Today, 141 years later, during the hottest July since 1880, some states are passing laws to prevent workers from getting “special treatment due to the heat” such as extra breaks for cooling or water. Currently only five states have protections for workers in these extreme conditions. According to the U.S. Bureau of Labor Statistics, between 1992 and 2019, extreme heat killed more than 900 workers and sickened tens of thousands more. Those numbers, however, are likely an undercount due to the lack of reporting by negligent employers or by workers who are worried about retaliation or deportation. In addition to the physical implications, time off from a job due to illness can lead to missed wages or the loss of a job altogether.
Bain photograph: LC-USZ62-49516: Four women strikers from Ladies Tailors union on picket line during the “Uprising of the 20,000,” garment workers strike, New York City, 1910 February, glass negative photo, Library of Congress.
As a rabbit who once endured a few days in an unairconditioned art shack at the beginning of school and then fainted from heat exposure, I have a heart for all workers in extreme circumstances. I made sure to take care of my people, since my bosses didn’t care about me. It’s never right to treat others poorly just because you were wronged.
Reading The Constitution Online is also an Option
In late September, we celebrate Constitution Week (Sept. 17-23). The Declaration of Independence, written in 1776, was a list of grievances against the king of England and intended to justify separation from British rule. The Constitution was written and signed in 1787. It was a charter of government ratified by the states, and continues to be the supreme law of the land. All members of the armed services and Congress take a vow to defend the constitution, as do the President and Vice President of our country.
We rabbits will all need to brush up on our civics lessons in the days to come, for the upcoming presidential candidates may be affected by their lack of appreciation for the constitution and the consequences as a result. As I always told my students, “Attitudes drive Behavior and Behavior leads to Consequences. You can choose the good or the negative. It’s all up to you. Try for a good attitude every day.”
Tales of a Bunny Who Went to School
The 14th Amendment, section 3, passed after the Civil War, or the last great insurrection by the southern secessionist states, forbids holding office in the US government by former office holders who then participate in insurrection or rebellion. This constitutional provision is currently being tested in the courts. September is back to school for all us rabbits. The last time I remember a civics lesson was the seventh grade in Mrs. Tampke’s class, but “ex post facto” might have been “non sequitur,” as I was passing notes rather than paying attention.
Mr. Flopsy’s Rabid Rabbit Pirate won’t be Messed with.
We rabbits can only take so much seriousnes in our short lives until we need a break. Thank you September 19th: International Talk Like a Pirate Day! Everyone can ARRGG their way MATIES through a Tuesday, and if Monday is a pain, who says we rabbits can’t Pirate on that day too? After all, pirates rob and steal, lawless vagabonds that they are. Let’s just take over the good ship Monday and drink our strong Pirate Coffee with vigor and daring.
The Bluebird of Happiness
National Bluebird of Happiness Day is September 24th. I love these little blue glass figurines. Dorothy in the Wizard of Oz sings, “If happy little bluebirds fly beyond the rainbow, why, oh, why can’t I?” Bluebirds uplift the heart into joy when we see them in nature. The blue glass iconic sculptures, made in Arkansas by the Ward family, have sold over 9 million birds, large and small. They’re no longer made due to concerns about climate change because the glass production process requires large amounts of natural gas and electricity. I treasure the blue bird in my possession and greet it daily. You might find one in a secondhand store.
God Please Keep My Children Safe, by Grayson Perry, 2005
Love Note Day is September 26, so I suggest you write a sweet letter to your beloved. This might be a spouse, significant other, parent, mentor, or even your own self. Share some affirmations to those who mean something to you. Don’t stop at one note of love, but make a whole symphony of blessings. In our world today, folks don’t hear many positive messages. You can help balance the scales for your recipients.
If the Sears Catalog were still a thing, we bunnies would be wishing
September 30, the last day of this month marks 92 days left in 2023. Where has this year gone?! Don’t ask this rabbit. I’ve already bought a couple of little Christmas gifts for my bunny friends. I’m never this organized. This means I’ll likely lose or misplace these items in the 86 days before Christmas Day. Then again, this is also enough time for this rabbit to find these packages once again! Live with optimism! Expect the best and work for it.
The icons of Christ radiate a sense of calm, a spiritual experience created countless times by various artists over the ages. Each one channels the spiritual force which lies outside of language, mystery, and mysticism. Over the years, we’ve come to understand the icon serves as a window into the world beyond our own. In this world we think of dualities: good and evil, winning and losing, ours and theirs. In the world beyond ours, everything belongs to God, we are all one, and no one lacks for anything. The heavenly banquet table is a never ending feast for everyone and no one is reduced to begging for the crumbs that fall from it. No one hungers or thirsts in this land of the unclouded sky.
Jesus is the Bread of Life
The icon represents to us the world we yearn to be. In this respect, it’s a “wormhole” from the fully perfected world to this world, which is still going onto perfection. The New Heaven and the New Earth promised in Revelation 21:1-4 speaks to this very event:
“Then I saw a new heaven and a new earth; for the first heaven and the first earth had passed away, and the sea was no more. And I saw the holy city, the new Jerusalem, coming down out of heaven from God, prepared as a bride adorned for her husband. And I heard a loud voice from the throne saying, “See, the home of God is among mortals. He will dwell with them; they will be his peoples, and God himself will be with them; he will wipe every tear from their eyes. Death will be no more; mourning and crying and pain will be no more, for the first things have passed away.”
The Good Shepherd
Until that time comes, we have the icons gazing upon us to remind us of this promise, as well as of our calling to be coworkers with God in bringing this world into fruition. If we see with spiritual eyes, we’ll be able to look beyond the paint and canvas, beyond the image and likeness, and beyond material truth to see the spiritual truth of the icon before us.
To understand the icon better,we ought to take a trip in the WayBack machine to Ancient Greece to visit Plato and study up on his philosophy. This is important because whether they know it or not, artists of every stripe and measure participate in this “not yet, but yearning for a better world” as they make their art. In the 4th C BCE, Plato believed the true reality was in the ideal forms which existed in a world outside of this one which we daily experience. Every form we see on earth is merely a copy of the ideal form, but not the “truth.” Plato’s truth existed in this realm of ideas, rather than in the senses. This is the opposite of how most modern people look for “truth,” especially scientific or observational evidence based truths.
Christ Enthroned
For Plato, the ideals of good and truth had to exist as a form in the eternal world so we could recognize them in our transitory world. All things, even virtue, justice, love, and beauty, must have an ideal form in this realm beyond our sensibilities. Where we get into trouble is believing this world’s representations of the ideal forms must follow the pattern exactly. The examples we consider beautiful can change over the centuries, but the idea of beauty as the highest ideal of loveliness never changes. This is why we don’t keep repeating Greek and Roman Classical themes for our public buildings in the modern era.
James 1:17 says of God: “Every generous act of giving, with every perfect gift, is from above, coming down from the Father of lights, with whom there is no variation or shadow due to change.”
The Golden Christ
When we say “God doesn’t change,” we mean God never quits loving us, always wants to save us, and always wants to work for good for those who love the Lord and are called according to God’s purposes. God does change God’s mind when we give up our wayward ways and return to godly ways. The Old Testament is full of times God had a change of heart. Maybe some of these events were the people having a heart change and coming back to God. God does seem absent when we turn away, while God seems near when we turn towards God.
Coptic Jewel Icon
But I digress, and I plead the hot weather. Plato’s perfect forms are the subject, especially the form of the Good. For Plato, only the soul or the mind can know the true forms, while the sensible body is suspect. Plato’s philosophy is a form of dualism, which elevates the spiritual over the physical. This is an important concept for early Christianity, since they had to hash out an understanding of the incarnation of Christ. For some, Jesus was purely divine, while for others he was purely human.
Variation on the Christ Not Made by Hands Icon
The traditional interpretation of Jesus Christ is he is both fully human and fully divine, as Athanasius so succinctly said in his treatise On the Incarnation: “for God became man so that man might become god” (54:3). This theology of theosis, or perfection in love, always boggles the mind of those of us who are used to 1 + 1 = 2, or the sensible and mathematic physical reality of this world. One of the rallying cries back in those days was “There never was a time when the Son wasn’t the Son.” People marched in the streets to proclaim this belief: the Son of God never gave up his divinity even when he became human for the sake of our salvation. It was necessary for him to become human to save all of us and only if he were completely God would he be able to save us entirely.
Christ Pantocrator
For the icon painters, Athanasius also is informative when he writes about the Incarnation: “and He manifested Himself by a body that we might receive the idea of the unseen Father; and He endured the insolence of men that we might inherit immortality.”
As Jesus says in John 14:7, “If you know me, you will know my Father also. From now on you do know him and have seen him.” Like Phillip, we can only believe in what we’ve seen. Many of us are doubting Thomases, who need to touch and hold onto physical proof before we can be convinced. The icons remind us that Jesus is
“the image of the invisible God, the firstborn of all creation; for in him all things in heaven and on earth were created, things visible and invisible, whether thrones or dominions or rulers or powers—all things have been created through him and for him” (Colossians 1:15-16).
What image is the Christ icon? That depends on the time and place where the icon was created, but all images share certain qualities. The eyes are prominent, the mouth is small, the forehead is broad, and the lower jaw is small. Most of the icons of Christ look like a philosopher, rather than a warrior king, which was the original meaning of the Jewish messiah. All icons have at least one ear visible to hear the prayers of the faithful.
These letters form the present participle, ὤν, of the Greek verb to be, with a masculine singular definite article, ὁ. A literal translation of Ὁ ὬΝ would be “the being one,” which does not mean much. “He who is” is a better translation
The backgrounds are gold and represent a timeless, eternal spiritual space. Today, yesterday, and tomorrow are all the same for God, who is known by the name I AM. In John 8:58, Jesus got into an argument with some of the Pharisees over who were the true children of Abraham. When he told them, “Very truly, I tell you, before Abraham was, I am,” they were ready to stone him for claiming to be god. Moreover, as the author of Hebrews reminds us, “Jesus Christ is the same yesterday and today and forever” (13:8).
Roman Icon, 12th CE, oil on wood panel, Vatican Museum
The icon itself isn’t holy, but the image it represents is holy. This is why icons are venerated , while Christ is worshipped. The image isn’t holy, but the person represented is holy. In this sense, every icon points to the ideal form of Christ in the spiritual world beyond us and the icon acts as a window or a wormhole opening so that spiritual world can enter into our sensible and material world here. The more we live with an icon, the more our hearts and minds are tuned to the silent harmonics of the hymns of joy, peace, love, beauty, generosity, and compassion. This is because we become open to the truth of Christ in a mystical way which supersedes our own personal beliefs and experiences. We lose our attachment to the world of dualisms and enter into the world of union with the divine. We are undergoing theosis. Theosis is more than just salvation and divine pardon, but is rather the process of spiritual transformation that culminates in mystical union with God. It is a cooperative work of the Holy Spirit and the believer that results in this union.
After 12th Century Vatican Icon
Art has a way of affecting the energies of a human being. It’s well known how certain colors affect mood, so designers use these techniques to create appropriate spaces in buildings. Public art adds to the charm of a city and likewise, destroying green spaces can render a city to grimness. Having art in one’s home or office elevates it above the ordinary.
Even artists who aren’t painting icons, but are making landscapes or abstractions can be said to be seeking a platonic form, one which only they may see in their own mind’s eye. We keep looking for the next challenge, the creation which comes closest to our imagination. We artists keep on going, however, for each new work not only refines our imagination, but it also moves us closer to our desired goal. We’re like long distance runners who always seek a new personal best!
Resurrection Christ
The icon makes a claim on our lives as we return its gaze. In the silence, Christ asks, “Are you going onto perfection in the love of God and neighbor?” We take a silent stock of our lives and our interactions in prayer. Most days we agree with the apostle Paul in his letter to the Philippians (3:12):
“Not that I have already attained this—that is, I have not already been perfected— but I strive to lay hold of that for which Christ Jesus also laid hold of me (NET).”
Oscar Wilde famously said, “Life imitates art far more than art imitates life.” This is because the self-conscious aim of life is to find expression and art offers it certain beautiful forms, through which it may realize that energy. Yet most people who look at artworks judge them for the degree to which they represent “three dimensional reality,” in either two or three dimensions (painting, draw,or sculpture and assemblage).
Often I’ve been asked about my colorful landscapes, “Don’t you ever paint these in normal colors?”
My answer is usually, “How do we know the colors we see today are the original colors of Creation? After all, we now live in a fallen and broken world. Perhaps these bright colors were God’s original palette.” I’m not painting just what I see, but what was and what is yet to come. These are visions of a better world, where the leaves clap their hands for joy.
In art class, we not only struggle to master drawing shapes “as they are,” but also to challenge our minds to break free of our need to exactly reproduce the shapes before us. We always have the tension to make only a “copy of the image before us,” rather than to meet the image on a spiritual plane and portray an intimate portrait of its inner truth.
When we meet a stranger, we can hide behind our masks and keep our distance. Likewise, we can fail to become intimate with our painting’s subject matter. The resulting work is cold and dead, like a limp handshake. It’s a risky business to bare your heart to the canvas and paint. The brush will tell if your heart and soul is in it or not.
We get more comfortable with this risky business by practicing risk taking. It’s not like we’re facing tigers in a circus cage or jumping out of an airplane without a parachute. We can’t lose our salvation in Christ if we make a bad painting. We only have a new level from which to start afresh. All growth requires risk and failure. We discover what works, keep that, and eliminate the unuseful.
Willingness to learn is related to the “growth mind-set.” This is the belief your abilities aren’t fixed but can improve. This willingness is a belief not primarily about the self, but about the world. It’s a belief every class or learning experience offers something worthwhile, even if we don’t know in advance what that something is. Every teacher or parent worth their salt has to believe their students or children can learn and grow, or they need to give up their profession so another can grow. The first lesson even the most recalcitrant student needs to learn is to believe growth and progress is possible.
Christ on Tree of Life, San Clemente Basilica, 12th Century mosaic, Rome, Italy.
The Christian life has a parallel to the growth mindset. The whole of the Christian life is wrapped up in this faith: with God’s help, we can go on to perfection. This is a basic Methodist belief known as sanctification. We also call it going on to perfection in love of God and neighbor. Some of us think because we’re not able to change on our own, we don’t need to grow in our love. God has done all the work for us in Christ. The Holy Spirit was sent to be a truthful guide:
“When the Spirit of truth comes, he will guide you into all the truth; for he will not speak on his own, but will speak whatever he hears, and he will declare to you the things that are to come.” (John 16:13)
Christ in Majesty, Book-Cover Plaque, French, Limoges, enamel, ca. 1200 CE, Metropolitan Museum of Art, NYC.
Paul speaks of this truth in Philippians 3:20-21, when he reminds the people of their present state as sojourners in this world, while their citizenship is elsewhere:
“But our citizenship is in heaven, and it is from there that we are expecting a Savior, the Lord Jesus Christ. He will transform our humble bodies that they may be conformed to his glorious body, by the power that also enables him to make all things subject to himself.”
Mother About to Wash Her Sleepy Child Mary Cassatt, 1880
If life is a journey, the Christian life is even more of a pilgrimage. We all go through stages of faith if we seriously reflect and consider our beliefs when our life experiences intersect with our faith. Our earliest stage of faith begins with our parents or caregivers. Here we learn to trust or distrust, as we experience an embodied faith. The next stage is early childhood (age 3-7). Faith at this stage is experiential and develops through encounters with stories, images, the influence of others, a deeper intuitive sense of what is right and wrong, and innocent perceptions of how God causes the universe to function.
Michaelangelo: Creation of Adam, Sistine Chapel Ceiling
The next stage has been labeled “Mythic-Literal Faith” (Ages 7-12). Children at this stage have a belief in justice and fairness in religious matters, a sense of reciprocity in the workings of the universe (e.g. doing good will result in a good result, doing bad will cause a bad thing to happen) and an anthropomorphic image of God (e.g. a man with a long white beard who lives in the clouds). Religious metaphors are often taken literally, thus leading to misunderstandings. If God’s rewards or punishments don’t apply in proper retribution, in the believer’s mind, their faith in God’s system becomes fragile.
Théodore Géricault, Raft of the Medusa, 1818–19, oil on canvas, Louvre, Paris.
“The Conventional Faith” stage (12-adult) arises when individuals join a religious institution, belief system, or authority, and begin the growth of a personal religious or spiritual identity. Conflicts occur when one’s beliefs are challenged are often ignored because they represent too much of a threat to one’s faith-based identity.
Théodore Géricault’s “Raft of the Medusa,”painted in 1818–19, is nearly 17 by 23 feet large. It commands its space as any proper historic painting of the past ever did. Rather than present a moral lesson from the past, the artist instead chose to paint an event from his present time: the rescue of the abandoned sailors and slaves from a wrecked ship. The French nation had sent the new governor of the Senegal colony, his family, and some other government officials and others on the Medusa. The government officials went to secure French possession of the colony and to assure the continuation of the covert slave trade, even though France had officially abolished the practice. Another group aboard the Medusa was composed of reformers and abolitionists who hoped to eliminate the practice of slavery in Senegal by engaging the local Senegalese and the French colonists in the development of an agricultural cooperative that would make the colony self-sustaining.
On the way, the ship ran aground and broke up. The officials and their families were put in lifeboats, but the 150 others on board got a makeshift raft, which was tied to the lifeboats. When the raft impeded the lifeboats, the officials cut the raft loose and all the lives with it. Only 15 were rescued after days at sea, and only ten lived to tell their tales. It was a scandal of the times. Géricault read all the newspapers, interviewed survivors, and made studies from ancient sculptures to inform his design. When younger artists saw his inspirational work in the Paris Salon, they knew a sea change had happened. Conservative critics and writers were appalled and accused Géricault of creating a disgusting, repulsive mistake. They were not yet ready to leave the past behind.
William Faulkner once said, “You cannot swim for new horizons until you have courage to lose sight of the shore” (The Mansion , 1959). When we meet that initial storm, our first thought is to bring our fragile bark into port. In life, we batten down the hatches and book it for a safe harbor. In art class, we want to fall back on what we’ve always done before, what we know we can do, and what we’ve been successful with in the past. This is our “safe harbor.”
“Individuative-Reflective Faith” (Mid-Twenties to Late Thirties). The individual takes personal responsibility for her beliefs or feelings, often by angst and struggle. Religious or spiritual beliefs can take on greater complexity and shades of nuance, and a greater sense of open-mindedness. These can also open up the individual to potential conflicts as the different beliefs or traditions collide.
To progress and grow in our art skills, or to move through the “dark night of the soul” when we question our formerly held spiritual truths, is a crucial time. Crucial is a word sharing the same root as crucifix. The crux of both of these situations results in a life and death situation. Not that the person quits breathing or their heart stops beating, but will their old life die and their faith be reborn anew? Also, will they trust a power greater than themselves to bring them back from the depths? Many of us aren’t willing to give up control to anyone, and certainly not to a God we can’t see. We’re two year olds in our spiritual lives too often, for “I can do it myself!” Is our answer to everything and everyone. (Test it out—how many of you read the directions after you start putting a project together?)
The Cross that Spoke to St. Francis, San Damiano Chapel, Italy, 1205 CE
“Conjunctive” Faith (Mid-Life Crisis). A person at this stage acknowledges paradoxes and the mysteries attendant on transcendent values. This causes the person to move beyond the conventional religious traditions or beliefs he may have inherited from previous stages of development. A resolution of the conflicts of this stage occurs when the person is able to hold a multi-dimensional perspective that acknowledges ”truth’ as something that cannot be articulated through any particular statement of faith. This is where the Holy Awe begins to fill all the nooks and crannies from which it was once forbidden.
Face of Christ (All People of the World), photo montage
“Universalizing” Faith (or ”Enlightenment”). (Later Adulthood). This stage is only rarely achieved by individuals. A person at this stage is not hemmed in by differences in religious or spiritual beliefs among people in the world, but regards all beings as worthy of compassion and deep understanding. Here, individuals ”walk the talk” of the great religious traditions (e.g. ”the kingdom of God is within you”).
“Jesus of the People” by Janet McKenzie.
In 1999 Janet McKenzie’s painting “Jesus of the People” was selected winner of the National Catholic Reporter’s competition for a new image of Jesus by judge Sister Wendy Beckett, host of the PBS show “Sister Wendy’s Story of Painting.” In the words of Sister Wendy, “This is a haunting image of a peasant Jesus—dark, thick-lipped, looking out on us with ineffable dignity, with sadness but with confidence. Over His white robe He draws the darkness of our lack of love, holding it to Himself, prepared to transform all sorrows if we will let Him.” The model was an African-American woman and the painting includes a yin-yang symbol of Eastern traditions and feather of Native American traditions. (Photo courtesy of Paul Smith)
Next week, we’ll still be working on order and chaos. We got started on this at our first meeting, and the concept is a challenge. I’ll write about our class work then. We’re always open to anyone joining us, for you come as you are and begin where you are. Our art group is a “one room schoolhouse” with all levels of students mixed together. We may all be doing the “same project,” but everyone does it at their own skill level. I give you special attention according to your needs.
Remember, “The only way you can be behind is if you never start.”
Christ Enthroned with the Angels 6th century Mosaic Church of Sant’Apollinare Nuovo, Ravenna, Italy
Nothing springs full grown to life in an instant. Everything begins in a seed, which is planted, watered, and nourished into full growth. Only in myths or fantasies can an idea come into being instantly. Zeus had a very bad headache, a “splitting headache,” that birthed his daughter Athena, the goddess of wisdom. She leapt out in fully grown from his brow. We don’t take this myth to be scientifically true, but as a metaphor for the difficulty and struggles we undergo to obtain wisdom. As my daddy used to tell me after I’d learned some hard life lesson, “The school of experience is a rough master, and we all earn a costly degree in gaining its wisdom.”
Little Master Lip Painter Attributed to the Phrynos Painter: Birth of Athena, Attic Black Figure Ware, Kylix, Date ca. 555 – 550 B.C., Early Archaic Period,
Some of us will repeat the same lessons over and over, as if we expect to get a different result. The purpose of an education isn’t to regurgitate a right answer to pass a test, but to understand why the answer is right. That’s why math classes require showing the steps to the solution, rather than the “full blown adult answer” only. In matters of faith or ethics, many of us haven’t had the training to “set out the proof” for our final answer or deed. In fact, in one situation we may think or act one way, and quite differently in another.
The name for this behavior is “situational ethics.” Less kindly, it’s also known as spinelessness, shiftiness, being two faced, or dishonesty. Mostly it means people don’t have a true center or a plumb line by which they measure themselves. If we’re measuring our lives against other people, we’re measuring against other fallible human beings. Even our heroes have feet of clay, for none of us are gods. When I used to call my parents out on this character trait, they always told me, “Do as I say, not as I do.” This sets up a moral conflict for most people, even those raised in the church or in religious homes.
We need to have a moral center based on a higher authority than our individual or cultural conventions, one that includes or exceeds the ethics of the group to which we belong, and not just our individual beliefs and actions. Professional groups—physicians, lawyers, clergy, educators, and others—all have ethical standards for caring for those they serve, even if they morally disagree with the behaviors that bring them into their care. Who decides the ethics of the group? At the risk of making my favorite seminary professor, Billy Abraham, roll about in his still fresh grave, we United Methodists do have the so-called Wesleyan Quadrilateral of Scripture, Tradition, Reason, and Experience to guide us. Often we assign our personal life experience to this latter quadrilateral edge, but Wesley meant our Experience of the Assurance of God’s All Embracing and Adopting Love. As Wesley once said, “God is able to save all to the uttermost.”
The Good Samaritan by English School, (19th century)
Ethics and morals are often used as synonyms, but ethics refer to rules provided by an external source, e.g., codes of conduct in workplaces or principles in religions. Morals refer to an individual’s own principles regarding right and wrong. Ethics is a a late 17th century word derived from the Greek ēthos (disposition, character), in contrast to pathos (suffering). In Latin it means ‘character, depiction of character’, or (plural) ‘customs’.
Then we have the words moral and morals. The first is concerned with the principles of right and wrong behavior. The goodness or badness of human character is another concern. From these, people decide what behavior is considered right or acceptable in a particular society. We often say a person has morals if they conform to standards of behavior or beliefs concerning what is and is not acceptable for them to do. We can speak of “the corruption of public morals, “ or you can hear people talking as if “they believe addicts have no morals and can’t be trusted,” rather than understanding the disease and abuse bases which often underlie addictions.
These distinctions don’t change the negative consequences of the addict’s behaviors, yet the addicted person still has the same image of God and the same potential for wholeness each of us have, but perhaps with more suffering, or pathos. If we judge the morality of a person’s choices, and then refer that moral state to the individual’s worthiness, we can end up losing compassion for the person as well as losing the will to help them better their lives. This leads to hard heartedness and a lack of love. We reject our neighbors and make them strangers, unwelcome to our world. We forget our spiritual ancestors were once strangers in a strange land, wanderers without a home. How easily we forget our savior, who had no place to be born even in his ancestral home, and whose family fled religious persecution and certain death to live in Egypt, far from home. Strange how some Christians have no sympathy for others in the same fix today.
Moral is a word from the late Middle English by way of the Latin moralis, from mos, mor- ‘custom’, with the plural mores or ‘morals’. It refers to one having the property of being right or wrong, good or evil, or voluntary or deliberate, and therefore open to ethical appraisal. When we apply moral attributes to a person, it means “capable of moral action; able to choose between right and wrong, or good and evil.” Not until 1803 did moral come to mean “virtuous with regard to sexual conduct,” according to the Oxford English Dictionary.
As a noun, we meet the word in the Latin Moralia, the title of St Gregory the Great’s moral exposition of the Book of Job. Later it was applied to the works of various classical writers. All Methodists and the holiness denominations birthed from the seed of the great Methodist revival recognize the genius of John Wesley. We all quote him, but we also apply his wisdom through our own individual preconceived notions of what is “good, true, and noble.”
When John Wesley was asked, “What is that faith whereby we are sanctified?” he answered:
“First believe that God has promised to save you from all sin, and to fill you with all holiness; secondly, believe that He is able thus to save to the uttermost all that come unto God through him; thirdly, believe that He is willing, as well as able, to save you to the uttermost; to purify you from all sin, and fill up all your heart with love. Believe fourthly, that He is not only able, but willing to do it now! Not when you come to die; not at any distant time; not tomorrow, but today. He will then enable you to believe, it is done, according to His Word.”
In the old days, we said we were “going on to perfection,” not that we were so bold as to claim that we’d already arrived there or been perfected. Oh no, we allowed God could complete this for us and had the power to do it, as well as the will, but our human nature was still fallible. If a word comes up more than once in a text, writers go to the thesaurus for an alternative, but in reading scripture, we learned repetition was a sign of importance, a marker especially meant for those of us who are slow learners in the school of life.
Oliver O’Donovan in “Scripture and Christian Ethics” writes, “Moral theologians have a secret knowledge, apparently concealed from other kinds of theologians, especially those devoted to hermeneutics. They know that the most mysterious and most difficult question we ever have to answer is not, what does Scripture mean?, but, what does the situation we are facing mean?, where do we find ourselves existentially?”
We tend to speak as if our selves and our situations were known quantities, so that it only remains to choose out of Scripture whatever seems to fit our circumstances as we conceive them. Scripture has an uncanny way of shedding light on our self and our situation, to overcome our preconceptions about them. We don’t read about our situation directly in the Scriptures, yet it’s from the Scriptures we gain categories of understanding, which re-frame our view of our situation and ourselves. We can’t look for individual texts to guide our actions, but need to consider the whole of the revealed Scripture and God’s nature as we discern our path forward.
Carl Bloch: Monk Looking in a Mirror, 1875, oil on canvas, Nivaagaard Museum, Denmark.
In this sense, the Bible is a mirror which reflects our inner nature to us, convicting us of our failings and giving us grace and comfort in our times of need. We can learn much about ourselves from the verses we lean on, just as much as we can by the verses we ignore. There’s a reason we interpret texts by the whole of scripture, and not piecemeal. This is one way we understand the authority of scripture.
As an interesting aside, SWTX, my original conference, which approved my candidacy for the ministry, didn’t think I should attend seminary because I scored so low on the abstract reasoning tests I took. They didn’t think I would make 65, seminary’s passing grade, in my class work. It’s true I learn and process differently, but knowing this, I crammed a three year program into four years. If I’m slow to grasp the whole until I first understand the parts, this doesn’t reflect on my fitness for ministry or my intellectual ability. It merely reflects a different way of processing information. There’s more way to skin a cat, and many ways people learn.
When I taught art classes, I had to make sure I covered all the learning methods for all my students to have success. I talked about the project, I demonstrated the techniques, I had the steps written out, and for some few children, I had to place their hands in the optimum position to get them started. This covered ear and eye learning, visual reminders, and haptic or touch learning. Some students needed multiple types of learning throughout their working time on a project. Some needed reteaching every class period. Some just needed encouragement when they got stuck at a rough patch. Most all had to learn to talk in positive terms about themselves and their work, as well as about others and their creative process also.
I talk about this teaching method, for this is how we consciously or unconsciously teach those around us ethics and morals. As one youth asked me at a church I once served, “Why are you wearing your cross today? It’s not Sunday.”
“Because Jesus is important to me every day, not just on the day I lead church services.”
I realized even though her family was very active and faithful in our congregation, when they were out in the world of day to day folks, they didn’t stand out from the crowd. Maybe one day day this child will come to a time when wearing a cross becomes bearing a cross. Then again, how many people willingly choose suffering for the sake of the body of Christ? This suffering is often difficult for those of us who’ve committed our lives to Christ’s call, but we realize most laity won’t voluntarily submit to that kind of stress. Yet experience is a great teacher. We learn from others, even those who have differing opinions and choose different actions.
Wesley’s Sermon, “The Nature of Enthusiasm,” has some advice for us: “Beware you are not a fiery, persecuting enthusiast. Do not imagine that God has called you (just contrary to the spirit of Him you style your Master) to destroy men’s lives, and not to save them. Never dream of forcing men into the ways of God. Think yourself, and let think. Use no constraint in matters of religion. Even those who are farthest out of the way never compel to come in by any other means than reason, truth, and love.”
Jean Bondel: The fall of man—Adam and Eve eat from the Tree of Knowledge of Good and Evil, 1372, illustrated manuscript, National Library of the Netherlands.
As a further reminder from his all time classic Sermon, On Working Out Our Own Salvation, 1785: “By justification we are saved from the guilt of sin…by sanctification we are saved from the power and root of sin…”In modern terms, when we profess our faith, Christ saves us from the guilt of that first sin. Some say Adam and Eve were disobedient. They then emphasize rule keeping as their moral choice. There’s always a reason behind every behavior, however. Why were they disobedient? We hear the answer in the parable of the Tree of Wisdom:
“But the serpent said to the woman, “You will not die; for God knows that when you eat of it your eyes will be opened, and you will be like God, knowing good and evil.” (Genesis 3:4-5)
The man and the woman both heard the half truth, saw the shiny fruit, believed the promises of a creature rather than their creator, and ate the fruit they hoped would make them like gods. Instead they only gained knowledge of their nakedness and vulnerability. This first lesson of the school of life came with cost: fig leaves ooze irritating sap. They won’t choose this solution again. God’s providence replaced their poor choice with animal skin clothing even as God sent them out into the world. We might say the attitude of pride or greed drove their bad behavior and was the cause of their negative consequences.
As we grow in holiness and love of God and neighbor, the Holy Spirit destroys any remaining root of sin. One of the important sins, Wesley noted, was pride. Pride is that feeling of deep pleasure or satisfaction we get from our own achievements, or those of our family, tribe, nation, or other associated group. In matters of faith, we always have to remember Paul’s admonition to the Romans (10:9-13):
“because if you confess with your lips that Jesus is Lord and believe in your heart that God raised him from the dead, you will be saved. For one believes with the heart and so is justified, and one confesses with the mouth and so is saved. The scripture says, “No one who believes in him will be put to shame.” For there is no distinction between Jew and Greek; the same Lord is Lord of all and is generous to all who call on him. For, “Everyone who calls on the name of the Lord shall be saved.”
Paul reminds us of the unity of the Jews and the Gentiles, the clean and the unclean, the former masters and slaves, with the gulf now bridged between the former God worshippers and the idol worshiping strangers. Now there’s “no Jew nor Greek, no slave or free, no male or female, but all are one in Christ Jesus” (Galatians 3:28).
When we joined together into one annual conference in 2003, almost twenty years ago, we had good reasons to make one combined administrative body for our faith community. We had underfunded pension obligations, we were over heavy with administrators, and clergy didn’t have equity in retirement accumulation. Likewise, the conferences weren’t equally treated, since one didn’t fully fund pension needs, an act which caused clergy to seek appointments in the other conference, thus robbing the first of talents and gifts. These were the logical consequences of attitudes and behaviors, however.
Historic Souvenir—Can you drink this cup?
The logical person thought, “Let’s make Arkansas One Faith, One Focus, One Fellowship,” and this will solve all our problems. It may have looked good on paper, but our congregations had been used to a personal touch to remind them at least once a year they belonged to a greater whole. Their pride in showing off their home church and being a good host for the Superintendent was taken from them if they were just attendees at another group meeting. The moral choice of what’s better for me, a relaxing Sunday afternoon with my family or a meeting elsewhere, gets weighed and measured.
So now here we are, nearly twenty years into this optimistic marriage of the two annual conferences. The seeds for dissent and discontent were planted long ago, even before this joining. When I inventoried the historic memorabilia of the dead bishops at the SMU Bridwell Library, I saw how the chaos of the Vietnam War era and the sea changes our society were experiencing then affected our church in many ways. Some wanted to hold onto tradition more tightly, while others were ready to experiment with new wine in fresh wine skins. These were just “outer trappings,” however, for the message of “saved by faith, sanctified by faith, and made perfect in love by faith” never changes. This is Christ’s work, enabled by the Holy Spirit.
The past sixty years, as the last two decades, haven’t always been smooth sailing. We often have had trials, storms, and tribulations on our shared journeys. Sometimes we’re so far out to sea, we don’t see the land, and the skies are occluded, so we can’t take a bearing off the stars. Yet God’s spirit will blow us along, for even detours are within God’s providence. As James reminds us:
“Consider it pure joy, my brothers and sisters, whenever you face trials of many kinds, because you know that the testing of your faith produces perseverance. Let perseverance finish its work so that you may be mature and complete, not lacking anything.” (1:2-4)
Van Gogh: The Good Samaritan, after Delaquoix, 1890, oil on canvas, Kroller-Muller Museum, Netherlands
Today we also have powerful economic and political forces that are like wolves in sheep’s clothing. They purport to work for religion and democracy, but actually work against the stewardship of our earth ‘s resources and environment, fail to care for the poor and dispossessed, and support military interventions around the world. Moreover, some of them actively work to destabilize religious denominations with social justice callings, such as the UMC, the Presbyterian Church USA, and others. Some today think “things fall apart; the center will not hold.”
Two final words in summary: one is from the ancient wisdom tradition and the other from Paul’s paean of joy in the midst of suffering. Proverbs 22:1 reminds us, “A good name is to be chosen rather than great riches, and favor is better than silver or gold.” My dying grandfather spoke these words to me in his last hours. Ive always considered them a plumb line for my life.
Byzantine Mosaic, Ravenna, Italy
“Finally, brothers and sisters, whatever is true, whatever is noble, whatever is right, whatever is pure, whatever is lovely, whatever is admirable—if anything is excellent or praiseworthy—think about such things. Whatever you have learned or received or heard from me, or seen in me—put it into practice. And the God of peace will be with you.” — Philippians 4:8-9
John Wesley: Repentance in Believers (Sermon 14), “Repent ye, and believe the gospel.” Mark 1:15. The Complete Works of John Wesley, vol. 1 of 3, Kindle ereader. Read on line here: http://www.godonthe.net/wesley/jws_014.html
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