My most recent studio work explores my memories of my pilgrimage to the ancient ruins of Tel Megiddo. Why am I interested enough to make an entire series of drawings and paintings of this site, which I visited over two decades ago? First, the city was continuously occupied from the 7th or 6th millennium BCE, with the ancient tel generally left untouched and intact since its decline and subsequent abandonment around the 4th century BCE. The tels at Megiddo, Hazor, and Beer Sheba all have retained their authenticity and each have acquired the characteristic conical shape with a flattish top, protruding above the surrounding countryside. These three tels are now UNESCO Heritage Sites.

Excavations at Tel Meggido have uncovered about 26 layers of settlements dating back to the Chalcolithic period, or the early Bronze Age, about 5,000 years ago. Other sources say 30 layers exist at Tel Megiddo. The first four layers have been identified. This site was a Canaanite city, an Egyptian fortress, a Chariot City during Biblical times, and a prominent Assyrian and Persian city. King Solomon ruled the city in its prime in the 10th century BCE.

The city has seen more battles than any other location in the world because of its location at the crossroads of the ancient world. The first written reference to Megiddo also happens to be the first recorded battle in history: a detailed account of the 1479 B.C.E. invasion of the Egyptian Pharaoh Thutmose III. When King Thutmose III of Egypt conquered Megiddo 3,500 years ago, the pharaoh left with, among other things: 1,929 head of cattle, 2,000 goats, 20,500 sheep, 204 horses, 200 army uniforms, and 502 bows. Megiddo is also the first recorded use of the composite bow and the first body count. All details of the battle come from Egyptian sources — primarily the hieroglyphic writings on the Hall of Annals in the Temple of Amun-Re at Karnak, Thebes (now Luxor), by the military scribe Tjaneni. Megiddo is also the site of a large chariot stable complex, called Solomon’s Stables, even though we now know they were built by Solomon’s successor King Ahab during the 9th century B.C.E.

Fortress cities sit on the 10 acre summit of Megiddo Hill or Tel Megiddo, rising 21.33 meters (about 70 feet) above the valley. Megiddo is located in the Lower Galilee region of northern Israel. Its critical location dominated the Aruna Pass (Wadi Ara or Megiddo Pass), which was the entrance to one of the few passes through the Carmel Mountains. Megiddo controlled the Via Maris, the main route between Egypt and Mesopotamia, also known as the Egyptian Way of the Sea. Christians regard this area as “Armageddon,” where the final Biblical battle between good and evil will occur.

The early Bronze Age temple compound at Megiddo is unparalleled for its number of temples, the continuity of cult activity and the record of ritual activity. The late Bronze Age palace is the most elaborate in Israel, and one of the best in the Levant. For the Iron Age remains, the elaborate orthogonal town plan of Megiddo has few parallels in the Levant. All three tels have impressive remains of their underground water catchments systems, which demonstrate sophisticated and geographically responsive engineering solutions to water storage. Megiddo is significant because the entire sequence of the Bronze Age and Iron Age is not only represented and excavated, but radiocarbon dated.

Those are the travelogue statements. When on pilgrimage, one place full of stones begins to look like another after many days on the bus. Even though I was keeping notes of my journey in my paper journal, by the second week, I was hitting information overload. Each and every place was of the utmost importance, but my body was feeling the stress of constant traveling on a bus as well as the lack of good sleep from a different bed in a new hotel every single night.

Only strong coffee, lots of water, and eating three good meals a day were keeping me going. I was so excited during my pilgrimage, I was in an altered state of mind for weeks after my return home. Time slowed down and I could see more clearly for a long time. I would swear I could see individual oxygen molecules in the air, even though in my rational mind I knew this wasn’t possible. Pilgrimage is a spiritual journey, not a tourist trip of checking off various sites to say “I’ve been there and done that.” Even when surrounded by a “great cloud of witnesses” both physical and immaterial, I always knew I was walking on holy ground.

What does it mean to walk in the places where people have lived and died? Especially where they have clashed violently in war? The last time Americans fought a war on our home front was the Civil War. That internecine conflict was a horrific wound on our nation, an injury that hasn’t yet healed for some. I know my own daddy still carried the scars of his ancestors who fought on the battlefield to preserve slavery. He never understood why I thought that was a bad choice and why I worked to undo the damage of the war’s legacy on all Americans.

While traveling back home from viewing the Great American Eclipse, I met a man at Shiloh National Military Park, a Civil War memorial battle field. He visits these historic sites to pray for the deceased. He was from New Orleans, Louisiana, and believed those who died a violent death still wandered about, since their souls weren’t at peace. I don’t know if I believe this, but it gave him comfort to pray for the release of the hate and violence people can store up in their bodies and spirits and cause them to war upon one another.

I can say on that autumn day while I walked those killing fields, I felt the somber mystery of death and life, dignity and indignity as I walked about the silent hills and valleys. No longer do we hear the crack of the rifle or the thunder of the cannons. Rain has washed away the blood from the grassy knolls and pastures. Sunlight has dressed the wildflowers in beauty. If not for the explanatory signage, I’d never know about the extraordinary happenings at Shiloh National Military Park.

Perhaps I’m painting these historic sites of conflict because we are in a time of strife, not only abroad but at home. The actual shooting wars are going on beyond our shores, but conflicts at home are no less serious. I’m heartbroken by the devastation of the Ukrainian homeland by the Russian aggressors, and remember the ongoing tussle over the Temple Mount by the various faiths of the world. If there’s conflict beyond us, likely there’s conflict within our our own groups. The outer world usually reflects our inner world.

The stress of our United Methodist Church becoming the “Untied Methodist Church” has been rough on me. I’m carrying my stress in my neck and shoulders so much I’ve pinched the nerve to my pinky and ring fingers. They are now numb. I’m now in physical therapy for this. Medication and relaxation exercises will certainly help. One of my condo residents prayed for a “miracle cure” for me. My theology typically considers “miracles” to be reserved for situations beyond the usual care of physicians, but I know lay people use “miracles” more loosely than we clergy. Nevertheless, I appreciated their well meaning prayer for my healing. After all, God cares for both small and large problems, as Jesus reminds us in Luke 12:24,

“Consider the ravens: they neither sow nor reap, they have neither storehouse nor barn, and yet God feeds them. Of how much more value are you than the birds!”

I look at that second painting and compare it to the first painting I completed. While I attempted to keep the surface flat, I got involved in the recreation of the old city in my imagination. I connected the moonlight outside with the lamplight inside. I also added an abstract figure in the foreground. The red marks don’t work for me anymore,so I’m likely to destroy this art work. The second one I may keep, only because I learned some new colors and was brave enough to experiment with colors I don’t normally use.

In this final work, I chose only a portion of the satellite image. This allowed me to eliminate the areas which were causing me problems in the earlier works, especially the large, repeating curves. Although I’m back to my favorite yellow—I confess to being a Van Gogh fan—I used a greater variety of tints, rather than painting straight from the tubes.

Pablo Picasso once said, “Painting is just another way of keeping a diary.” If our outer world is in conflict, this drama will wash over into our inner world. It will show up in our dreams, our health, our relationships, and in other parts of our lives. If we think the late pandemic and current politics have broken relationships or distressed families, imagine what this has done to our churches. Most people go to church as an escape from this drama, hoping to find a sacred place where everyone is Imitating Christ’s Humility:

“If then there is any encouragement in Christ, any consolation from love, any sharing in the Spirit, any compassion and sympathy, make my joy complete: be of the same mind, having the same love, being in full accord and of one mind. Do nothing from selfish ambition or conceit, but in humility regard others as better than yourselves” (Philippians 2:1-3).

Unfortunately, all people bring their imperfect selves to Christ. Although Christ forgives our old sins, our sin habits remain. Most of us forget this. As an artist, I understand better than anyone the process of “going on to perfection” is both a gift of the Holy Spirit and our own work. While God could gift perfection completely, most often it’s a cooperative endeavor. This is why the studio product is sometimes a thrill, but other times a disappointment. Yet even in the disappointments, we can learn from our mistakes. We might need to “mistake a bunch of times” until we get focused on a new direction. We have to trust the process. Canvas is cheap. It can be reused or recycled. Plus, our salvation isn’t impaired by our detours in the studio.

Yet too often we’re hung up on the product as a reflection of our personal value or worth. If we are hurt, damaged, ill, broken,or harmed in any way, art is a therapeutic exercise for us. Monet tied the brushes to his hands when his arthritis made holding the brush too difficult. His later paintings also had freer brushwork. He could have quit, but he adjusted his expectations and his style to keep creating. As Monet once said, “I’m never finished with my paintings; the further I get, the more I seek the impossible and the more powerless I feel.” Degas was fond of saying, “Only when he no longer knows what he is doing does the painter do good things.”

If we’re in the safe, but shallow waters of certainty, we’re unlikely to grow to the deeper depths of either the spiritual or artistic realms. Most of us are afraid to cast off the anchors that keep us bound close to well known shores. We want to hear the praise of the crowd, and if we sail off for the unknown horizon, we will leave those familiar voices of the crowd’s approval behind. We can only discover the new world by leaving the old one behind, by risking a journey in faith others are not willing to undertake. Sometimes we may need to get out of the boat and risk walking across the water to meet Jesus who calls us to meet us in the midst of the strong winds and high waves.

I don’t worry about these feelings anymore, for I know they will come up, I’ll meet them, and then I’ll let them go. Our feelings of the moment are not the feelings of forever. Only one is the same yesterday, today and forever—the Lord Jesus Christ. The rest of us are still a work in progress.

Joy and peace,

Cornelia

Chalcolithic Period – an overview | ScienceDirect Topics. https://www.sciencedirect.com/topics/social-sciences/chalcolithic-period

The Battle of Megiddo – Ancient Egyptian culture https://www.donsmaps.com/egypt2cb.html

Megiddo https://www.jewishvirtuallibrary.org/vie-megiddo

Armageddon Time: How Discoveries at Megiddo Retell the Story of Ancient Israel – Archaeology – Haaretz.com https://www.haaretz.com/archaeology/2023-01-22/ty-article-magazine/armageddon-time-how-discoveries-at-megiddo-retell-the-story-of-ancient-israel/00000185-d960-d2d9-ab95-ffe0729e0000

Kingdoms of the Levant—Megiddo (Canaan)—date contested. https://www.historyfiles.co.uk/KingListsMiddEast/CanaanMegiddo.htm

Megiddo – Tourist Israel https://www.touristisrael.com/megiddo/9448/

Biblical Tels – Megiddo, Hazor, Beer Sheba – UNESCO World Heritage Centre https://whc.unesco.org/en/list/1108/

20 Quotes from Claude Monet | Denver Art Museum

20 Quotes from Edgar Degas | Denver Art Museum