I should never begin working with power tools without caffeine. Having said this, I’m glad to report that I still have all the fingers on each hand and no body parts remain glued to a flat surface, unlike Tim “The Tool Man” Allen. My only error was to put my battery pack backwards into the charging unit. This meant I needed an extra hand to help me pull it loose. God provides, for my young neighbor was handy to pull the charger away while I held the battery’s release mechanism. Two minds are better than one, and two efforts double the power.

My friends at the Canvas Community Church in downtown Little Rock, Arkansas, work with the homeless folks there. Street people are made in the image of God, just as you and I are. They have broken lives, just as you and I do. Their brokenness is out on view for all to see, whereas ours is often hidden behind elegant facades or ordinary tract homes. Canvas will host a Good Friday Stations of the Cross worship service for their community. Their art outreach program with the homeless produces some of the art, but other artists offer their works for exhibition and sale also. A portion of the proceeds befits the church’s outreach ministry.

Icons are such sacred objects that they have acquired a sense of holiness all their own. This attribution of holiness to the icon itself, rather than to the person or subject represented, led to the Iconoclast Controversy. Some destroyed many precious works of art because they thought the image was being worshiped, rather than God or Jesus. We do this today, of course, when we worship our “litmus test issues,” such as which Bible translation is the only sacred cow, what age the earth is (a cover for the Creation science or evidential science debate), or picking a Christian candidate to support (by virtue of the proof texting quotes with which we agree, of course).

My thought is that we still worship the image, but fail to worship God or Jesus. If we were to go beyond the icon/image, we might see more of us meeting the Christ who lives on the streets, in the prisons, and in the sickbeds of our nation:

Then the king will say to those at his right hand, ‘Come, you that are blessed by my Father, inherit the kingdom prepared for you from the foundation of the world; for I was hungry and you gave me food, I was thirsty and you gave me something to drink, I was a stranger and you welcomed me, I was naked and you gave me clothing, I was sick and you took care of me, I was in prison and you visited me.’ (Matthew 25:34-36)

In the ten hours I was in my studio assembling this icon, I had time to remember where I found all these items that make up this altarpiece. The two red supporting decorative brackets are from a home decorating project that never got off the ground because I decided to tear out the old counter space rather than to make a mosaic there. I hauled the wood shelf back from a walk. It was once a scrap piece of a fence that kept someone out or in. I pick up sticks that feel right, and scraps of wood or crushed soda cans that call out my name. The debris of this world has a beauty of its own kind, just as the acknowledged fine materials of our convention have value. If one day we found a way to manufacture gold, the metal would become base in a heartbeat.

That Chrysler hubcap was a real find! I may have found that on vacation when I stopped along a quiet roadside to snap a photo. The old crosses are from my days of living in large homes, rather than a small condo. The green glass cross broke in a move, but I couldn’t give it up. Most of us can’t give up our brokenness to the Christ who said, “This is my body, broken for you.” This is why we share our broken lives with all who are broken by sorrow, illness, pain, or hurts. We may wind up rusted on the side of the road, like the windshield wiper or we may end up painted over and stashed away in a garage like the board on which this icon exists. I also used beads and old pieces of jewelry that needed to be recycled and repurposed, in the great icon making tradition.

The power of the icon isn’t in the materials. I’ve made icons of macaroni and plastic jewels that read “holiness” as much as any ancient icon. I’ve had people make icons from their grandmother’s jewelry boxes. These too read as holy icons, even if they are nonrepresentational. The power comes through the Holy Spirit into the artist and then into the work. When I make a work such as this, my hands are steady, my pace is slow, and I lose all track of time. I enter into another realm, so to speak, that of the icon itself. The ancients believed that the icons were a window into heaven. I believe this is true, for the power of such an object is to take us out of our ordinary experiences and into a world where there is no more hunger, pain, or grief.

The icon’s great mystery and power is to remind us that ordinary materials can open us up to the truth and beauty of the holy. When our eyes are jaded by the ugliness of the world about us: wars, beheadings, poverty, injustice, economic destabilization, and human insensitivity, look upon the icons and enter into the power of the one who makes all things holy:

“He will transform the body of our humiliation that it may be conformed to the body of his glory, by the power that also enables him to make all things subject to himself.” (Philippians 3:21)