The Iconography of the Nativity

Alexander the Great, Apocalypse, art, Bethlehem, Faith, Icons, Imagination, incarnation, inspiration, Nativity, Painting, Ravenna Italy, Savonarola, vision

What Makes a Nativity Scene?

The gospels remind us the story of Christ’s birth isn’t necessary for our salvation. Only our faith in Christ’s saving work for us on the cross is necessary “to transform our humble body that it may be conformed to the body of his glory, by the power that also enables him to make all things subject to himself.” (Philippians 3:21, alternate translation). Mark has no infancy narrative at all, while John’s gospel speaks of the Greek Logos (Word), who is present with God at creation and as co-creator.

Luke and Matthew both have birth stories. Matthew gives us the ancestry of Jesus, the Wise Men or Magi from the East, and the massacre of the innocents. John the Baptist also figures large in Matthew’s text. Luke brings in the shepherds, the host of angels, and the angel’s annunciation to Mary of her impending birth of a savior.

Luke 2:6-7 notes this point about the birth of the Christ child: “While they were there, the time came for her to deliver her child. And she gave birth to her firstborn son and wrapped him in bands of cloth, and laid him in a manger, because there was no place for them in the inn.”

Gail W. painted a simple nativity in one class session.

This bit of text sets the scene for all the artists of every era to exercise their imagination. What does a first century CE manger look like? What animals would be there? Would the visitors come by day or night? Who would visit a woman who got pregnant while she was still “betrothed?” In every age, gossip travels fast, even without the internet. Traveling traders and business people carried news from town to town.

After all, word had spread how Joseph, “being a righteous man and unwilling to expose her to public disgrace, planned to dismiss her quietly.” (Matthew 1:19). No wonder there was no room for them at the inn. No respectable place would have them. Or we could be generous to the local folk and say Mary and Joseph travelled slowly because her imminent due date was the cause of frequent stops. A donkey ride might not be the most comfortable ride in one’s late trimester. Either way, if they were late arriving, the rooms may have been booked full already.

The Church of the Nativity, which dates to the 4th CE, was built over the cave in Bethlehem where early Christians believed Christ was born. From Apocryphal sources we learn the traditions of the cave and the stable. The Infancy Gospel of James (chapter 18) also places the Nativity in a cave, but the Gospel of Pseudo-Matthew combines the two locations, explaining that on the third day after the birth “Mary went out of the cave and, entering a stable, placed the child in the manger” (chapter 14).

Roman Sarcophagus of Stilicho. It’s found today beneath the pulpit of Sant’Ambrogio basilica in Milan, Italy.

The earliest images of the nativity which currently exist are from 3^rd CE sarcophagus panels. The earliest Nativity scene in art was carved into a sarcophagus lid once thought to be for a Roman general, Stilicho, who died in 408 CE. The ox and the ass and two birds are the only figures that appear in addition to Jesus, swaddled in his manger. Our typical cast of characters, including Mary and Joseph, do not appear may be because this sculpture illustrates a prophecy from the Old Testament. Isaiah 1:3 reads, “The ox knows its master, the donkey its owner’s manger…” This Nativity also has relevance to the Eucharist because believers are nourished by the “fodder” of Christ’s flesh, just as the animals receive their sustenance from the manger’s hay. The animals aren’t mentioned in the New Testament, but from the Apocryphal sources mentioned above.

Tim’s Nativity: simplicity rules here—only the lights of the great star, the light of the Christ child, and the minor lights of the heavens.

Nativity with Flight to Egypt in the upper part—from the 4th and 5th centuries, Athens, from before the Middle Ages, and technically “Roman” art. (often referred to as “Early Christian”).

Next added were the shepherds, during the 4th and 5th CE, such as this example from the Palazzo Massimo. We find it on the sarcophagus Marcus Claudianus, on the upper tier, on the left. This dates from around 350 CE, found today in the Museo Nazionale Romano, Palazzo Massimo alle Terme, Rome.

Sarcophagus of Marcus Claudianus (Rome, Italy), Palazzo Massimo: Early Christian art is interesting because it can be hard to spot the stories as you know them. Except it seems, the Nativity, in the upper left corner, 330-335CE.

The sculptor carved the sarcophagus in the style called “continuous frieze” because all the figures line up and their heads are of equal height. The appearance of grape harvest imagery on the lid is ambiguous; it appears on both pagan/secular and Christian sarcophagi with identical elements. From left to right on the lid: nativity scene of Jesus, sacrifice of Isaac, an inscription naming the deceased, an image of the deceased as scholar, and a grape harvest scene.

Carvings on the front of the Marcus Claudianus sarcophagus include: Arrest of Peter, miracle of water and wine (with a possible baptism reference), an orant or praying figure, miracle of loaves, healing a man born blind, prediction of Peter’s denial, resurrection of Lazarus and supplication of Lazarus’ sister.

This stone relief carving depicts the detail of the Nativity from the 4th and 5th centuries from the Palazzo Massimo, on the Sarcophagus of Marcus Claudianus (Rome, Italy).

A Carolingian Era (751-887) Nativity scene from the British Museum

Eastern Orthodox icons retain the cave imagery while the Western art traditions use a stable or ruins of a classical structure in the nativity scenes. The first is according to tradition and the western imagery reminds the viewer the ancient past with its many gods is no longer ascendant.

The one change we see in the 6th century is the inclusion of Mary lying on a mattress type bed. It may have appeared earlier in art, but we have no surviving example to date an earlier occurrence. Later, we see more actors in the drama appearing, but often they don’t arrive all at once. The wise men visit, or the shepherds visit, but not in the same artwork.

Wise Men Visiting the Birth of Christ, 6th CE

A 10th century ivory panel from Trier, still very much following the now 700+ year old Roman models;
things changed much more slowly in the Middle Ages than they do now.

By the time of the 11^th CE, the nativity scene was becoming more elaborate , but was not yet in full flower. By the 13^th CE, the magnificent portal of the St. Lawrence cathedral, in Trogir, Croatia, by the Master Radovan and his associates has a strong narrative of the many parts of the nativity story. The city of Trogir, a World Heritage Site since 1997, is known as one of the best-preserved Romanesque-Gothic cities, the core of which consists of forts, religious and secular buildings, with the Rector’s Palace and the City Loggia standing out. Its Romanesque churches are supplemented with Renaissance and Baroque edifices.

Romanesque style portal of the St. Lawrence cathedral, in Trogir, Croatia, by the Master Radovan and his associates

The detail of the portal is worth a closer look. In the center, in between the curtained “bunkbeds,” the Virgin and Child rest on the upper tier. The animals also look on in this section. Below the manger scene is a ritual bath. In my Christian world view, I called this the “baptism of Jesus.” In his Hebrew life, he would have undergone a ritual cleansing immersion bath before going to the temple for his circumcision. This ritual would mark him as a covenant member of the nation and people of God. The two elderly people on the left of this scene are most likely Simeon and Anna, prophets who speak to the child’s fulfillment of scripture.

Details of Romanesque style Portal of St Lawrence cathedral in Trogir, Croatia.

Above all this at the center top are the star, with the angels on the left and on the right. Filling the space on the left side of the portal are the shepherds and their herds, while the Magi and their steeds occupy the right side. The Magi ride horses, unlike our modern nativities which have camels.

Sixth-century CE mosaic at the Basilica of Sant’Apollinare Nuovo in Ravenna, Italy

In England, the Venerable Bede (d. 735) wrote the Magi were symbols of the three parts of the world—Asia, Africa, and Europe. They signified the three sons of Noah, who fathered the races of these three continents (Genesis, chapter 10). By the late Middle Ages, this idea found expression in art, and artists began to depict one of the kings as a black African. The kings sometimes have their retinues, which include animals from their presumed places of origin: camels, horses, and elephants are the most common. As with the shepherds, the artists often represented the three kings in the various stages of life: young, middle aged, and old age.

Gentile da Fabriano’s Adoration of the Magi, 1423

Artists added more exotic animals to the nativity scenes in the 15^th CE when trade and travel were expanding beyond the continent. Gentile da Fabriano’s Adoration of the Magi (painted in 1423) presents a remarkable range of animals. Alongside the traditional ox, donkey, sheep (and a couple of dogs thrown in for good measure), the chaotic scene includes a camel, cheetah (or leopard), hawks and monkeys.

“Cabinet of Curiosities”
Engraving from Ferrante Imperato, Dell’Historia Naturale (Naples 1599)

The inclusion of animals which were not native to Europe helped Gentile da Fabriano to emphasize the three wise men’s journey from the Far East, but also to impress viewers with its exoticism and visual richness. This would have reflected very well on the painting’s patron, the rich Florentine banker Palla Strozzi, as it reinforced his connections to foreign lands. In this era, many rich citizens had a collection of exotic animals and imported wares, just as wealthy people today have collections of art, yachts, or sports cars to showcase their riches.

Sandro Botticelli, “Mystic Nativity” (1500), oil on canvas, 42.7 × 29.5 inches (108.5 × 74.9 cm) (image via Wikimedia Commons), now in National Gallery of London.

An even more elaborate nativity comes from the hand of Botticelli, who worked in the wealthy merchant city of Florence, Italy, in 1500. Savonarola was a fanatical preacher who aimed to morally reform the city of Florence, which had a global reputation for artistic output and lavish lifestyles. Savonarola condemned secular art and literature, decried the city as a corrupt and vice-ridden place bloated with material wealth, and, after warning of a great scourge approaching, saved the Florentines by convincing the French king and military to deoccupy and recede during the Italian War of 1494–98.

The people thought of him as a prophet and came from miles around just to hear him preach his apocalyptic message. He preached a sermon telling the people of Florence they could become the new Jerusalem “if only its civilians would part with and burn their luxuries, opulent fineries, and give up their pagan or secular iconographies.”

Botticelli fell under Savonarola’s influence during this time, for his art changed from decorative to religious. The 12 angels at the base of the composition each hold a ribbon that the artist inscribed with the 12 privileges or virtues of the Virgin Mary, which came from a sermon Savonarola delivered about a vision he once experienced. Another unusual aspect is that the three kings welcome Jesus empty-handed, rather than with gold, frankincense, and myrrh — influenced by Savonarola’s sermon, though it could be their ultimate gifts are their prayers and devotion.

Mike brought his good humor to class with a Grinch portrait

Sometimes it’s impossible to know whether the artist was inspired by a non-biblical element or by an apocryphal text in a Nativity scene or if the artistic depiction came first. In their book, Art and the Christian Apocrypha, David R. Cartlidge and J. Keith Elliott contend in the making of early Christian art, written and visual sources are interdependent. “The developing consensus is that oral traditions, texts (rhetorical arts) and the pictorial arts all interact so that all the arts demonstrate the church’s ‘thinking out loud’ in both rhetorical and pictorial images” (2001, xv).

Gail W.’s open perspective nativity inspired by the renaissance artists

When we artists imagine the nativity today, we add to the basic scripture text all of the Hollywood movies we’ve seen, the stories we’ve heard around the fireplaces and altars of our instruction, and every Christmas card and artwork we’ve ever seen. Our memories of Christmas are often more important than Christmas itself. This is because we have an idea of how Christmas is supposed to BE, but the birth of Christ wasn’t what either Mary or Joseph thought it was going to be. Just as most of us, they hoped to be at home and near family, not “away in a manger, no crib for a bed.”

Cornelia worked in the geometry of the scene. I might rework the sky.

God brought the Savior of all into our world into a humble setting, not to a royal palace. God brought to the birthplace of Christ strangers from distant lands and marginalized people from their homeland to have the first opportunity to worship the newborn king. God excluded the political rulers because they were out to destroy this unusual king.

We are part of the Christian community now, so we sometimes miss the disruptive nature of Christ’s birth. As part of the in/dominant group today, we might have a tough time reading the Bible’s challenges to self-satisfaction and complacency.

Birth of Alexander the Great, mosaic, Roman villa near Baalbek, Lebanon, 4th CE

We often forget while these depictions of the Nativity were evolving, the segment of the Roman Empire that was still pagan were also representing famous births, that predate the standard depictions of the Nativity of Christ. For example, in a Roman villa near Baalbek, Lebanon a fourth century mosaic of the Birth of Alexander the Great at first sight almost exactly resembles what later became a standard depiction of the Nativity of Christ. This mosaic, today in the National Museum of Beirut, shows the newborn Alexander the Great being bathed in a circular fluted basin by a female figure labelled ‘Nymphe’, while his mother Olympias reclines on a bed watched by an attendant.

Compare this with the icon of the Wise Men Visiting the Birth of Christ, from the 6th CE pictured above. In the lower right corner of this nativity scene, we see a small depiction of the Christ child being bathed, with water being poured over his head. (Obviously a United Methodist, but a precursor since John Wesley wasn’t born yet!) Our Christian iconography is derived from pagan sources. By this I mean we reimagined the pagan iconography and repurposed it for our own spiritual practices and purposes.

One of our other challenges is the calendar. We in the West use the Gregorian calendar, from the 16^th CE, while the Orthodox Church still follows the Julian calendar, which was in use during the time of Christ. This is why the Orthodox community still celebrates Christmas and Easter on different dates than the Western churches. In the Orthodox Church, they celebrate Epiphany as the baptism of Jesus rather than the arrival of the Magi (Three wise men), which the Western Church celebrates on 6 January. On the Gregorian calendar, this Orthodox Epiphany celebration is January 19^th. They celebrate this date as the Baptism of Jesus, rather than the arrival of the wise men. Their Epiphany is located in the baptism rather than the nativity. That’s a whole other theological discussion beyond the iconography of the nativity!

DeLee: The No Room Inn, mixed media, private collection

I mention this fact of the two calendars because I’m always “calendar challenged.” It’s not a senior citizen thing, because this was my problem even when I was in my twenties also. Sometimes I put too many commitments on my calendar, and other times I underestimate the time to complete my tasks. Then again, there’s always the unexpected interruptions. Always the interruptions. I came to understand in my ministry my list of tasks to do were not my actual work, but instead these interruptions were the opportunities which God would bring to me to do God’s chosen ministry.

So, I’m a few days late on the Western calendar for the visit of the Three Kings, having missed January 6^th, and I’m a few days early for the Orthodox calendar. As Goldilocks said, “Not too hot, not too cold, but just right!”

The last art pieces our class made in 2024 before the holidays and the snowstorms were our nativity paintings. I asked each person to use their imagination and to bring the essence of the nativity to their creative process. Some of us quickly realized our images and used our second meeting to do a personal project or another version of the nativity scene. Others of us took both sessions to perfect our one image. I blame the Christmas cookies and our lack of hand and mouth coordination. Sometimes it’s hard to chew and paint at the same time!

Our first class of 2025 was an instance of “calendar challenge”—I thought we were having it, but the group didn’t. The next week, a major snow storm canceled class every where for everyone. Friday, January 17, should be a good day to begin a new project! We’re going to do some mixed media, along with weaving projects in the days and weeks to come. You don’t need skills, but a willingness to try.

Joy, peace, and a hope for better weather!

Cornelia

The Magi and the Manger: Imaging Christmas in Ancient Art and Ritual

The Magi and the Manger: Imaging Christmas in Ancient Art and Ritual – The Yale ISM Review

The Nativity Tympanum on the Sarcophagus of Stilicho

https://www.christianiconography.info/Wikimedia%20Commons/nativitySarcophagusStilicho.html

UNESCO monuments in the Croatian Academy of Sciences and Arts Glyptotheque

https://gliptoteka.hazu.hr/unesco/en/trogir.html

The Apocryphal Gospels—PseudoMatthew—has Latin text and translation
https://www.google.com/books/edition/The_Apocryphal_Gospels/Cmbtm4ZZXF0C?hl=en&gbpv=1&dq=M.+Berthold+has+argued+that+Pseudo-Matthew&pg=PA75&printsec=frontcover

The Infancy Gospel of James (2nd century) |http://www.ccel.org/ccel/schaff/anf08.vii.iv.html

The Arabic Infancy Gospel (5th-6th century) http://www.ccel.org/ccel/schaff/anf08.vii.xi.html

The Gospel of Pseudo-Matthew (8th or 9^th century) http://www.ccel.org/ccel/schaff/anf08.vii.v.i.html

Web Gallery of Art, searchable fine arts image database

https://www.wga.hu/frames-e.html?/support/zearly/1/1sculptu/sarcopha/1/9claudi2.html

Nativity – Visual Elements in the Nativity — Glencairn Museum

https://www.glencairnmuseum.org/nativity-visualelements

Johann International: Search results for Nativity http://johanninternational.blogspot.com/search?q=Nativity

Revisiting Botticelli’s Evocative “Mystic Nativity” https://hyperallergic.com/978201/revisiting-botticelli-evocative-mystic-nativity/

ORTHODOX CHRISTIANITY THEN AND NOW: Origins of the Icon of the Nativity of Christ
https://www.johnsanidopoulos.com/2018/12/origins-of-icon-of-nativity-of-christ.html

Cosmic Rainbow

Apocalypse, art, beauty, cosmology, Creativity, Faith, hope, inspiration, John Ruskin, Leonardo da Vinci, nature, Painting, purpose, sleep, Spirituality, Van Gogh, vision, William Blake

In times of cultural change and uncertainty, some faith-based communities turn to apocalyptic literature to find meaning, if not solace, for their suffering. Other communities of faith look forward to a future of hope and joy, even though they live in the same circumstances.

Apocalyptic literature is a genre of writing that appeared during times of crisis or persecution. It often presents a vision of the end times and the ultimate triumph of good over evil. Apocalyptic literature has several major characteristics:

“The supreme manifestation of Satan in this world is war.” By William Blake, 1805, apocalyptic painting with
tempera, gum, glue, and chalks, Tate Galleries, London.

Dualism: Apocalyptic literature often portrays a cosmic battle between good and evil forces, highlighting the struggle between light and darkness.
Symbolism: Deeper meanings and abstract concepts are represented by symbolic language and imagery.
Eschatology: Apocalyptic literature focuses on the end times (Greek eschatos last, farthest) and the ultimate judgment of humanity, exploring themes of divine justice and the afterlife.
Pseudonymity: Many apocalyptic texts attribute their authorship to famous figures from the past, using pseudonyms or false names.
Visions and Dreams: Apocalyptic literature often includes visionary experiences and dreams as a means of conveying divine messages and revelations.
The future is fixed and decided in apocalyptic literature, whereas with prophecy, people can change their future by repentance and restoring their relationship with God.

Since John was already in exile, “The Revelation to John” doesn’t bother to hide his authorship for his safety. He does claim it’s a vision of Christ mediated by an angel. It also checks the boxes of good vs evil, symbolism, the end times, and a fixed future. The actual date of this future isn’t revealed, however.

An interpretive mistake many make is to take this letter written to encourage the persecuted churches of the first century and project its message into our modern-day society. The symbols which were meaningful to John’s audience are for that historical context alone. Reinterpretations of these signs to make them relevant to our current geopolitical situation is bad scriptural interpretation.

Plate 12, First book of Urizen, by William Blake

What we can do is ask, “What can persecuted communities or suffering societies of the past teach us about resilience, hope, and faith?” Some will focus on God’s destructive forces to eradicate evil and harm. Belief in God’s power to overcome evil is a source of deep comfort for people without power. These are often the ones who feel excluded from the halls of power, but also those who believe their privilege and place is slipping away.

God’s fridge would be covered with photos!

Both these groups forget they are beloved of God, just as God loves all God’s children. Sometimes we forget God’s refrigerator is large enough to have the photographs of all the people of the world on its door, along with all our latest art works also. If that’s a humongous refrigerator, then that gives us an idea of the expansive reach of God’s love, mercy, and grace for all creation.

The First Day of Creation, by Francisco de Holanda (1545), with caption, “Let there be light.”

A negative outcome of this dualist, apocalyptic belief is extremist beliefs about the end times. Unfortunately, some extremist pastors have convinced their followers to end their lives to meet their predicted apocalyptic end of the world. The leader creates the fiction of an evil out-group to bind the members more closely to their cult and proclaims apocalyptic themes to brainwash their members. Numerous mass suicides worldwide have occurred as a result, including 914 people of Jim Jones’ People’s Temple. In 1997, 39 members of the Heaven’s Gate cult in San Diego, California, committed mass suicide by poisoning to coincide with the arrival of the Hale-Bopp comet, considering this a signal for their exit from Earth. Others have given away their entire nest eggs to apocalyptic cults because “no one will need money in the new creation.”

Paul Klee: Clarification, 1932, Oil on canvas, 27 3/4” × 37 7/8” (70.5 × 96.2 cm), The Berggruen Klee Collection, 1984 Accession Number: 1984.315.54

Some of us prefer to focus on The New Heaven and the New Earth instead, as found in Revelation 21:1-4—

Then I saw a new heaven and a new earth; for the first heaven and the first earth had passed away, and the sea was no more. And I saw the holy city, the new Jerusalem, coming down out of heaven from God, prepared as a bride adorned for her husband.

And I heard a loud voice from the throne saying,

“See, the home of God is among mortals. He will dwell with them; they will be his peoples, and God himself will be with them; he will wipe every tear from their eyes. Death will be no more; mourning and crying and pain will be no more, for the first things have passed away.”

What a day that will be! The last time God destroyed the earth with a great flood, God placed a rainbow in the sky as a promise the earth would never be destroyed again by water.

Leonardo da Vinci said, “Where the spirit does not work with the hand there is no art.” For some people, the only “good art” is representational art, or art which faithfully describes a landscape, portrait, or still life. With abstract art, colors carry emotions and shapes to form pleasing patterns for the viewer. What will the new heaven and the new earth look like? Revelation 21:11 says “It has the glory of God and a radiance like a very rare jewel, like jasper, clear as crystal.”

Stage 2—addition of gold and silver washes

While many today think of heaven as an earthly paradise, this concept is a Persian idea of an enclosed garden, much like the original garden of Eden. We tend to imagine a heaven as being a better place than the world we know, but imagining an altogether different world is next to impossible! Luke 20:27-38 is Jesus’ answer to the law-abiding Sadducees about how relationships work in heaven, and a reminder to us heaven isn’t just a perfect earth.

When I think of the providence of God, which is grounded in creation and is always recreating the face of the earth, I remember God’s promise to Noah in Genesis 9:11-13—

“I establish my covenant with you, that never again shall all flesh be cut off by the waters of a flood, and never again shall there be a flood to destroy the earth….This is the sign of the covenant that I make between me and you and every living creature that is with you, for all future generations: I have set my bow in the clouds, and it shall be a sign of the covenant between me and the earth.”

Stage 3—Added circles and more gold and silver washes

It is this cosmic rainbow of colors, the spiritual energies which most of us cannot see for the overwhelming ordinariness of daily life. We race from chore to chore, dash from task to task, and drop exhausted at the end of our days. We long for a better life, but we’re stuck on a galloping treadmill trying to keep our feet under us. I long to walk rather than run through my days. When I was younger, older people told me to slow down. As I hit middle age, I heard I would soon start slowing down. Now that I’m inching closer to 80, slowing down is finally becoming a reality!

Vincent Van Gogh said, “Paintings have a life of their own that originate in the soul of the artist.” We cannot see the new heaven and new earth unless we stop our busywork and allow God to attend to the business of our spiritual life. When we see the first glimmers of the new heaven and the new earth, we’ll realize how imperfect our world is and begin to help change it for the better, one small act of kindness at a time. This is soul work.

Sometimes that kindness first means being kind to ourselves, when we admit we can’t say YES to everything and everyone. When we admit we actually need eight hours of sleep for our health and a daily quiet time, and we can stop to study the flowers in the cultivated gardens of our neighborhoods and in our parks.

Cosmic Rainbow—acrylic on canvas, 24” x 30”, 2024.

Then we can be a beautiful rainbow, God’s light in this world for good, and bring the hope and joy of the end times to these times. We then will bring the radiance of the new heaven and the new earth to this present age and to these yearning people.

Joy, peace, and rainbows,

Cornelia

what are the five major characteristics of apocalyptic literature – brainly.com

https://brainly.com/question/35289093

World’s most chilling cults

https://www.france24.com/en/live-news/20230424-world-s-most-chilling-cults

Paradise Definition & Meaning – Merriam-Webster

https://www.merriam-webster.com/dictionary/paradise

Middle English paradis, paradise “the Garden of Eden, heaven,” borrowed from Anglo-French paradis, borrowed from Late Latin paradīsus, borrowed from Greek parádeisos “enclosed park or pleasure ground” (Xenophon), “the Garden of Eden” (Septuagint), “the abode of the blessed, heaven” (New Testament), borrowed from an Iranian word (perhaps Median *paridaiza-) cognate with Avestan pairidaēza- “enclosure,” nominal derivative of pairidaēz- “build a barrier around,” from pairi- “before, around” (going back to Indo-European *per-i, whence also Sanskrit pári “around, about,” Greek péri “around, in excess”) + -daēza- “heap up, build” (occurring only with prefixes), going back to Indo-European *dhoi̯ǵh-éi̯e-, iterative derivative of *dhei̯ǵh- “knead, shape” — more at PERI-, FEIGN

NOTE: As an independent derivative of the verb, Avestan daēza- “heap, pile (of earth, stones)” has been compared with Greek teîchos (neuter s-stem) “wall, fortification,” toîchos (masculine) “wall of a house or enclosure,” Sanskrit dehaḥ “body,” dehī́ “wall, embankment,” Oscan feíhúss (accusative plural) “walls.” For a Germanic derivative from the same verbal base with a different sense, see DOUGH.

Nativities Then and Now

Altars, Apocalypse, beauty, Bethlehem, Christmas, Creativity, Faith, Holy Spirit, Icons, Imagination, incarnation, inspiration, Israel, mystery, Nativity, righteousness, Savonarola, vision

Every Christmas, my family would put up a beautiful tree and decorate it to the nines. My dad would always tie this living sculpture to the nearest window frame so the tree wouldn’t topple over. He was well aware at least one of his three curious and rambunctious children would no doubt be crawling under the lowest branches to reach the brightly wrapped presents hidden far back in the corner under the tree.

We kids most desired and sought after these hidden gifts, while those near the front always got a cursory glance and shake. If it were hidden, it had to be desired! Package shaking in the hidden, tight quarters could cause a tree to collapse and that would be more drama than our frazzled mother wanted at this time of year. My dad was wise enough, or trained by experience, to know messing with “Mother Nature” wasn’t a great idea.

Mother’s Nativity with other additions from family and friends

Under this tinsel draped tree, with its 1950’s glowing bubble lights, we always had a nativity scene. In our early childhood, it was solid and childproof, but as we aged, and got too large to crawl under the tree, a better quality nativity came to live under the tree. By my college years, my brothers were also grown enough for mom to exercise her creative genius. She hand-painted her own ceramic nativity group. This masterpiece also got its own special display site. Up until this time, we children had no idea our mother had any artistic talent, for she’d spent her days transporting us to our multiple after school activities. Between my brothers’ sports teams and my hobbies, it’s a wonder she found time to do anything else in the afternoon hours.

Nativity, Adoration of the Magi, 3rd century. Fresco, Rome: catacombs of Priscilla, 3rd Century CE

The 3rd century fresco shows the scene of Adoration of the Magi on the the arch dividing the room in the Greek Chapel in the Catacombs of Priscilla, Rome. In depictions of ancient Greek and Roman gift-giving practices, the act and choice of gift were important. They furnish information about both giver and recipient. The wise men adopt the same postures used in Roman imperial ceremony for the worship of an Emperor or other ruler. Roman art has always provided a pictorial model for the representation of the Magi. By identifying with or recognizing such an outward act of homage, the viewer could enter into the Nativity story through the wise visitors, worshipping the God manifest on earth in the Child.

This is why the earliest Christian art is found in the catacombs of Rome, in the hidden places, since worshipping Jesus wasn’t an approved religious practice in the Empire. Only the Divine Emperor alone was worthy of reverence and worship, not some dying and rising god of a far-off province. Today in America we sometimes forget we’re a nation founded on the principle of freedom to practice our religion as we see fit, or not to practice a religion at all, as the case may be. No government can compel the privilege of one religion above another or set one as the official religion.

Tympanum of the right side of the cast of so-called Sarcophagus of Stilicho, sculpted around 385 AD (the original piece of art is in Sant’Ambrogio basilica in Milan, Italy), Detail Nativity scene, Museo della civiltà romana a Roma (Eur), Room 15 (Christianity).

Another early depiction of the nativity isn’t in a Christmas context, but is found on a late 4th C Roman sarcophagus for a high ranking military official and his wife. The unknown artisan rendered the Christ child, wrapped in binding clothes, and lying in a manger, between the ox and the ass, to fulfill the prophecy of Isaiah 1:3—

“The ox knows its owner, and the donkey its master’s crib;
but Israel does not know, my people do not understand.”

As accustomed as we are today to manger scenes with all kinds of animals present, the scriptures don’t name them. These are left up to our imaginations. Even the elements derived directly from the gospel narratives of Matthew and Luke were slow to appear in visual renderings. Between those early scriptural accounts and the formation of even a basic manger scene lie some centuries during which Christian devotion and depiction developed. Likewise, the celebration of Christmas was slow to develop, but by the 4th century it was well along.

Nativity Fresco in Santa Maria Foris Portas, Castelseprio, Italy, 9th CE

In the ninth century, after the iconoclastic period, when the images of holy persons were forbidden and destroyed, a fresh wave of religious activity began in the arts. In Italy. In the church dedicated to Mary Outside the Gates in Castelprio, Italy, an entire series of paintings covered the interior walls. The church was located on an important trade route and the site was once a Roman fort. The theme honored Mary as the Bride of Christ, thus making her the spiritual equivalent of the Church, which is the Bride of Christ in scripture. In every tableau, Mary is the largest or most significant figure. Over the centuries, the area lost its importance, these paintings were whitewashed over, but after many years and much restoration, they’re now protected as a UNESCO World Heritage Site.

Today Protestant believers have a Christo-centric faith, often ignoring the other persons of the Holy Trinity. When we focus on the nativity, we forget God’s plan was to use humanity to save the fallen creation. This includes Mary and Joseph both, as well as God’s own Son, as Paul so well reminds us in Philippians 2:5-8—

Let the same mind be in you that was in Christ Jesus,
who, though he was in the form of God,
did not regard equality with God
as something to be exploited,
but emptied himself,
taking the form of a slave,
being born in human likeness.
And being found in human form,
he humbled himself
and became obedient to the point of death—
even death on a cross.

Giotto di Bodone, Nativity of Jesus, 1303-1305. Fresco, 200 x 185 cm. Padua: Scrovegni Chapel

Giotto’s frescos in the Padua Chapel are some of the most important works of art because he brought the Holy Family into ordinary human life. The blue skies replace the gold of the traditional icons, which stood for the infinite and eternal spiritual world. In Giotto’s painting, people hunger and thirst, while in the world of the icons, all suffering is transformed and any passion is disciplined.

Duccio di Buoninsegna, Nativity between the prophets Isaiah and Ezekiel, 1308-1311. Tempera on panel, 43.8 × 111 cm. Washington: National Gallery of Art

Duccio painted in his studio all the individual sections of the great altarpiece of the church in Sienna, Italy. On completion in 1311, the townspeople held a grand parade as they carried the paintings to the cathedral. They were installed in a magnificent framework with some of the works facing the congregation and the rest facing the church officials. The altarpiece remained intact until until 1506 when it was partially dismantled, relegated to side chapels and replaced by a 15th-century bronze tabernacle.

In 1771, the church fathers hired a carpenter to saw up the old wooden altarpiece into seven vertical pieces, and then saw each of those pieces in half laterally to separate the front scenes from the back. He then reassembled the different pieces to form new scenes. Most of the individual paintings stayed together, but others were sold to private collectors or museums. This Nativity between the prophets Isaiah and Ezekiel was purchased by the Museum Kaiser Wilhelm Friedrich in Berlin and remained on display there until 1938. At that time, a Nazi-appointed Museum director purged most non-Teutonic art from the collection. Through a trade, this Nativity came to our National Gallery of Art in Washington, D. C.

Duccio: Maesta Reconstructed Altarpiece. Front (L) and Back (R)

When we think about hidden meanings in art works, sometimes the journey a work takes to its exhibition home is part of its meaning. The Nazi purge of non-Teutonic art from the collection was based on their idea of a pure race for their homeland, with which they shared a special mystical bond. It meant they would purge or purify all who didn’t meet this white supremacist ideal. I personally am glad America is an open society, which welcomes all kinds of art and artists. When we think of the journey of the Holy Family, they made an arduous trip to Bethlehem while Mary was about to give birth and then had to head out on the lam because king Herod was out to kill all the boy babies. When we look at beautiful nativity scenes, we forget Jesus was born into a troubled world. Indeed, these beautiful works make us forget our own troubles.

Sandro Botticelli, Mystical Nativity, 1501. Tempera on canvas, 108.5 × 75 cm. London: National Gallery.

One of the most unusual nativity paintings is the Mystical Nativity by Botticelli. Painted with egg tempera on canvas, the artist writes in the upper section how he painted this “at the end of the year 1500, in the troubles of Italy…in the half after the time, during the fulfillment of the eleventh chapter of St. John in the second woe of the apocalypse…”

The monk Savonarola was actively preaching at this time, and scholars believe he influenced Botticelli. During the time of the Medici rule, Florence prospered with trade and the city’s alliance with France made for a time of peace. Lorenzo d’Medici died in 1492, relations with France broke off, and the French army ran amuck in the Italian countryside. Florence lost her former glory, trade dried up, and a political vacuum allowed for new voices to rise. Savonarola preached repentance and austerity, even going so far to burn luxurious items and artworks. He burned all kinds of vanities: cosmetics, mirrors, veils, and books.

People followed him because he was charismatic, and his words seemed to match their circumstances. Florence under his rule was an example of theocracy, the government of a state by immediate divine guidance or by officials who are regarded as divinely guided. Under this system, the people prosper if they care for one another and live godly lives, but they fail to thrive if they cheat the poor so the rich can live in luxury.

Prosperity religion teaches the good thrive and the sinners suffer. It’s not a new idea: retribution and reward appeal to people, but sometimes the good suffer and the evil prosper. The book of Job is a counter argument to this worldview. The life of Christ also shows the best of us will be sacrificed on a cross by those who don’t know what they’re doing. From birth to death, Jesus and his family were under duress from the powers of state and religion. He was a new voice of love and acceptance, of grace and forgiveness, of a righteousness by faith, not works. This new voice would upend the world as people knew it then.

Douce Apocalypse – Bodleian Ms180 – p.042 Woman Clothed in the Sun, Oxford University, London, c. 1265-70

The Mystic Nativity is a combination of the Nativity and the Last Judgment. On top, the angels hold hands in a circle, the center is the birth of Christ on earth, and the lower third is the vanquishing devils due to the Christian’s reunification with God. The number twelve represents the twelve gates of the new Jerusalem, the City of God. Twelve are also the number of stars in the crown of the woman in the apocalypse linked to the Virgin Mary. Other symbols also occur, but the overall meaning is Botticelli painted to deal with his fears about the end of the world.

Sometimes we make a cursory glance or reading of a painting, only to see its surface meaning. If we were to take this path with Botticelli’s Mystical Nativity, we might only see pretty angels and lovely ribbons. It looks like a homecoming at a sorority weekend with all the hugging and kissing. But Botticelli was painting during a time when the theological ideas of the monk Savonarola were in ascendance. He believed, “The more creatures approach and participate in the beauty of God, the more are they themselves beautiful, just as the beauty of the body is in proportion to the beauty of the soul.”

Virtuvian Man by Leonardo da Vinci, 1490, pen, brown ink, and watercolor on paper, Gallerie dell’Accademia, Venice, Italy.

As an interesting aside, about contemporary with Botticelli’s work in Florence, while Leonardo da Vinci was in Milan in 1490, he drew his Virtuvian Man, considered one of the greatest scientific and humanist works of the early Renaissance. Da Vinci used Vitruvius’ classical treatise on architecture as the source for his drawing. Notes from his translation are written in his famed mirror script below the image. This artwork is now so fragile, it never travels and only copies are shown.

While his outer world may be falling apart, and prosperity has left his vicinity, Botticelli still had hope for a better world. His faith was grounded in the birth of the savior, the son of God, who came in flesh to make all flesh divine. We forget this crucial message of the nativity, which is to make holy all flesh. More often we focus on the magi’s gifts brought to the child: riches fit for a king, or the gifts of presence, from the poor shepherds. The true gift is the one in the manger, for Christ is God’s gift to us. He came to make us all At-One with God, the very best atonement possible. At the Last Judgment, all who are at one with God’s purposes will be separated from the rest.

Banksy, “The Scar of Bethlehem” (2019) (courtesy Bisher Qassis), located in The Walled in Hotel in Bethlehem, closed since 12/12/23, due to fighting against Hamas

How can we practice seeing past the surface of everyday life? Sometimes we have to be shocked. Modern nativities bring us again and again to confront the same world of challenges and discord into which the young Christ child was born. If we wrap ourselves in warm swaddling clothes so we too won’t cry over the lack of a Christmas in Bethlehem this year, we lose sight of the common humanity of all God’s people. The extremists will take retribution on everyone, but those who take the middle path punish only those who did wrongs. Is there hope for those who take the “my way or the highway?” Or do we need to join the Holy Family and become refugees to avoid King Herod’s slaughter of the innocents?

This 2020 nativity was created as a public art project by ceramics students in Castelli, Abruzzo, Italy, a region known for its ceramics. It had nineteen figures including an astronaut and a Darth Vader figure, whose creation predated the Star-Wars series and represented a generic “sinner” figure. In modern nativity scenes, artists often integrate characters not mentioned in the gospel accounts, in order to bring the interests of contemporary audiences into the biblical story. As you can imagine, it created quite a buzz. Some said it lacked “beauty,” while others thought it was a joke. Some thought it disrespectful to the honor of the Holy See, the Church, and to the good Lord himself. It’s a truism “beauty is in the eye of the beholder.” Also, “we’ve never done it that way” still has a strong hold on people’s hearts and minds.

Sinner and Astronaut: Large Ceramic Nativity at the Vatican, 2020

Seeing deeper meanings in art or scripture is no more complicated than seeing a deeper understanding of a literary experience, such as a book or poem. In art, we do have the hurdle of acquiring some visual background and “visual language.” Just as we can’t understand a foreign language without learning some phrases, we need to know some art history and styles. We can only understand in part at first, but later we’ll understand as if we were old friends. No one is a savant right away. If we pause as we read a scripture, let the words sink into our deeper minds, and let the Holy Spirit open up new insights into God’s word, we can do the same with art works.

After all, bread is just bread: ordinary flour, yeast, oil, and water. Once we bless the bread and invite the Holy Spirit to transform it, we understand these same ordinary materials to be signs of the extraordinary presence of the Body of Christ, as recorded in Luke 22:19 at the Last Supper—

Then he took a loaf of bread, and when he had given thanks, he broke it and gave it to them, saying, “This is my body, which is given for you. Do this in remembrance of me.”

We’re always surrounded by the mysteries of hidden meanings, if only we have eyes to see and ears to hear. May you know God more deeply in the days and years to come.

The Christ Child in the Rubble, Nativity in Bethlehem, Palestine, West Bank, 2023

Joy and peace,

Cornelia.

Featured image—Nativity, 3rd century. Stucco, Rome: catacombs of Priscilla.

Category: Sarcophagus of Stilicho in Sant’Ambrogio (Milan) – Wikimedia Commons
https://commons.wikimedia.org/wiki/Category:Sarcophagus_of_Stilicho_in_Sant%27Ambrogio_(Milan)

Duccio, The Nativity with the Prophets Isaiah and Ezekiel, 1308-1311
https://www.nga.gov/collection/highlights/duccio-the-nativity-with-the-prophets-isaiah-and-ezekiel.html

Botticelli’s’ Mystic Nativity: Symbolism, Savonarola and a Reflection of an Era | Renee Farina – Academia.edu
https://www.academia.edu/1262474/Botticellis_Mystic_Nativity_Symbolism_Savonarola_and_a_Reflection_of_an_Era

Leveto, Paula D. “The Marian Theme of the Frescoes in S. Maria at Castelseprio.” The Art Bulletin, vol. 72, no. 3, 1990, pp. 393–413. JSTOR. Free account to access. https://doi.org/10.2307/3045748. Accessed 24 Dec. 2023.

Katarína Šimová: The Fresco Cycle of Santa Maria foris portas, MASARYK UNIVERSITY! FACULTY OF ARTS, DEPARTMENT OF ART HISTORY, 2021. Open source
https://is.muni.cz/th/ufv2u/castelseprio_frescoes.pdf

Significance of Leonardo da Vinci’s Famous ‘Vitruvian Man’ Drawing
https://mymodernmet.com/leonardo-da-vinci-vitruvian-man/

Baby Jesus Bread Buns · How To Bake A Roll Or Bun · Baking on Cut Out + Keep
https://www.cutoutandkeep.net/projects/baby-jesus-bread-buns

The Adoration of the Magi: Mosaic in S. Maria Maggiore https://www.christianiconography.info/staMariaMaggiore/epiphanyArch.html

The Magi and the Manger: Imaging Christmas in Ancient Art and Ritual – The Yale ISM Review https://www.ismreview.yale.edu/volume-3-1-fall-2016/the-magi-and-the-manger-imaging-christmas-in-ancient-art-and-ritual

Art for the Inner Child

adult learning, Apocalypse, art, Christmas, Creativity, Enneagram, Faith, Holy Spirit, hope, Imagination, inspiration, Light of the World, Ministry, Painting, perfection, purpose, salvation, Spirituality, vision

What is the purpose of an art class? Why does anyone learn to speak a foreign language or take up a craft or sport they’ve never attempted before? We must want to explore some unknown universe or get out of our comfort zone, or as my old favorite television series would announce weekly, “to boldly go where no one has gone before.”

There are art classes and then there are Art Classes. Just as we shouldn’t make up our minds about a subject or a food until we experience it directly, we can have an open mind about a novel event, rather than rejecting it out of hand. Many of us have lived our lives under judgmental circumstances, dealing with rejection and disappointment at not being the best. “Talladega Nights: The Ballad of Ricky Bobby,” the NASCAR themed film of redemption and finding one’s purpose in life, stars Will Ferrell, whose father crippled him with this tragic life message:

“If you ain’t first, you’re last. You know, you know what I’m talking about?”

Near the end of the movie, Ricky Bobby learns this all was just crazy talk:

Ricky Bobby: Wait, Dad. Don’t you remember the time you told me “If you ain’t first, you’re last”?
Reese Bobby: Huh? What are you talking about, Son?
Ricky Bobby: That day at school.
Reese Bobby: Oh hell, Son, I was high that day. That doesn’t make any sense at all, you can be second, third, fourth… hell you can even be fifth.
Ricky Bobby: What? I’ve lived my whole life by that!

According to Baseball Reference, Ruth’s 183.1 career WAR — combining his value as a hitter and pitcher — is the highest all time, well ahead of Walter Johnson’s 164.8. For reference, the highest mark among active players is Albert Pujols’ 99.6 WAR.

We call this living out a “bad script” our ancestors have written for us. We see it all the time in the movies and on television. We read about it in novels and in comic books. For the most part, people don’t change their wicked ways, but get the consequences they’re due. The bad suffer and the good prosper. Or we read fairy tales in which the good little children get rewarded, or the unjustly treated ones are raised up, like Cinderella. These are the popular stories, but not the biblical tales. The book of Job calls this “retribution theology” into question, as does Jesus in the New Testament.

Annie French (1872 – 1965) Scottish: Cinderella and the Ugly Sisters, About 1900 – 1910, Pen and ink, watercolour and gold paint on vellum paper, 23.50 x 21.50 cm, Scottish National Gallery of Art.

In the Bible, God sends prophets, not only to call the people to account (critique their actions or behavior), but to offer the hope of a better future if they return to God and God’s ways (positive changes in behavior). In this way, a good art teacher is like a biblical prophet, who offers both positive and negative critique on the artwork. The teacher also offers “hope” or suggestions on how to improve the work. Teachers aren’t telling the person they don’t measure up, only that they need more time invested in making art to be able to bring their own artistic vision into reality.

If we expected babies to chew steak from the moment of birth, the world would be a lonely place. If we expected these same babies to get up right away and “bring home the bacon” to buy their own steak and potatoes, they’d starve. Babies aren’t meant to walk before they crawl, nor or they chewing meat before they drink milk or pablum for a year or two.

Bacon Cake: Oh, Baby! I hope that’s REAL BACON!!

Someone who comes to art class should always come to learn something more, no matter how much they already know. I’m always learning new ideas and techniques. The act of making art is always an act of exploring new territories. We also grow by sharpening one another. Folks in the class are always excited to see how each other approaches the subject each week.

Mike’s May 2022 class work shows he’s been learning some things.

Only the apocalyptic writers in Scripture had a fixed view of the future. For them, God had given up on humanity. We humans were too far gone, too broken, and had destroyed God’s world beyond our weak means to repair it. Their only hope was for God to create “a new heaven and a new earth, for the first heaven and the first earth had passed away, and the sea was no more.” (Revelation 21:1)

Gail went the extra mile with Cri-Cut lettering

Of course, this isn’t a prediction of a certain time, but it’s a future hope for all times. It’s the hope all we creative people have every time we face a blank canvas, a pile of found objects, or a bag of scrap cloths. We also do this when we pull together a dinner before we go to the grocery store, and we take some of this and that which we have in our cupboards and refrigerators. We’re going to make something new! We do hope the Spirit of God descends to make this an inspired concoction! And if it doesn’t work out, we always know our salvation isn’t at stake over a single random supper creation. If I’m hungry enough, I’ll eat anything. Or there’s always peanut butter and jelly sandwiches.

Leftover Doughnuts and Sausage Bread Pudding Bunt Cakes

I was reading Richard Rohr’s Enneagram commentary on the American people. He says America is a nation of Threes: competitive, striving, always looking for success and improvement. When we hit a down cycle, and economics tells us we always have ups and downs in our economy, Americans act like we’ve been insulted. This doesn’t happen to us—to others maybe—but not to us! We’ll look both for a scapegoat and a savior, but never realize these conditions are a natural part of life.

Always be the best YOU. There’s never going to be another one just like YOU.

Likewise in groups, we’re always judging who got more, who has the most status, who’s preferred, and who’s on the out. We’re even liable to self-select to be on the outer group if we believe we won’t measure up, just to spare ourselves the shame of being found wanting. Joyce Rupp has a great poem about this very topic:

WE CAN LOVE THE IMPERFECT SELF
If I wait to be perfect
before I love myself
I will always be
unsatisfied
and ungrateful.

if I wait until
all the flaws, chips,
and cracks disappear
I will be the cup
that stands on the shelf
and is never used.

Magic Teacup Cake from Alice in Wonderland

If we’re faithful scripture readers, we know God never chooses the best persons to do God’s work. When we were children, we saw these characters as heroic figures, just as we saw our parents as great and invincible. The Old Testament records how Moses was a murderer, Joshua was afraid, Amos was a lowly shepherd, and David was an adulterer. Not exactly Perfect Role Models, but transformed people can do God’s mighty deeds if they let God work God’s purpose through their lives.

This word doesn’t mean what the headline writer thinks it does.

In Art Class, we don’t reject “poor work.” We aren’t a factory producing widgets. We have other goals: art appreciation, learning about colors, learning to see more clearly, developing a creative mind, and developing drawing skills. Art is a unique visual language, so learning how to render a three-dimensional form onto a two-dimensional surface takes some time and practice. Developing our own voice is the step beyond mastering the basics of artistic vocabulary. As I used to tell my parents at back-to-school night, just enjoy whatever your child brings to you! If you leave your “critical parent” at home, and bring your “inner child” to Art Class, life is way more fun!

We’re currently on holiday sabbatical at Oaklawn UMC, but classes will return in the new year. We meet in the old Fellowship Hall at 10 am to noon. We always have coffee, and on occasional days, a tasty treat. Our class will begin working in watercolor beginning on January 5, 2024. I don’t charge for the class instruction, but each person should bring their own supplies. Supplies needed are:

Prang Oval 8 watercolor paint set with brush

Prang Oval 8 watercolor paint set (containing brush)—on line at Walmart and Amazon. This has best color and pigments. I found a prime deal on Amazon for $3 each if you buy 3, free shipping.
Watercolor paper pad 9” x 12” or larger (90 lb or heavier)
Tall plastic container for water (iced tea glass size plus)
Your inner child

Joy and peace,

Cornelia

MERRY CHRISTMAS, PEACE ON EARTH, GOOD WILL TO ALL

Talladega Nights: The Ballad of Ricky Bobby https://www.imdb.com/title/tt0415306/quotes/?item=qt0425224

Babe Ruth’s Top 10 career statistics— Shohei Ohtani produced 9.1 total WAR during his spectacular two-way campaign in 2021. Even he maintained that level of performance for 20 consecutive seasons, he would still be 1.1 WAR short of matching Ruth. https://www.mlb.com/news/babe-ruth-s-top-10-career-statistics-c163792958

Rabbit! Rabbit! Welcome to December 2023

Apocalypse, architecture, art, Bethlehem, Christmas, Civil War, Faith, Family, Healing, holidays, Holy Spirit, hope, inspiration, Israel, Light of the World, Love, Ministry, poverty, rabbits, shame, Spirituality, Stress, trees

“Gloom begets gloom,” my daddy always said, “so if you wake up on the wrong side of the bed, it’s best to go back and get out on the other side.” Some folks today don’t have much of the Christmas or holiday spirit, for they’re only looking at the dark side of world events or at the shrinking purchasing power of their dollar.

Unemployed people sold apples on the street corner in the Great Depression

Since the Civil War, the United States has endured thirteen depressions or recessions large enough to get noticed by those who study such things (see list below). This is an average of one about every dozen years. Of course, those of us who experience these events don’t have to study them, for we directly participate in the event. As the old saying goes, “If my neighbor loses his job, it’s a recession, but if I lose my job, we’re in a depression.” Instead, we plan for them and expect the good times won’t last forever.

Because we human beings are wont to think “our situation is unique,” we’re also great at forgetting the lessons of history. The first lesson is life is cyclical and what goes up will come down. The second lesson is what goes down will eventually go back up. My long experience suggests when folks are in the “down cycle,” they forget upward progress is possible. In college we used to joke, “been down so long, it looks like up to me!”

Some say recessions are “necessary” in economic cycles to remove excess, reprice assets, and tame risky behavior. None of these negative factors would exist except for human greed. When Mary and Joseph went to Bethlehem to register for the census, they were also enrolling for the purpose of taxation. The Romans practiced tax farming in their provinces. Whoever had the account had to raise a certain amount for the empire, but could keep whatever excess they raised for themselves. Excessive taxation on the conquered land and people stoked their hopes for a messiah to rid them of this evil. No wonder the signs and wonders attending the birth of Jesus were fulfilling the ancient prophecies, as Matthew wrote (2:6):

‘And you, Bethlehem, in the land of Judah,
are by no means least among the rulers of Judah;
for from you shall come a ruler
who is to shepherd my people Israel.’

Church of the Nativity, Bethlehem. Star over the Grotto

In the times of darkness, we always look to the light as a reason to hope. As the magi saw a star rising in the east and believed an important person would arise in the land of Israel, we today look for glimmers of light to give us hope for the day to come. Some people see the wars, earthquakes, and crookedness of people and think we’re entering the end times. Churches and radio preachers are making hay with the Book of Revelation, forgetting it was a specific book written for a unique audience and time. We have been in the “end times” since Christ arose from the dead. As Matthew (28:20) records his words to the disciples in Galilee:

“And remember, I am with you always, to the end of the age.”

Since we’re always with Christ, we will always have his light, as Zechariah prophesied in Luke 1:78-79–

“By the tender mercy of our God,
the dawn from on high will break upon us,
to give light to those who sit in darkness and in the shadow of death,
to guide our feet into the way of peace.”

The famous Banksy’s Armored Dove of Peace, the painting of a peace dove wearing a flak jacket. The dove is painted on a wall near the separation wall between Bethlehem (Palestinian Territories) and Israel. Nov. 18, 2023.

In the midst of wars in the Ukraine and in Gaza, where people are suffering and dying, we can lose sight of the vision of light and peace, while we focus on darkness and death. The Christian community in Palestine, which usually hosts hordes of Christmas pilgrims in Bethlehem Square, won’t be celebrating this holy season this year in solidarity with Palestinians in Gaza. Instead, they’ll set up a small nativity scene covered with rubble. It’s a reminder when the Christ child came into a suffering world over two thousand years ago, his birth was a hope for the oppressed and the poor. Every Christmas we have the opportunity to care for those who struggle to make ends meet.

In the Great Depression, families lost homes, farms, and lived in shantytowns called Hoovervilles. President Hoover spoke of a childhood Christmas memory:

“I do vividly recollect a Christmas upon that farm when the sole resources of joy were popcorn balls, sorghum, and hickory nuts; when for a flock of disappointed children there were no store toys, no store clothes; when it was carefully explained that because of the hard times everything must be saved for the mortgage. The word ‘mortgage’ became for me a dreaded and haunting fear from that day to this.”

1950’s Christmas Tree: we kids were Team Tinsel, but the folks were Team Ornaments. Our tree never looked like this!

I have some ancient memories of the cyclic hard times experienced by my family. I recall the late 50’s Eisenhower influenza recession dimly because it was the only time I ever saw my daddy cry. We had a brand-new Ford station wagon, but couldn’t afford to drive it except on Sundays. My dad brought money home daily from his office, so mother and we kids would walk to the local grocery to buy food the next day. He cried because he kept his office full of patients, but half of them couldn’t pay for his services. Mother was very practical and reminded him, “This too would pass. Trouble is only temporary.” In the fall, she took a schoolteacher position to help out. That Christmas we hand decorated sequins on felt shapes the “Twelve Days of Christmas” for a tree skirt. I passed this extravagance on to a nephew when I downsized my home.

We decorated the early days more than the later days. Time management wasn’t our best gift, but we had a great time doing this together.

I also remember the 1970’s economic slowdown very well. I got married during this time. After my husband and I bought our silver wedding rings, we had $16 left in our pocket. I was certain we had jumped off a height with no parachute, but we somehow managed day to day. To keep up “appearances,” we gave away some of our wedding gifts as Christmas gifts to other family members. I thought it was wrong, but now I realize I don’t care about those items today. I was more concerned about “saving face,” since someone might recognize we were regifting. We managed with food from our organic garden and meat from a deer my husband harvested in the autumn. But I no longer eat tuna casserole, having lost my taste for this staple of my poverty years. Gifts aren’t important, but people are.

The 1980’s had a slump related to the oil embargo. When oil money dries up, art teachers lose their jobs, as do all the other “frivolous employees” elsewhere. I got an insurance sales position, with a guaranteed six-week paycheck. I was amazed I had a talent for sales, but I was good at discovering needs and matching products to people’s ability to pay. My best sales close was, “If you’re not here to provide for your family, how will they be able to keep their current lifestyle?”

Having a simpler Christmas this year? Consider an alternative tree…

I lost my house to foreclosure during the 1990’s subprime mortgage crisis. I lost my credit cards and almost lost my daughter to suicide. I learned some things are more important than achievements or possessions. In the depths of the worst of times, gifts aren’t necessary. Being a light for others, helping others, giving yourself to those who need hope in these seemingly hopeless times is important. During this time, I drew hope from God’s words to Nathan in 2 Samuel 7:5-6—

“Go and tell my servant David: Thus says the LORD: Are you the one to build me a house to live in? I have not lived in a house since the day I brought up the people of Israel from Egypt to this day, but I have been moving about in a tent and a tabernacle.” I drew hope, for if God didn’t need a permanent home, but stayed with God’s people, then if I had no home title, God would still go with me wherever I laid my head.

As a people, we always want to tie God to a place or to locate the Spirit to a site, but God is always bigger than our imagination and our attempts to circumscribe God’s existence. We want to restrict God’s love to a few, but God insists on loving those from whom we look away and exclude. In the midst of the chaos of my losses and suffering, I discovered God was calling me to the ministry.

Gislebertus: Flight into Egypt, 1120-1130, Stone Capitals at St Lazare, Autun, France.

Why does God call the least, the last, or the losers to God’s work? God wants to be glorified, not the person who does the work. God needs people who understand suffering and have been seasoned by it, rather than hardened by it. The wounded know the wounds of others, but they also know the path to healing. This is why we find the Christ child in a stable, not in a palace; and have shepherds and foreigners come to visit, but not his family or friends. It’s also why the Holy Family flees to Egypt as refugees to avoid Herod’s death sentence for the Jewish newborns. If we’re having a less than “perfect” holiday this year, perhaps we’re only having a bad hair day in comparison to the suffering of that first Christmas.

When I get to struggling, for the aches and pains of age are catching up to me, I can get in a low mood thinking, “I used to pop out of bed and do 12 things before lunch.” Now I need six cups of coffee to get my lunch going! Of course, I’m past my platinum anniversary and my hair color matches my age. On days like this, I look to Paul’s admonition in 1 Thessalonians 5:16-18, which rings across the ages as a clarion call:

Rejoice always, pray without ceasing, give thanks in all circumstances;
for this is the will of God in Christ Jesus for you.

I wish each and every one of you a Merry Christmas and a Wonderful New Year. I plan to take a sabbatical from my Rabbit-Rabbit series in 2024, since I’ve neglected my sci-fi blog and my pandemic project quilt needs stitching together. I’m going to work on my art more and write about the spiritual intersections of the creative life.

Joy and Peace,
Cornelia

You can keep up with my other writing and thoughts:

SOULJOURNIES: sci-fi spiritual formation blog
https://souljournieswordpress.wordpress.com/author/artandicon/

ARTANDICON: blog on the intersection of art and faith
Www.Artandicon.com

CORNIE’S KITCHEN: blog on healthy eating and spirituality
http://www.cornieskitchen.wordpress.com

List of depressions and recessions since the Civil War:

the Panic of 1873,
the Great Depression when 13 million people were out of work,
a recession after WWII,
another after the Korean War,
the Eisenhower influenza recession in 1957-58,
a recession in the auto industry in 1960-61,
and another year long recession in 1970-71 under Nixon.
In 1973, OPEC quadrupled oil prices, and that shock along with the stock market crash sent the world economy into recession.
In 1980, energy prices continued to rise, so when the Federal Reserve raised interest rates to curb rising prices, the economy contracted. Once again, unemployment rose to 11% and business output suffered.
We had a recession in the Gulf War from 1990-91, and then maintained the longest period of economic growth in American history up until
the Dot Com Bubble in 2001. The tech-heavy NASDAQ ended up losing nearly 77% of its value and took over 15 years to recover its losses. September 11, 2001 wasn’t a sunny day for the stock market or for America. Many people have had a pessimistic outlook on life from this date forward. It changed how we see ourselves.
In 2008-2009 another recession hit hard, making it the longest economic downturn since World War II and the deepest prior to
the following COVID-19 Recession of 2020. The former was triggered by the subprime mortgage market collapse, while the latter was the quickest and steepest of them all. While more than 24 million people lost their jobs in the US the first three weeks of April 2020, this shock was quickly ameliorated by government interventions, such as zero interest, income payments and other supplements.

Christmas During the First “Great Depression” – Hoover Heads
https://hoover.blogs.archives.gov/2020/12/16/christmas-during-the-first-great-depression/

Milestones: 1921–1936 – Office of the Historian
https://history.state.gov/milestones/1921-1936/great-depression#:~:text=The%20U.S.%20stock%20market%20crash,cause%20a%20global%20financial%20crisis.

Understanding America’s Labor Shortage | U.S. Chamber of Commerce
https://www.uschamber.com/workforce/understanding-americas-labor-shortage

Major Financial Crisis History
https://nationalarchives.nic.in/sites/default/files/new/Final_Major_Financial_Crisis-i_0.pdf

A Brief History of U.S. Recessions – Weatherly Asset Management
https://www.weatherlyassetmgt.com/a-brief-history-of-u-s-recessions/

How One of the World’s Biggest Ships Jammed the Suez Canal – The New York Times
https://www.nytimes.com/2021/07/17/world/middleeast/suez-canal-stuck-ship-ever-given.html

Megiddo at the Crossroads of History

911, Academy for Spiritual Formation, Apocalypse, art, Astrology, Faith, Healing, hope, Imagination, inspiration, Israel, Megiddo, Painting, pandemic, purpose, Spirituality, vision

On a visit to the Holy Land, I walked in the ruins of Tell Megiddo and also climbed the hills above the Jezerell valley. From this vantage point, I could imagine the great battles of nations warring to conquer land and control trading routes. Megiddo lies at the crossroads and therefore in the crosshairs of international politics, both in ancient and current times.

The plains of Megiddo, the breadbasket of Israel, also were known as a great battleground in ancient times. Egypt came more than once to fight the kings of Israel and Judah. The world’s earliest recorded battle occurred here between Syrian princes and Pharaoh Thutmosis III (ca. 1469 BC). Judah’s king Josiah was fatally wounded when he confronted another pharaoh, Neco II, near Megiddo ca. 609 BC (2 Kings 23:29-30). Although Megiddo is only mentioned in the Old Testament, the New Testament refers to it once in Revelation 16:16 as Harmagedon (mountain of Megiddo), the final site of the battle between the forces of good and evil at the end times of the age. Of course, scholars have different interpretations of when these “end times” are at hand.

The final book of the Greek New Testament is ΑΠΟΚΑΛΥΨΙΣ ΙΩΑΝΝΟΥ, or the Apocalypse of John. The word apocalypse means “disclosure of truth, instruction, or reveal, disclose, uncover.” It especially refers to Jewish and Christian writings of 200 BCE to 150 CE, which are marked by pseudonymity, symbolic imagery, and the expectation of an imminent cosmic cataclysm in which God destroys the ruling powers of evil and raises the righteous to life in a messianic kingdom.

Chariot Sculpture at Megiddo Battlefield

I remember a presenter on an Academy for Spiritual Formation retreat saying she had difficulty saying the prayers in the psalter, for the psalms of lament meant nothing to her, since she had no griefs to bear. Her spiritual adviser reminded her, “We pray these prayers for others, not just for ourselves alone.” As an artist of faith, I sense the needs of the world: it’s longings, fears, hopes, and dreams. I don’t always paint “art for art’s sake.” Certainly the conflict our beloved United Methodist Church has been experiencing lately factored into this “end times vision,” for too many on both sides of this dispute have resorted to calling the other “evil.”

I felt called to paint the landscape of Megiddo in these recent weeks. Beginning in mid August, I was working on several paintings using Google map views of the landscape around the ancient site, with inspiration from my personal photos from my visit several years ago. I struggled over it, with the colors changing from bright to earthen tones. I left it alone for a time, to look at it and take time to live with it. Doing this allows me to see if I got too interested in noodling about making different colors, rather than considering the whole area as one unit. It didn’t take long before I came to the conclusion I didn’t have unity in my work. I had no overarching focus. My life has been like this for a while, with multiple distractions.

In our broken and fallen world, I find people today are in a rush to run to the extremes. Cooler heads don’t always prevail. The moment disorder rears its ugly head, folks run around like Chicken Little screaming, “The sky is falling! The sky is falling!” They might as well scream, “The end times are here!” I’m reminded of the Y2K hysteria with everyone panicking about filling up their cars for fear the gas pumps wouldn’t work, getting cash in case the credit cards wouldn’t swipe, and buying generators for fear the grid would crash (computers not able to recognize all those zeros). As I recall, my antique VCR kept recording on schedule, and the local Walmart took back loads of panic purchases in January.

The latest outbreak of hostilities in Israel and the Gaza Strip have added to the apocalyptic atmosphere and thinking of those who are given to extremes of thought. America has sent two of its eleven aircraft carriers into the Mediterranean Sea as a deterrent to all the other nations to rethink their plans to join the fighting now going on. For the apocalyptic thinkers, this is a sign of “It’s going down!” For those of us who have calmer heads, we realize the United States is the only one of six countries with more than two of these floating armed cities. Every other country has a single one only.

General Eisenhower (R) confers with French generals French 1st Army Corps Headquarters November 25, 1944 Ranking allied leaders look over a situation map outside of French 1st Army Corps Headquarters.

It’s been the habit of American presidents and their advisers in the gamut of crises since World War II to move aircraft carriers around as a “Geopolitical Chess Piece” to demonstrate American concern, resolve, or outright anger. Because carriers are operate on the high seas where permission to move is not needed from other countries, and because they carry their own fuel, weapons, and maintenance, they’re ready on arrival at the scene of a crisis to deliver power. Moreover, since modern U.S. carriers are large and imposing, and have been unchallenged on the seas, they “show the flag” to great effect. They provide excellent “visuals.” In fact, if one carrier doesn’t do the job, sending a second with several attendant ships along is a sign of “we mean business.”

Since this is a habit, and not a novel occurrence, it’s not the sign of the end times. As the gospel of Mark records in 13:7-8:

“When you hear of wars and rumors of wars, do not be alarmed; this must take place, but the end is still to come. For nation will rise against nation, and kingdom against kingdom; there will be earthquakes in various places; there will be famines. This is but the beginning of the birth pangs.”

Benjamin West: Death on a Pale Horse, oil on canvas, 1817, Pennsylvania Academy of the Fine Arts

Will these carriers be used for their traditional purpose—a floating airfield—and will our military aircraft and service personnel actually join in the actual combat operations in the MidEast? That seems unlikely, given the Just War principle taught in American War Colleges. The moral concept of Just War begins with a good reason to go to war. A reasonable cause is to right a wrong, recover stolen property, or self defense. Not liking someone isn’t a good reason to go to war.

The just war must be fought proportionately to the harm that was done to the aggrieved. Today, if someone were to insult you or cut you off in traffic, honking your horn is acceptable, but shooting a pistol isn’t. That’s a disproportionate reaction to the harm, or an unjustified assault. Responding in anger usually leads to regret, but our emotions often get the best of us.

I remember my first year in the classroom. I was making a grand total of $8,250 a year—the extra $250 was for my master’s degree—and the school wanted to know if I wanted this pittance in 10 or 12 checks. “Oh, make it ten! I’ll figure out summer some how.” The first day of class in 1982, I had well over fifty students in the high school sign up for art because the former teacher had taught elementary lessons to the older students: she had fifty ways to draw turkeys. I brought the principal in: “This isn’t going to work. Let’s get half of them in another class.” He was good with that.

This was a country school. Most of the kids would marry right after graduation. Many of the seniors already had jobs, so young art teachers weren’t high on their respect list. I was fortunate to have taught in an inner city school back in the Northeast where the boys play ice hockey. Like an aircraft carrier sent to the Mediterranean Sea, sometimes I’d have to throw my short body into the middle of two factions who were about to throw punches. These boys were usually over six feet tall, so there was no likelihood I’d ever get hit, but just my presence would cause them to reconsider and pull their punches.

Just because we send war ships to the Mediterranean doesn’t mean we want to wage war. We Americans have a track record of showing up to keep wars from breaking out all over. World leaders know how our military is trained and the rules by which we engage in conflicts. This is why as a person of faith, each of us has to search our hearts to discern how we respond in times of conflict, whether that’s a war or just a disagreement with our neighbors.

In addition to a just cause, we must have the right intentions, the possibility of success, and enter a conflict only as a last resort. Those who follow the Just War Principles aren’t “trigger happy,” but are inclined to gather community support, decide their limits ahead of time, seek to resolve the conflict in other ways first, and if that fails, then enter the fray. The USA didn’t enter WWII until the 1941 surprise attack on Pearl Harbor, even though the war in Europe had been going on since September 1, 1939, when Germany invaded Poland. Up to that time we were supporting Great Britain with armaments.

Theologically speaking, scholars are of two minds: the end times are already here or the end times have yet to come.

1. The end times are already here—Scholars who believe this understand Matthew 24:6-8 as an ongoing event, which began with the ascension of Christ:

“And you will hear of wars and rumors of wars; see that you are not alarmed; for this must take place, but the end is not yet. For nation will rise against nation, and kingdom against kingdom, and there will be famines and earthquakes in various places: all this is but the beginning of the birth pangs.”

For some, the tribulation will happen beforehand (pretribulation), while others believe this suffering will occur after the return of Jesus (post tribulation). I remember as the year 2000 approached, many of the faithful were excited about the camera facing the Mount of Olives in Jerusalem, since this was the place from which he ascended, therefore it would be the place from which he would return. Daystar Ministries setup the camera so “everyone could see it firsthand.”

We humans tend to think our Gods are small, even if we ascribe to them “infinite powers.” We don’t realize the power of an almighty who can interrupt and reveal all of the past to be nothing but dust and introduce a new age with his appearance. No one will need a computer or video screen to view the in-breaking return of the messiah. Everyone around the world will hear the thunderclap at one moment in time, and the flash of lightning accompanying his appearance will brighten even the darkest night. This day will be overwhelmingly bright. Most of us will hide our eyes so we won’t be blinded by the brilliance of a thousand suns.

The Jesus Cam will most likely melt when Christ does return, but his return wasn’t on the first day of 2000. That wasn’t the millennium anyway, but a year early for the math challenged hopeful. It was also the year 1420 for the Muslims and 5760 for the Jews, so who’s counting matters anyway, since numbers aren’t what God depends on, nor the stars (astrology).

2. The end times are yet to come—While pandemics, stock market crashes, and rumors of war may all sound apocalyptic, the Temple at Jerusalem has yet to be rebuilt. Complicating this task is the Dome of the Rock, a major Islamic holy site built on the same location. A Pew Research Center study in 2010 found most Americans believed war, terrorism and environmental catastrophes were at least probable by the year 2050. Nearly six-in-ten (58%) saw another world war as definite or probable; 53% said the same about the prospect for a major terrorist attack on the United States involving nuclear weapons. An even higher percentage (72%) anticipated the world would face a major energy crisis in the next 40 years. This fits with the theme of “apocalypse as the collapse of environment or society.”

Other characteristics of the apocalypse include:

1. Literal battle between physical armies under supernatural leadership—These are battles of extremists, who are convinced they have a holy calling to fight. The Crusades were fought as “Christ’s army against the infidel.” Their purpose was to restore the Christian holy sites in the Middle East and resanctify them for holy Christian worship. This mentality doesn’t respect the humanity of the enemy. The war may have a just purpose, but not be fought with just means: eradication of the enemy is unjust.

2. Holy wars against non-believers—This is an unjust war, fought with unjust purposes, with excessive force, and seeks to exterminate the enemy, who are reduced to non-persons because they don’t share the same belief system. When opposing sides can’t recognize the common humanity of one another and rage rules decisions, the lust for blood feeds upon itself. Shakespeare said it best when Marc Anthony came upon the body of the just assassinated Julius Caesar in Act 3, scene 1:

And Caesar’s spirit, ranging for revenge,

With Ate by his side come hot from hell,

Shall in these confines with a monarch’s voice

Cry “Havoc!” and let slip the dogs of war,

That this foul deed shall smell above the earth

With carrion men, groaning for burial.

My final reworking of Megiddo includes streaks of rockets in the dark night sky and swirls of chaos which churn the world’s peoples, just as Ate, the Roman personification of recklessness and folly incites the passions of Caesar’s bereaved followers. We don’t know when Christ will return, no matter how many may prophesy or calculate the date. As Jesus said to his disciples in Matthew 24:36,

“But about that day and hour no one knows, neither the angels of heaven, nor the Son, but only the Father.”

This present darkness is only momentary, for if we’re in the end times, we also have a promise we can hold on to in Matthew 28:20—

***“Remember, I am with you always, to the end of the age.”***

Joy and Peace,

Cornelia

Armageddon / Harmagedon – CDAMM

https://www.cdamm.org/articles/armageddon

Aircraft Carriers by Country 2023 – Wisevoter

Aircraft Carriers by Country

Public Sees a Future Full of Promise and Peril | Pew Research Center

Public Sees a Future Full of Promise and Peril

Robert C Rubel: The Future of Air Carriers

https://digital-commons.usnwc.edu/cgi/viewcontent.cgi?article=1551&context=nwc-review

Rubel, Robert C. (2011) “The Future of The Future of Aircraft Carriers,” Naval War College Review: Vol. 64 : No. 4 , Article 4. Available at: https://digital-commons.usnwc.edu/nwc-review/vol64/iss4/4

Case Study: Just War Doctrine

https://www.scirp.org/journal/paperinformation.aspx?paperid=122406

Messiahcam at Y2K

https://www.theguardian.com/world/2000/jan/01/jamesmeek

‘Cry ‘Havoc!’ And Let Slip The Dogs Of War’: Speech & Analysis

https://nosweatshakespeare.com/quotes/famous/cry-havoc-let-slip-dogs-war/

Brookdale Community College Eisenhower Collection

https://www.brookdalecc.edu/center-for-world-war-ii-studies/the-meserlin-gallery/witnessing-history/

Left to right, French 5-star General De Lattre De Tassigny, commander 1st French Army; U.S. Lieutenant General Omar Bradley, commander, 12th Army Group; French 4-star General Marie Emile Bethouart, commander 1st French Army Corps; U.S. Lieutenant General Jacob L. Devers, commander, 6th Army Group; and General Dwight Eisenhower, Supreme Allied Commander.

Artandicon's Blog

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The Iconography of the Nativity

Cosmic Rainbow

Nativities Then and Now

Art for the Inner Child

Rabbit! Rabbit! Welcome to December 2023

Megiddo at the Crossroads of History

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