Exploration

KISS Principle and The Six Degrees of Hydrangeas

adult learning, art, Bartram’s Nursery, brain plasticity, butterflies, Creativity, Faith, flowers, garden, inspiration, Ministry, nature, Painting, purpose, renewal, righteousness, risk, Spirituality, Travel

These dried hydrangeas, a gift from North Carolina, traveled home with me from my vacation back east to see my youngest nephew marry the love of his life. My childhood friend cut them from the bushes in front of her beautiful retirement home in the Blue Ridge Mountains near Lake Junaluska, the famed Methodist Retreat Center. Her home is about an hour away from the Biltmore Estate, America’s largest home. I’ve now been to both historic places, known for their hospitality, and enjoyed the hospitality of two friends’ homes, who live not an hour apart. I knew both of these gals growing up back home, and now they know each other through me.

Hydrangeas and Coffee on a Cloudy Carolina Morning

Hydrangeas are native to America. Two well-known hydrangea species, among others, grow wild in North America — the H. aborescens (smooth leaf) and H. quercifolia (oak leaf). Their actual cultivation began in the 1700s. An historic trifecta of our forefathers’ estates is proof: Mount Vernon, Monticello, and Montpelier all cultivated these hydrangeas.

Bartram’s Garden, possibly drawn by a young William Bartram

William Bartram, of Bartram’s Nursery in Philadelphia, provided the seeds and plants for these historic homes. James Madison’s home, Montpelier, in Vermont, still has the creamy white heads of H. arborescens as a border for his garden wall. The Bartram Gardens were a natural history project begun by his father John Bartram and continued through the generations, with William’s love of travel and exploration leading to a four-year collecting trip to the American Southeast and the publishing of an account of his travels in 1791. It became a classic text in the history of American science and literature.

Documents from Mount Vernon record how in 1792, George Washington planted a native hydrangea, H. arborescens, on the bowling green at his home. Nearby, when Thomas Jefferson was designing his gardens and walkways at Monticello, he also included these new shrubs. Today, gardeners can purchase heirloom H. quercifolia seeds from the Thomas Jefferson Center for Historic Plants in Monticello.

The notion everyone is connected by just six stages of separation gained popularity in the early 2000’s based on scientific studies done in the 1960’s. The game Six Stages of Kevin Bacon was based on this idea. Today, due to social media and the internet, some people have only 3 or 4 stages of separation. Our founding fathers ran in the same circles, so their stages of separation were small.

Hydrangeas also come from Japan, where they’re the subject of many brush and ink paintings. The flowers hold a solid role in Japanese culture. The Japanese celebrate the hugely popular Ajisai (hydrangea) festivals in the blooming seasons of late spring and summer. Pink hydrangeas are given on the fourth wedding anniversary. Hydrangea gardens often grace the grounds of sacred Buddhist temples. People enjoy amacha, or tea from heaven, on April 8, Buddha’s birthday. Amacha is brewed from leaves of the Hydrangea serrata.

Steps ascending to Meigetsu-in Temple

While western churches are sited in lawns, as if they were sheepfolds to shelter the sheep within and protect them from the outer world, eastern Buddhist temples incorporate nature into their design and sites. This reminds us everything is one. As Father Richard Rohr reminds us in his book, The Universal Christ, the author of Colossians 1:19-20, puts this idea plainly:

“For in him all the fullness of God was pleased to dwell, and through him God was pleased to reconcile to himself all things, whether on earth or in heaven, by making peace through the blood of his cross.”

A classic example is the Buddhist Meigetsu-in Temple, which was founded in 1160 as a Rinzai Zen temple of the Buddhist Kenchō-ji school. Located in Kamakura, Japan, its nickname is the hydrangea temple, for from the end of May through July, thousands of hydrangeas bloom during the rainy season. The temple is a Japanese national historic site.

When I first brought in the dried flowers to class, the first reactions I heard were, “Wow! You brought those all the way from North Carolina intact?” and “This is gonna be hard!” I’ll let you figure out who said what!

My answer was, “Sure, I’m an old art teacher, and I’m prepared for anything. I had a travel box in my SUV trunk, so they nestled quietly there on the journey home. As for hard to paint, remember what I always tell you, don’t paint the eyelashes before you get the shape of the face. The KISS principle always applies.”

“You mean keep it simple, stupid?”

“Mike, the one who wants to learn and stretch their mind is never stupid. KISS stands for KEEP IT SIMPLE, STUDENTS.”

They all laughed. Most of us can’t see the big forest because we’re looking at all the individual trees. If we step back and get a sense of the whole first, we can see how the parts relate to one another. This helps us put the basic sketch onto the surface of our work. It also gives us a moment to observe the subject before us and catch that moment of interest, which we can then emphasize.

Image Ball in Shadow and Light

As I reminded folks, “This looks difficult, but the basic shape here is a big ball. We’ve already done geometric balls. You thought those were boring, but they had a purpose. You needed that skill to be able to see the same shape in nature and recognize the same pattern of light and dark shadows.”

They nodded their heads. Teaching often is just reminding people what they already know or reinforcing previous skills from a different viewpoint. We went on to the slide show. It helps to see how other artists have handled the subject of the day. I’ve always enjoyed show and tell time, for it gives us inspiration and education both. Every time we learn something new, we have a new wrinkle in our brains. At a certain age, this is the only place we want to get wrinkles!

Inuzuka Taisui: Butterfly and Hydrangea, 1930, Woodblock print

This lovely Japanese woodblock print is from the era when Japan moved from its historic monarchy into the beginning of its new democratic government. The old emperor was confined to the palace due to illness, so the western educated prince regent Hirohito was the default leader. During this time, the people favored western art styles, such as this romanticized Shin-hanga print, instead of the older artists’ works of the floating world, or Ukiyo-e. The Japanese continued to prefer the works of the floating worlds, with the dancers, actors, musicians, and tea houses.

Of course, Taisui and the other artists of the Shin-hanga movement were producing for a distant audience, who may never have set foot upon the island of Japan. What we think we know of a place is one thing, but until we experience it first hand, we won’t know its truth and its power, except by word of mouth. Taisui was active for only a decade, as far as we know, from 1920 to 1930, but he made numerous prints of plants, insects, and birds, which still bring joy to us today.

T. Adams: Hydrangeas and Lilacs, palette knife technique

I found this painting on Pinterest. I pointed out how the artist didn’t paint every single flower petal, but still got the message of “hydrangeas” across. This is a palette knife work, so it builds up the shapes from back to front. An artist can’t just throw paint on the canvas like some piece of spaghetti against the wall and hope it sticks. We always have to put our thinking cap on and build up the shapes from back to front and from dark to light. We also have to pay attention to the direction of the light if we’re doing a realistic image.

Allison Chambers: Yesterday (Hydrangeas), oil on canvas, c. 2017-21

This second rough image by Allison Chambers is another example of not painting all the minute details, but getting the main idea across (KISS). This is why billboards don’t use small print and politicians use sound bites. We’re moving too fast on the highway to read the fine print and our attention spans now are less than a goldfish! Sad but true, a goldfish can focus for nine seconds, but the average human only for eight seconds.

We can blame phones, social media, and our desire to be connected all the time. Once we were content to call once a day, but now we have to check in twice a day or more. Some of us find that much contact interferes with getting things done, but then self starters don’t need anyone checking up on them. These folks tend to think frequent callers need to find another hobby to fill their time. Everyone needs a purpose in life, so those who’re trying to micromanage others might need to spend that energy helping the poor with food distribution or expending that excess energy doing good elsewhere. Then again, maybe those frequent callers are just lonely. They might need to use those dialing fingers for good as part of a community prayer chain. Then they can connect in prayer and feel useful too.

Doris Joa: Hydrangea with Ivy, watercolor on paper, 2015

This last image does have many details. It’s a watercolor built up in thin layers of washes to get the desired result. When working with washes, we have to have time and patience, and channel our inner goldfish, so we can manage our attention spans. Our first inclination is to work wet in wet, over and over, but that just muddies up our colors in that space. We need to let that spot dry, move to a new spot, paint it, and keep painting and moving, until we get the whole first layer done. Then we can come back and lay in darker tones in certain areas, once again moving about the canvas, for if we repaint too soon, we’ll just lift up the underpainting.

This takes focus and intent, as well as the ability to reserve judgement on our work, since it takes time for it to come into being. This isn’t a simple skill, for delayed gratification isn’t practiced often today. Even when we work our plan and execute our technique to the best of our ability, the end result may seem lacking. Yet, we’ve grown, or else we wouldn’t realize our struggle didn’t meet our expectations. When we want more, we can see how far short our efforts fall. This should encourage us to continue the challenge.

As Philippians 3:12-14 reminds us about the spiritual life:

“Not that I have already obtained this or have already reached the goal; but I press on to make it my own, because Christ Jesus has made me his own. Beloved, I do not consider that I have made it my own; but this one thing I do: forgetting what lies behind and straining forward to what lies ahead, I press on toward the goal for the prize of the heavenly call of God in Christ Jesus.”

After show and tell, we sat down to paint. We’d done enough talking and presenting of models. We had enough to chew on for the short time our class meets. If we have two hours, we use the first 15 minutes on presentation and the last 15 minutes on cleanup. This gives us about 90 minutes to paint. We don’t make large works, but sometimes we take an extra day to finish what we started. I’d call most of our work “studies,” since they’re quickly done.

Gail’s Hydrangeas

Gail chose to do color exploration and deeper, more saturated applications of paint, rather than her usual washes. This was a bold experiment for her. Art is a risky business. We can’t always control what the brush will do. Most of us have been trained since childhood to “color within the lines.” Once the paint gets loose, we’re in uncharted waters, sailing out into the deep ocean and out of sight of familiar landmarks. We can either turn back and hug the safe shore, or sail out to discover the unknown land. Taking risks is how we grow.

Mike’s Hydrangeas

Mike’s love of texture is apparent in his painting, as well as a variety of color. While the colors aren’t natural to the subject, he chose the colors which made him feel good. His is an emotional response to the beauty of the flowers. He wasn’t happy with the opening of the vase, but he got so carried away with the flowers, he forgot his perspective principles.

We might need to reteach that lesson once again. Some lessons need reteaching multiple times. This is why Jesus spoke in the gospels about God 264 times and love 44 times. Money rated 24 mentions, riches 2, the neighbor 10, and the poor 25. If we ever wondered what Jesus was focused on, we might look at what he emphasized in his ministry.

Cornelia’s Hydrangeas

I noticed we each gave our flower pots a different look when we painted our canvases. None of us are dedicated copyists. My color scheme tilts toward the red-orange, yellow-green, and blue-violet. This is a secondary triad, rather than a primary triad of red, yellow, and blue. The mixed colors give the flowers their muted look.

Secondary Triad on Cornelia’s Hydrangeas

By adding white to some of the brush strokes, and darker tones to others, I was able to suggest individual flowers as well as shapes. It’s just a quick sketch, a work I would do in preparation for a larger painting. Doing this would help me get some ideas down and help me solve some problems in advance, as if I were training for a competition. I would know if my color scheme was working, or if I needed to change the values or tints. I might want to choose a deeper color, or certainly a larger canvas.

So we come back for another day and another try. We can “see the promised land,” but like Moses, we don’t know if we’ll ever reach it. Artists have to be incurable optimists, for they keep trying again and again, even though we know human perfection in art will always be out of reach. Yet as Paul reminds us in Romans 3:21-24, if perfection in art eludes us, we can still have “Righteousness through Faith:”

“But now, apart from law, the righteousness of God has been disclosed, and is attested by the law and the prophets, the righteousness of God through faith in Jesus Christ for all who believe. For there is no distinction, since all have sinned and fall short of the glory of God; they are now justified by his grace as a gift, through the redemption that is in Christ Jesus.”

May we all go onto perfection, with God’s help—
Joy and Peace,

Cornelia

Hydrangeas: A History
http://thehouseandhomemagazine.com/culture/hyndrangeas-a-history/

Taisho Democracy in Japan: 1912-1926
https://www.facinghistory.org/nanjing-atrocities/nation-building/taisho-democracy-japan-1912-1926

William Bartram – History of Early American Landscape Design
https://heald.nga.gov/mediawiki/index.php/William_Bartram

Kamakura’s Famous Hydrangea Temple: Walk Among Flowers in Japan’s Ancient Capital
https://livejapan.com/en/in-tokyo/in-pref-kanagawa/in-kamakura/article-a0001996/

Science: You Now Have a Shorter Attention Span Than a Goldfish
https://time.com/3858309/attention-spans-goldfish/

The Science Behind Six Degrees
https://hbr.org/2003/02/the-science-behind-six-degrees

THE PARK MAY BE CLOSED BUT THE CITY ISN’T

at risk kids, Creativity, Food, generosity, Imagination, Meditation, photography, poverty, Travel, Uncategorized, vision, Work

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I took the back way home. Even though I was using the GPS, I deviated from her well intentioned directions. Perhaps I was just intent on exploring, or perhaps I had “authority issues” I needed to work out on leadership, since no one in our country’s Capitol seemed to care for the the poor and the weak any more. “It doesn’t affect me, so why should I worry? Most people won’t notice anything amiss in their daily lives.” How easily we discount “the other.” We think so often only of ourselves: of me, myself, and my. My exploration, as I call the GPS recalculating mode, led me to an island of peace in the heart of the industrial zone of Hot Springs National Park.

Because of the current government shutdown, the park spa, museum, and natural spaces are shut down. We can still walk up to the fountains of the ever flowing springs and fill our water bottles for free, but hiking the trails are forbidden until the money flows from DC. The City of Hot Springs National Park belongs to the state of Arkansas, so it was Wednesday as usual. Our schools had lunch and adults went to work (unless they were federal employees or national guardsmen).

I ended my exploration at Sanders Plumbing Supply. There I found an old wooden railroad trestle bridge crossing both the road and the creek that runs beside it. I parked in the business lot, took my iPhone and crossed the street. The slope down into the creek was gentle and dry, for we haven’t had much rain in these parts. As I clambered into the shallow stream, I walked on an extruded basalt flow. That this old volcanic rock had coursed across the earth in an ancient time and still persisted reminded me that life is more than just today. Even the years of water had not worn it down. I made a short instamatic video of the rippling water, the waving weeds, and the sunlight touching the water. I was finding my peace again.

These black basalt beds were big enough to stretch out on, so I took advantage of this position. Folks in Arkansas aren’t much used to seeing a gray haired lady dressed in bright yellow and red lying in the middle of a creek bed and taking photos. I got a lot of friendly honks & waves from the passing cars. Then again, a person of any age doing something out of the ordinary is apt to get encouragement from the folks who aren’t quite up to stepping out of the safe path themselves.

When I came home, I made this little drawing in a Strathmore watercolor sketchbook. It’s no bigger than an iPad mini. I used an ordinary ink pen, the same tool with which I journal on most days. To focus on the antiquity of the natural elements and the constancy of God’s divine providence for God’s creation reminded me that this day’s problems are being handled by a higher power. As I drew the old railroad trestle bridge, I realized that “this train is bound for glory” (Woody Guthry). We may not see the train right now, but it won’t carry the self-righteous anymore than the hustlers or the sinners. It will carry the humble, the ones who put their trust in God, and care for all of God’s people, not just for the ones who can return the favor.

“For there will never cease to be poor in the land. Therefore I command you, ‘You shall open wide your hand to your brother, to the needy and to the poor, in your land” (Deuteronomy 15:11).

Dream, Explore, Go

Creativity, Food, home, Imagination, mystery, photography, purpose, renewal, Travel, Turkey, Uncategorized, vision

Sunlight in the Pines

Sunlight in the Pines

“You shall take possession of the land and settle in it,  for I have given you the land to possess.”  ~~ Numbers 33:53

I overslept this morning, a behavior that seems more common lately. I did make to church yesterday. It was a grand day at Bristol-Baby! Even watching on TV, it had the makings of being there. Wrecks that took out the leaders, who would have expected that? Kyle winning, again. Joey Logano getting into a fight: the older he gets, the more his testosterone kicks in. Everyone will be glad to go to next week!

I am reading an ancient book THE ODD WOMAN, set in the early days of the women’s movement. In early industrial England, women of certain classes had limited choices: marriage, teaching, clerking, governess, or unwholesome occupations. The primary characters either ply these trades or have the economic means to live off the income of their estates. Two are out to change the world by teaching the shop girls how to type so they may move up a class and gain better working conditions.

Then last night I woke up several times with a very dry mouth. In between, I had several dreams, only one of which I even recall a fragment. As I slept, dogs and I spoke together as if we understood each other perfectly. Perhaps I need to write a book, DREAMING WITH DOGS!

As I made my morning ablutions, this verse popped into my mind, “You shall take possession of the land and settle in it, for I have given you the land to possess.” I had been thinking of exploring beyond my memoirs of Turkey and Greece, and what it means to be an explorer who never leaves home. How can one be both a settler and an explorer at the same time?

Settlers and explorers don’t share the same skill sets.  Nor do they share the same callings. If they were sailors, settlers would hug the known shores, while explorers would follow a star until they discovered an unknown land. Explorers want to try the new restaurant in town, while settlers feel secure ordering from a known menu and eating a familiar repast. I suppose this is why when church people move, they look for a place that feels like home and a church that feels their home church. These are settlers. Explorers, however, lead them, for the clergy are always moving into a land “God has given us” by virtue of our appointments. I grew up in a big church, thought I was getting a small church experience in seminary, and learned that there are still even smaller churches out in the world!  Culture shock is the sure sign of being out of your comfort zone, and a pointer that you travel not in the shallow waters anymore. John Wesley identified the explorer DNA of the Methodist clergy when he told them to be ready at a moment’s notice to “pray, preach, move or die.”

Agoraphobia–the fear of open spaces–affects nearly 1.8 million American adults (.8% of the population). Xenophobia–the fear of strangers– affects more of us, sometimes in subtle and unrecognized ways. The “other” is the one we fear because they aren’t like us. The tension this sets up between their settlement and our settlement constructs a “no man’s land” across which neither of us can transit. So we both lob bombs of hate, suspicion and denigration across into each other’s territory. US vs. THEM is our tribal rivalry, our devotions to our pack, and our adherences to our specific creeds.

The other race, immigrants, the poor, the rich, the educated, the ignorant, the churched, the unbelievers, and all other contrasts of our world, such as those that shop at Wal-Mart and those that wouldn’t be caught dead in the parking lot.  All of these are “strangers who live in strange lands.”

Sometimes we artists, creative people, and persons of faith think we must leave home to find the new experience that will open the eye of our imagination and set our creative juices flowing. We believe that only by traveling can we find the novelty that will awaken our senses that have been jaded by the constant bombardment of repetition. What we fail to do is to be explorers at all times, even when we return to the same address and the same bed each night. I have a set of coffee mugs for DST and for CST. I get bored drinking from the same set all year round and begin to miss the spring colored ones. These then are too bright in the fall and winter, so I bring out the deep colors and snow scenes. Monet painted his backyard many times: think Water Lilies!

Sometimes I feel the need to rearrange my 768 square foot condominium: then again, I decide to rehang the artwork to give myself a fresh look on the walls. Buying a new rug in Turkey was my big redecorating project for a while. I will change the cover on my bed according to the season, just to keep the room fresh. I am thinking of redoing the valence in the bedroom. I could still add crown molding and baseboards to the rooms, but I won’t do that until I change the floor covering. These projects are all worthy, but they take away from true creative pursuits. They are just signs that I want to strike out in a new direction, but I am afraid to leave the shore.

“You shall take possession of the land and settle in it, for I have given you the land to possess.” This word is for the explorers who yearn to be settlers also, for the Hebrews had been wandering for a long time in the wilderness when they heard this promise from God. For them, the land would be new, wonderful, exciting, full of surprises, and an explorer’s delight. Only later would they be a settled people, forgetting how God fed them daily in the wilderness, and instead trusting their own labor to wrest a crop from that land. They would forget as they sat at their looms patiently weaving that for 40 years in the wilderness, their clothes never wore out and their saddle leather never failed. As they became settled, they trusted themselves more and depended on God less.

The explorer, however, is always going into the unknown, so trusting God in all things is a highly developed characteristic.  “It is the Lord who goes before you. He will be with you; he will not fail you or forsake you. Do not fear or be dismayed” (Deuteronomy 31:8).  This is what the Hebrews were told crossing into the Promised Land, but within a generation they began to trust themselves and other gods. The explorers still trusted the same God who had been with them in the cloud by day and the pillar of fire by night.

“Where is my next meal coming from” is the same question as “from what source is my next creative idea or expression?”  How can I make ends meet is a question both settlers and explorers ask. Settlers will tie themselves to a plot, whereas explorers will find a way to live off the land. The same God provides for them all. “Look at the birds of the air; they neither sow nor reap nor gather into barns, and yet your heavenly Father feeds them. Are you not of more value than they?” (Matthew 6.26:). I think we would all be improved by trusting God a little more, by risking entry into the unknown land where God resides, and opening our hearts and minds to the other.

Perhaps that is why we travel, to discover amidst the uniqueness in others an essential humanity. I would be sad to think that some folks traveled hoping to discover the unusual, but yearned for only the familiarity of home, but then they would be settlers. People who travel looking for home, who spend time comparing their experience to home, and talk about how glad they will be when they get home have missed the joy of traveling! Why did they spend $4000 on a grand tour of the holy places when they could have stayed home and complained!? They may have just needed a change of scenery or the weather was poor at that time of year. I too can find a growl bear mood, but when this happens, I like to take my iPhone out and wander about to photograph the common scenes of my everyday life.

Taking photos that are interesting and might be useful for a painting requires me to pre-compose or imagine the image through the lens. Then I brighten and/or use one of the Instagram filters before I share it on Facebook or twitter. I will put the camera inside the flowering bush, lie down on the sidewalk to shoot upwards (just because I’m a granny doesn’t mean I can’t get up again!), or bend down to get eye to eye with a low subject. People’s photos often fail because they aren’t close enough, the light is from the wrong direction, the viewpoint is ordinary, and the subject or photo itself lacks contrast. In other words, they are safe, shore hugging pictures. Explore what your camera can do. Take it for a ride out on a big wave out beyond the breakers.  Feel the exhilarating breeze upon your face as your bark rushes over the tops of waves that have yet to break! You are flying! This is art! This is fun! You can bring your ship home anytime you want, but you’ll never be the same again. You are now an EXPLORER.

This quote is often attributed to Mark Twain, but it hasn’t been found in any of his writings. It still speaks the truth to all of us:

“Twenty years from now you will be more disappointed by the things you didn’t do than by the ones you did.  So throw off the bowlines, Sail away from the safe harbor. Catch the trade winds in your sails. Explore. Dream. Discover.”(—attributed in error to Mark Twain, first found in H. Jackson Brown Jr.’s P. S. I Love You (Rutledge Hill Press, 1990). Brown’s book is a collection of quotes and maxims attributed to his mother.)