ICONS: A Moment of Mystery

adult learning, Altars, Christmas, Creativity, Faith, Food, Forgiveness, Holy Spirit, Icons, Imagination, incarnation, Ministry, mystery, New Year, Prayer, purpose, Reflection, renewal, salvation, Secrets, Spirituality, vision

Making Found Object Icons is an art project that evolved out of the Great Macaroni Multimedia Traveling Artandicon Show. In seminary during Art Week our fellow students were horrified we were making sacred images out of edible products, such as macaroni, lentils, peas, and beans.

Jesus is the Bread of Life

“That’s sacrilegious!”

“Jesus is the bread of life, and macaroni is just another form of wheat,” we replied.

“But it’s so ordinary!”

“Clay is ordinary, and so is stone. Can an object only be worthy of God if it’s made of expensive materials?”

“Well….”

“The value of all the chemicals in a human body is about $5.18, but we’re worth far more than that in the eyes of God. Some say God doesn’t make junk, yet too many people of faith despise and debase the body. I’ve always wondered why this was so, since the Son of God came to earth in human form, and as the great hymn in Philippians 2:5-11 (NRSV) says—

“Let the same mind be in you that was in Christ Jesus,
who, though he was in the form of God,
did not regard equality with God
as something to be exploited,
but emptied himself,
taking the form of a slave,
being born in human likeness.
And being found in human form,
he humbled himself
and became obedient to the point of death—
even death on a cross.
Therefore God also highly exalted him
and gave him the name
that is above every name,
so that at the name of Jesus
every knee should bend,
in heaven and on earth and under the earth,
and every tongue should confess
that Jesus Christ is Lord,
to the glory of God the Father.”

Jeweled Cross

When we meet Christ at Christmas, we can get all warm and fuzzy because who doesn’t like a warm, cuddly baby? Maybe I have a soft spot for babies, but I really don’t trust people who don’t get a little ga-ga when the little ones coo and smile. I can understand folks getting squeamish at Good Friday and the cross. Most of us avoid as much pain as possible. Humility and obedience to God are not high priorities these days for many people. 

Flight into Egypt

Many tend to ignore this wonderful call to the Christ-like life, preferring instead the cop out of “Keep awake and pray that you may not come into the time of trial; the spirit indeed is willing, but the flesh is weak,” (Mark 14:38, NRSV). “Forgive us,” we say, but we hold others up to high standards. 
We make a distinction between our dual natures of the flesh and the spirit, a concept inherited from the Greco-Roman culture. It’s notable that the often quoted verse, “If you sow to your own flesh, you will reap corruption from the flesh; but if you sow to the Spirit, you will reap eternal life from the Spirit,” is found in Galatians 6:8 (NRSV), for this was a Roman province. 
The ancient Mediterranean area had a knowledge/mystery tradition. The Greeks had their cult of Bacchus, the Egyptians the cult of Isis, and the Jewish had their mystical Kabbalah. The Romans had their dying and rising god cult of Mithras, the bull. Entry into all of these groups was by word of mouth only, given to a special few, and all had secret rites known to the members only.  Most promised salvation through secret knowledge, and the true world for them was spiritual rather than the physical world in which we live today. Ecstatic worship separated the believer from the body and the ordinary world. 
You might recognize these traits in your own church or worship community today, except for the ecstatic and enthusiastic worship brought about by mood altering substances. That’s not my church anyway! How do we come close to God? Across the centuries, the tradition has discovered contemplative prayer, singing, searching the scriptures, serving the poor, attending the sacraments, and creating art for God or the Holy Icons.
Making an object for the glory of God, to enhance the worship experience, and to honor God is a gift of the artist’s time and talent. No artist is ever paid what their training and talent is worth, for it’s a treasure from God to begin with—it can’t be valued. Artists have learned over the centuries to live simply, accept fame if it comes, and put a fair price on their work. 

Gail’s Cross

They get value in the spiritual real from the work they do, for the icon opens a window into heaven. As they arrange the jewels and found objects, and move them to a better position, the icon comes alive under their hands and begins to breathe. Only the person, who will be still long enough to hear the silence from beyond the open window, can hear the voice of God in this world. For this person, the icon is a treasure, and a place of holy focus, no matter how small or how simple the materials. 
This is the reason the artist makes an icon—to have a moment of mystery, a time of intersection, and a communion with the holy. In today’s hurried world, each of us wants a place in which we can experience for a moment the timelessness of heaven. 
When we return in the New Year, we’ll begin painting our own holy icons. The process is a spiritual journey, more than a destination or the attempt to reach perfection. We only need to “go toward perfection” each day!

The Struggle is Real

adult learning, art, beauty, Creativity, Faith, righteousness, risk, Spirituality, United Methodist Church, Van Gogh

One of the most difficult struggles in art, sports, faith, or anything else in life is knowing what you want to achieve, but finding yourself lacking the skills to accomplish it. Some people give up right away, since they can’t master it well. Art takes a lifetime to master, so even the best of us will be struggling to get better until our last breath. Perfection is highly overrated! All artists are their own worst critics! At least in faith we have God as our coworker.

In art a beginner can set aside this quandary and say, “Well, I just need more practice and I’ll get there soon enough.” The intermediate practitioner contends with a little more skill, and could push his or her technique over the edge attempting to discover the heart and soul of their expressions as they seek their own way to speak of the beautiful and the true in color and forms.

Sometimes a seasoned artist comes to a growth point. Even one who, perhaps from their past work in a certain style, has some following and financial success, when they come to the daily search for truth and beauty, will discover the old beauty no longer attracts them. So while they may have all the technical ability to continue creating their old works, they find this no longer is their truth and they can’t in good conscience continue to produce in the same vein.

Our Still Life

The search for truth and beauty is like the search for God and our inner truth as artists and people of faith. If we’re only working for fame and gain, maybe we should have listened to those who said, “Don’t quit your day job.” Or thought of Rembrandt and Van Gogh, who found both success and poverty, but at different times. Our inner search for truth and beauty is just as fraught.

Will we take the risk and try something new? This week l brought the class a shade of my former self, no inspirational paintings of old masters, and only a variation on last week’s still life. Afterwards I was traveling up to the doctor‘s poffice for “the cure to end my misery.” After a few days on sinus medications, I can hold two thoughts together again.

To really look at life and look inside oneself is the best way to discover truth and beauty. Some folks don’t want to look inside for fear they’ll see ugly things, long buried secrets, pains, and memories best forgotten. We need to see these, recognize them, and let Jesus take them into his already redeemed life. If we can let these painful parts be transformed by his graceful healing mercy, then we can use his renewing power in our own lives to bring truth and beauty to the life of others.

Some people look out and only see ugliness, decay, and despair. I imagine if they look inside, they also see the same things. They need to remember the nature of all things is not in itself beautiful or ugly, just as they themselves aren’t ugly or beautiful. Beauty is a standard, like a Virtue, which is an ideal characteristic, and it’s beyond anything here on this world. We’ll probably understand Truth and Beauty in the eternal world, when we have the opportunity to participate with God in the fullness of time.

Gail—Day of the Dead image in process

If beauty were only to exist in the eye of each and every beholder, and each one of us could determine our own standards of beauty according to our own experience and criteria, then all the plains would be level and no mountains would exist. Yet, we know this isn’t so, for my icebox door may be decorated with my grandchildren’s crayon drawings, but they wouldn’t be hanging in an art gallery in any creative district anywhere.

Mike—Basket of Veggies against a Yellow Wall

If art isn’t a challenge, if life isn’t a pursuit of excellence, and if we are content to rest at the foot of the mountains, then I really wonder why God created the heights, if not for us to aspire to them? If there’s mountains in this world, why are so many content to climb just the hills, but call them mountains? Most of the struggles we have in life are actually molehills, but we blow them out of proportion and call them mountains! The biggest successes come from the accumulation of many small failures. We’re just training until we hone our muscle memory to a fine edge. This is why we say works can’t save you in faith, but art is all about the work ethic.

DeLee—Work in Progress

Our biggest challenge this week in class was the woven basket. Some of us had never woven anything in youth groups, so experiences I took for granted as a child growing up (weaving situpons and potholders) weren’t in some people’s backgrounds. Learning to look, follow the weave, see the play of light along the wave of the reeds, and the shadows as they dip under the warp bands took a bit of doing. We’re also beginning some Day of the Dead related works. We’ll work in these in October. I was so sick, I failed to photo everyone’s work. I should be in better shape next week!

Joy and Peace, Cornelia

For now we remember, as the apostle Paul sighed,
“For I do not do the good I want, but the evil I do not want is what I do.”
~~ Romans 7:19

And he leaves us with these words of hope,
“We know that all things work together for good for those who love God, who are called according to his purpose.”
~~ Romans 8:28

The Sea Shell

adult learning, art, Children, Creativity, Faith, Holy Spirit, Imagination, Love, mystery, Painting, salvation, seashells, shadows, Uncategorized, vision

I have hidden inside a sea shell

but forgotten in which.

SEASHELL AND DRAGON FRUIT

Now daily I dive,

filtering the sea through my fingers,

to find myself.

Sometimes I think

a giant fish has swallowed me.

Looking for it everywhere I want to make sure

it will get me completely.

DRAGON FRUIT MONSTER

The sea-bed attracts me, and

I’m repelled by millions

of sea shells that all look alike.

Help, I am one of them.

If only I knew, which.

BIRD ON A SHELL

How often I’ve gone straight up

to one of them, saying: That’s me.

Only, when I prised it open

it was empty.

In art, beginners can get so caught up with drawing the forms and representing reality, they lose sight of the emotions and meaning of their work. Small children, on the other hand, will take an idea such as a snowman in a snowstorm, and completely obliterate their surface with white swirls until all sight of the ground, the snowman, the house and the children who built it are covered up. Their work is more about the experience of the falling, swirling snow than it is about the distinctive parts. We hang this on our refrigerators and exclaimed with amazement when they tell us the story.

In a year, they’ll be interested in the separate objects and have a well defined ground and sky, even if their objects aren’t in realistic proportions. The proportions are sized according to the child’s interest, and by age 12 most children want to create drawings with realistic perspective and images. Sometimes as they age, they begin to lose their sense of magic and mystery, and need their imagination primed more, but this isn’t impossible.

Adults often have difficulty using their imaginations, for they’ve had too many years of completing to do lists, getting things done, and unfortunately, much work is mind numbing. Some of them also are products of schools that taught to the test and to the “right answer,” rather than teaching thinking or logic skills or creativity.

The disciples asked, “Who is greatest in the kingdom of heaven?” Jesus replied, “Truly I tell you, unless you change and become like children, you will never enter the kingdom of heaven. Whoever becomes humble like this child is the greatest in the kingdom of heaven.” (Matthew 18:3-4)

For us as artists or as people of faith, to enter into the humility of a child is a counter cultural act, both today and in ancient times. We don’t find self help gurus preaching simplicity or poverty, but we do find plenty selling the siren call of prosperity and power. Jesus always speaks of the least of all as being the most of all, which is why the smallest child has more honor and greatness in the kingdom of heaven than the most important citizens of this world.

Some of us hear this text as a call to never question the faith we learned as a child. Unfortunately when we hit the stumbling blocks of adulthood, we find our simple faith’s pillars of belief are on shaky foundations. We can either crash and burn, or we can ask the questions of trusted and learned guides who have gone on the path before. Then we can shore up our foundations with mature understandings, or remodel our understanding so we can live with joy anew.

In art, we can either repeat the same forms over and over, or we can critique our work. In the school I attended, we had a routine—the first three comments had to be positive, then the next had to be those which needed improvement. Since we never called anything “bad” or “wrong,” the person on the hot seat never felt diminished. “You could have darkened the background more, so your foreground objects would have been more prominent.” This is better than saying, “You didn’t make the objects in front stand out,” since it doesn’t offer a solution.

It’s humbling to receive criticism, even positive feedback, because we want to be accepted just as we are, especially in faith. Yet Jesus didn’t die on the cross to leave us just as we are (justifying grace), but rose from the dead to perfect us and make us holy, just as he is (sanctifying grace). In faith, we come as humble children to grow in grace before God and to come to full perfection of love of God and neighbor that is entire sanctification. In art, we work each day to join our hand, our hearts, and our vision into one spiritually inspired whole. The more we know ourselves and can connect with the spirit of the creating God, the better we’ll make art with an inner life.

Sometimes in art, we decide to repeat a certain set of forms because we get approval from others for our work. We do this to the danger of our very lives. While we may continue to sell our work and earn the acclaim of critics, if we aren’t pushing the boundaries of artistic creativity, we are stagnating and not growing. The greatest artists–Picasso, Rembrandt, Matisse, and Michaelagelo–never quit growing. In faith, we work out our own salvation with fear and trembling, knowing “it is God who is at work in you, enabling you both to will and to work for his good pleasure” (Philippians 2:13).

Poem translated by Michael Hamburger. Published in 1983 by Bloodaxe Books. http://www.bloodaxebooks.com

Source: Selected Poems (Bloodaxe Books, 1983)

The Art of Seeing

adult learning, art, Creativity, Faith, Holy Spirit, Imagination, nature, Painting, Philosophy, seashells, shadows, Spirituality, Uncategorized, United Methodist Church

Leonardo da Vinci said, “There are three classes of people: Those who see. Those who see when they are shown. Those who do not see.” The task of the teacher is to help the student to see more clearly, not just in art, but also in life.

When I was in seminary, I realized the search for beauty was similar to the search for truth, and each generation had its own notions of what was beautiful and true. When I made this connection, a light came on in my mind and I could see what my professors were showing me. Before this, I was stumbling about in a dark room, banging my toes against unseen couches and table legs. I had the sense of the objects, but not the full understanding of them. Once the light came on, I could see these pieces of furniture for what they were–the color, design, embellishments, and placement in the space were easy to define. They were no longer obstacles, but resting points on the way to the next room on an historic journey.

PAINTING FASTER ALL THE TIME

Some of my compatriots struggled because one philosopher would define truth a certain way and his famous student then would describe it differently. These modern day students didn’t have art backgrounds, but thought of truth as what we know only as true today. Perhaps they also didn’t have much of an historic worldview either.

When Leonardo speaks of those categories of people who see, I think first of children, who seem naturally to see. If we give a child some art tools and a jumping off idea, they’ll run with it. Children love the experience of the materials and get excited when they can use their imagination. They feel empowered when they bring an image to life with their own hands.

SUN, MOON, AND SEASHELL

Older teens and adults are more concerned about what other people think of their work, so they often won’t even begin. Other times they start and can’t deal with the disconcert between their conception and execution. Every artist who aspires to do quality work is always unsatisfied with either the concept or execution! As Leonardo once remarked, “I have offended God and mankind because my work didn’t reach the quality it should have.”

I brought seashells to class for our painting experience, but before we began our work, I had the students experience a guided meditation. The seashells were hidden underneath a cloth. This is an opportunity to know the shell personally, rather than to see it as a mere form. This “seeing” involves the inner emotions, which affect the energy and spirit with which we create our art. As the master says, “Where the spirit does not work with the hand there is no art.”

SHADOWS IN THE DARK AND LIGHT

PROCEDURE:

1. Study all the surfaces under the cloth before you begin to put marks on your canvas.

2. Are the edges round, rough, sharp, jagged?

3. Do you recognize this object from experience?.

4. What memories or emotions does it evoke in you?

5. What colors do these experiences bring to mind?

6. Is there a person or place connected with this object?

7. What age were you? Would you want to visit this place again at your present age?

8. Remove the cover and look at the object.

9. Does it look different now from an ordinary object?

10. Does entering into an emotional give and take open your eyes to more of the possibilities of the object?

11. Choose a “pose” for your subject and compose a portrait of its personality.

The creative life and the faith life are not just about following a set of rules, although rules exist in both worlds. These two lives are more about what is good, beautiful, and true, and how we artists as people of faith can be a blessing in the world in which we live. As in art and philosophy, the good, beautiful, and the true may be different in different times and ages, but “one can have no smaller or greater mastery than mastery of oneself.”

“I have uttered what I did not understand, things too wonderful for me, which I did not know. ‘Hear, and I will speak; I will question you, and you declare to me.’

I had heard of you by the hearing of the ear, but now my eye sees you; therefore I despise myself, and repent in dust and ashes.” ~~ Job 42:3-4

Apples and Starving Artists

adult learning, apples, art, butterflies, Creativity, Faith, ministry, Painting, purpose, shadows, United Methodist Church, vision

DELEE

Famous artists throughout the ages have chosen apples for their still life paintings. Apples are known for sitting still, they have a long shelf life, and they work for cheap. Moreover, when the painting is done, they make an excellent pie. We can’t do this with our human models, since this involves non ethical principles such as “Do not take a human life or do not murder.” So, apples are good for starving artists everywhere.

DIANA

In art class last Friday, the adult students learned even a simple apple and its shadows can be challenging, but the fruit of the quest is worth it. Integration of the object and the ground isn’t easy! If we focus only on the form, it’ll float like a butterfly above the ground. The shadow ties the form to the ground and tells us more about object’s shape and location in space. The line behind the objects determines the point of view. It becomes our horizon line, so we know if we’re looking above or below the objects.

GAIL

We can use our brushstrokes can to shape the apple’s form too. Then if we use the same brush technique for our ground, we haven’t separated the object from the ground. We end up with the famous magic “cloak of invisibility,” which is great in a Harry Potter novel, but not so great if we want to separate our apple from the ground.

RUSS

These are all areas of growth, however. As my old teachers all said, “There are no mistakes–only attempts to gain mastery over the techniques until you find your own voice.”

Next week we’ll look at negative space. So far we’ve been drawing the objects, but now we’ll look at the space in between them! Oh–who knew we’d pay attention to the empty spaces or they’d have so much meaning!

“Guard me as the apple of the eye; hide me in the shadow of your wings…”.

~~ Psalms 17:8 (NRSV)

Homage to Van Gogh: Sunflowers

art, Attitudes, Creativity, Faith, flowers, Habits, Painting, purpose, Reflection, Spirituality, Uncategorized, United Methodist Church, Van Gogh

DeLee: Sunflowers in a Green Vase

Flowers please us because of their colors and forms, but also because of their fleeting beauty. While the class was painting, I threw some colors on an old canvas. It is a sketch, since never got to the dark accents of the petals. The paint was wet, so I would have had mud, not two distinct colors!

In our weekly adult painting class at church, we talked about Van Gogh’s sunflowers, Gauguin’s friendship with him, and how other artists have approached the subject of flowers. Not painting every petal or detail, but capturing the energy and emotion of the flowers is more important.

Art Class and Sunflowers

This requires a leap of faith! Of course, if we aren’t sure of how to mix a color, or how to draw a shape or make a form, a student is loathe to move off a safe path. Van Gogh had this struggle also. His early paintings were dark and lacking the energy of his late works.

Still Life with Earthenware, Bottle, and Clogs

Van Gogh, Sunflowers

Unfortunately some of Van Gogh’s most iconic floral artworks in the Van Gogh Museum, painted in 1888 and 1889, are now facing the test of time.

Vincent Van Gogh painted his iconic Sunflowers in vibrant yellows and golds, but after 130 years, his bright lemon-yellow hues have begun to wilt into a brown muddle. A new X-ray study confirms what researchers and art lovers have long suspected: Van Gogh’s paints are fading over time. In 2011, Sarah Zielinski at Smithsonian.com reported that chemists were looking into how the old colors were holding up. They found exposure to UV light—both from sunlight and the halogen lamps used to illuminate paintings in some museum galleries—had led to oxidation of some paint pigments, causing them to change color.

A 2016 study looked deeper into the matter to find one of the bright yellow paints Van Gogh liked, a mix between yellow lead chromate and white lead sulfate, was particularly unstable. Under UV light, the unstable chromate changed states and the sulfates began to clump together, dulling the color. Unfortunately, the process is not currently preventable. Currently, the darkening of the paint and the wilting of the sunflowers is not visible to the naked eye.

As the book of James (1:11) reminds us about impermanence:

“For the sun rises with its scorching heat

and withers the field;

its flower falls, and its beauty perishes.”

In class, we talked about light permanence and pigment choice. If we want to make works of art for posterity, we should choose pigments able to stand up to the test of time. I choose lightfastness I when I work. Likewise, if we are going to be in business or relationships, we want to use the highest ethical principles so we can have long lasting interactions and high quality products. Cutting corners with people or resources will always come home to roost eventually.

The rest of the verse in James continues,

“It is the same way with the rich;

in the midst of a busy life,

they will wither away.”

Of course, if we put God first in our lives, rather than our own priorities, we will pay attention to the “first things,” and fading away like a sunflower will be the least of our worries.

Joy and Peace,

Cornelia

To read the whole discussion on paint discoloration and how museums are conserving art works to prevent further damage from light read:

https://www.smithsonianmag.com/smart-news/why-van-goghs-sunflowers-will-wilt-180969224/

Madonna of the Cold Brew

art, Faith, Icons, Imagination, Ministry, ministry, poverty, Spirituality, United Methodist Church

I’m at my annual conference for my church. I have a display of my art work up. I just sold this found object icon.

Icons are not just images of the Virgin Mary and the infant Jesus, but they represent windows into the holy dimension. They aren’t meant to be realistic renderings of the people or the landscapes as we think of western perspective and conventions.

I found all the materials either on the street while I was out for a walk, or at the grocery store. Yes, those are beer tops, a canning lid, a tag from a bag of Mississippi potatoes, and a crushed Mountain Dew can. Some would call these the debris of everyday life, or the castoffs of human activity. I’ve met people in my ministry who feel this way, and some of them come from fine families, but they’re going through a rough spot in their lives or careers. Others have lived on the margins of society most of their lives and don’t know any other way of being.

This icon foretells the miracle of the water changed into wine at the wedding at Cana. What was ordinary became extraordinary when Jesus entered the picture. We too are changed from our original condition into something very much more when Christ enters our life. We are his found objects, made into fine art. Everyone of us needs this change and transformation: some of us so we can meet the street people with compassion and others of us so we can be made whole again.

Dinosaurs and X-acto Knives

arkansas, art, Great American Eclipse, purpose, purpose, renewal, Uncategorized, vision

I must be the last dinosaur on the earth who still hand cuts with an X-acto knife and a mat knife. Fair warning—this is an old codger rant of sorts.

I still have the knife I used in art school. It’s the same one that took a slice off my left index finger when I was matting works for a show in the 80’s. That was the year, not my age, although I’m getting closer to that silver achievement by the day.

I was in one of our two art supply stores yesterday to get more paint and brushes. While I was there, I thought I’d just pick up the sharp points as well. I could pay about 50 cents apiece or order on line. I tried to order, but discovered I needed to order a “box” and pay about $270 for a lifetime supply! These 800 blades might be a lifetime supply for my estate also, but I would get “free shipping.”

The other unnamed store didn’t even sell this package on line, and their app was so inadequate, I couldn’t tell if it was available in store. I may be old, but I shop on line like all the cool kids. I decided to look in an unlikely place—Walmart.

Why would I look at Wally World for an art supply? The same reason I went there for my NASA approved Eclipse Viewing Glasses—you need these 4/8/2024 on the total eclipse crossing Arkansas. I got 100 sharp X-acto blades for $21, or half the price of the store. I just have to swing by the store to pick them up. No charge for shipping. This might be a lifetime supply for me.

Change is coming to our world, whether we like it or not. The definition of old is when we’re no longer able to deal with the transformation and changes. It’s also called rotting and dying. Growing and thriving means we bend toward the light, let the wind shape us, and seek out the deeper sources of nourishment where we can.

I’ve not gotten to the place where I’m sharpening my old blades yet. If that happens, we’ve most likely lost the internet and that won’t be good at all.

PLANNING TO FAIL MISERABLY

art, Attitudes, Creativity, failure, Faith, Family, Holy Spirit, Painting, Philosophy, purpose, purpose, Spirituality, Stress, Work

How to do it as an artist or any other professional.

Or lollygagger in the workplace.

I personally like #8—Why don’t you ever paint landscapes in normal colors?

I get this question all the time. How do we know our greens and blues of today are “normal?” We live in creation after the fall, not in God’s original creation, as God’s hand first formed it and God’s mind first imagined it. What if all the rainbow of colors was God’s Plan A for the earth?

Of course, I get a blank stare from almost everyone, since most aren’t used to thinking about the created order and our relationship to it. Even fewer think of the fall, or what that means, for this world is all they know.

If they press me on it, I tell them, “I like colors and the emotional joy they express. And I’m not fond of wide swaths of green.”

They nod. I nod. They walk away. They probably haven’t quit talking about me. A voice comes into my head, “These are not the patrons you seek. Move along now. The Force will be with you.”

We hear that same word from the Apostle Paul, spoken long ago to the people in Galatia:

“Am I now seeking human approval, or God’s approval? Or am I trying to please people? If I were still pleasing people, I would not be a servant of Christ.” (Galatians 1:10)

At some point in time, we each have to hear the inner voice and make the choice to take the well trod path or the path less travelled. Each one has its own consequences, both for ill and for good. If we make fame or prosperity into a god, we might start churning out well pleasing pieces for our market, but our creative inspiration might begin to suffer, to the detriment of our souls. This can lead to various self medicating behaviors, none of which are good. It also leads to depression or anxiety, as 1, 3, 7, and 10 incite these conditions.

We can develop the good qualities needed for our futures. Independence is a character trait of leaders. An artist spends a good amount of solitary work inside the studio, and faces rejection for many years. Cold calling for Insurance might be the only worse occupation for rejection. I’ve done both.

My old teachers used to egg me on when I was studying in art school. “Who are you working for, me or the other class?” I’d be bothered, but I’d answer, “I’m working in my sketchbook.”

About the third time he passed by to interrupt my work, I’d had enough of his gruff. “I’m working for myself–go away and leave me alone!”

“That’s what I was waiting to hear you say,” he smiled and stuck his pipe back in his mouth as he strode off. I didn’t see him anymore except when I was in class with him.

Doing art in solitude is preferable to cold calling because the rejection is at the end of the process and you have beautiful work to appreciate, whereas with cold calling, all you get is a list of numbers crossed out and the hope 3% of the people will give you a reason to call back. In all this we remember,

“Peace I leave with you; my peace I give to you. I do not give to you as the world gives. Do not let your hearts be troubled, and do not let them be afraid.” (John 14:27)

The Burning Bush

art, Children, Faith, Family, grief, nature, Painting, photography, purpose, renewal, school shootings, texas, Travel, Uncategorized, vision

How long does a new and unusual aspect of our environment need to be in place before we notice it? On the other hand, how long does it have to persist before we treat it as the new normal and begin to ignore it? THE BURNING BUSH

My mom and dad were married right after World War II, so they’d lived together for nearly forty six years when I came home for a visit from seminary one weekend. Right off the bat, I noticed something differ about my dad.

“You’ve gone and grown a mustache.”

“You like it?” He asked, as he smoothed the unruly hairs into place.

“Oh yeah! You look like a perfect Southern gentleman.”

He smiled. Perfect and gentleman was his aim.

My mother, who was sitting in the identical chair next to his, separated only by a small table with a lamp and magazines, craned her head around that lamp to look at him.

“When did you grow this mustache?”

“Mother! You’ve slept in the same bed with daddy every single night of your entire life. You always kiss each other good night. I can’t believe you haven’t noticed the hair on his upper lip!”

A little rattled, she replied, “It’s always dark when we go to sleep.”

I laughed. My daddy smiled. My mother always had an answer for every thing. I noticed his mustache because I hadn’t seen him in a while, whereas mother had watched the slow progression of the hiding of his upper lip. I should say, it’s been my experience the husband usually fails to notice his wife’s new haircut, an act which causes much family drama.

When I travel, I don’t go from point to point with the goal of arriving as soon as possible. If that were the case, I’d fly. In my car, if I see an interesting place, I’ll go visit, since the journey is more important than the destination. Once I’ve arrived, I even make side trips, just for a little exercise. I was walking around Lake Bridgeport, in the town of Runaway Bay, Texas, when I stumbled upon these grasses, flowers, and small trees. The afternoon light caught the center stalk so it glowed its reds and golds. The few leaves left from autumn’s color, which hadn’t been blown away by the seasonal rains quivered in the light breeze. A few flowers added color to a rather grey afternoon.

Why would ordinary weeds catch my eye? There’s nothing remarkable or heroic about weeds. Most people spend good money to rid their lawns of ugly and invasive weeds. Here around the lake is a wild place, however, and the weed is in its natural state. This red weed is unique among the other natural grasses, for its not a single blade, but a stem with alternating leaves. I had to pick my way through some underbrush to find an opening from which I could take a good photo. I felt as if this weed had called to me.

I’ve often wondered how long the bush burned in the wilderness before Moses looked up from counting his father in law’s sheep and said, “What is this? I must go see it!” Extraordinary events happen all the time, yet we’re too consumed with our day to day busyness to see the glories of God’s hand at work in the world. Or we come to a watershed moment, when the bush would burn brightly for us, and throw water to quench its fire, for “it’s never been done, it can’t be done, it’s always been this way, and people will never change.”

If Moses believed this, he’d have never followed God’s call back to Egypt. The Hebrew children would still be slaves in Egypt. But Moses trusted God. This is called a sea change, or a transformation. We don’t do this just on our own, but by a power at work greater than our own. We might resist, but God persists.

But Moses said to God, “Who am I that I should go to Pharaoh,

and bring the Israelites out of Egypt?”

He said, “I will be with you; and this shall be the sign for you that it is I who sent you:

when you have brought the people out of Egypt,

you shall worship God on this mountain.”

~~ Genesis 3:11-12

What sea change is happening in our world today? Are people finally fed up with treating human life as a cheap commodity? We do this if we treat people as objects to be used and then thrown away when they’re worn out or too sick to be worked hard. When we fail to fund schools and health care for all, we don’t get the best people for our citizens or our employees. If only the wealthy can afford health care and a quality education, then our democracy suffers, for we will have a permanent underclass and a qualified few. This bifurcation doesn’t bode well for the future. Does a bush burn in the wilderness for any of my readers?

Are we tired of exchanging precious human lives for a shibboleth? The word means “stream” in Hebrew and was used as a sorting test to distinguish warriors of Gilead from those of Ephraim. Today, the 2nd Amendment serves the same purpose, because the National Rifle Association gives politicians large amounts of money for their campaign coffers and spends extra money on their behalf also. The NRA is the front for gun manufacturers, who profit if they sell more guns. They never want any restrictions on any freedom, but we don’t live in an anarchy, so a democracy can restrict certain aspects of gun ownership and use.

Public mass shootings have occurred on average every 172 days since 1982. Since September 6, 2011, there’s been 14 mass shootings at an average interval of less than 172 days. These don’t include domestic violence or criminal activity. Seven of the deadliest mass shootings in modern US history have taken place in a school, including Sandy Hook elementary and Virginia Tech University. The deaths at Stoneman Douglas HS in Florida were the 180th mass shooting since 2009 and the third mass shooting in 2018. By Valentine’s Day in 2018, 17 school shootings had been reported, and in the week after, even more.

Schools now receive an average of 50 threats of violence daily, compared with 10 per day at the end of 2017, NPR reported. Since I began this blog in 2011, mass killings in public spaces have snuffed out the lives of 270 persons in grocery stores, church sanctuaries, schools, post offices, and restaurants. In seven years, an average of 38.6 individuals did not celebrate with cake and ice cream on their next circuit of the earth around the sun. I didn’t know any of these personally, but we may have lost the next Steve Jobs or the next Mother Theresa, or someone who would have fought happiness to their small corner of the world.

Some want to arm the schools, but what about the other places of mass shootings? Why not just ban the weapon which enables the taking of mass casualties? Or are the lives of grocery shoppers less valued than school children? Ask an orphan if a parent is valued. We don’t want to become an armed state in America, or at least I’m not for it. Perhaps the NRA wants this, for the gunmakers would boost their bottom lines. They make enough money off the rest of their product lines.

Some would say, opioids take MORE lives, as does tobacco use (1,300 deaths per day). These substances are legal and on the market we expect people to use them responsibly. They’re also addictive and controlled. The largest incidents are mostly since 2004 when the ban on semiautomatic weapons lapsed. These weapons, civilian equivalents to military type issue, are meant for mass killing, not for sport, hunting, or target shooting. Their high velocity ammunition doesn’t just pierce flesh, but obliterates it. Survival rates are slim and none.

I wonder if this moment in our nation’s life is our burning bush, our opportunity to hear the voice of God calling to us, and we rise up to set our people free from this pain and insanity.

“I have observed the misery of my people who are in Egypt;

I have heard their cry on account of their taskmasters.

Indeed, I know their sufferings,

and I have come down to deliver them from the Egyptians,

and to bring them up out of that land to a good and broad land,

a land flowing with milk and honey…”

~~ Exodus 3:7-8a