In the dead heat of summer, our gardens aren’t putting forth the fruit of our planting. Maybe the animals of our neighborhood have made their too frequent nightly visitations, so our harvest is skimpy. We can forget God is a both a creating god and a recreating god as well. The first words of the alternate NRSV translation of the Bible’s first book Genesis (a word meaning “origin”) are—
First stage: string, fabric scraps, and under painting
“When God began to create…”
In the old KJV, Genesis 1:1 reads—“In the beginning, God created the heaven and the earth.”
I appreciate even more the next verse from Genesis 1:2—
“The earth was a formless void and darkness covered the face of the deep, while a wind from God swept over the face of the waters.”
Alternate translations read— “while the spirit of God or while a mighty wind” swept over the face of the waters. This reminds us nothingness and darkness aren’t problems for God, who is able to bring glorious light to any situation.
Psalms 139:12 speaks of the nature of God:
“Even the darkness is not dark to you; the night is as bright as the day, for darkness is as light to you.”
I’ve lived for over half a century with chronic depression, so I can recognize darkness, not only in my own life, but also in the lives of others. Most of my ministry and even my secular work was done with a calling to bring others to the light of hope and confidence that anything was possible.
In art classes, I asked my students to trust in ABC—Attitude, Behavior, and Consequences. If they had a Positive Attitude, they would have Positive Behavior and work on their assignments. If they worked, they would see Positive Consequences or Improvement over time. Asking people who’ve been told they can’t do art to believe they can learn even if they aren’t “talented” is a big ask, but if they have faith in this promise, they discover it’s true.
When I sold insurance, I asked people to trust in the idea of making a small sacrifice now to prevent a greater loss later. Also, if they had no loss, they shared in a community to underwrite the group losses and keep the cost of protecting their own property low. Not everyone has the light to see this benefit of community, but for those who do, I could help keep their consequences from being a disaster.
Second stage: overpainting, printed circles, and added ruler lines
When I entered the ministry, I discovered congregations who had lost their faith in the God who could make something out of nothing This began with the creation story, the choosing of the nation of Israel to be God’s people (even though they were once no one’s people), and feeding them in the extended wilderness wandering before they arrived at the promised land. The Bible is full of examples of God’s providing more when people have too little to sustain them: Elijah and the widow of Zarephath, the feeding of the crowds with a few fish and loaves, and the water turned into wine. These modern people didn’t have a “recreating faith” that God could work in their lives today, just as God had once worked in the lives of others in the days of Christ.
That is what we call a “dead faith,” or as John Wesley put it in his notes on the New Testament at 2 Timothy 3:5— “An appearance of godliness, but not regarding, nay, even denying and blaspheming, the inward power and reality of it.”
It’s dead, because the Spirit isn’t at work in it. I used to tell my beloved evangelism professor, the late Dr. Billy Abraham, the first place we needed to do evangelism was in the local church, because folks hadn’t heard the good news. If they weren’t excited enough to have a living faith, they wouldn’t go out and spread the good news to others.
I’ve never been a cheerleader, although I did have some time in my high school pep squad. I was more often involved in making the football banners and pep posters for the other sports activities. Also debate team took up much of my time. One of the best practices I learned in debate was positive points sell better than negative ones. Also, it’s better to make the same point over and over with different facts and examples.
When I say our God is a creating and recreating God, I can point to the beautiful verses of John 1:1-5—
“In the beginning was the Word, and the Word was with God, and the Word was God. He was in the beginning with God. All things came into being through him, and without him not one thing came into being. What has come into being in him was life, and the life was the light of all people. The light shines in the darkness, and the darkness did not overcome it.”
In the beginning was the Word
As believers in the Holy Trinity, the Word made flesh is Christ, so he was co-creating with God the Father and God the Holy Spirit from the beginning. By virtue of the incarnation, Christ takes on our flesh to redeem us and make us whole again. This comes to completion through the cross. When we place our faith in Christ’s act of love for all creation, we are made one with Christ, and one with God. The Holy Spirit brings us ever closer to the true nature of Christ, until we’re perfected in love of God and neighbor.
I painted on unprimed canvas, just to see what would happen. Also, because I knew the paint surface would be different than the usual texture on the primed canvas. After I painted several different colors in blocks with the scrap pieces of cut canvas used as “masking tape,” I decided to use a mix of iridescent gold and silver acrylic paints to glaze over the under painting. I also added some circles and straight lines. I’ve collected a few jar tops recently, I used some string elements, and I had a school ruler left from my last teaching job back in the 1980’s. (Yes, I keep things. They are tools of the trade. My Sears Craftsman staple gun from art school finally died after half a century of use.)
I’ll be working some more of these experiments for a while. Creating and recreating our lives is what keeps us new every morning. As someone who has been renewed and recreated more than one time can attest, along with the prophet Jeremiah,
“For surely I know the plans I have for you, says the LORD, plans for your welfare and not for harm, to give you a future with hope.” (29:11)
Joy and peace,
Cornelia
John Wesley’s Notes on The New Testament, 1755:
2 Timothy 3:5—“holding to the outward form of godliness but denying its power. Avoid them!”
When does an image become a meme? Or an icon, an idol, or a shibboleth? I ask those questions, and then have go about defining them. We all know what an image is—a representation of something which actually exists. An icon is the Greek word for image, but to become a venerable image, it must bring the viewer into the spiritual realm, rather than leave the viewer only in this earthly world.
An idol is an inert representation of a god, but isn’t a god at all, for the god is invisible and spiritual. Praying to a golden calf or a carved wooden statue will get no response since it has no power or animation. The same can be said for shibboleth, which is a word or saying used by adherents of a party, sect, or belief and usually regarded by others as empty of real meaning. If the Ten Commandments are held up as mere words, idolized, but not kept in their hearts and lives, then they are as empty of power as golden calves. They also aren’t to be worshipped, but the God who gave them is.
Are the Ten Commandments now a meme? Memes are an amusing or interesting item (such as a captioned picture or video) or genre of items that are spread widely online especially through social media. Because this version of the Ten Commandments had its origin in the Charlton Heston movie, “The Ten Commandments,” which we see every single Easter and Passover season, it’s definitely in the public sphere. I’m of the opinion it’s fast becoming a meme—devoid of actual meaning and held up to ridicule.
DeLee: Icon of Christ, acrylic on woven canvas , 2022.
The version in the Louisiana law matches the wording on the Ten Commandments monolith that stands outside of the Texas State Capitol in Austin. It was given to the state in 1961 by the Fraternal Order of Eagles, a more than 125-year-old, Ohio-based service organization with thousands of members. In 2005, a divided U.S. Supreme Court ruled it did not violate the constitution and could stay.
The Eagles organization notes on its website that it distributed about 10,000 Ten Commandments plaques in 1954. The organization also partnered with the creators of “The Ten Commandments” to market the film, spreading public displays of the list around the country.
“It’s significant that the Louisiana law uses the same text created for ‘The Ten Commandments’ movie promotions by the Fraternal Order of Eagles and Paramount Pictures because it reminds us that this text isn’t one found in any Bible and isn’t one used by any religious faith,” Kruse said via email. “Instead, it’s a text that was crafted by secular political actors in the 1950s for their own ends.” Kevin M. Kruse is the author of “One Nation Under God: How Corporate America Invented Christian America” and a history professor at Princeton University.
Unknown Flemish Artist: God speaks to Moses while the people worship the golden calf, colored ink and gold leaf on parchment, 1372, National Library of the Netherlands.
The actual biblical Ten Commandments are spiritual and can bring us closer to understanding God’s relationship with God’s chosen people during their wilderness journey. We can learn about boundaries, justice and mercy. Also we learn God wants us to be imitators of God’s nature, something that’s missing in the movie version of the Ten Commandments. The movie commandments are a Reader’s Digest version of the Biblical commandments and miss the grace of God entirely.
For Benjamin Marsh, a North Carolina pastor watching the Louisiana law, his primary concern is people’s spiritual formation, so altering the Ten Commandments is worrisome to him. “The problem with changing the text of the Ten Commandments is you rob the spiritual implications of the actual biblical text. So you’re giving some vague likeness to the Ten Commandments that isn’t the real thing,” said Marsh. He leads First Alliance Church Winston-Salem, which is part of a conservative evangelical denomination.
So I offer these two versions below for you to read. I believe the placing of the Ten Commandments in the schools in these states has less to do with “religion” than with culture wars, which these politicians hope to use to their advantage. If we see these in our communities, we should ask for comparative religions to be taught, or none at all. I find the misuse of scripture abusive. This isn’t what we should be doing to vulnerable children. We should give them a God who loves, cares for, and provides for their needs. The Ten Commandments in the school houses is like having a cop in the classrooms.
FROM THE MOVIE, “The Ten Commandments:”
The Ten Commandments I AM the LORD thy God. Thou shalt have no other gods before me. Thou shalt not make to thyself any graven images. Thou shalt not take the Name of the Lord thy God in vain. Remember the Sabbath day, to keep it holy. Honor thy father and thy mother, that thy days may be long upon the land which the Lord thy God giveth thee. Thou shalt not kill. Thou shalt not commit adultery. Thou shalt not steal. Thou shalt not bear false witness against thy neighbor. Thou shalt not covet thy neighbor’s house. Thou shalt not covet thy neighbor’s wife, nor his manservant, nor his maidservant, nor his cattle, nor anything that is thy neighbor’s.
FROM KJV: Exodus 20:2-17
I am the LORD thy God, which have brought thee out of the land of Egypt, out of the house of bondage. Thou shalt have no other gods before me. Thou shalt not make unto thee any graven image, or any likeness of any thing that is in heaven above, or that is in the earth beneath, or that is in the water under the earth: Thou shalt not bow down thyself to them, nor serve them: for I the LORD thy God am a jealous God, visiting the iniquity of the fathers upon the children unto the third and fourth generation of them that hate me; And shewing mercy unto thousands of them that love me, and keep my commandments. Thou shalt not take the name of the LORD thy God in vain; for the LORD will not hold him guiltless that taketh his name in vain. Remember the sabbath day, to keep it holy. Six days shalt thou labour, and do all thy work: But the seventh day is the sabbath of the LORD thy God: in it thou shalt not do any work, thou, nor thy son, nor thy daughter, thy manservant, nor thy maidservant, nor thy cattle, nor thy stranger that is within thy gates: For in six days the LORD made heaven and earth, the sea, and all that in them is, and rested the seventh day: wherefore the LORD blessed the sabbath day, and hallowed it.
Honour thy father and thy mother: that thy days may be long upon the land which the LORD thy God giveth thee. Thou shalt not kill. Thou shalt not commit adultery. Thou shalt not steal. Thou shalt not bear false witness against thy neighbour. Thou shalt not covet thy neighbour’s house, thou shalt not covet thy neighbour’s wife, nor his manservant, nor his maidservant, nor his ox, nor his ass, nor any thing that is thy neighbour’s.
Joy, peace, and time to read your Bible,
Cornelia
Louisiana Ten Commandments law raises preferential treatment concerns | AP News
Anne Frank’s Last Birthday Cake, acrylic on canvas, mixed media, 18” x 20,” 2024.
We never know when the tides of time will change. Most of us aren’t creatures of change, but prefer instead the well-worn and familiar paths. As a United Methodist pastor, I moved every two or three years during my ministry, so one thing I kept was my telephone company. I know some people like to switch providers almost as often as they switch their underwear, but that’s not me. Having to switch utility companies, banks, and hairdressers was more than enough agony for me. I signed up for this life, however, so I kept my moving boxes and made a spreadsheet for notifying all my address changes.
I talk about this because I only lived in three homes as a child. I never had to leave in the middle of the night to escape bad debts, the law, or a hateful Nazi regime. I have no way to imagine Anne Frank’s life, except when I was also 13 years old, I read her wonderful diary. Anne kept her diary, beginning at the same age, during the two years she spent in hiding while the Germans occupied her homeland during World War II. She had received a red, cream, and beige checkered cloth notebook diary for her 13th birthday on June 12, 1942. The underground Dutch radio station had encouraged people to keep diaries so future generations would know what the conditions were under the German occupation.
Because of the Nazi purity rules, Jews weren’t allowed to mix with non-Jewish persons. According to the Nazis, Jews were not Aryans or the Master Race. They thought Jews belonged to a separate race that was inferior to all other races. The Nazis believed that the presence of Jews in Germany threatened the German people. They believed they had to separate Jews from other Germans to protect and strengthen Germany. Their Nuremberg Laws were an important step towards achieving this goal.
We hear this same sentiment today from the neo-Nazi movement groups who say, “Jews shall not replace us,” and “Immigrants are poisoning the blood of our nation.” As a result, only Anne’s Jewish friends could come to her birthday party. Her father set up a movie projector to show “Rin Tin Tin,” the famous Hollywood dog film star. The chairs were set up in rows like a movie theater. The family went all out for their Anne. Her mom had baked cookies for her classroom to share, since they couldn’t come to the party, but she baked a strawberry cream cake for this party attended by her Jewish friends. This was early June and the strawberries would be juicy, fresh, and in season.
Anne and Hanna playing before the Frank family fled into hiding.
Two weeks after her 13th birthday, Anne and the Frank family had disappeared from the neighborhood. They left no forwarding address. Her best friend of eight years, Hannah Pick-Goslar, didn’t see her again until they were both in the same concentration camp. Hannah survived. Anne did not, but the enduring story of her life in hiding continues through her diary.
When I was painting this, I used a large doily as the “cake.” I’d been saving it for a halo for a saint painting, but it works great for a cake top too. My viewpoint is from above, and I omitted the 95 candles. No need to burn the house down! The cream color was a bit pink, but if I were a young teen girl, I’d want it more pink than just white. I painted the background as a blue sky, because young people almost always have hope and optimism. The left side of the canvas has the storm clouds approaching, as well as the grey soot soiling the sky from the overworked crematoriums at the concentration camps where so many Jewish people lost their lives in the Holocaust.
If we can learn anything from one small girl who ate strawberries on an early summer day, I hope it will be to appreciate the beauty of this brief moment and to love one another deeply. Also, life is too short to hate anyone just because they are in someway different from you. Celebrate their differences as part of God’s creative generosity to this world. Also as Mary Oliver reminds us about the importance of keeping a journal:
“Instructions for living a life. Pay attention. Be astonished. Tell about it.”
One of my favorite icons is the Rublev Trinity of 1411, which represents the three angelic visitors who came to Abraham and Sarah’s tent in the wilderness. They stopped there on the way to Sodom and Gomorrah, two cities known for their lack of hospitality to strangers, so the largess Abraham showed by preparing a feast for them in the wilderness was notable in contrast. Of course, while Abraham couldn’t see these strangers’ wings and halos, nevertheless we should “not neglect to show hospitality to strangers, for by doing that some have entertained angels without knowing it” (Hebrews 13:2).
Rublev’s Trinity: Original egg tempera on wood panel, Tretyakov Museum, Moscow, 1411-1425 CE
Rublev’s Trinity is a classic icon. It’s the prototype for all the Holy Trinity icons. Three figures are seated at table, under an oak tree and in the vicinity of a large house, the home of Abraham and Sarah, at Mamre in the wilderness. These figures represent the Three Persons in One God, or The Holy Trinity. The icon underlines the sameness of the three figures by using a single identical image, repeated three times but robed differently to suggest three different qualities of the three Angels—the Three Aspects of God.
The central figure represents the Son, who blesses the cup on the table. The right figure in blue is the Holy Spirit, while the rose-colored robed figure represents the Father. The Oak of Mamre stands for the cross of Christ. Even the symbolic wilderness mountain dips its peak in reverence to the holy visitors. Rublev imagined the patriarchs living in a house, but they were tent dwellers who followed herds and pastures.
Jerusalem Temple Mount, from an antique map, acrylic on canvas, 2023
I actually repainted this icon over a map of the ancient city of Jerusalem. Wars have been much in the news lately, not just in the last few months, but the last few years. Russia’s invasion into Ukraine has devastated their land and people, not to mention making a negative impact on hunger worldwide and even the price of food here at home. The Sacred Mount in Jerusalem has always been contested, so much so that the three monotheistic religions fight over that territory. Even the holiest Christian sites are often guarded by Islamic families to keep them open for everyone.
Holy Trinity, stage One
Once I chose this base, the mountain, tree, and the house wrote themselves. I found the table easily in the underlying shapes and the three visitors also. This isn’t a faithful copy of the Holy Trinity Icon, but a spiritual copy of the icon. I kept the colors and the ideas, but I wrote something new. As I painted, I had these thoughts about our faith and our life.
Holy Trinity, stage two
Not In My Backyard, Not In My Neighborhood, Not in My Church—how often do we hear these words? Sometimes we even hear them spoken in our own estranged families of origins. This isn’t a recent phenomenon. Our scripture is full of broken families: Cain and Able were the first; plus, Abraham’s children, Isaac and Ishmael and their descendants, have had sibling rivalry and struggles from the beginning. The house of David certainly had its problems even if David was a “man after God’s own heart.” In the New Testament, the Jews wanted the gentile believers to convert to their religion first, and then to keep the law, the food rules, and celebrate the festivals in order to be a “good Christian.” The leaders had to compromise on their beliefs before everyone could fully share Christian hospitality at the table together.
Holy Trinity, stage three
Paul has a dire warning for the congregations about The Works of the Flesh in Galatians 5:16-21—
Live by the Spirit, I say, and do not gratify the desires of the flesh. For what the flesh desires is opposed to the Spirit, and what the Spirit desires is opposed to the flesh; for these are opposed to each other, to prevent you from doing what you want. But if you are led by the Spirit, you are not subject to the law.
Now the works of the flesh are obvious: fornication, impurity, licentiousness, idolatry, sorcery, enmities, strife, jealousy, anger, quarrels, dissensions, factions, envy, drunkenness, carousing, and things like these. I am warning you, as I warned you before: those who do such things will not inherit the kingdom of God.
Our modern world has a problem with idolatry. We often put our work, our family, our possessions, or our politics above God. We often choose our church because of our political beliefs, when we should let the overwhelming love and grace of God for all God’s creation imbue our political choices. We forget as Christians we are grafted into the nation of Israel, as the writer of Ephesians 2:12 reminds us:
“Remember that you were at that time without Christ, being aliens from the commonwealth of Israel, and strangers to the covenants of promise, having no hope and without God in the world.”
Christ came to those who were near and to those who were far, broke down the dividing wall between the two and brought them together to eat at one table. Before they were enemies, but with Christ, they became one people. Divisions should not exist in the body of Christ, just as no one should be excluded from fellowship. The near in those days were the Israelites and the far were the Greeks, Romans and other pagan communities. In Christ, however, they were one.
DeLee: Holy Trinity after Rublev, acrylic on canvas,
Abraham knew the reputation of Sodom and Gomorrah, since Lot was his kinsman. When Abraham negotiated with God to spare those twin cities of iniquity, he managed to bargain God down to the hope of finding at least ten honest people, righteous in their ways with God. That was as low as God would go. Lot, with his two daughters, his wife, and the two would be husbands made six, but the men didn’t want to flee. That left only four and so the two cities were doomed for their lack of hospitality to strangers.
People today often think that sexual behavior doomed these cities, but lack of care for the stranger was a higher priority in a dangerous and unforgiving landscape. Offering food, water, and shelter meant life to travelers. Four thousand years ago, our spiritual ancestors remembered the stories of Abraham. In Deuteronomy 26:5, when the people brought their offerings to God, they were instructed to make this response before the LORD your God:
“A wandering Aramean was my ancestor; he went down into Egypt and lived there as an alien, few in number, and there he became a great nation, mighty and populous.”
No longer are we a wandering people. Instead, we are mostly a nation of settlers, people who have been in one place for awhile. We no longer are a nation of immigrants who are wresting a new nation out of the raw materials of the land and becoming a melting pot of different cultures which have settled it. We look with suspicion upon someone who moves into our neighborhood, especially if they don’t look or act like us. If they don’t speak our language or eat our food, we tend to shun them. We don’t show hospitality. We don’t add their flavor into our soup, and try to keep them from melting into our pot.
No one likes change. I think of the old joke about “how many United Methodists does it take to change a lightbulb?” The answer is “none—that lightbulb was given as a memorial to my Aunt Harriet’s dead husband, and it cannot be changed!”
Hospitality requires us to change the lightbulb, however, for bringing light to a dark stairway will make it safer for people of all ages to traverse. Hospitality asks us to open our pews to people who don’t think like us, so we can wrestle with the theology of God and the calling of our faith for this present age, not just our yesterdays. Hospitality calls us to serve as a respite and refuge for the aliens, the immigrants, the homeless, and the newcomers who arrive in our communities.
Unfortunately, too many of us have bought into tribal thinking, which is a form of all or nothing thinking. Gang behavior is tribal thinking, for if you don’t kowtow to the group think, you will likely be dead. Excommunication from the church is a form of punishment for wrong thinking or wrong acts, and secession or rebellion is action against authority you no longer respect or recognize. Our church has just gone through a sad time of people cutting ties because they no longer share the understanding of Abraham, who offered sustenance and protection to strangers in the midst of the barren wilderness. In ancient times, those who received this gift were bound to mutual respect and protection. Food and water in the wilderness saves a life. Our hospitality to strangers in an uncertain world can save their lives and souls. Maybe we once again need to see afresh with ancient eyes our sacred texts, instead of with our current political and cultural blinders on our eyes. Then we could truly entertain angels unawares. And we would be blessed for this.
As the writer of the letter to the Ephesians closed out his third chapter (Ephesians 3:20-21):
“Now to him who by the power at work within us is able to accomplish abundantly far more than all we can ask or imagine, to him be glory in the church and in Christ Jesus to all generations, forever and ever. Amen.”
After the Great American Eclipse, I’m reminded once again how great and wide is the love of our God. We say, “Our God,” as if we could own or possess the one who holds us, since God is beyond our knowing or possession. We can own a boat, a house, or a work of art. In the bad old days before the Civil War in America, people once owned other human beings. We fought a mighty conflict so our nation could be made up of free people, all of whom have equal rights. Unfortunately, not all have equal opportunity.
Patriotic Sunglasses
In America, we are so privileged, we often look at most everything through red, white, and blue lenses. We don’t take off our “American eyes” to see as God sees. To make this point, the Great American Eclipse actually began over the Pacific Ocean, so perhaps whales and sea birds would have been the first to experience it. When the eclipse reached land in Mexico, those in Mazatlán saw it before anyone in Texas did. I have lived in Texas, so I know they like to be the “first, best, and biggest” in everything, so they’ll ignore the fact this eclipse actually was seen by others first.
Eclipse Path: you are here
We don’t need to be first or best to deserve God’s love and providence. God proves God’s love for us every day the sun rises and sets. God gives us the rain in its season and grass for the herds to feed upon. We don’t have to exclude others to get God’s love, for God’s love is wide enough to include all. A God, who can call an entire universe into being with just a word, has the infinite resources to love all fully and completely. We are the finite ones, having limited resources and understanding, who find the need to limit God’s love to a few.
We tend to think in human terms of competition, in which one person gets a blue ribbon or a trophy and everyone else is a “loser.” That’s the Rickey Bobby of Talladega Nights school of theology. God made the entire universe, even tiny Pluto, which our astronomers demoted from planet status to a dwarf planet in the Kuiper Belt. Just because we relegated Pluto to a minor status doesn’t mean God diminishes God’s love, care, and concern for God’s creation.
Bill Maxey: Total Eclipse at Hot Springs AR
When we have the opportunity to view an awesome event of creation, such as a total eclipse of the sun, we have to consider ourselves privileged to be alive and part of God’s care. When the moon fully covers the sun and darkness falls upon the face of the earth where you stand, the cool air touches your skin, and your heart burns within. The excitement and rush of energy is so great I had to shout! I’ve heard some people cry. I guess I’m an exuberant sort.
Nana’s Poem: typed from memory
On 20 August 1892, “The Times” published an article by Kipling, “Half-a-Dozen Pictures”: it was one of a series of travel articles called From Tideway to Tideway. The article described a visit to an art gallery and Kipling’s reflections on the failure of most painters to match the beauty and vitality of the world around them. He offered some attractive verbal sketches of his own, though it wasn’t part of his purpose to contrast the approaches to nature of writers and painters. His main concern was to urge artists of all kinds to get out and see the world for themselves: (Letters of Travel 1892-1913 p. 40):
Now, disregarding these things and others – wonders and miracles all – men are content to sit in studios and, by light that is not light, to fake subjects from pots and pans and rags and bricks that are called “pieces of color”. Their collection of rubbish costs in the end quite as much as a ticket, a first-class one, to new worlds where the “props” are given away with the sunshine. (Letters of Travel 1892-1913 p.77).
Eight days later, the same article was published in the New York Sun. This time it closed with the untitled poem ‘When Earth’s Last Picture is Painted…’ which changed the article’s emphasis from an exhortation to artists to become travelers and pioneers, to what sounds very much like a manifesto for realism in art:
“And only Rembrandt shall teach us, and only Van Dyck shall blame:
And no one shall work for money, and no one shall work for fame,
But each for the joy of working, and each, in his separate star,
Shall draw the Thing as he sees It for the God of Things as They are!”
Four years later, Kipling changed the first line of that stanza to:
“And only the Master shall praise us, and only the Master shall blame,”
Kipling, the son of an artist, knew the true joy in life comes from one’s dedication to whatever work is in hand, and the task of the Artist is to convey to others the excitement and wonder of an expanding world. By changing the last line from artists’ names to the Master, Kipling heightened the spirituality of his poem. The artist’s task isn’t merely to render a faithful image of the landscape or person before them, but to bring forth all the inner energies and personality they see and feel.
Cornelia DeLee: Memory of the Last Great Eclipse, acrylic on canvas, 12” x 24”
This is why we don’t copy nature, since it’s three dimensional and we have a two-dimensional surface on which we make our marks to represent what we see. Perspective is our visual language to fool the eye into believing our flat surface has depth. Often we paint abstract shapes and colors because these are the best means to convey our emotions about an experience. Photography captures one way of seeing, but painting can render emotions with brush strokes and colors.
Cornelia DeLee: Door to Another Reality in the Eclipse, acrylic on canvas, 18” x 24”
I subscribe to a wonderful poetry series by Steve Garnaas-Holmes, which I receive daily. This poem’s theme of universal love spoke to me as I felt the in-flooding joy of God’s creating power during the Great American Eclipse:
I have other sheep that do not belong to this fold. I must bring them also, and they will listen to my voice. —John 10.16
We think we’re being open-minded when we include “all of us,” Protestant and Catholic, Orthodox and Coptic, as if we see the whole landscape. But the pasture and the Shepherd are far greater than that. Believer, unbeliever and other-believer alike are all shepherded, each in their own language. And still there are more, and more other, sheep. Like, well, sheep. Do not the deer and otter, whale and fungus follow the Shepherd faithfully? Is not the bird migrating its continents shepherded as well? Christ is not the partisan figurehead of a religion, Christ is the infinite embodied grace of God, the Shepherd of all Creation, who leads rivers to the sea and winter into spring and each of us into life. So there are still other, and more “other,” sheep. For Copernicus isn’t done with us yet: we admit the sun doesn’t revolve around the earth, but we still think God does. No, little one: we are in a small corner. Yet even the far galaxies, the trillion trillions of stars and their planets, and yes, their doubtless forms of life, are also under the calm eye of the Shepherd, and follow the Shepherd’s voice. All of us, Baptist and Sufi, fish, bug and bird, earthling and alien, village and nebula, all are one flock. One. And, behold, even on the remotest planet in the farthest flung galaxy—like ours— or the most desolate spot in a life like yours, under the loving gaze of the Shepherd who seeks out the one, there is no one who is not at the center.
May you each find joy in your working, each in your separate stars, and draw the Thing as you see It, for the God of Things as They are!
Not only can God watch the sparrow, but also all the many suns and planets of creation.
Joy and peace,
Cornelia
When Earth’s last picture is painted – The Kipling Society
In the Bonnie Tyler song, “Total Eclipse of the Heart,” her rock and roll soul pines for a young man as she sings:
“Every now and then
I know there’s no one in the universe
As magical and wondrous as you.”
Love struck teen heart ballads tend to elevate the beloved to a high pedestal, while hymns lift the praises of God to the highest heavens. If we look at John Wesley’s Notes on the New Testament, one of the doctrinal standards of the United Methodist Church, his commentary on 2 Corinthians 4:6 (KJV) is instructive:
“For God, who commanded the light to shine out of darkness, hath shined in our hearts, to give the light of the knowledge of the glory of God in the face of Jesus Christ.”
We might be more familiar with this verse in the NRSV, a more modern translation, which wasn’t available in the middle of the 18th century:
For it is the God who said, “Let light shine out of darkness,” who has shone in our hearts to give the light of the knowledge of the glory of God in the face of Jesus Christ.
Bailey’s Ring, from an earlier total eclipse over the South Pacific Ocean
Wesley’s commentary in his Notes on this text is succinct:
For God hath shined in our hearts—The hearts of all those whom the God of this world no longer blinds.
God who is himself our light; not only the author of light, but also the fountain of it.
To enlighten us with the knowledge of the glory of God—Of his glorious love, and of his glorious image.
In the face of Jesus Christ—Which reflects his glory in another manner than the face of Moses did.
What do the Total Eclipse of the Heart and Paul’s words to the Corinthian community have to do with art and faith? We’ve just experienced, what was for most of us, was a once in a lifetime experience. The last time a total solar eclipse was visible across the entire continent was in June 1918, when a total solar eclipse was visible from Washington to Florida, according to the US parks service. Nearly 100 years passed until this present Great American Eclipse.
At the 1878 total eclipse, Maria Mitchell led the Vassar College eclipse party, an all-female expedition from that pioneering women’s institution, which came to Denver in an era when science was a male bastion. Even higher education was deemed risky for the “fairer sex.” In 1873, the prominent Boston physician Edward H. Clarke had warned in an incendiary book titled “Sex in Education,” that the recent push for female colleges and coeducation could undermine women’s health by taxing their brains and causing their reproductive organs to atrophy — leading to “a dropping out of maternal instincts, and an appearance of Amazonian coarseness and force.” Nearly 150 years later some men still concern themselves with outmoded and 19th century views on women’s health concerns.
Eclipse as seen through the hands
I drove over four hundred miles to Kentucky in 2017 for the prior Great American Eclipse and got to stay home to see this second Great American Eclipse in my own front yard. Some folks couldn’t have been bothered about this current grand event, while others were convinced God was informing America of her impending doom. Moreover, multiple conspiracy theories abounded, none of which came true, of course. For instance, the world didn’t come to an end and our cell phones still work. Even the electric grid held up, even though the sun didn’t shine for all of a few minutes as the shadow traveled at over 1,600 miles per hour as it raced along the path of totality. This wasn’t even Y2K, which we all remember was a nonstarter at least and a dud at best.
Eclipse over Niagara Falls, 2024
In art class Friday Tim and I talked about the experience of this celestial event. We humans often elevate our own importance when we measure ourselves against one another and the works of our hands. When we go out into nature, we’re faced with the grandeur of God’s creation, especially when we visit the Grand Canyon or Niagara Falls. In Psalms 19:1, we read:
“The heavens are telling the glory of God; and the firmament proclaims his handiwork.”
We see the beauty of nature and feel a warmth in our hearts. Our spirits soar. This intimacy with nature is one of the reasons we send our children to our United Methodist Church Camps, not just because they’ll have a great Christian experience, but because they’ll have that faith experience in nature with trusted leaders. I still remember my adventures and experiences in nature at those camps as part of my spiritual journey.
Towering Cumulus Clouds
Even in seminary, when I was having difficulty with some of my courses, I could go for a walk on the campus under the tree lined walks and search the skies for hopeful signs. Sometimes I saw the towering cumulus clouds in the Texas sky as a sign God was with me “in the cloud by day.” In those times of difficulty, even the cloistered realm of preparation seemed like a wilderness journey, but I was glad for a guide.
Bill Maxey, from Nebraska, taken at Hot Springs, AR.
When I was actively serving as a pastor, sometimes I just had to get away. I’d drive until I found some nature, a national park, national forest, or some fields outside of town. If it was a hot summer, I looked for some deep woods and cool shade to shelter me. In the cool spring, I drove until I found flowers. Maybe this is why I retired to a lake in a national park. I don’t need a big house, since I’d rather go out into nature instead.
Totality on Lake Hamilton, with sunset in the west, outside the path of totality
It was the heat of summer in 2017, so you’d think I’d remember the temperature drop right before the eclipse was halfway through. This year I was on Lake Hamilton, and the breeze off the lake combined with the cooler air was decidedly noticeable. When we entered totality, the lights on the Highway 70 bridge and at Bubba Brews automatically came on. The distant sky in the southwest, outside the path of totality, looked like a summer sunset. My neighbors and our visitors from afar were cheering.
Bill Maxey: multiple exposure of the Great American Eclipse, 2024
Not everyone can make an artwork that expresses their emotions as well as the shapes of the image. We can learn the rules of perspective and color, but then we have to learn to let our heart rule our head. This is what I call an “artistic leap of faith.” When we were young, we accepted the basic ideas of Christianity. As we got older, life happened, and we might have begun to struggle with our childhood beliefs not being equal to our adult needs. If we keep our childlike faith, we risk losing our faith. If we are able to wrestle with our faith and find a new and more mature faith, we can handle the major challenges of later life. As Paul says in 1 Corinthians 13:11-12—
“When I was a child, I spoke like a child, I thought like a child, I reasoned like a child; when I became an adult, I put an end to childish ways. For now we see in a mirror, dimly, but then we will see face to face. Now I know only in part; then I will know fully, even as I have been fully known.”
Tim’s Partial Eclipse painting using red, blue and brown to build the sky
Tim experimented with mixing colors to get richer depth. Using the Prang watercolor palette, he mixed the red, blue, and brown to get the black sky of the eclipse event. The red orange of the sun has some brown in it too. He layered the colors with multiple strokes, with a nod to Van Gogh. He worked from a photograph I brought. I pulled many of them off the internet, and many of my friends sent me some too.
Cornelia: Total Eclipse of the Sun
I worked on an image I’d taken from my iPhone. I had placed one of my eclipse glasses over the lens and was wearing another pair. It wasn’t that easy to get the sun lined up with all that blocking! My image looked a lot like a fried egg or an eyeball. I used several jar lids to get the circles painted cleanly. My dark sky is red, blue, and violet. The shape of the corona was not distinct, due to the quality of my camera. NASA has a very high-resolution image, which breath taking. Our tax dollars at work are bringing great scientific research and development to benefit us in everyday life, such as solar panels and heart implants.
NASA: High Resolution Image of the Total Eclipse
Thomas Merton, in No Man is an Island, in a chapter called “Being and Doing,” wrote—
“We cannot be happy if we expect to live all the time at the highest peak of intensity. Happiness is not a matter of intensity but of balance and order and rhythm and harmony. Music is pleasing not only because of the sound but because of the silence that is in it: without the alternation of sound and silence there would be no rhythm.”
I was a bit exhausted after all the excitement of this big event. I’d met new people from three different states, visited around our patio, and been gifted crystals that had been dug from Mt. Ida and “energized by the eclipse.” I’m not a crystal person, but I understand from those that are these crystals are “special.” I was feeling every bit of my new age as the calendar flipped over for another year.
But today is another day, I had a night to sleep, and we had fun in art class. As long as we find joy in life, we know we’re alive. Our joys aren’t just collections of peak experiences, but some are the joy of the assurance of God’s enduring presence in our later lives when our youthful vigor has left us. We need to remember just as the moon eclipses the sun, once it passes, it also reveals the sun’s glory. One day this Bible verse from Philippians 3:21 will be true for each one of us, who has a heart full of love for God and neighbor:
“He will transform our humble bodies that they may be conformed to his glorious body, by the power that also enables him to make all things subject to himself.”
Joy and peace,
Cornelia
Bonnie Tyler – Total Eclipse Of The Heart Lyrics | AZLyrics.com
All things will renew themselves in good season, yet we have only the present moment before us. We can’t live in the past, nor can we control the future. We have to recognize even our present moments aren’t always in our control, as we witnessed in the big Super Bowl game last Sunday.
Random Actions Often Determine the Outcomes of Sporting Events
Who would ever believe a punt would hit a receiving teammate’s foot, and suddenly become a live ball? Then get recovered by the Chiefs for a quick touchdown? If you think you can control your circumstances or the actions of others, just watch the NASCAR races at Daytona this weekend. The wonder is they don’t wreck in every turn, but only occasionally during the 500 mile race on Sunday.
Watercolor is more difficult medium to manage than acrylic paints because it’s wetter and refuses to dry as quickly as we want to paint in that same area. It’s not being obnoxious; it’s just being its own true self. Cezanne used watercolors to think out his ideas beforehand, and then worked in oils. Often, he tossed aside the watercolor work, sometimes even leaving it out in the landscape which he’d just painted. He’d learned all he could from it and now was ready to paint his new image, but not a copy of the original painting. This mountain shows up in sixty of Cezanne’s artworks.
Paul Cézanne: La Montagne Sainte-Victoire, 1888, oil, The Stedelijk Museum, Amsterdam.
The stoic philosopher and Roman Emperor Marcus Aurelius wrote a series of meditations on life. In one he speaks of all life experiences as being the same. This attitude keeps him from getting too high or too low about what happens in his life. He takes it as it comes. Even death, which some fear as a loss, doesn’t bother him, for if he isn’t bothered about the present, he can’t be bothered about losing that too. Marcus Aurelius wasn’t a Christian, but his quest for equanimity is admirable. Take life as it comes and worry not:
“First, that all things in the world from all eternity, by a perpetual revolution of the same times and things ever continued and renewed, are of one kind and nature; so that whether for a hundred or two hundred years only, or for an infinite space of time, a man see those things which are still the same, it can be no matter of great moment. And secondly, that that life which any the longest liver, or the shortest liver parts with, is for length and duration the very same, for that only which is present, is that, which either of them can lose, as being that only which they have; for that which he hath not, no man can truly be said to lose.”
The Still Life in Our Classroom
When we work in watercolor, we have to take what the watercolor gives us. While we can plan, design, and control the outcomes to a certain extent, watercolor often goes its own way. If we work over the whole surface, rather than noodling around in one little space like a puppy sniffing a single spot while out on its morning constitutional walk, we get more done, just as the puppy is more likely to get its “business” done.
One of the reasons we work in a new medium is for the challenge. In school, when I was bored, I’d take notes in class by writing upside down. When that got too easy, I began using my left hand to write upside down. This was a true challenge! I didn’t have any ingrained pathways in my brain for left-handedness, much less the upside-down images. I was truly bored, however, so I struggled on until I got serviceable images. This was the year in which I went to art school as a midyear junior and was taking a freshman level history course.
Tim’s Painting
Tim has voluntarily switched to his left hand because he will have surgery on his right side, which will knock out his ability to use that arm for several months as he recovers. This is a good effort for his non dominant hand. You can tell he focused on the scoop, for it has the most detail. Training our alternate hand to do the work of our dominant hand requires resetting the brain to prefer the new hand. If you try brushing your teeth with your other hand, you’ll see exactly how strange it feels to use a different hand. This is because you have no well-worn pathways in your brain circuitry that makes this routine effort possible.
The fancy pants word for this is neuroplasticicy. We meet this concept with stroke survivors who do physical therapy to rewire their brain connections to make new pathways so they can speak, write, or walk. Everyone who tries a new game, learns a new language, or tries a new hobby also builds new pathways in their brains. Be learners for life, if you want to keep your mind healthy.
Gail’s Painting
Our still life was challenging today. It had solid shapes, a clear bottle, and a metal scoop. Not only were there multiple colors, but textures and transparency also. Gail has had several years of drawing under her belt, so she was able to render the perspective of the still life well. Note the clear blue bottle, which has a wonderful oval bottom. The lemons and limes are distinct also. The grey shape is an antique scoop, sans the handle.
In 2008, J.K. Rowling spoke at the Harvard commencement exercises, telling the graduates, “Talent and intelligence never yet inoculated anyone against the caprice of the Fates.” Because we don’t know what tomorrow will bring, taking care for today is the best preparation for the future. Rowling studied the Classics at Harvard, a subject most people would consider useless for this modern era. Yet after a divorce, as a single parent working for Amnesty International, she began writing her wizard novels. Harry Potter is now part of our cultural heritage.
As Jesus said in Luke 12:25-26–
“And can any of you by worrying add a single hour to your span of life? If then you are not able to do so small a thing as that, why do you worry about the rest?”
Worry is stressful, for sure, and it’s an example of “bad stress,” along with traumatic events, such as adverse childhood experiences (ACE), disease, divorce, and death of a loved one. We also endure “good stress,” as when we challenge ourselves to lift heavier weights, cook a new recipe, or learn a new language. As Ralph Waldo Emerson wrote in his 1841 essay Heroics, paragraph 14:
“The characteristic of a genuine heroism is its persistency. All men have wandering impulses, fits and starts of generosity. But when you have chosen your part, abide by it, and do not weakly try to reconcile yourself with the world. The heroic cannot be the common, nor the common the heroic. Yet we have the weakness to expect the sympathy of people in those actions whose excellence is that they outrun sympathy, and appeal to a tardy justice. If you would serve your brother, because it is fit for you to serve him, do not take back your words when you find that prudent people do not commend you.
“Adhere to your own act and congratulate yourself if you have done something strange and extravagant, and broken the monotony of a decorous age. It was a high counsel that I once heard given to a young person, —”Always do what you are afraid to do.”
When I was in high school, the ancient Latin teacher, who had taught my daddy when he went to school, tossed out the challenge, “No one has ever made 100% on my final Latin exam.”
I bit on that challenge like a starving dog bites on a bone, even if it has no scrap of flesh remaining on it. I made flash cards and studied for an hour every night before bed, I was so determined to be the exception to the rule. On the test, I got all the Latin correct, but lost ½ point for misspelling an English word. I never followed up on her retirement, but I fully expect her record remained unblemished. Also, I’m still spelling challenged. I’m thankful for SpellCheck in our writing apps.
Gail W.’s Painting
Gail W. paid attention to the still life and took care to lay down a close image in a pale wash before she began to add darker washes of color. Her left lime is most successful, with at least six shades of green and yellow in the shape. I also like the highlight on the central lemon. These two images capture the essence of the watercolor medium. Her perspective on the bottle bottom indicates it sits well on the cloth.
Failure teaches us what we don’t know, so we can improve the next time. This is what we call resilience. When I taught art, my students had to find three things they did well in their work before they named anything they needed help on. This was to build up their confidence. For some of them, just making a mark on the page was a start. If we fear making a mistake, we can sketch in a pale-yellow wash. This is very forgiving, like a whisper in the wind. If it’s not quite right, the next few marks may be nearer our desired outcome.
This Is Fine—Leave Me Alone, I’m Having a Crisis
Our mindset is what controls how we react to events in our lives. As one of my friends would remind me, “Not everything is a hair on fire moment.” Of course, when I was a young teen, the least slight or distress caused me to fling myself over my bed in a paroxysm of sobs, wailing loudly, “I’m going to die!” My parents would look at each other and shrug, “What boy is it now?” Fifteen minutes later I’d be in the kitchen looking for a snack, having cried my eyes out, and now I was on to the next thing. As I had more experiences, I learned to roll with the moment. Sometimes you need to wait for the next wave to rise before you take your ride. God’s timing is always right, for our experiences, both the failures and successes, prepare us for what comes next in our lives.
Cornelia’s Watercolor
I had some of the same perspective problems as everyone else, especially with the base of the bottle. Actually, it’s a challenge to get a “transparent three-dimensional object on a flat surface” to appear as if it’s actually sitting on a flat surface in two dimensions. Learning some shading techniques and remembering a round bottle bottom becomes an ellipse helps to bring off this sleight of hand. I got my paint too dark on the front of the bottle base and had to let it dry so I could come back in with some clear water and an almost dry brush to pick up the color. This gave me the highlight I needed.
Cornelia’s Drawing over the Watercolor
When I got home, I noticed my eyesight seems to be going amiss with my increased age. Lately I’ve not been careful to paint my verticals straight. Either I’m being lazy, or I’m tilting my head as I look at the subject. Maybe my neck injury has something to do with it. I duplicated the photo and used the Apple Pencil to straighten up the bottle and even up its symmetry. I also touched up a few of the lemons and limes. Maybe I’m still the puppy that likes to noodle around and sniff about until I can wrest all I can get from a work. This way I learn all I can from it. Like a kindergartner, if my work ends up a huge grey blob, I can say, “That was a great learning experience!”
My grandmother, who painted portraits and still lifes, kept a saying written on the back of an envelope, near her easel: “Ever tried. Ever failed. No matter. Try again.” She passed in 1970. Years later, Samuel Beckett, in his 1983 story, Worstword, Ho wrote:
We need to be like great artists and athletes, or the Michelin chefs who just keep trying, falling short, until they get close enough to qualify for their stars. Persistence makes all things possible, and if we “fail,” we’re only getting closer to perfection.
Our art class has worked in acrylic paint for several years, but toward the end of last year, they expressed an interest in learning about watercolors. I said, “Sure, we’ll do that. It’ll build on the color theory you already know, but you’re going to have to learn to plan ahead and learn not to rush to overwork one area. Transparencies are the mark of watercolor, so leaving your painting underworked is better than overdoing it.”
Transparent Watercolor Model
I was met with silence. Then laughter. “What the heck! We’re up for it! Bring it on!”
I love this group. They’re always up for a challenge. I think they’ve bought into my philosophy we aren’t going to be perfect, but we’re always going to learn from everything we do. As a teacher, I reminded parents their children wanted to engage with the medium to learn how far they can mix the colors before the image becomes a dark gray smudge. Then they might even push it even further until it’s solidly black. If you ask a child about their story, they might say, “The family took shelter in the house, but the storm came and blew it all away.” The story would evolve as they pushed the medium to the maximum. They learned the limitations on that day and wouldn’t go as far the next day. The process, not the product, is important.
Young children aren’t ready to draw subject matter from life but prefer illustrating stories from their imagination. They use symbols, rather than attempt to construct two dimensional designs to represent three dimensional objects. Somewhere around age 11 to 14, children begin to try to construct a realistic world in their art. While their drawings at this stage display the use of value, perspective, and light, children are extremely critical of their own success. They consider their drawing only as good as the level of realism they achieve, and they’re easily frustrated. Most people quit making art works about this age, so even as adults, their “functional artistic age” is somewhere between 11 and 14.
When my mother was teaching ceramic classes at her church, she once complained to me how her students, all senior citizens, were like “spoiled children, who each needed to have their own fresh jar of glaze to paint from.”
I asked if she was putting all the new paint jars out in the workroom, or if she kept them hidden in the supply closet. You might have thought I’d just pulled the clouds back from the sun from the way her face lit up.
“Of course! I should have thought of that! I’ll just pour out the colors they need and tell them that’s how it’s going to be. They can share.”
Paul Cézanne: The Park of the Chateau Noir with Well, 1904, graphite and watercolour, Private Collection
The old masters didn’t teach their students light, dark, shading, values, perspective, color mixing, temperature, or any other aspect of the art trade until the apprentice reached around age 10 or so. The rule when I was growing up was a child had to be able to write in cursive. That rule won’t work today, but another hand-eye coordination achievement will take its place.
It takes a while for me to know a new student’s nature, so I can give them the appropriate nurture. Some of my students will go ahead and do exactly what they want to do anyway because they have to see for themselves. They have a high tolerance for “learning,” and “experimentation.” Other students need to be kept from these excesses, because they can’t stand “failures.” Some students need to creep up to the edges of failure in order to progress, since they are so fond of being in control. Gaining the confidence to let go and let the medium have its way will be a growth opportunity which watercolor offers. Other students I can leave well enough alone, and come over when I sense they’re at a struggle point. I can recognize this when they quit working or begin to sigh loudly as they push back from their work area.
Cutting on the Fold
I’ve actually had some grownups in art classes cry because they couldn’t master a technique on the first go around. I always expected at least one child in my kindergarten class to shed a few tears when they were first learning to cut on the fold, but didn’t “hold the fold” when it was time to cut. I can repeat this rhyme, ask them to check, and then cut, but at least one will hold the open edges, which leads to two half pieces. I always have to remind them I’ve been practicing this skill longer than they’ve been alive. One day they’ll get good at it also. Effort will pay off. The same encouragement goes for adults, though most of them are too proud to shed tears.
For our first class, belated as it was due to the recent weather and my brief hospitalization for a small blood clot at the turn of the year, we chatted about the difference between acrylic and watercolor painting. Acrylic painting is more forgiving, since we can paint over our less precise marks. We saw some Cezanne watercolor landscapes to see how a real master draws and paints.
Paul Cezanne: Le cruchon vert, watercolor, 1885/1887, Louvre, Paris.
Watercolor’s luminosity depends on the sheet on which it is painted, for its brilliance is a balance between transparent washes of pigment and the light bouncing off the bright paper back to the viewer’s eyes. At first, Cézanne worked much as he did in his oil painting, applying the watercolor densely, filling in underlying pencil outlines, covering the paper completely, and highlighting with white gouache. Later he thinned his watercolor and laid down veils of color, incorporating blank paper for highlights. He often applied watercolor to dry, semi-absorbent paper, creating layers of crisply defined brushstrokes with ridges of pigment at their edges.
Our class, because they are used to the dense pigments of the acrylic paints, painted much like the early Cezanne gouache works. It takes a while to learn a new medium, especially one so radically different from their prior experiences. But just as it takes time to learn, it also takes time to unlearn! Ask my golf coach about changing my swing sometime. We’ll get the hang of it eventually.
After checking out the master, we then worked on mixing the secondary and tertiary colors from the primary colors from our Prang 8 Color palettes on our 140-pound watercolor paper (not sketchbook paper, which is thinner and will buckle under the slightest bit of water).
Cornelia’s psychedelic mushroom rainbow
I was still on painkillers for my shingles, so my painted circle never quite closed itself. Instead, it was more of a rainbow, an image of hope after all this rain and my health troubles. My secondary colors looked like rainbow mushrooms popping up from the rainbow. The wetness of some areas bled into some of the colors, giving me the tertiary colors. I had a bit more success working the wet in wet in the blue grey cloudy sky.
Gail W’s Flower
One of our new students, Gail W., imagined her color wheel as a flower in a field. Tim W. focused on the colors as patterns. I had the sense I was looking at a portion of a quilt in progress. While we had the color wheel as an image, we weren’t bound to recreate a wheel.
Tim W’s quilt patterns
Tim B. Always has a unique viewpoint, so his color wheel is moving through space. Mike used some pastel colors in addition to the Prang colors to experiment with the difference between them. He’s used to thick paint with his acrylics, so allowing more water to flood the surface and allow the light to bounce back through the paint will allow his painting to glow more brightly.
Tim B’s flying color wheel
Gail S. finished out her wheel in good form. She has good transparency of paint and mixing of colors of the three sets of colors on the wheel. Gail typically paints with thinner washes in acrylics, so her technique in that medium passes over easily to watercolors.
Gail S’s transparent color wheel
As a first start, we’re on the way. Next week we’ll try a small still life. I hope to be in less pain, so I’ll have more of my brain cells available, or at least they’ll be within hailing distance. I have some great Cezanne still life watercolors to share. A still life will test our drawing skills and our painting skills both. The Victorian art critic John Ruskin said, “No good work whatever can be perfect; and the demand for perfection is always a sign of a misunderstanding of the ends of art.”
Mike’s color wheel with Prang and opaque watercolors
We aren’t being graded, so when I say “test,” no one ever fails. We only find out what we’ve learned and what we need to improve upon. Trust me, “we’re all going on to perfection, by the grace of God.” After all, this is a United Methodist art class. If I may quote Ruskin again, “The highest reward for a person’s toil is not what they get for it, but what they become by it.” By this he means, art changes us. Art also opens new horizons, allows us to overcome challenges, imagine new solutions, eases our stress, finds companionship, learn resilience, appreciate culture, and develop new skills. At every age, art builds confidence, teaches us compassion for ourselves and others who try new things, and helps us keep an optimistic attitude. I personally believe art keeps our inner child alive and well. May God renew you daily in joy.
What is the purpose of an art class? Why does anyone learn to speak a foreign language or take up a craft or sport they’ve never attempted before? We must want to explore some unknown universe or get out of our comfort zone, or as my old favorite television series would announce weekly, “to boldly go where no one has gone before.”
Light of the World Icon: Stencil effect
There are art classes and then there are Art Classes. Just as we shouldn’t make up our minds about a subject or a food until we experience it directly, we can have an open mind about a novel event, rather than rejecting it out of hand. Many of us have lived our lives under judgmental circumstances, dealing with rejection and disappointment at not being the best. “Talladega Nights: The Ballad of Ricky Bobby,” the NASCAR themed film of redemption and finding one’s purpose in life, stars Will Ferrell, whose father crippled him with this tragic life message:
“If you ain’t first, you’re last. You know, you know what I’m talking about?”
Near the end of the movie, Ricky Bobby learns this all was just crazy talk:
Ricky Bobby: Wait, Dad. Don’t you remember the time you told me “If you ain’t first, you’re last”? Reese Bobby: Huh? What are you talking about, Son? Ricky Bobby: That day at school. Reese Bobby: Oh hell, Son, I was high that day. That doesn’t make any sense at all, you can be second, third, fourth… hell you can even be fifth. Ricky Bobby: What? I’ve lived my whole life by that!
According to Baseball Reference, Ruth’s 183.1 career WAR — combining his value as a hitter and pitcher — is the highest all time, well ahead of Walter Johnson’s 164.8. For reference, the highest mark among active players is Albert Pujols’ 99.6 WAR.
We call this living out a “bad script” our ancestors have written for us. We see it all the time in the movies and on television. We read about it in novels and in comic books. For the most part, people don’t change their wicked ways, but get the consequences they’re due. The bad suffer and the good prosper. Or we read fairy tales in which the good little children get rewarded, or the unjustly treated ones are raised up, like Cinderella. These are the popular stories, but not the biblical tales. The book of Job calls this “retribution theology” into question, as does Jesus in the New Testament.
Annie French (1872 – 1965) Scottish: Cinderella and the Ugly Sisters, About 1900 – 1910, Pen and ink, watercolour and gold paint on vellum paper, 23.50 x 21.50 cm, Scottish National Gallery of Art.
In the Bible, God sends prophets, not only to call the people to account (critique their actions or behavior), but to offer the hope of a better future if they return to God and God’s ways (positive changes in behavior). In this way, a good art teacher is like a biblical prophet, who offers both positive and negative critique on the artwork. The teacher also offers “hope” or suggestions on how to improve the work. Teachers aren’t telling the person they don’t measure up, only that they need more time invested in making art to be able to bring their own artistic vision into reality.
Mike on Being the Light in the World
If we expected babies to chew steak from the moment of birth, the world would be a lonely place. If we expected these same babies to get up right away and “bring home the bacon” to buy their own steak and potatoes, they’d starve. Babies aren’t meant to walk before they crawl, nor or they chewing meat before they drink milk or pablum for a year or two.
Bacon Cake: Oh, Baby! I hope that’s REAL BACON!!
Someone who comes to art class should always come to learn something more, no matter how much they already know. I’m always learning new ideas and techniques. The act of making art is always an act of exploring new territories. We also grow by sharpening one another. Folks in the class are always excited to see how each other approaches the subject each week.
Mike’s May 2022 class work shows he’s been learning some things.
Only the apocalyptic writers in Scripture had a fixed view of the future. For them, God had given up on humanity. We humans were too far gone, too broken, and had destroyed God’s world beyond our weak means to repair it. Their only hope was for God to create “a new heaven and a new earth, for the first heaven and the first earth had passed away, and the sea was no more.” (Revelation 21:1)
Gail went the extra mile with Cri-Cut lettering
Of course, this isn’t a prediction of a certain time, but it’s a future hope for all times. It’s the hope all we creative people have every time we face a blank canvas, a pile of found objects, or a bag of scrap cloths. We also do this when we pull together a dinner before we go to the grocery store, and we take some of this and that which we have in our cupboards and refrigerators. We’re going to make something new! We do hope the Spirit of God descends to make this an inspired concoction! And if it doesn’t work out, we always know our salvation isn’t at stake over a single random supper creation. If I’m hungry enough, I’ll eat anything. Or there’s always peanut butter and jelly sandwiches.
Leftover Doughnuts and Sausage Bread Pudding Bunt Cakes
I was reading Richard Rohr’s Enneagram commentary on the American people. He says America is a nation of Threes: competitive, striving, always looking for success and improvement. When we hit a down cycle, and economics tells us we always have ups and downs in our economy, Americans act like we’ve been insulted. This doesn’t happen to us—to others maybe—but not to us! We’ll look both for a scapegoat and a savior, but never realize these conditions are a natural part of life.
Always be the best YOU. There’s never going to be another one just like YOU.
Likewise in groups, we’re always judging who got more, who has the most status, who’s preferred, and who’s on the out. We’re even liable to self-select to be on the outer group if we believe we won’t measure up, just to spare ourselves the shame of being found wanting. Joyce Rupp has a great poem about this very topic:
WE CAN LOVE THE IMPERFECT SELF If I wait to be perfect before I love myself I will always be unsatisfied and ungrateful.
if I wait until all the flaws, chips, and cracks disappear I will be the cup that stands on the shelf and is never used.
Magic Teacup Cake from Alice in Wonderland
If we’re faithful scripture readers, we know God never chooses the best persons to do God’s work. When we were children, we saw these characters as heroic figures, just as we saw our parents as great and invincible. The Old Testament records how Moses was a murderer, Joshua was afraid, Amos was a lowly shepherd, and David was an adulterer. Not exactly Perfect Role Models, but transformed people can do God’s mighty deeds if they let God work God’s purpose through their lives.
This word doesn’t mean what the headline writer thinks it does.
In Art Class, we don’t reject “poor work.” We aren’t a factory producing widgets. We have other goals: art appreciation, learning about colors, learning to see more clearly, developing a creative mind, and developing drawing skills. Art is a unique visual language, so learning how to render a three-dimensional form onto a two-dimensional surface takes some time and practice. Developing our own voice is the step beyond mastering the basics of artistic vocabulary. As I used to tell my parents at back-to-school night, just enjoy whatever your child brings to you! If you leave your “critical parent” at home, and bring your “inner child” to Art Class, life is way more fun!
Mike’s Christmas Card Collage
We’re currently on holiday sabbatical at Oaklawn UMC, but classes will return in the new year. We meet in the old Fellowship Hall at 10 am to noon. We always have coffee, and on occasional days, a tasty treat. Our class will begin working in watercolor beginning on January 5, 2024. I don’t charge for the class instruction, but each person should bring their own supplies. Supplies needed are:
Prang Oval 8 watercolor paint set with brush
Prang Oval 8 watercolor paint set (containing brush)—on line at Walmart and Amazon. This has best color and pigments. I found a prime deal on Amazon for $3 each if you buy 3, free shipping.
Watercolor paper pad 9” x 12” or larger (90 lb or heavier)
Tall plastic container for water (iced tea glass size plus)
Babe Ruth’s Top 10 career statistics— Shohei Ohtani produced 9.1 total WAR during his spectacular two-way campaign in 2021. Even he maintained that level of performance for 20 consecutive seasons, he would still be 1.1 WAR short of matching Ruth. https://www.mlb.com/news/babe-ruth-s-top-10-career-statistics-c163792958
“Gloom begets gloom,” my daddy always said, “so if you wake up on the wrong side of the bed, it’s best to go back and get out on the other side.” Some folks today don’t have much of the Christmas or holiday spirit, for they’re only looking at the dark side of world events or at the shrinking purchasing power of their dollar.
Unemployed people sold apples on the street corner in the Great Depression
Since the Civil War, the United States has endured thirteen depressions or recessions large enough to get noticed by those who study such things (see list below). This is an average of one about every dozen years. Of course, those of us who experience these events don’t have to study them, for we directly participate in the event. As the old saying goes, “If my neighbor loses his job, it’s a recession, but if I lose my job, we’re in a depression.” Instead, we plan for them and expect the good times won’t last forever.
Because we human beings are wont to think “our situation is unique,” we’re also great at forgetting the lessons of history. The first lesson is life is cyclical and what goes up will come down. The second lesson is what goes down will eventually go back up. My long experience suggests when folks are in the “down cycle,” they forget upward progress is possible. In college we used to joke, “been down so long, it looks like up to me!”
It’s always darkest before the dawn.
Some say recessions are “necessary” in economic cycles to remove excess, reprice assets, and tame risky behavior. None of these negative factors would exist except for human greed. When Mary and Joseph went to Bethlehem to register for the census, they were also enrolling for the purpose of taxation. The Romans practiced tax farming in their provinces. Whoever had the account had to raise a certain amount for the empire, but could keep whatever excess they raised for themselves. Excessive taxation on the conquered land and people stoked their hopes for a messiah to rid them of this evil. No wonder the signs and wonders attending the birth of Jesus were fulfilling the ancient prophecies, as Matthew wrote (2:6):
‘And you, Bethlehem, in the land of Judah, are by no means least among the rulers of Judah; for from you shall come a ruler who is to shepherd my people Israel.’
Church of the Nativity, Bethlehem. Star over the Grotto
In the times of darkness, we always look to the light as a reason to hope. As the magi saw a star rising in the east and believed an important person would arise in the land of Israel, we today look for glimmers of light to give us hope for the day to come. Some people see the wars, earthquakes, and crookedness of people and think we’re entering the end times. Churches and radio preachers are making hay with the Book of Revelation, forgetting it was a specific book written for a unique audience and time. We have been in the “end times” since Christ arose from the dead. As Matthew (28:20) records his words to the disciples in Galilee:
“And remember, I am with you always, to the end of the age.”
Since we’re always with Christ, we will always have his light, as Zechariah prophesied in Luke 1:78-79–
“By the tender mercy of our God, the dawn from on high will break upon us, to give light to those who sit in darkness and in the shadow of death, to guide our feet into the way of peace.”
The famous Banksy’s Armored Dove of Peace, the painting of a peace dove wearing a flak jacket. The dove is painted on a wall near the separation wall between Bethlehem (Palestinian Territories) and Israel. Nov. 18, 2023.
In the midst of wars in the Ukraine and in Gaza, where people are suffering and dying, we can lose sight of the vision of light and peace, while we focus on darkness and death. The Christian community in Palestine, which usually hosts hordes of Christmas pilgrims in Bethlehem Square, won’t be celebrating this holy season this year in solidarity with Palestinians in Gaza. Instead, they’ll set up a small nativity scene covered with rubble. It’s a reminder when the Christ child came into a suffering world over two thousand years ago, his birth was a hope for the oppressed and the poor. Every Christmas we have the opportunity to care for those who struggle to make ends meet.
Great Depression family at mealtime
In the Great Depression, families lost homes, farms, and lived in shantytowns called Hoovervilles. President Hoover spoke of a childhood Christmas memory:
“I do vividly recollect a Christmas upon that farm when the sole resources of joy were popcorn balls, sorghum, and hickory nuts; when for a flock of disappointed children there were no store toys, no store clothes; when it was carefully explained that because of the hard times everything must be saved for the mortgage. The word ‘mortgage’ became for me a dreaded and haunting fear from that day to this.”
1950’s Christmas Tree: we kids were Team Tinsel, but the folks were Team Ornaments. Our tree never looked like this!
I have some ancient memories of the cyclic hard times experienced by my family. I recall the late 50’s Eisenhower influenza recession dimly because it was the only time I ever saw my daddy cry. We had a brand-new Ford station wagon, but couldn’t afford to drive it except on Sundays. My dad brought money home daily from his office, so mother and we kids would walk to the local grocery to buy food the next day. He cried because he kept his office full of patients, but half of them couldn’t pay for his services. Mother was very practical and reminded him, “This too would pass. Trouble is only temporary.” In the fall, she took a schoolteacher position to help out. That Christmas we hand decorated sequins on felt shapes the “Twelve Days of Christmas” for a tree skirt. I passed this extravagance on to a nephew when I downsized my home.
We decorated the early days more than the later days. Time management wasn’t our best gift, but we had a great time doing this together.
I also remember the 1970’s economic slowdown very well. I got married during this time. After my husband and I bought our silver wedding rings, we had $16 left in our pocket. I was certain we had jumped off a height with no parachute, but we somehow managed day to day. To keep up “appearances,” we gave away some of our wedding gifts as Christmas gifts to other family members. I thought it was wrong, but now I realize I don’t care about those items today. I was more concerned about “saving face,” since someone might recognize we were regifting. We managed with food from our organic garden and meat from a deer my husband harvested in the autumn. But I no longer eat tuna casserole, having lost my taste for this staple of my poverty years. Gifts aren’t important, but people are.
The 1980’s had a slump related to the oil embargo. When oil money dries up, art teachers lose their jobs, as do all the other “frivolous employees” elsewhere. I got an insurance sales position, with a guaranteed six-week paycheck. I was amazed I had a talent for sales, but I was good at discovering needs and matching products to people’s ability to pay. My best sales close was, “If you’re not here to provide for your family, how will they be able to keep their current lifestyle?”
Having a simpler Christmas this year? Consider an alternative tree…
I lost my house to foreclosure during the 1990’s subprime mortgage crisis. I lost my credit cards and almost lost my daughter to suicide. I learned some things are more important than achievements or possessions. In the depths of the worst of times, gifts aren’t necessary. Being a light for others, helping others, giving yourself to those who need hope in these seemingly hopeless times is important. During this time, I drew hope from God’s words to Nathan in 2 Samuel 7:5-6—
“Go and tell my servant David: Thus says the LORD: Are you the one to build me a house to live in? I have not lived in a house since the day I brought up the people of Israel from Egypt to this day, but I have been moving about in a tent and a tabernacle.” I drew hope, for if God didn’t need a permanent home, but stayed with God’s people, then if I had no home title, God would still go with me wherever I laid my head.
Christmas Lights on Church Street
As a people, we always want to tie God to a place or to locate the Spirit to a site, but God is always bigger than our imagination and our attempts to circumscribe God’s existence. We want to restrict God’s love to a few, but God insists on loving those from whom we look away and exclude. In the midst of the chaos of my losses and suffering, I discovered God was calling me to the ministry.
Gislebertus: Flight into Egypt, 1120-1130, Stone Capitals at St Lazare, Autun, France.
Why does God call the least, the last, or the losers to God’s work? God wants to be glorified, not the person who does the work. God needs people who understand suffering and have been seasoned by it, rather than hardened by it. The wounded know the wounds of others, but they also know the path to healing. This is why we find the Christ child in a stable, not in a palace; and have shepherds and foreigners come to visit, but not his family or friends. It’s also why the Holy Family flees to Egypt as refugees to avoid Herod’s death sentence for the Jewish newborns. If we’re having a less than “perfect” holiday this year, perhaps we’re only having a bad hair day in comparison to the suffering of that first Christmas.
When I get to struggling, for the aches and pains of age are catching up to me, I can get in a low mood thinking, “I used to pop out of bed and do 12 things before lunch.” Now I need six cups of coffee to get my lunch going! Of course, I’m past my platinum anniversary and my hair color matches my age. On days like this, I look to Paul’s admonition in 1 Thessalonians 5:16-18, which rings across the ages as a clarion call:
Rejoice always, pray without ceasing, give thanks in all circumstances; for this is the will of God in Christ Jesus for you.
I wish each and every one of you a Merry Christmas and a Wonderful New Year. I plan to take a sabbatical from my Rabbit-Rabbit series in 2024, since I’ve neglected my sci-fi blog and my pandemic project quilt needs stitching together. I’m going to work on my art more and write about the spiritual intersections of the creative life.
Merry Christmas and Happy New Year
Joy and Peace, Cornelia
You can keep up with my other writing and thoughts:
List of depressions and recessions since the Civil War:
the Panic of 1873,
the Great Depression when 13 million people were out of work,
a recession after WWII,
another after the Korean War,
the Eisenhower influenza recession in 1957-58,
a recession in the auto industry in 1960-61,
and another year long recession in 1970-71 under Nixon.
In 1973, OPEC quadrupled oil prices, and that shock along with the stock market crash sent the world economy into recession.
In 1980, energy prices continued to rise, so when the Federal Reserve raised interest rates to curb rising prices, the economy contracted. Once again, unemployment rose to 11% and business output suffered.
We had a recession in the Gulf War from 1990-91, and then maintained the longest period of economic growth in American history up until
the Dot Com Bubble in 2001. The tech-heavy NASDAQ ended up losing nearly 77% of its value and took over 15 years to recover its losses. September 11, 2001 wasn’t a sunny day for the stock market or for America. Many people have had a pessimistic outlook on life from this date forward. It changed how we see ourselves.
In 2008-2009 another recession hit hard, making it the longest economic downturn since World War II and the deepest prior to
the following COVID-19 Recession of 2020. The former was triggered by the subprime mortgage market collapse, while the latter was the quickest and steepest of them all. While more than 24 million people lost their jobs in the US the first three weeks of April 2020, this shock was quickly ameliorated by government interventions, such as zero interest, income payments and other supplements.