Nativities Then and Now

Altars, Apocalypse, beauty, Bethlehem, Christmas, Creativity, Faith, Holy Spirit, Icons, Imagination, incarnation, inspiration, Israel, mystery, Nativity, righteousness, Savonarola, vision

Every Christmas, my family would put up a beautiful tree and decorate it to the nines. My dad would always tie this living sculpture to the nearest window frame so the tree wouldn’t topple over. He was well aware at least one of his three curious and rambunctious children would no doubt be crawling under the lowest branches to reach the brightly wrapped presents hidden far back in the corner under the tree.

We kids most desired and sought after these hidden gifts, while those near the front always got a cursory glance and shake. If it were hidden, it had to be desired! Package shaking in the hidden, tight quarters could cause a tree to collapse and that would be more drama than our frazzled mother wanted at this time of year. My dad was wise enough, or trained by experience, to know messing with “Mother Nature” wasn’t a great idea.

Mother’s Nativity with other additions from family and friends

Under this tinsel draped tree, with its 1950’s glowing bubble lights, we always had a nativity scene. In our early childhood, it was solid and childproof, but as we aged, and got too large to crawl under the tree, a better quality nativity came to live under the tree. By my college years, my brothers were also grown enough for mom to exercise her creative genius. She hand-painted her own ceramic nativity group. This masterpiece also got its own special display site. Up until this time, we children had no idea our mother had any artistic talent, for she’d spent her days transporting us to our multiple after school activities. Between my brothers’ sports teams and my hobbies, it’s a wonder she found time to do anything else in the afternoon hours.

Nativity, Adoration of the Magi, 3rd century. Fresco, Rome: catacombs of Priscilla, 3rd Century CE

The 3rd century fresco shows the scene of Adoration of the Magi on the the arch dividing the room in the Greek Chapel in the Catacombs of Priscilla, Rome. In depictions of ancient Greek and Roman gift-giving practices, the act and choice of gift were important. They furnish information about both giver and recipient. The wise men adopt the same postures used in Roman imperial ceremony for the worship of an Emperor or other ruler. Roman art has always provided a pictorial model for the representation of the Magi. By identifying with or recognizing such an outward act of homage, the viewer could enter into the Nativity story through the wise visitors, worshipping the God manifest on earth in the Child.

This is why the earliest Christian art is found in the catacombs of Rome, in the hidden places, since worshipping Jesus wasn’t an approved religious practice in the Empire. Only the Divine Emperor alone was worthy of reverence and worship, not some dying and rising god of a far-off province. Today in America we sometimes forget we’re a nation founded on the principle of freedom to practice our religion as we see fit, or not to practice a religion at all, as the case may be. No government can compel the privilege of one religion above another or set one as the official religion.

Tympanum of the right side of the cast of so-called Sarcophagus of Stilicho, sculpted around 385 AD (the original piece of art is in Sant’Ambrogio basilica in Milan, Italy), Detail Nativity scene, Museo della civiltà romana a Roma (Eur), Room 15 (Christianity).

Another early depiction of the nativity isn’t in a Christmas context, but is found on a late 4th C Roman sarcophagus for a high ranking military official and his wife. The unknown artisan rendered the Christ child, wrapped in binding clothes, and lying in a manger, between the ox and the ass, to fulfill the prophecy of Isaiah 1:3—

“The ox knows its owner, and the donkey its master’s crib;
but Israel does not know, my people do not understand.”

As accustomed as we are today to manger scenes with all kinds of animals present, the scriptures don’t name them. These are left up to our imaginations. Even the elements derived directly from the gospel narratives of Matthew and Luke were slow to appear in visual renderings. Between those early scriptural accounts and the formation of even a basic manger scene lie some centuries during which Christian devotion and depiction developed. Likewise, the celebration of Christmas was slow to develop, but by the 4th century it was well along.

Nativity Fresco in Santa Maria Foris Portas, Castelseprio, Italy, 9th CE

In the ninth century, after the iconoclastic period, when the images of holy persons were forbidden and destroyed, a fresh wave of religious activity began in the arts. In Italy. In the church dedicated to Mary Outside the Gates in Castelprio, Italy, an entire series of paintings covered the interior walls. The church was located on an important trade route and the site was once a Roman fort. The theme honored Mary as the Bride of Christ, thus making her the spiritual equivalent of the Church, which is the Bride of Christ in scripture. In every tableau, Mary is the largest or most significant figure. Over the centuries, the area lost its importance, these paintings were whitewashed over, but after many years and much restoration, they’re now protected as a UNESCO World Heritage Site.

Today Protestant believers have a Christo-centric faith, often ignoring the other persons of the Holy Trinity. When we focus on the nativity, we forget God’s plan was to use humanity to save the fallen creation. This includes Mary and Joseph both, as well as God’s own Son, as Paul so well reminds us in Philippians 2:5-8—

Let the same mind be in you that was in Christ Jesus,
who, though he was in the form of God,
did not regard equality with God
as something to be exploited,
but emptied himself,
taking the form of a slave,
being born in human likeness.
And being found in human form,
he humbled himself
and became obedient to the point of death—
even death on a cross.

Giotto di Bodone, Nativity of Jesus, 1303-1305. Fresco, 200 x 185 cm. Padua: Scrovegni Chapel

Giotto’s frescos in the Padua Chapel are some of the most important works of art because he brought the Holy Family into ordinary human life. The blue skies replace the gold of the traditional icons, which stood for the infinite and eternal spiritual world. In Giotto’s painting, people hunger and thirst, while in the world of the icons, all suffering is transformed and any passion is disciplined.

Duccio di Buoninsegna, Nativity between the prophets Isaiah and Ezekiel, 1308-1311. Tempera on panel, 43.8 × 111 cm. Washington: National Gallery of Art

Duccio painted in his studio all the individual sections of the great altarpiece of the church in Sienna, Italy. On completion in 1311, the townspeople held a grand parade as they carried the paintings to the cathedral. They were installed in a magnificent framework with some of the works facing the congregation and the rest facing the church officials. The altarpiece remained intact until until 1506 when it was partially dismantled, relegated to side chapels and replaced by a 15th-century bronze tabernacle.

In 1771, the church fathers hired a carpenter to saw up the old wooden altarpiece into seven vertical pieces, and then saw each of those pieces in half laterally to separate the front scenes from the back. He then reassembled the different pieces to form new scenes. Most of the individual paintings stayed together, but others were sold to private collectors or museums. This Nativity between the prophets Isaiah and Ezekiel was purchased by the Museum Kaiser Wilhelm Friedrich in Berlin and remained on display there until 1938. At that time, a Nazi-appointed Museum director purged most non-Teutonic art from the collection. Through a trade, this Nativity came to our National Gallery of Art in Washington, D. C.

Duccio: Maesta Reconstructed Altarpiece. Front (L) and Back (R)

When we think about hidden meanings in art works, sometimes the journey a work takes to its exhibition home is part of its meaning. The Nazi purge of non-Teutonic art from the collection was based on their idea of a pure race for their homeland, with which they shared a special mystical bond. It meant they would purge or purify all who didn’t meet this white supremacist ideal. I personally am glad America is an open society, which welcomes all kinds of art and artists. When we think of the journey of the Holy Family, they made an arduous trip to Bethlehem while Mary was about to give birth and then had to head out on the lam because king Herod was out to kill all the boy babies. When we look at beautiful nativity scenes, we forget Jesus was born into a troubled world. Indeed, these beautiful works make us forget our own troubles.

Sandro Botticelli, Mystical Nativity, 1501. Tempera on canvas, 108.5 × 75 cm. London: National Gallery.

One of the most unusual nativity paintings is the Mystical Nativity by Botticelli. Painted with egg tempera on canvas, the artist writes in the upper section how he painted this “at the end of the year 1500, in the troubles of Italy…in the half after the time, during the fulfillment of the eleventh chapter of St. John in the second woe of the apocalypse…”

The monk Savonarola was actively preaching at this time, and scholars believe he influenced Botticelli. During the time of the Medici rule, Florence prospered with trade and the city’s alliance with France made for a time of peace. Lorenzo d’Medici died in 1492, relations with France broke off, and the French army ran amuck in the Italian countryside. Florence lost her former glory, trade dried up, and a political vacuum allowed for new voices to rise. Savonarola preached repentance and austerity, even going so far to burn luxurious items and artworks. He burned all kinds of vanities: cosmetics, mirrors, veils, and books.

People followed him because he was charismatic, and his words seemed to match their circumstances. Florence under his rule was an example of theocracy, the government of a state by immediate divine guidance or by officials who are regarded as divinely guided. Under this system, the people prosper if they care for one another and live godly lives, but they fail to thrive if they cheat the poor so the rich can live in luxury.

Prosperity religion teaches the good thrive and the sinners suffer. It’s not a new idea: retribution and reward appeal to people, but sometimes the good suffer and the evil prosper. The book of Job is a counter argument to this worldview. The life of Christ also shows the best of us will be sacrificed on a cross by those who don’t know what they’re doing. From birth to death, Jesus and his family were under duress from the powers of state and religion. He was a new voice of love and acceptance, of grace and forgiveness, of a righteousness by faith, not works. This new voice would upend the world as people knew it then.

Douce Apocalypse – Bodleian Ms180 – p.042 Woman Clothed in the Sun, Oxford University, London, c. 1265-70

The Mystic Nativity is a combination of the Nativity and the Last Judgment. On top, the angels hold hands in a circle, the center is the birth of Christ on earth, and the lower third is the vanquishing devils due to the Christian’s reunification with God. The number twelve represents the twelve gates of the new Jerusalem, the City of God. Twelve are also the number of stars in the crown of the woman in the apocalypse linked to the Virgin Mary. Other symbols also occur, but the overall meaning is Botticelli painted to deal with his fears about the end of the world.

Sometimes we make a cursory glance or reading of a painting, only to see its surface meaning. If we were to take this path with Botticelli’s Mystical Nativity, we might only see pretty angels and lovely ribbons. It looks like a homecoming at a sorority weekend with all the hugging and kissing. But Botticelli was painting during a time when the theological ideas of the monk Savonarola were in ascendance. He believed, “The more creatures approach and participate in the beauty of God, the more are they themselves beautiful, just as the beauty of the body is in proportion to the beauty of the soul.”

Virtuvian Man by Leonardo da Vinci, 1490, pen, brown ink, and watercolor on paper, Gallerie dell’Accademia, Venice, Italy.

As an interesting aside, about contemporary with Botticelli’s work in Florence, while Leonardo da Vinci was in Milan in 1490, he drew his Virtuvian Man, considered one of the greatest scientific and humanist works of the early Renaissance. Da Vinci used Vitruvius’ classical treatise on architecture as the source for his drawing. Notes from his translation are written in his famed mirror script below the image. This artwork is now so fragile, it never travels and only copies are shown.

While his outer world may be falling apart, and prosperity has left his vicinity, Botticelli still had hope for a better world. His faith was grounded in the birth of the savior, the son of God, who came in flesh to make all flesh divine. We forget this crucial message of the nativity, which is to make holy all flesh. More often we focus on the magi’s gifts brought to the child: riches fit for a king, or the gifts of presence, from the poor shepherds. The true gift is the one in the manger, for Christ is God’s gift to us. He came to make us all At-One with God, the very best atonement possible. At the Last Judgment, all who are at one with God’s purposes will be separated from the rest.

Banksy, “The Scar of Bethlehem” (2019) (courtesy Bisher Qassis), located in The Walled in Hotel in Bethlehem, closed since 12/12/23, due to fighting against Hamas

How can we practice seeing past the surface of everyday life? Sometimes we have to be shocked. Modern nativities bring us again and again to confront the same world of challenges and discord into which the young Christ child was born. If we wrap ourselves in warm swaddling clothes so we too won’t cry over the lack of a Christmas in Bethlehem this year, we lose sight of the common humanity of all God’s people. The extremists will take retribution on everyone, but those who take the middle path punish only those who did wrongs. Is there hope for those who take the “my way or the highway?” Or do we need to join the Holy Family and become refugees to avoid King Herod’s slaughter of the innocents?

This 2020 nativity was created as a public art project by ceramics students in Castelli, Abruzzo, Italy, a region known for its ceramics. It had nineteen figures including an astronaut and a Darth Vader figure, whose creation predated the Star-Wars series and represented a generic “sinner” figure. In modern nativity scenes, artists often integrate characters not mentioned in the gospel accounts, in order to bring the interests of contemporary audiences into the biblical story. As you can imagine, it created quite a buzz. Some said it lacked “beauty,” while others thought it was a joke. Some thought it disrespectful to the honor of the Holy See, the Church, and to the good Lord himself. It’s a truism “beauty is in the eye of the beholder.” Also, “we’ve never done it that way” still has a strong hold on people’s hearts and minds.

Sinner and Astronaut: Large Ceramic Nativity at the Vatican, 2020

Seeing deeper meanings in art or scripture is no more complicated than seeing a deeper understanding of a literary experience, such as a book or poem. In art, we do have the hurdle of acquiring some visual background and “visual language.” Just as we can’t understand a foreign language without learning some phrases, we need to know some art history and styles. We can only understand in part at first, but later we’ll understand as if we were old friends. No one is a savant right away. If we pause as we read a scripture, let the words sink into our deeper minds, and let the Holy Spirit open up new insights into God’s word, we can do the same with art works.

After all, bread is just bread: ordinary flour, yeast, oil, and water. Once we bless the bread and invite the Holy Spirit to transform it, we understand these same ordinary materials to be signs of the extraordinary presence of the Body of Christ, as recorded in Luke 22:19 at the Last Supper—

Then he took a loaf of bread, and when he had given thanks, he broke it and gave it to them, saying, “This is my body, which is given for you. Do this in remembrance of me.”

We’re always surrounded by the mysteries of hidden meanings, if only we have eyes to see and ears to hear. May you know God more deeply in the days and years to come.

The Christ Child in the Rubble, Nativity in Bethlehem, Palestine, West Bank, 2023

Joy and peace,

Cornelia.

Featured image—Nativity, 3rd century. Stucco, Rome: catacombs of Priscilla.

Category: Sarcophagus of Stilicho in Sant’Ambrogio (Milan) – Wikimedia Commons
https://commons.wikimedia.org/wiki/Category:Sarcophagus_of_Stilicho_in_Sant%27Ambrogio_(Milan)

Duccio, The Nativity with the Prophets Isaiah and Ezekiel, 1308-1311
https://www.nga.gov/collection/highlights/duccio-the-nativity-with-the-prophets-isaiah-and-ezekiel.html

Botticelli’s’ Mystic Nativity: Symbolism, Savonarola and a Reflection of an Era | Renee Farina – Academia.edu
https://www.academia.edu/1262474/Botticellis_Mystic_Nativity_Symbolism_Savonarola_and_a_Reflection_of_an_Era

Leveto, Paula D. “The Marian Theme of the Frescoes in S. Maria at Castelseprio.” The Art Bulletin, vol. 72, no. 3, 1990, pp. 393–413. JSTOR. Free account to access. https://doi.org/10.2307/3045748. Accessed 24 Dec. 2023.

Katarína Šimová: The Fresco Cycle of Santa Maria foris portas, MASARYK UNIVERSITY! FACULTY OF ARTS, DEPARTMENT OF ART HISTORY, 2021. Open source
https://is.muni.cz/th/ufv2u/castelseprio_frescoes.pdf

Significance of Leonardo da Vinci’s Famous ‘Vitruvian Man’ Drawing
https://mymodernmet.com/leonardo-da-vinci-vitruvian-man/

Baby Jesus Bread Buns · How To Bake A Roll Or Bun · Baking on Cut Out + Keep
https://www.cutoutandkeep.net/projects/baby-jesus-bread-buns

The Adoration of the Magi: Mosaic in S. Maria Maggiore https://www.christianiconography.info/staMariaMaggiore/epiphanyArch.html

The Magi and the Manger: Imaging Christmas in Ancient Art and Ritual – The Yale ISM Review https://www.ismreview.yale.edu/volume-3-1-fall-2016/the-magi-and-the-manger-imaging-christmas-in-ancient-art-and-ritual

Art for the Inner Child

adult learning, Apocalypse, art, Christmas, Creativity, Enneagram, Faith, Holy Spirit, hope, Imagination, inspiration, Light of the World, Ministry, Painting, perfection, purpose, salvation, Spirituality, vision

What is the purpose of an art class? Why does anyone learn to speak a foreign language or take up a craft or sport they’ve never attempted before? We must want to explore some unknown universe or get out of our comfort zone, or as my old favorite television series would announce weekly, “to boldly go where no one has gone before.”

There are art classes and then there are Art Classes. Just as we shouldn’t make up our minds about a subject or a food until we experience it directly, we can have an open mind about a novel event, rather than rejecting it out of hand. Many of us have lived our lives under judgmental circumstances, dealing with rejection and disappointment at not being the best. “Talladega Nights: The Ballad of Ricky Bobby,” the NASCAR themed film of redemption and finding one’s purpose in life, stars Will Ferrell, whose father crippled him with this tragic life message:

“If you ain’t first, you’re last. You know, you know what I’m talking about?”

Near the end of the movie, Ricky Bobby learns this all was just crazy talk:

Ricky Bobby: Wait, Dad. Don’t you remember the time you told me “If you ain’t first, you’re last”?
Reese Bobby: Huh? What are you talking about, Son?
Ricky Bobby: That day at school.
Reese Bobby: Oh hell, Son, I was high that day. That doesn’t make any sense at all, you can be second, third, fourth… hell you can even be fifth.
Ricky Bobby: What? I’ve lived my whole life by that!

According to Baseball Reference, Ruth’s 183.1 career WAR — combining his value as a hitter and pitcher — is the highest all time, well ahead of Walter Johnson’s 164.8. For reference, the highest mark among active players is Albert Pujols’ 99.6 WAR.

We call this living out a “bad script” our ancestors have written for us. We see it all the time in the movies and on television. We read about it in novels and in comic books. For the most part, people don’t change their wicked ways, but get the consequences they’re due. The bad suffer and the good prosper. Or we read fairy tales in which the good little children get rewarded, or the unjustly treated ones are raised up, like Cinderella. These are the popular stories, but not the biblical tales. The book of Job calls this “retribution theology” into question, as does Jesus in the New Testament.

Annie French (1872 – 1965) Scottish: Cinderella and the Ugly Sisters, About 1900 – 1910, Pen and ink, watercolour and gold paint on vellum paper, 23.50 x 21.50 cm, Scottish National Gallery of Art.

In the Bible, God sends prophets, not only to call the people to account (critique their actions or behavior), but to offer the hope of a better future if they return to God and God’s ways (positive changes in behavior). In this way, a good art teacher is like a biblical prophet, who offers both positive and negative critique on the artwork. The teacher also offers “hope” or suggestions on how to improve the work. Teachers aren’t telling the person they don’t measure up, only that they need more time invested in making art to be able to bring their own artistic vision into reality.

If we expected babies to chew steak from the moment of birth, the world would be a lonely place. If we expected these same babies to get up right away and “bring home the bacon” to buy their own steak and potatoes, they’d starve. Babies aren’t meant to walk before they crawl, nor or they chewing meat before they drink milk or pablum for a year or two.

Bacon Cake: Oh, Baby! I hope that’s REAL BACON!!

Someone who comes to art class should always come to learn something more, no matter how much they already know. I’m always learning new ideas and techniques. The act of making art is always an act of exploring new territories. We also grow by sharpening one another. Folks in the class are always excited to see how each other approaches the subject each week.

Mike’s May 2022 class work shows he’s been learning some things.

Only the apocalyptic writers in Scripture had a fixed view of the future. For them, God had given up on humanity. We humans were too far gone, too broken, and had destroyed God’s world beyond our weak means to repair it. Their only hope was for God to create “a new heaven and a new earth, for the first heaven and the first earth had passed away, and the sea was no more.” (Revelation 21:1)

Gail went the extra mile with Cri-Cut lettering

Of course, this isn’t a prediction of a certain time, but it’s a future hope for all times. It’s the hope all we creative people have every time we face a blank canvas, a pile of found objects, or a bag of scrap cloths. We also do this when we pull together a dinner before we go to the grocery store, and we take some of this and that which we have in our cupboards and refrigerators. We’re going to make something new! We do hope the Spirit of God descends to make this an inspired concoction! And if it doesn’t work out, we always know our salvation isn’t at stake over a single random supper creation. If I’m hungry enough, I’ll eat anything. Or there’s always peanut butter and jelly sandwiches.

Leftover Doughnuts and Sausage Bread Pudding Bunt Cakes

I was reading Richard Rohr’s Enneagram commentary on the American people. He says America is a nation of Threes: competitive, striving, always looking for success and improvement. When we hit a down cycle, and economics tells us we always have ups and downs in our economy, Americans act like we’ve been insulted. This doesn’t happen to us—to others maybe—but not to us! We’ll look both for a scapegoat and a savior, but never realize these conditions are a natural part of life.

Always be the best YOU. There’s never going to be another one just like YOU.

Likewise in groups, we’re always judging who got more, who has the most status, who’s preferred, and who’s on the out. We’re even liable to self-select to be on the outer group if we believe we won’t measure up, just to spare ourselves the shame of being found wanting. Joyce Rupp has a great poem about this very topic:

WE CAN LOVE THE IMPERFECT SELF
If I wait to be perfect
before I love myself
I will always be
unsatisfied
and ungrateful.

if I wait until
all the flaws, chips,
and cracks disappear
I will be the cup
that stands on the shelf
and is never used.

Magic Teacup Cake from Alice in Wonderland

If we’re faithful scripture readers, we know God never chooses the best persons to do God’s work. When we were children, we saw these characters as heroic figures, just as we saw our parents as great and invincible. The Old Testament records how Moses was a murderer, Joshua was afraid, Amos was a lowly shepherd, and David was an adulterer. Not exactly Perfect Role Models, but transformed people can do God’s mighty deeds if they let God work God’s purpose through their lives.

This word doesn’t mean what the headline writer thinks it does.

In Art Class, we don’t reject “poor work.” We aren’t a factory producing widgets. We have other goals: art appreciation, learning about colors, learning to see more clearly, developing a creative mind, and developing drawing skills. Art is a unique visual language, so learning how to render a three-dimensional form onto a two-dimensional surface takes some time and practice. Developing our own voice is the step beyond mastering the basics of artistic vocabulary. As I used to tell my parents at back-to-school night, just enjoy whatever your child brings to you! If you leave your “critical parent” at home, and bring your “inner child” to Art Class, life is way more fun!

We’re currently on holiday sabbatical at Oaklawn UMC, but classes will return in the new year. We meet in the old Fellowship Hall at 10 am to noon. We always have coffee, and on occasional days, a tasty treat. Our class will begin working in watercolor beginning on January 5, 2024. I don’t charge for the class instruction, but each person should bring their own supplies. Supplies needed are:

Prang Oval 8 watercolor paint set with brush

Prang Oval 8 watercolor paint set (containing brush)—on line at Walmart and Amazon. This has best color and pigments. I found a prime deal on Amazon for $3 each if you buy 3, free shipping.
Watercolor paper pad 9” x 12” or larger (90 lb or heavier)
Tall plastic container for water (iced tea glass size plus)
Your inner child

Joy and peace,

Cornelia

MERRY CHRISTMAS, PEACE ON EARTH, GOOD WILL TO ALL

Talladega Nights: The Ballad of Ricky Bobby https://www.imdb.com/title/tt0415306/quotes/?item=qt0425224

Babe Ruth’s Top 10 career statistics— Shohei Ohtani produced 9.1 total WAR during his spectacular two-way campaign in 2021. Even he maintained that level of performance for 20 consecutive seasons, he would still be 1.1 WAR short of matching Ruth. https://www.mlb.com/news/babe-ruth-s-top-10-career-statistics-c163792958

Sharansky’s Hanukkah

art, Creativity, Faith, Hanukkah, holidays, hope, Imagination, inspiration, Israel, Light of the World, Painting, righteousness, risk, shadows, Spirituality

NOTE: This extraordinary story comes from Arguable by Jeff Jacoby, an opinion writer for the Boston Globe, on December 12, 2023. I’m sharing it with all of you because even in the worst of times, even with the least of resources, if we have faith in God, we can be a light unto the world.

In his transcendent prison memoir, “Fear No Evil,” Natan Sharansky tells the story of his nine years in the Soviet gulag, a fate to which he was sentenced for the crime of wanting to emigrate to Israel. Even now, 35 years after it was published, it is an amazing read, a great narrative by a great man who refused to be intimidated by his captors. The more the KGB tried to berate or punish him for his Jewish pride and Zionist yearning, the more joyfully and fearlessly Sharansky embraced them.

To mark this week of Hanukkah, consider this extraordinary incident recounted in “Fear No Evil.”

Davis Stark Design, Architectural Digest 2017

Sharansky was in the Siberian prison camp of Perm 35 and Hanukkah was drawing near. Intent on observing the holiday as best he could, Sharansky had a menorah constructed from some wooden scraps. A few candles were found, and each evening Sharansky lit his menorah, reciting the blessing, and describing to his fellow prisoners — none of them Jewish — the story of the Maccabee rebellion long ago. On the sixth night of Hanukkah, the authorities confiscated his menorah and candles. When he demanded to know why, a prison guard claimed that the menorah was made from “state materials” and therefore illegal.

Sharansky declared a hunger strike. “In a statement to the procurator general,” he recounts, “I protested against the violation of my national and religious rights, and against KGB interference in my personal life.”

Two days later, Sharansky was summoned by Major Osin, the prison camp warden. Osin wanted the refusenik to call off his protest before the expected arrival of an inspection committee. In that case, Sharansky said, “Give me back the menorah, as tonight is the last evening of Hanukkah.” He promised to end his hunger strike if he was allowed to light the candles.

But a protocol for its confiscation had already been drawn up, and Osin couldn’t back down in front of the entire camp. . . . I was seized by an amusing idea.

“Listen,” I said, “I’m sure you have the menorah somewhere. It’s very important to me to celebrate the last night of Hanukkah. Why not let me do it here and now, together with you. You’ll give me the menorah, I’ll light the candles and say the prayer, and if all goes well I’ll end the hunger strike.”

Osin thought it over and promptly the confiscated menorah appeared from his desk.

When Sharansky said he needed eight candles, Osin took a knife and cut the candle into eight stubs. Then, with amazing audacity, Sharansky said that the ceremony required everyone present to stand with head covered, listen to the blessing, and answer “Amen.”

Osin complied. He stood behind his desk, donned his major’s cap, watched as Sharansky kindled his eight candle stubs, and then waited for his prisoner to recite the blessing. Speaking in Hebrew — which Osin, of course, did not understand — Sharansky recited a blessing he had composed himself: “Blessed are you, O God, for allowing me to light these candles. May you allow me to light the Hanukkah candles many times in your city, Jerusalem, with my wife, Avital, and my family and friends.”

Then he had a brainstorm.

Inspired by the sight of Osin standing meekly at attention, I added: “And may the day come when all our enemies, who today are planning our destruction, will stand before us and hear our prayers and say ‘Amen.’ ”

“Amen,” Osin echoed back. He sighed with relief, sat down, and removed his hat.

Sharansky writes that he returned to his barracks “in a state of elation.” Who can doubt it? What magnificent chutzpah! What a triumph of the spirit! And what an uplifting reminder that even in the depths of the gulag — even in a time and place filled with the enemies of Jewish faith and freedom — those who refuse to fear can turn the table on their oppressors and dispel the darkness with a candle’s light.

**From Book Blurb:** For anyone with an interest in human rights—and anyone with an appreciation for the resilience of the human spirit—
he illuminates the weapons with which the powerless can humble the powerful: physical courage, an untiring sense of humor, a bountiful imagination, and the conviction that “Nothing they do can humiliate me. I alone can humiliate myself.”

Hachette Books: Use HOLIDAY23 for 20% off site wide until 12/31. (Order by 12/13 to get your gift under the tree!)

This link also has links to other retailers. Price is set by publisher.

https://www.publicaffairsbooks.com/titles/natan-sharansky/fear-no-evil/9780786723249/

Nativity at Night by Geertgen tot Sint Jans, c. 1490, after a composition by Hugo van der Goes of c. 1470; sources of light are the infant Jesus, the shepherds’ fire on the hill behind, and the angel who appears to them

Joy, peace, and light,

Cornelia

Season of Light

art, Astrology, Christmas, Civil War, Faith, Family, Hanukkah, holidays, hope, Israel, Light of the World, Love, Saturnalia, Spirituality, Ukraine

The damaged Drobytsky Yar memorial near Kharkiv, Ukraine after reportedly being hit by Russian artillery fire, on March 26, 2022

As the days grow shorter and the nights lengthen, the chill air adds to the darkness of our world. We can give into this dour outlook, especially this year with devastating wars in Ukraine and Gaza, or we can light a candle against the gathering gloom. Cultures across history have seen the time before year end as an opportunity for reflection, concern, or fear. Others have found reasons to rejoice.

Hanukkah (inauguration) is the eight-day Festival of Lights, which occurs in 2023 from sunset December 7 to December 15. It’s a moveable festival, for in 2024 the holiday will occur from December 25 to January 2. The Jewish calendar is a lunar calendar, not a solar calendar. This holiday celebrates the rededication of the Second Temple after the victory of the Maccabees over the Seleucid Greeks in 164 BCE. On discovering in the temple a vial of unpolluted oil, with only enough to light the candle for one day, this oil kept the candle burning for eight days. To commemorate this miracle, faithful Jews now light a special menorah with nine candles. The ninth candle is called the “helper” or “shammash” candle. The root word is from the Hebrew for “servant.”

While not everyone is Jewish, all persons can learn from the menorah and the shammash candle. We may have only a little to give, but with God’s help it can be multiplied many times over. We can all be a helper candle, and bring a light to the candles who need a light. Many in this season experience a loss of some kind. Some are mourning a loved one, others have broken relationships, or have lost jobs or status. We are not our jobs and we aren’t our paychecks, but we are the beloved children of God. God will love us when everyone else turns aside. God will remember us when others forget we are alive.

Perhaps these darkening days at the end of the year are why people in all parts of the world have brought fire and light to this time of the year. The Yule Festival in German and Scandinavian countries was part of the pagan festival incorporated into Christianity’s Christmas celebrations. It likely began as a winter solstice or year-end celebration. “Yule” became a name for Christmas about the 9th century, and in many languages yule and its cognates are still used to describe that holiday.

The burning in a giant fireplace of a large Yule log until it’s reduced to cinders is one of my favorite mythic memories of the season. Alas, growing up in the Deep South, gas logs were the closest fireplace equivalent, and these were the same yesterday, today, and tomorrow. We rarely turned on the flickering colors of these blue flames because cold nights were few and far between.

By 336 CE, the Christian church in Rome celebrated Christmas on December 25, which coincided with the Roman winter equinox festival of Saturnalia. In medieval England, Christmas was a 12-day festival involving all kinds of revelry, from plays to wild feasts to pageants celebrating Jesus’ birth. Music, gift giving, and decorations all became the norm. Anyone who’s been in a choir singing “The Twelve Days of Christmas” with its repetitive “and a partridge in a pear tree” has those ancestors of ours to thank. Some traditions never die!

Our family stitched and sequined one exactly like this.

Christmas is better known for decorated trees, however. The use of evergreen trees and wreaths in religious ceremonies dates from ancient Roman times, if not earlier. However, the first documented use of a tree in a winter Christmas celebration wasn’t until 1510. In that year, members of a merchant’s guild in Riga, Latvia, placed a tree in the town square. They decorated it with flowers, ribbons, and dried fruit. After the festivities—which included the singing of songs and dancing—were concluded, they burned the tree as a great bonfire to close out the celebrations.

The Grinch Torches Whoville’s Christmas Tree into a Bonfire

Christmas trees gained popularity in Germany and other parts of northern Europe by the 1700s, but the practice of decorating a pine or fir tree during the holiday season remained virtually unknown in the English-speaking world prior to the 19th century. When Queen Victoria married her German cousin Prince Albert in 1840, the Christmas tree became widely accepted and practiced throughout the British Isles.

1836 edition of The Stranger’s Gift: A Christmas and New Year’s Present

In the United States, the practice of placing a decorated tree inside the family home was most likely introduced by German immigrants who arrived soon after the Revolution. The otherwise unassuming volume seen above, the 1836 edition of The Stranger’s Gift: A Christmas and New Year’s Present, is significant for it’s the first book printed in the Americas containing an image of a Christmas tree. Franklin Pierce in 1856 was the first president to erect a tree in the White House. In the United States, Christmas wasn’t celebrated with much gusto until after the Civil War, which reinforced for many the importance of home and family. In 1870, after the war’s end, Congress made Christmas one of nation’s first federal holidays.

Franklin Pierce in 1856 was the first president to erect a tree in the White House.

Light has always been a part of winter festivals, with their signature long, dark nights. Electric Christmas lights are a modern spin-off of the old-fashioned candles that Germans and Scandinavians placed on their trees. Thomas Edison, inventor of the lightbulb, also invented the first strand of lights and hung them outside his Menlo Park, New Jersey laboratory in 1880. In 1882 his business partner, Edward H. Johnson, created the first Christmas tree illuminated with colored lights. In 1895, President Grover Cleveland placed multi-colored electric lights on the White House tree. Since electricity wasn’t available except to the wealthy, most people didn’t have electric lights on their trees at home. Not until the end of the 1920s were electric lights affordable for the average family.

Fast forward to the 1950’s and the postwar period of rural electrification and large family gatherings, colored electric lights of every kind were readily available to the middle classes, not just the wealthy. This was the era of big bulbs and bubble lights, but in a few years, inexpensive miniature colored and white lights imported from China would become popular. Now even single parent households could decorate both the house and tree to their hearts’ content.

Untitled (Lux in tenebris inest—Light in the darkness)
Elisa Sighicelli 2003/2003

The lights bring out our hope of what’s good and wonderful in this world. Christmas and Hanukkah are times when the light burns bright, even when the days are dark. If these holidays didn’t exist, we would need to invent them, for we need the reminders of what is light and good in the world. As Baruch prophesied (5:9):

“For God will lead Israel with joy, in the light of his glory, with the mercy and righteousness that come from him.”

While we don’t know exactly what the Christmas star was, one theory is it was a conjunction of Jupiter, Regulus and Venus. Another possibility includes a set of conjunctions of the planets Jupiter and Venus, and the bright star Regulus. In this case, the mythologies associated with the objects become important. Jupiter in Hebrew is known as ‘Sedeq’, which is often translated as meaning righteousness. Jupiter is also often viewed as being the ‘king’ of the planets. Regulus is Latin for ‘prince’ or ‘little king’, and Venus is often viewed as a symbol of love, fertility and birth. Therefore, the combination of these objects close in the sky could have led to the interpretation of the birth of the ‘King of Kings.’ We do know Matthew records the visit to King Herod:

“After Jesus was born in Bethlehem in Judea, during the time of King Herod, Magi from the east came to Jerusalem and asked, “Where is the one who has been born king of the Jews? We saw his star when it rose and have come to worship him.”
(2:1-2 NIV)

Gerrit Dou: Astronomer by Candlelight, oil, late 1650s, J. Paul Getty Museum

The magi were astrologers, those who studied the heavens for the star signs of rising and falling influences in the ancient world. Herod died soon after their visit, but not before he tried to consolidate his power. He meant his dire deeds to benefit himself, but God spared his son by sending a message to Joseph in a dream to flee to Egypt with Mary and Jesus. The magi were warned not to return to Herod also.
This one who John wrote about in the opening chapter of his gospel (1:5):

“The light shines in the darkness, and the darkness has not overcome it.”

Gerardo Dottori: Nativity, 1930/1930, Museum of modern art

As we celebrate the holidays of light this year, remember to be a “shammash”, or a servant of light, and don’t let this present darkness overwhelm you. Your one light shining may be the brightness that brings someone safely home. Today I wore my bright pink exercise pants, even though I’m sinusy and achy all over. I made at least one person’s day when I said, “They’re stretchy, so I can eat more Christmas cookies!” We spread the joy even when the Grinch has stolen ours. This is a way of taking the darkness back, by making others feel better.

God bless and shine 🕯️on,

Joy and peace,

Cornelia

Jewish Festivals |Britannica
https://www.britannica.com/topic/Jewish-festivals

Shammash | Judaism | Britannica
https://www.britannica.com/topic/shammash

Yule Festival | Britannica
https://www.britannica.com/topic/Yule-festival

O Tannenbaum: Or, a Brief History of the Christmas Tree | The New York Public Library
https://www.nypl.org/blog/2016/12/12/christmas-trees-arrival

Who Invented Electric Christmas Lights |
https://www.eei.org/en/delivering-the-future/articles/who-invented-electric-christmas-lights

A Look Back: 100 Years of Christmas Tree Trends

https://www.bhg.com/100-years-christmas-trees-6751023

Rabbit! Rabbit! Welcome to December 2023

Apocalypse, architecture, art, Bethlehem, Christmas, Civil War, Faith, Family, Healing, holidays, Holy Spirit, hope, inspiration, Israel, Light of the World, Love, Ministry, poverty, rabbits, shame, Spirituality, Stress, trees

“Gloom begets gloom,” my daddy always said, “so if you wake up on the wrong side of the bed, it’s best to go back and get out on the other side.” Some folks today don’t have much of the Christmas or holiday spirit, for they’re only looking at the dark side of world events or at the shrinking purchasing power of their dollar.

Unemployed people sold apples on the street corner in the Great Depression

Since the Civil War, the United States has endured thirteen depressions or recessions large enough to get noticed by those who study such things (see list below). This is an average of one about every dozen years. Of course, those of us who experience these events don’t have to study them, for we directly participate in the event. As the old saying goes, “If my neighbor loses his job, it’s a recession, but if I lose my job, we’re in a depression.” Instead, we plan for them and expect the good times won’t last forever.

Because we human beings are wont to think “our situation is unique,” we’re also great at forgetting the lessons of history. The first lesson is life is cyclical and what goes up will come down. The second lesson is what goes down will eventually go back up. My long experience suggests when folks are in the “down cycle,” they forget upward progress is possible. In college we used to joke, “been down so long, it looks like up to me!”

Some say recessions are “necessary” in economic cycles to remove excess, reprice assets, and tame risky behavior. None of these negative factors would exist except for human greed. When Mary and Joseph went to Bethlehem to register for the census, they were also enrolling for the purpose of taxation. The Romans practiced tax farming in their provinces. Whoever had the account had to raise a certain amount for the empire, but could keep whatever excess they raised for themselves. Excessive taxation on the conquered land and people stoked their hopes for a messiah to rid them of this evil. No wonder the signs and wonders attending the birth of Jesus were fulfilling the ancient prophecies, as Matthew wrote (2:6):

‘And you, Bethlehem, in the land of Judah,
are by no means least among the rulers of Judah;
for from you shall come a ruler
who is to shepherd my people Israel.’

Church of the Nativity, Bethlehem. Star over the Grotto

In the times of darkness, we always look to the light as a reason to hope. As the magi saw a star rising in the east and believed an important person would arise in the land of Israel, we today look for glimmers of light to give us hope for the day to come. Some people see the wars, earthquakes, and crookedness of people and think we’re entering the end times. Churches and radio preachers are making hay with the Book of Revelation, forgetting it was a specific book written for a unique audience and time. We have been in the “end times” since Christ arose from the dead. As Matthew (28:20) records his words to the disciples in Galilee:

“And remember, I am with you always, to the end of the age.”

Since we’re always with Christ, we will always have his light, as Zechariah prophesied in Luke 1:78-79–

“By the tender mercy of our God,
the dawn from on high will break upon us,
to give light to those who sit in darkness and in the shadow of death,
to guide our feet into the way of peace.”

The famous Banksy’s Armored Dove of Peace, the painting of a peace dove wearing a flak jacket. The dove is painted on a wall near the separation wall between Bethlehem (Palestinian Territories) and Israel. Nov. 18, 2023.

In the midst of wars in the Ukraine and in Gaza, where people are suffering and dying, we can lose sight of the vision of light and peace, while we focus on darkness and death. The Christian community in Palestine, which usually hosts hordes of Christmas pilgrims in Bethlehem Square, won’t be celebrating this holy season this year in solidarity with Palestinians in Gaza. Instead, they’ll set up a small nativity scene covered with rubble. It’s a reminder when the Christ child came into a suffering world over two thousand years ago, his birth was a hope for the oppressed and the poor. Every Christmas we have the opportunity to care for those who struggle to make ends meet.

In the Great Depression, families lost homes, farms, and lived in shantytowns called Hoovervilles. President Hoover spoke of a childhood Christmas memory:

“I do vividly recollect a Christmas upon that farm when the sole resources of joy were popcorn balls, sorghum, and hickory nuts; when for a flock of disappointed children there were no store toys, no store clothes; when it was carefully explained that because of the hard times everything must be saved for the mortgage. The word ‘mortgage’ became for me a dreaded and haunting fear from that day to this.”

1950’s Christmas Tree: we kids were Team Tinsel, but the folks were Team Ornaments. Our tree never looked like this!

I have some ancient memories of the cyclic hard times experienced by my family. I recall the late 50’s Eisenhower influenza recession dimly because it was the only time I ever saw my daddy cry. We had a brand-new Ford station wagon, but couldn’t afford to drive it except on Sundays. My dad brought money home daily from his office, so mother and we kids would walk to the local grocery to buy food the next day. He cried because he kept his office full of patients, but half of them couldn’t pay for his services. Mother was very practical and reminded him, “This too would pass. Trouble is only temporary.” In the fall, she took a schoolteacher position to help out. That Christmas we hand decorated sequins on felt shapes the “Twelve Days of Christmas” for a tree skirt. I passed this extravagance on to a nephew when I downsized my home.

We decorated the early days more than the later days. Time management wasn’t our best gift, but we had a great time doing this together.

I also remember the 1970’s economic slowdown very well. I got married during this time. After my husband and I bought our silver wedding rings, we had $16 left in our pocket. I was certain we had jumped off a height with no parachute, but we somehow managed day to day. To keep up “appearances,” we gave away some of our wedding gifts as Christmas gifts to other family members. I thought it was wrong, but now I realize I don’t care about those items today. I was more concerned about “saving face,” since someone might recognize we were regifting. We managed with food from our organic garden and meat from a deer my husband harvested in the autumn. But I no longer eat tuna casserole, having lost my taste for this staple of my poverty years. Gifts aren’t important, but people are.

The 1980’s had a slump related to the oil embargo. When oil money dries up, art teachers lose their jobs, as do all the other “frivolous employees” elsewhere. I got an insurance sales position, with a guaranteed six-week paycheck. I was amazed I had a talent for sales, but I was good at discovering needs and matching products to people’s ability to pay. My best sales close was, “If you’re not here to provide for your family, how will they be able to keep their current lifestyle?”

Having a simpler Christmas this year? Consider an alternative tree…

I lost my house to foreclosure during the 1990’s subprime mortgage crisis. I lost my credit cards and almost lost my daughter to suicide. I learned some things are more important than achievements or possessions. In the depths of the worst of times, gifts aren’t necessary. Being a light for others, helping others, giving yourself to those who need hope in these seemingly hopeless times is important. During this time, I drew hope from God’s words to Nathan in 2 Samuel 7:5-6—

“Go and tell my servant David: Thus says the LORD: Are you the one to build me a house to live in? I have not lived in a house since the day I brought up the people of Israel from Egypt to this day, but I have been moving about in a tent and a tabernacle.” I drew hope, for if God didn’t need a permanent home, but stayed with God’s people, then if I had no home title, God would still go with me wherever I laid my head.

As a people, we always want to tie God to a place or to locate the Spirit to a site, but God is always bigger than our imagination and our attempts to circumscribe God’s existence. We want to restrict God’s love to a few, but God insists on loving those from whom we look away and exclude. In the midst of the chaos of my losses and suffering, I discovered God was calling me to the ministry.

Gislebertus: Flight into Egypt, 1120-1130, Stone Capitals at St Lazare, Autun, France.

Why does God call the least, the last, or the losers to God’s work? God wants to be glorified, not the person who does the work. God needs people who understand suffering and have been seasoned by it, rather than hardened by it. The wounded know the wounds of others, but they also know the path to healing. This is why we find the Christ child in a stable, not in a palace; and have shepherds and foreigners come to visit, but not his family or friends. It’s also why the Holy Family flees to Egypt as refugees to avoid Herod’s death sentence for the Jewish newborns. If we’re having a less than “perfect” holiday this year, perhaps we’re only having a bad hair day in comparison to the suffering of that first Christmas.

When I get to struggling, for the aches and pains of age are catching up to me, I can get in a low mood thinking, “I used to pop out of bed and do 12 things before lunch.” Now I need six cups of coffee to get my lunch going! Of course, I’m past my platinum anniversary and my hair color matches my age. On days like this, I look to Paul’s admonition in 1 Thessalonians 5:16-18, which rings across the ages as a clarion call:

Rejoice always, pray without ceasing, give thanks in all circumstances;
for this is the will of God in Christ Jesus for you.

I wish each and every one of you a Merry Christmas and a Wonderful New Year. I plan to take a sabbatical from my Rabbit-Rabbit series in 2024, since I’ve neglected my sci-fi blog and my pandemic project quilt needs stitching together. I’m going to work on my art more and write about the spiritual intersections of the creative life.

Joy and Peace,
Cornelia

You can keep up with my other writing and thoughts:

SOULJOURNIES: sci-fi spiritual formation blog
https://souljournieswordpress.wordpress.com/author/artandicon/

ARTANDICON: blog on the intersection of art and faith
Www.Artandicon.com

CORNIE’S KITCHEN: blog on healthy eating and spirituality
http://www.cornieskitchen.wordpress.com

List of depressions and recessions since the Civil War:

the Panic of 1873,
the Great Depression when 13 million people were out of work,
a recession after WWII,
another after the Korean War,
the Eisenhower influenza recession in 1957-58,
a recession in the auto industry in 1960-61,
and another year long recession in 1970-71 under Nixon.
In 1973, OPEC quadrupled oil prices, and that shock along with the stock market crash sent the world economy into recession.
In 1980, energy prices continued to rise, so when the Federal Reserve raised interest rates to curb rising prices, the economy contracted. Once again, unemployment rose to 11% and business output suffered.
We had a recession in the Gulf War from 1990-91, and then maintained the longest period of economic growth in American history up until
the Dot Com Bubble in 2001. The tech-heavy NASDAQ ended up losing nearly 77% of its value and took over 15 years to recover its losses. September 11, 2001 wasn’t a sunny day for the stock market or for America. Many people have had a pessimistic outlook on life from this date forward. It changed how we see ourselves.
In 2008-2009 another recession hit hard, making it the longest economic downturn since World War II and the deepest prior to
the following COVID-19 Recession of 2020. The former was triggered by the subprime mortgage market collapse, while the latter was the quickest and steepest of them all. While more than 24 million people lost their jobs in the US the first three weeks of April 2020, this shock was quickly ameliorated by government interventions, such as zero interest, income payments and other supplements.

Christmas During the First “Great Depression” – Hoover Heads
https://hoover.blogs.archives.gov/2020/12/16/christmas-during-the-first-great-depression/

Milestones: 1921–1936 – Office of the Historian
https://history.state.gov/milestones/1921-1936/great-depression#:~:text=The%20U.S.%20stock%20market%20crash,cause%20a%20global%20financial%20crisis.

Understanding America’s Labor Shortage | U.S. Chamber of Commerce
https://www.uschamber.com/workforce/understanding-americas-labor-shortage

Major Financial Crisis History
https://nationalarchives.nic.in/sites/default/files/new/Final_Major_Financial_Crisis-i_0.pdf

A Brief History of U.S. Recessions – Weatherly Asset Management
https://www.weatherlyassetmgt.com/a-brief-history-of-u-s-recessions/

How One of the World’s Biggest Ships Jammed the Suez Canal – The New York Times
https://www.nytimes.com/2021/07/17/world/middleeast/suez-canal-stuck-ship-ever-given.html

REMEMBERING SEPTEMBER 11th

9/1/11, 911, Altars, art, Attitudes, Christmas, Easter, Faith, Forgiveness, grief, Healing, hope, Icons, inspiration, Ministry, Painting, renewal, Spirituality

Looking up at the night sky, I think of the Eskimo Proverb which says, “ Perhaps they are not stars, but rather openings in Heaven where the love of our lost ones pours through and shines down upon us to let us know they are happy.” The fatal September 2001 event at 7:14 am CDT impressed its significance on the nation to such a great extent that 93% of American adults 30 years old or greater can tell you exactly where they were when they first heard about the attacks. Only 42% of those 25 and younger can do the same.

NGC 3603: From Beginning To End
Credit: Wolfgang Brandner (JPL/IPAC), Eva K. Grebel (U. Wash.), You-Hua Chu (UIUC), NASA

I remember my church was fuller than for Easter or Christmas on the Sunday after the devastation of the Twin Towers, the collapse of the Pentagon, and the crash of the airplane in which the terrorists had hoped to hit the White House. Only those brave passengers of Flight 93 stood between the terrorists achieving a psychological victory and their ultimate ignoble demise. As I recall, people were eager to hear “What is the Christian Response to Violence?” If they hoped to hear the one and only response, as the THE implies in the sermon title, the air was let out of their balloons.

A photo taken on September 11, 2001 by the New York City Police Department as the North Tower collapses, engulfing lower Manhattan in smoke and ash.

Of course, Christians across the centuries have had three major responses to violence. The first is “turning the other cheek” or nonviolence. We see this in the Biblical witness, for Jesus admonishes his followers in Matthew 5:38-42—

“You have heard that it was said, ‘An eye for an eye and a tooth for a tooth.’ But I say to you, Do not resist an evildoer. But if anyone strikes you on the right cheek, turn the other also; and if anyone wants to sue you and take your coat, give your cloak as well; and if anyone forces you to go one mile, go also the second mile. Give to everyone who begs from you, and do not refuse anyone who wants to borrow from you.”

Il Tintoretto: Christ before Pilate, Museum Scuola di San Rocco, Venice

Jesus himself practiced a non-violence response to violence when he appeared before Pilate after his arrest. Pilate questioned Jesus in Matthew 27:11-14—

Now Jesus stood before the governor; and the governor asked him, “Are you the King of the Jews?” Jesus said, “You say so.” But when he was accused by the chief priests and elders, he did not answer. Then Pilate said to him, “Do you not hear how many accusations they make against you?” But he gave him no answer, not even to a single charge, so that the governor was greatly amazed.

Unknown German artist: Aquamanile in the Form of a Mounted Knight, Copper alloy, ca. 1250, used to pour water over hands at the altar or at dinner table, Metropolitan Museum of Art, New York City.

The opposite of non-violence is the Crusade mindset. In this response, the infidel is “othered” to the point of inhumanity. Because the unbelievers don’t share the same god, purging them from the living is a good deed, worthy of merit for salvation or for forgiveness of past sins. As you can imagine, this makes people who believe in other gods “less than human,” so what we modern people would consider war crimes would be easy to commit for a person in Crusade mentality. We still hear vestiges of this dualist mindset in the vocabulary of people who talk about “weaponizing government” or those who feel the need to “hit the ground running.” If we’re always in “attack mode” at work, we need to question how we think about others if we believe we’re in a hostile environment or in enemy territory.

If the Christian has both a head and a heart, both of which are being conformed to the love, mercy, and justice of God, then we must have a middle way between passive nonviolence and crusade extremism. This golden mean is the Just War Theory. It’s taught in all our military academies and has its beginnings in Christian theology. The saints Augustine of Hippo and Thomas Aquinas developed the primary ideas:

Make war only for a just cause
Be sure your intentions are right
Only legitimate authority can make war
Use just proportionally in the war, nothing to excess
Go to war as a last resort
During war only attack military targets, not civilians
Following unjust orders isn’t a legal defense for unjust actions
Punish war crimes, compensate victims
Peace treaties must be fair and just to all, even the warmongers

Psalter Saint Louis et Blanche de Castile, MS 1186, BnF, folio 11b

Those of us who struggle with conflict—if we have a family, we have conflict or if we live in a community, we have conflict—yes, I’m starting to meddle now. You knew I’d get around to it. After all, God the Father had Adam and Eve, and God tossed those two kids out of the House. They had everything, and still wouldn’t follow the one rule (Don’t eat from that one tree). Just one rule. How hard could that be? It was downhill from there.

I always take comfort, knowing God had troublesome children. It means perfect parents can still have conflict at home. This gives hope to us less than perfect folks. The Bible reminds us always how God still loves the human race and hasn’t give up on us, so we don’t give up on those we have fusses with. We don’t roll over and play dead, yet we don’t set out on a crusade against unruly kids or others with whom we have conflicts. As Micah 7:18 reminds us about God’s Compassion and Steadfast Love:

Who is a God like you, pardoning iniquity and passing over the transgression of the remnant of your possession? He does not retain his anger forever, because he delights in showing clemency.

Maybe we should look at the just war thoughts and modify our attitudes and behaviors. We can come to a peace, even if others cannot. As Jesus says in Matthew 5:9—

“Blessed are the peacemakers,

for they will be called children of God.”

Joy and Peace,

Cornelia

Two Decades Later, the Enduring Legacy of 9/11 | Pew Research Center

Two Decades Later, the Enduring Legacy of 9/11

Just War Theory – The Ethics Centre Ethics Explainer
https://ethics.org.au/ethics-explainer-just-war/

I See the Icon—The Icon Sees Me

art, beauty, Faith, Holy Spirit, Icons, Imagination, incarnation, inspiration, Love, Mandylion, mystery, Painting, Pantocrator, Plato, renewal, salvation, St. Athanasius, vision

The icons of Christ radiate a sense of calm, a spiritual experience created countless times by various artists over the ages. Each one channels the spiritual force which lies outside of language, mystery, and mysticism. Over the years, we’ve come to understand the icon serves as a window into the world beyond our own. In this world we think of dualities: good and evil, winning and losing, ours and theirs. In the world beyond ours, everything belongs to God, we are all one, and no one lacks for anything. The heavenly banquet table is a never ending feast for everyone and no one is reduced to begging for the crumbs that fall from it. No one hungers or thirsts in this land of the unclouded sky.

The icon represents to us the world we yearn to be. In this respect, it’s a “wormhole” from the fully perfected world to this world, which is still going onto perfection. The New Heaven and the New Earth promised in Revelation 21:1-4 speaks to this very event:

“Then I saw a new heaven and a new earth; for the first heaven and the first earth had passed away, and the sea was no more. And I saw the holy city, the new Jerusalem, coming down out of heaven from God, prepared as a bride adorned for her husband. And I heard a loud voice from the throne saying, “See, the home of God is among mortals. He will dwell with them; they will be his peoples, and God himself will be with them; he will wipe every tear from their eyes. Death will be no more; mourning and crying and pain will be no more, for the first things have passed away.”

Until that time comes, we have the icons gazing upon us to remind us of this promise, as well as of our calling to be coworkers with God in bringing this world into fruition. If we see with spiritual eyes, we’ll be able to look beyond the paint and canvas, beyond the image and likeness, and beyond material truth to see the spiritual truth of the icon before us.

To understand the icon better,we ought to take a trip in the WayBack machine to Ancient Greece to visit Plato and study up on his philosophy. This is important because whether they know it or not, artists of every stripe and measure participate in this “not yet, but yearning for a better world” as they make their art. In the 4^th C BCE, Plato believed the true reality was in the ideal forms which existed in a world outside of this one which we daily experience. Every form we see on earth is merely a copy of the ideal form, but not the “truth.” Plato’s truth existed in this realm of ideas, rather than in the senses. This is the opposite of how most modern people look for “truth,” especially scientific or observational evidence based truths.

For Plato, the ideals of good and truth had to exist as a form in the eternal world so we could recognize them in our transitory world. All things, even virtue, justice, love, and beauty, must have an ideal form in this realm beyond our sensibilities. Where we get into trouble is believing this world’s representations of the ideal forms must follow the pattern exactly. The examples we consider beautiful can change over the centuries, but the idea of beauty as the highest ideal of loveliness never changes. This is why we don’t keep repeating Greek and Roman Classical themes for our public buildings in the modern era.

James 1:17 says of God: “Every generous act of giving, with every perfect gift, is from above, coming down from the Father of lights, with whom there is no variation or shadow due to change.”

When we say “God doesn’t change,” we mean God never quits loving us, always wants to save us, and always wants to work for good for those who love the Lord and are called according to God’s purposes. God does change God’s mind when we give up our wayward ways and return to godly ways. The Old Testament is full of times God had a change of heart. Maybe some of these events were the people having a heart change and coming back to God. God does seem absent when we turn away, while God seems near when we turn towards God.

But I digress, and I plead the hot weather. Plato’s perfect forms are the subject, especially the form of the Good. For Plato, only the soul or the mind can know the true forms, while the sensible body is suspect. Plato’s philosophy is a form of dualism, which elevates the spiritual over the physical. This is an important concept for early Christianity, since they had to hash out an understanding of the incarnation of Christ. For some, Jesus was purely divine, while for others he was purely human.

Variation on the Christ Not Made by Hands Icon

The traditional interpretation of Jesus Christ is he is both fully human and fully divine, as Athanasius so succinctly said in his treatise On the Incarnation: “for God became man so that man might become god” (54:3). This theology of theosis, or perfection in love, always boggles the mind of those of us who are used to 1 + 1 = 2, or the sensible and mathematic physical reality of this world. One of the rallying cries back in those days was “There never was a time when the Son wasn’t the Son.” People marched in the streets to proclaim this belief: the Son of God never gave up his divinity even when he became human for the sake of our salvation. It was necessary for him to become human to save all of us and only if he were completely God would he be able to save us entirely.

For the icon painters, Athanasius also is informative when he writes about the Incarnation: “and He manifested Himself by a body that we might receive the idea of the unseen Father; and He endured the insolence of men that we might inherit immortality.”

As Jesus says in John 14:7, “If you know me, you will know my Father also. From now on you do know him and have seen him.” Like Phillip, we can only believe in what we’ve seen. Many of us are doubting Thomases, who need to touch and hold onto physical proof before we can be convinced. The icons remind us that Jesus is

“the image of the invisible God, the firstborn of all creation; for in him all things in heaven and on earth were created, things visible and invisible, whether thrones or dominions or rulers or powers—all things have been created through him and for him” (Colossians 1:15-16).

What image is the Christ icon? That depends on the time and place where the icon was created, but all images share certain qualities. The eyes are prominent, the mouth is small, the forehead is broad, and the lower jaw is small. Most of the icons of Christ look like a philosopher, rather than a warrior king, which was the original meaning of the Jewish messiah. All icons have at least one ear visible to hear the prayers of the faithful.

These letters form the present participle, ὤν, of the Greek verb to be, with a masculine singular definite article, ὁ. A literal translation of Ὁ ὬΝ would be “the being one,” which does not mean much. “He who is” is a better translation

The backgrounds are gold and represent a timeless, eternal spiritual space. Today, yesterday, and tomorrow are all the same for God, who is known by the name I AM. In John 8:58, Jesus got into an argument with some of the Pharisees over who were the true children of Abraham. When he told them, “Very truly, I tell you, before Abraham was, I am,” they were ready to stone him for claiming to be god. Moreover, as the author of Hebrews reminds us, “Jesus Christ is the same yesterday and today and forever” (13:8).

Roman Icon, 12th CE, oil on wood panel, Vatican Museum

The icon itself isn’t holy, but the image it represents is holy. This is why icons are venerated , while Christ is worshipped. The image isn’t holy, but the person represented is holy. In this sense, every icon points to the ideal form of Christ in the spiritual world beyond us and the icon acts as a window or a wormhole opening so that spiritual world can enter into our sensible and material world here. The more we live with an icon, the more our hearts and minds are tuned to the silent harmonics of the hymns of joy, peace, love, beauty, generosity, and compassion. This is because we become open to the truth of Christ in a mystical way which supersedes our own personal beliefs and experiences. We lose our attachment to the world of dualisms and enter into the world of union with the divine. We are undergoing theosis. Theosis is more than just salvation and divine pardon, but is rather the process of spiritual transformation that culminates in mystical union with God. It is a cooperative work of the Holy Spirit and the believer that results in this union.

Art has a way of affecting the energies of a human being. It’s well known how certain colors affect mood, so designers use these techniques to create appropriate spaces in buildings. Public art adds to the charm of a city and likewise, destroying green spaces can render a city to grimness. Having art in one’s home or office elevates it above the ordinary.

Even artists who aren’t painting icons, but are making landscapes or abstractions can be said to be seeking a platonic form, one which only they may see in their own mind’s eye. We keep looking for the next challenge, the creation which comes closest to our imagination. We artists keep on going, however, for each new work not only refines our imagination, but it also moves us closer to our desired goal. We’re like long distance runners who always seek a new personal best!

The icon makes a claim on our lives as we return its gaze. In the silence, Christ asks, “Are you going onto perfection in the love of God and neighbor?” We take a silent stock of our lives and our interactions in prayer. Most days we agree with the apostle Paul in his letter to the Philippians (3:12):

“Not that I have already attained this—that is, I have not already been perfected— but I strive to lay hold of that for which Christ Jesus also laid hold of me (NET).”

Joy and peace,

Cornelia

Plato
https://www.webpages.uidaho.edu/engl257/classical/platonic%20idealism.htm

Early Christian Heresies
http://webspace.ship.edu/cgboer/heresies.html

CHURCH FATHERS: On the Incarnation of the Word (Athanasius) 54:3. https://www.newadvent.org/fathers/2802.htm

Growth in Faith and Art is a Risky Business

adult learning, arkansas, art, brain plasticity, change, Children, Creativity, Faith, Holy Spirit, hope, Icons, Imagination, inspiration, john wesley, Ministry, New Year, Painting, Pantocrator, perfection, photography, purpose, risk, Spirituality, vision

Oscar Wilde famously said, “Life imitates art far more than art imitates life.” This is because the self-conscious aim of life is to find expression and art offers it certain beautiful forms, through which it may realize that energy. Yet most people who look at artworks judge them for the degree to which they represent “three dimensional reality,” in either two or three dimensions (painting, draw,or sculpture and assemblage).

Often I’ve been asked about my colorful landscapes, “Don’t you ever paint these in normal colors?”

My answer is usually, “How do we know the colors we see today are the original colors of Creation? After all, we now live in a fallen and broken world. Perhaps these bright colors were God’s original palette.” I’m not painting just what I see, but what was and what is yet to come. These are visions of a better world, where the leaves clap their hands for joy.

In art class, we not only struggle to master drawing shapes “as they are,” but also to challenge our minds to break free of our need to exactly reproduce the shapes before us. We always have the tension to make only a “copy of the image before us,” rather than to meet the image on a spiritual plane and portray an intimate portrait of its inner truth.

When we meet a stranger, we can hide behind our masks and keep our distance. Likewise, we can fail to become intimate with our painting’s subject matter. The resulting work is cold and dead, like a limp handshake. It’s a risky business to bare your heart to the canvas and paint. The brush will tell if your heart and soul is in it or not.

We get more comfortable with this risky business by practicing risk taking. It’s not like we’re facing tigers in a circus cage or jumping out of an airplane without a parachute. We can’t lose our salvation in Christ if we make a bad painting. We only have a new level from which to start afresh. All growth requires risk and failure. We discover what works, keep that, and eliminate the unuseful.

Willingness to learn is related to the “growth mind-set.” This is the belief your abilities aren’t fixed but can improve. This willingness is a belief not primarily about the self, but about the world. It’s a belief every class or learning experience offers something worthwhile, even if we don’t know in advance what that something is. Every teacher or parent worth their salt has to believe their students or children can learn and grow, or they need to give up their profession so another can grow. The first lesson even the most recalcitrant student needs to learn is to believe growth and progress is possible.

Christ on Tree of Life, San Clemente Basilica, 12th Century mosaic, Rome, Italy.

The Christian life has a parallel to the growth mindset. The whole of the Christian life is wrapped up in this faith: with God’s help, we can go on to perfection. This is a basic Methodist belief known as sanctification. We also call it going on to perfection in love of God and neighbor. Some of us think because we’re not able to change on our own, we don’t need to grow in our love. God has done all the work for us in Christ. The Holy Spirit was sent to be a truthful guide:

“When the Spirit of truth comes, he will guide you into all the truth;
for he will not speak on his own, but will speak whatever he hears,
and he will declare to you the things that are to come.” (John 16:13)

Christ in Majesty, Book-Cover Plaque, French, Limoges, enamel, ca. 1200 CE, Metropolitan Museum of Art, NYC.

Paul speaks of this truth in Philippians 3:20-21, when he reminds the people of their present state as sojourners in this world, while their citizenship is elsewhere:

“But our citizenship is in heaven, and it is from there that
we are expecting a Savior, the Lord Jesus Christ.
He will transform our humble bodies that they may be conformed
to his glorious body, by the power that also enables him
to make all things subject to himself.”

Mother About to Wash Her Sleepy Child Mary Cassatt, 1880

If life is a journey, the Christian life is even more of a pilgrimage. We all go through stages of faith if we seriously reflect and consider our beliefs when our life experiences intersect with our faith. Our earliest stage of faith begins with our parents or caregivers. Here we learn to trust or distrust, as we experience an embodied faith. The next stage is early childhood (age 3-7). Faith at this stage is experiential and develops through encounters with stories, images, the influence of others, a deeper intuitive sense of what is right and wrong, and innocent perceptions of how God causes the universe to function.

Michaelangelo: Creation of Adam, Sistine Chapel Ceiling

The next stage has been labeled “Mythic-Literal Faith” (Ages 7-12). Children at this stage have a belief in justice and fairness in religious matters, a sense of reciprocity in the workings of the universe (e.g. doing good will result in a good result, doing bad will cause a bad thing to happen) and an anthropomorphic image of God (e.g. a man with a long white beard who lives in the clouds). Religious metaphors are often taken literally, thus leading to misunderstandings. If God’s rewards or punishments don’t apply in proper retribution, in the believer’s mind, their faith in God’s system becomes fragile.

Théodore Géricault, Raft of the Medusa, 1818–19, oil on canvas, Louvre, Paris.

“The Conventional Faith” stage (12-adult) arises when individuals join a religious institution, belief system, or authority, and begin the growth of a personal religious or spiritual identity. Conflicts occur when one’s beliefs are challenged are often ignored because they represent too much of a threat to one’s faith-based identity.

Théodore Géricault’s “Raft of the Medusa,”painted in 1818–19, is nearly 17 by 23 feet large. It commands its space as any proper historic painting of the past ever did. Rather than present a moral lesson from the past, the artist instead chose to paint an event from his present time: the rescue of the abandoned sailors and slaves from a wrecked ship. The French nation had sent the new governor of the Senegal colony, his family, and some other government officials and others on the Medusa. The government officials went to secure French possession of the colony and to assure the continuation of the covert slave trade, even though France had officially abolished the practice. Another group aboard the Medusa was composed of reformers and abolitionists who hoped to eliminate the practice of slavery in Senegal by engaging the local Senegalese and the French colonists in the development of an agricultural cooperative that would make the colony self-sustaining.

On the way, the ship ran aground and broke up. The officials and their families were put in lifeboats, but the 150 others on board got a makeshift raft, which was tied to the lifeboats. When the raft impeded the lifeboats, the officials cut the raft loose and all the lives with it. Only 15 were rescued after days at sea, and only ten lived to tell their tales. It was a scandal of the times. Géricault read all the newspapers, interviewed survivors, and made studies from ancient sculptures to inform his design. When younger artists saw his inspirational work in the Paris Salon, they knew a sea change had happened. Conservative critics and writers were appalled and accused Géricault of creating a disgusting, repulsive mistake. They were not yet ready to leave the past behind.

William Faulkner once said, “You cannot swim for new horizons until you have courage to lose sight of the shore” (The Mansion , 1959). When we meet that initial storm, our first thought is to bring our fragile bark into port. In life, we batten down the hatches and book it for a safe harbor. In art class, we want to fall back on what we’ve always done before, what we know we can do, and what we’ve been successful with in the past. This is our “safe harbor.”

“Individuative-Reflective Faith” (Mid-Twenties to Late Thirties). The individual takes personal responsibility for her beliefs or feelings, often by angst and struggle. Religious or spiritual beliefs can take on greater complexity and shades of nuance, and a greater sense of open-mindedness. These can also open up the individual to potential conflicts as the different beliefs or traditions collide.

To progress and grow in our art skills, or to move through the “dark night of the soul” when we question our formerly held spiritual truths, is a crucial time. Crucial is a word sharing the same root as crucifix. The crux of both of these situations results in a life and death situation. Not that the person quits breathing or their heart stops beating, but will their old life die and their faith be reborn anew? Also, will they trust a power greater than themselves to bring them back from the depths? Many of us aren’t willing to give up control to anyone, and certainly not to a God we can’t see. We’re two year olds in our spiritual lives too often, for “I can do it myself!” Is our answer to everything and everyone. (Test it out—how many of you read the directions after you start putting a project together?)

The Cross that Spoke to St. Francis, San Damiano Chapel, Italy, 1205 CE

“Conjunctive” Faith (Mid-Life Crisis). A person at this stage acknowledges paradoxes and the mysteries attendant on transcendent values. This causes the person to move beyond the conventional religious traditions or beliefs he may have inherited from previous stages of development. A resolution of the conflicts of this stage occurs when the person is able to hold a multi-dimensional perspective that acknowledges ”truth’ as something that cannot be articulated through any particular statement of faith. This is where the Holy Awe begins to fill all the nooks and crannies from which it was once forbidden.

Face of Christ (All People of the World), photo montage

“Universalizing” Faith (or ”Enlightenment”). (Later Adulthood). This stage is only rarely achieved by individuals. A person at this stage is not hemmed in by differences in religious or spiritual beliefs among people in the world, but regards all beings as worthy of compassion and deep understanding. Here, individuals ”walk the talk” of the great religious traditions (e.g. ”the kingdom of God is within you”).

“Jesus of the People” by Janet McKenzie.

In 1999 Janet McKenzie’s painting “Jesus of the People” was selected winner of the National Catholic Reporter’s competition for a new image of Jesus by judge Sister Wendy Beckett, host of the PBS show “Sister Wendy’s Story of Painting.” In the words of Sister Wendy, “This is a haunting image of a peasant Jesus—dark, thick-lipped, looking out on us with ineffable dignity, with sadness but with confidence. Over His white robe He draws the darkness of our lack of love, holding it to Himself, prepared to transform all sorrows if we will let Him.” The model was an African-American woman and the painting includes a yin-yang symbol of Eastern traditions and feather of Native American traditions. (Photo courtesy of Paul Smith)

Next week, we’ll still be working on order and chaos. We got started on this at our first meeting, and the concept is a challenge. I’ll write about our class work then. We’re always open to anyone joining us, for you come as you are and begin where you are. Our art group is a “one room schoolhouse” with all levels of students mixed together. We may all be doing the “same project,” but everyone does it at their own skill level. I give you special attention according to your needs.

Remember, “The only way you can be behind is if you never start.”

Joy and peace,

Cornelia

Life Imitates Life | Lapham’s Quarterly
https://www.laphamsquarterly.org/swindle-fraud/life-imitates-life

The Stages of Faith According to James W. Fowler | Thomas Armstrong, Ph.D.
https://www.institute4learning.com/2020/06/12/the-stages-of-faith-according-to-james-w-fowler/

Théodore Géricault, Raft of the Medusa – Smarthistory
https://smarthistory.org/theodore-gericault-raft-of-the-medusa/

Video and photo slideshow: The many faces of Jesus
https://religionnews.com/2014/01/28/video-photo-slideshow-many-faces-jesus/

Winter Solstice 2022

arkansas, art, Faith, Food, hope, inspiration, Light of the World, Ministry, New Year, shadows, Spirituality, Stonehenge, trees, winter solstice

This shortest day of the year is the Winter Solstice, which is on Wednesday, December 21, at 4:48 P.M. EST, in the Northern Hemisphere. Some think of this as the Longest Night, but I’m a person of the light, not the darkness. I always prefer to look to the light, no matter how dim or feeble it may seem.

Yet darkness is a necessary experience in our lives. We do not yet live in the land of the “unclouded sky” or the heavenly realm:

“And the city has no need of sun or moon to shine on it, for the glory of God is its light, and its lamp is the Lamb.” —Revelation 21:23

In the darkness, growth often happens: germination and rooting are two types of unseen activity that help produce the plant we see above ground. Without adequate light, the visible plant won’t thrive. So both darkness and light are at work to produce fruit in our lives.

“We know that all things work together for good for those who love God, who are called according to his purpose.” —Romans 8:28

Rejoice! The days will get brighter soon!

The Winter Solstice in Hot Springs is at 3:48 pm CST on Wednesday, December 21, 2022. In terms of daylight, this day is 4 hours, 37 minutes shorter than the June solstice. In most locations north of the equator, the shortest day of the year is around this date. The good news about the Winter Solstice is the days will begin to lengthen, although imperceptibly at first: one minute, four minutes, seven minutes, ten minutes, thirteen minutes, sixteen minutes, and so on.

In Scandinavia, the Norse celebrated Yule from December 21, the winter solstice, through January. In recognition of the sun’s return, fathers and sons would bring home large logs, which they would set on fire. The people would feast until the log burned out, which could take as many as 12 days. Today we recognize the source of the “Twelve Days of Christmas” song in this festival. The Norse believed that each spark from the fire represented a new pig or calf that would be born during the coming year. Prosperity for all in the New Year!

In this present darkness, a small light still shines brightly

In this time of stress and strain, grief and gripes, let’s look to the in-breaking light, and the renewal of life and love. Here’s a “Winter Solstice Chant” by Annie Finch, for your pleasure:

Vines, leaves, roots of darkness, growing, now you are uncurled and cover our eyes with the edge of winter sky leaning over us in icy stars Vines, leaves, roots of darkness, growing, come with your seasons, your fullness, your end.

Of course, if you can’t get your travel plans together at the last minute to visit Stonehenge, England for the winter solstice celebration, you can always make Rice Krispies Bars in the shape of the ancient monument. The recipe link is at the bottom of the page. Hint: don’t turn the heat up high or your treats will be hard. Due to high carbohydrate count, one “pillar” of Stonehenge Krispies is actually two servings.

Joy and peace and a Good Yule log,

CORNELIA

Sunrise and sunset times in Hot Springs https://www.timeanddate.com/sun/@4115412

The Original Rice Krispies Treats™ Recipe https://www.ricekrispies.com/en_US/recipes/the-original-treats-recipe.html

Rabbit! Rabbit!

Altars, architecture, art, Christmas, Creativity, Faith, holidays, hope, inspiration, Light of the World, Marcus Aurelius, Painting, photography, poverty, rabbits, renewal, Roman Forum, Saturnalia, Temple of Saturn, winter solstice

Welcome to December! While I was writing this blog, it was Black Friday in November, when many rabbit families were either shopping in person or online. I once did this with my dear rabbit mother, for she loved to shop. As a child of the Great Depression, the thrill of giving gifts, however small to all her friends, was a joy denied to her while growing up. Today we rabbits aren’t so much into giving gifts, but in sharing experiences. We’re making different choices. We aren’t rejecting our forebears’ decisions, but we have different values. As the writer of Ecclesiastes 3:1 reminds us, everything has its time:

“For everything there is a season, and a time for every matter under heaven.”

The holiday season begins earlier and earlier, or maybe I’m just an old rabbit having a fever dream. Last year the supply chain snafus were the Grinch that stole Christmas. Some of you rabbits may have been in a FIFA World Cup worthy soccer scrimmage last year at a big box discounter while trying to score one of the few PlayStations that managed to make its way from China to America on one of the large container ships that wasn’t lost at sea or stuck in the Suez Canal. The good news is the resulting logjam at the shipping docks has since been cleared and all the major retailers expect to get their holiday goods on time, compared to only 53% in 2021. We rabbits aren’t getting this news, however, so about half of us are pessimistic about being able to find our desired gifts in stock.

On March 23 2021, the containership Ever Given ran aground in the Suez Canal, blocking all traffic going both ways.

As a young rabbit, I learned about Murphy’s law from the “Rambling Wrecks from Georgia Tech, who were all one heck of an engineer.” If you’re not familiar with Murphy, his law states, “Anything that can go wrong will go wrong,” and the corollary law is “It’ll go wrong at the worst possible time and cause the most damage possible.” One would think these engineers were all chronic pessimists who saw the proverbial water glass half empty, but they would claim they’re just realists. Murphy’s Law simply reflects the natural fact we can’t control outcomes or people. Since the results of future actions can’t be avoided, you always should prepare for the worst and rejoice if the best happens instead.

I’ve always been fond of Murphy’s Law, but never more so during the holidays. Holiday festivities always include people, activities done only once a year, and often larger, unsupervised groups (often including alcohol), which means Mr. Murphy is often an uninvited guest. How he manages to sneak in, I have no idea, but he’s shown up in my rabbit den or kitchen more than once. Maybe he has an affinity for my rabbit clan, or perhaps he’s drawn to chaos and confusion. I’m not saying my rabbit family is a rowdy bunch, but we’ve always been loud and active. There’s not much difference between a whirlwind, a tornado, and my two brothers.

I don’t remember Murphy appearing at my Grand Rabbits’ celebrations, but they were of the generation who believed “little rabbits should be seen and not heard.” I imagine they showed Murphy the door if he dropped by. Likewise, when my mother began hosting the holiday meals, the Murphy drama of “anything that can go wrong will go wrong at the worst possible time” also never happened. My mom took on a drill sergeant’s precision when she produced the roast beast feast.

Not my tree, not my cats, but same Murphy result

When I bought a little house, Murphy made himself welcome. I invited friends over to decorate the Christmas tree. We stepped back to toast our creation, but the tree crashed forward to the floor, as if it were taking a bow in response. Our toast interrupted, we set the tree upright, tied it to the window handle, and resumed our toast in peace. One day I’ll tell you about my experiences of raking the roof on that little house before the rainy season set in each fall.

Murphy wouldn’t leave me alone. I moved to Texas, bought another little house, and my dear mom and dad invited themselves and my brother’s family over for a holiday feast. She pushed all the potato peels into my starter home’s basic garbage disposal and turned it on. If “Anything can go wrong at the worst possible time and cause the worst damage possible,” my dear bunny mom discovered it.

“I don’t understand; my disposal at home will handle all this.”
“Yes, mother. You have a real, custom house, not a starter home. This is a baby disposal.”

Then we got the wastebasket, the pliers, and I put on my plumber’s hat. We pulled out the clog, drained the water, and put it all back together again. Mom was traumatized. Mom kept apologizing, but I reminded her, “It’s no big deal. It won’t happen again. And we have food to eat. We’ll laugh about this one day!”

Murphy still visits me on occasion. But I’ve learned to prepare for him to limit his damages. This thanksgiving I had a friend for dinner. They made a bathroom visit before they left. When I went there, I found the faucet still running and I wasn’t able to turn it off. Water was all over the floor and inside the original cabinet from 1965. I turned off the water under the sink, thinking I was glad I’d asked my plumber to give me new shutoffs when I put the new faucet in. The old ones had froze shut. I’m now brushing my teeth in the kitchen sink, but that’s all right. I’ll probably have to replace this whole thing, all for the demise of a $5 faucet washer. This is Murphy’s Law in a nutshell. Santa will have to visit Lowes or Home Depot for my Christmas gift this year. I hope I’ve been a good rabbit, as the saying goes. And my stocking is extra big.

Christmas isn’t the only holiday of December, although an estimated $942.6 billion in holiday retail sales in the United States might cause us rabbits to think otherwise. One study found that 60% of workers were more distracted and less motivated as the Christmas holidays approached, with some workers even saying this feeling started as early as November. Likewise, during the holiday time many employees will take off to spend time with family or just to enjoy the holiday. That cuts into productivity as well. We have our own Mr. Scrooge in our rabbit towns too. I have any number of rabbit buddies who need time off to hunt and be alone in the woods for a bit. I begrudge them not, as long as their spouses can take care of holidays uninterrupted.

The coming darkness of the Winter Solstice causes people all around the world to light fires and burn candles to overcome the gloom. We’ve done this for ages and in many places. In fact, humans may have observed the winter solstice as early as Neolithic period—the last part of the Stone Age—beginning about 10,200 BCE. The Romans celebrated Saturnalia, a winter solstice celebration dedicated to the Saturn, the god of agriculture, wealth, and time. While it began as a one-day celebration in early December, this pagan festival later expanded into a riotous weeklong party stretching from December 17 to 24.

Robert Macpherson: Roman Forum—Temple of Saturn, 1850s, J.Paul Getty Museum

The Temple of Saturn, the oldest temple recorded by the pontiffs, had been dedicated on the Saturnalia around 497 BCE on a site originally occupied by an altar to the god. Due to the link between Saturn and agriculture, the original source of Rome’s wealth, the temple was also the repository for the State Treasury, or the Aerarium Populi Romani, which was located beneath the stairs under the high podium. It also contained the bronze tablets on which Roman law was inscribed.

The woolen bonds, which fettered the feet of the ivory cult statue of Saturn within, were loosened on the festival day to symbolize the god’s liberation. On this festival day, after a sacrifice at the temple, the people held a public banquet attended by both slave and free persons. An image of the god was placed as if in attendance at this meal, or a lectisternium (reclining on a couch), a tradition which Livy says was introduced in 397 BCE. (Others date this to 399 BCE.) The practice was introduced as a specific emergency response to a natural crisis: extremes of temperature occurring in both summer and winter had given rise to a devastating plague that had proceeded to ravage the population. It was celebrated from December 17 to 23, ending on ending on the Dies Natalis Solis Invicti, or the birthday of the Unconquerable Sun.

Not only were public rites celebrated with all the splendour then available, but Livy goes on to describe the general tenor of the private celebration in the late 1st C BCE (around the time of the birth of Jesus Christ):

“They also celebrated the rites in their own homes. All through the city, it is said, doors stood wide open, all kinds of food were setout for universal consumption, all comers were welcomed, whether known or not, and men even exchanged kind and civil words with personal enemies; there was a truce to quarreling and legal action; even prisoners were released from their chains for those days, and they hesitated thereafter to imprison men whom the gods had befriended.”

Roman coin with a image of of Marcus Aurelius on obverse and on reverse, a lectisternium associated with an atonement meal, c 167/168 CE. Münzkabinett, Berlin

This ritual meal was commonly shared by the worshippers, in contrast to normal sacrifice, which distinguished human from divine portions. In other words, in the Lectisternium the gods were not only present in spirit, but in form, and they shared in the ritual meal.

The question we have to ask is how did Saturnalia move from a feast of appeasement to reduce harm to the people, to the debauchery which most history books write about today? The powers that be tried over the years to limit the length and celebratory excesses of the season, whether they were civic or religious powers. I suppose they had no counselor rabbits to advise them of Murphy’s Law: “Very little work will get done in the holiday season, and what does manage to get done will most likely need redoing in the New Year.”

Beaker with Inscription, “Rejoice Much,” 1st century AD, Eastern Mediterranean.
Glass, 3 1/16 × 2 7/8 in. The J. Paul Getty Museum, 2004.35

By the 1st CE, Pliny, the Roman historian, was holed up in his room during Saturnalia, while the rest of the family celebrated the feasts, hijinx, and tomfoolery. In the 4th CE, the Christian church decided Christ’s birthday should be celebrated in the winter near the solstice, instead of in the more likely time of spring. The first reference to December 25 as the Nativity of Jesus occurs in a section of the Chronography of AD 354 known as the Calendar of Philocalus, which, even by this late date, still identified December 17 as ludi Saturnalia. By this time, some of the traditions of Saturnalia had already transferred into the Christian era. These were the green decorations of holly, a plant sacred to Saturn, in people’s homes; the small gifts of affection for all comers; the feasts; and the welcoming of strangers with fruit treats and nuts. Upending social conventions for a while reminds us God has no favorites, unlike our stratified social structures of the past and present.

Monogramme of Christ (the Chi Rho) on a plaque of a sarcophagus, 4th-century AD, marble, Musei Vaticani, on display in a temporary exhibition at the Colosseum in Rome, Italy. / Photo by Jebulon

December 17 was recognized as the date of the Saturnalia as late as 448 CE, when the ecclesiastical calendar or laterculus (“list”) of Polemius Silvius noted it as feriae servorum (“festival of the slaves”), a festival now deprived of its pagan significance. By the eighth century CE, church authorities complained how even people in Rome were still celebrating the old pagan customs associated with the Saturnalia and other winter holidays. The Temple of Saturn was largely destroyed in the mid-fifteenth century, so all that remains today is six of its Ionic granite columns crowned with a frieze thought to date to approximately 30 BCE.

As we approach the solstice time and the season of the Lord’s birth, we give thanks along with the gospel writer of John 1:5—

“The light shines in the darkness, and the darkness did not overcome it.”

Along with all my bunny friends and family, I hope you all remember what my little daughter said about that “Luke guy, who had such a big part in the Christmas Eve service” the year she learned to read:

“By the tender mercy of our God,
the dawn from on high will break upon us,
to give light to those who sit in darkness and in the shadow of death,
to guide our feet into the way of peace.” — Luke 1:78-79